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Life at 21 Lane Aplayinoneactby Austin Mitchell
Life at 21 Lane Aplayinoneactby Austin Mitchell
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3 AUDIOBOOK COLLECTIONS
6 BOOK COLLECTIONS
This play is a work of fiction. Names,
characters, places and incidents are either
the product of the author’s imagination or
are used fictitiously. Any resemblance to
actual events or locales or persons living
or dead are entirely coincidental.
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CAST OF CHARACTERS:
MAIN CHARACTERS:
DARLENE: Twenty-two-year-old basic school teacher
SUPPORTING CHARACTERS:
policeman
policeman
policeman
policeman
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Table of Contents: Page:
Scene 1 7-16
Scene 2 17-28
Scene 3 29-36
Scene 4 37-42
Scene 5 43-47
Scene 6 48-57
Footnotes 58-58
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SCENE ONE
(In Priscilla’s living room. There are some couches, whatnot,
entertainment center. A flat screen television set sits in the
middle of the entertainment center.)
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DARLENE: She is dead and buried. We phoned you. We
sent messages. Lord Mister Banjo, you could have treated her
better than that.
BANJO: It’s just last week that I got back another phone and
I decided to come and find out if everybody was all right.
Everybody I talked to on my way up here said that she got a
good turning out.
BANJO: Are you sure that he went to school? All he’s good
for is to keep bad company. Police will soon come for him.
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PRISCILLA: What did you say, Mister Banjo? Repeat what
you just said. You are asking for our mother’s bank book?
BANJO: So, what’s wrong if I ask about it? It’s only the two
of us names were in it and now that she is dead, I want it.
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Naomi has gone to look for our mother. She isn’t coming here
until tomorrow evening.
WELLA: (Still has his hand over where Priscilla had boxed
him) What is she saying, Priscilla? Banjo doesn’t want us to
live here anymore?
PABLO: I told you that it’s here Killer lives and you didn’t
believe me.
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DARLENE: Two of Wella’s friends just tried to hold me up.
(Priscilla’s hands fly to her mouth.)
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SCULLY: All of you are still here? But I heard that you had all
left. I came looking for Gwen and Banjo down here and now I
find the three of you. So tell me, Priscilla, Gwen and Banjo
didn’t come up here?
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WELLA: It’s you to watch what I’m going to do to you if you
put back your foot up here again, tonight. (Scully whips out a
knife)
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WELLA: Both of you didn’t hear what I said. The men are
going to say that I’m an informer and come to look for me.
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SCENE TWO
(This is at Sammy’s bar. Banjo and Scully are in the bar
drinking. The bartender is a woman, Tiny. Two men and a
woman are the only other customers. Music is playing in the
background)(Enter, Priscilla and Darlene)
PRISCILLA: You heard this man, telling lies about us. Who
is in anywhere for you, Mister Banjo?
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TINY: If you stay in the bar quarrelling, I am going to lose my
customers. That’s what I’m talking about. (The two men and
the woman leave)Look there, see my customers leave there.
TINY: Women, you don’t see that both of you are blocking
people from coming into the bar and you are not buying
anything.
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PRISCILLA: We are waiting on Mister Banjo. We want to
know what he’s up to.
TINY: It’s so they are wicked to you. That’s why you ran
them out of your house, Banjo?
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burly man while another is tall and thin. The other is slim and
of medium height)
TINY: Gunmen!
TINY: But what a way you’re bright, you robbed us of all our
money and don’t want us to report it. I don’t even have bus
fare to go to my yard; you’ve cleaned out my bar. As soon as
you leave here I’m going to report it at the station.
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SLIM GUNMAN: (Still disguising his voice) (Points gun at
Tiny) You want to die, woman. Give us back the cell
phones.(Takes back cell phones and put in bag.)
TINY: It’s a good thing that I have this phone hidden away
for any emergencies.
BANJO: What a big liar and wicked girl. It’s your brother you
are calling a gunman and murderer.
BANJO: They took away more than that from me. And the
phone that they’ve gone with is worth more than fifteen
thousand dollars.
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SCULLY: It’s about ten thousand dollars the boys took from
me plus my phone, which is worth about the same amount of
money. The one who said that it was cheap phones we had
doesn’t know anything about phones. You saw the boy who
pointed the gun in my face. It’s Wella, I could swear that it
was him. He was feisty with me up at the house and I had to
draw my knife after him. He swears that he is going for his gun
to kill me.
BANJO: It’s not him that, Scully. None of those men have
the build like Wella. Wella’s shorter than that man.
TINY: I am going to tell the police that it’s those two women
and those two men who set up the robbery, because I heard
you whispering that you know one of the men.
BANJO: Tiny, it’s me you are calling a thief? Look how much
business I give you. Look how many times I’ve come here and
drank off my pay. Look how many times I’ve borrowed money
from you to buy more liquor and paid you back. (Pricilla and
Darlene are shaking their heads at Banjo’s revelations)
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are claiming. Look how many lies you used to tell our mother
when you came home with your pockets empty.
TINY: I don’t understand, how she would give you her place
over her own children, Banjo.
BANJO: They treated her the same way they did me. They
took up with two men. One of the men, all he can think about
is his expensive liquor and the other man is older than
Darlene. He is in America, working.
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SERGEANT WRIGHT: Who did they kill down here?
Anybody get shot? We heard that robbery and murder took
place down here.
TINY: It’s murder, yes, look how long you took to reach here.
The boys could have killed us off already.
TINY: They emptied the bar of all the liquors and cigarettes
and they’ve gone with twenty thousand dollars and all of our
cell phones. Banjo and Scully said that they took money from
them too, plus their expensive cell phones.
BANJO: It’s true, Sarge and they took money from Scully and
his cell phone too, sir. It’s only those women there they didn’t
rob. (Points to Priscilla and Darlene)
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TINY: I feel that it was they who set up the robbery, Sarge.
They are just standing before the bar and not buying anything.
TINY: (Runs into the bar and grabs up an empty rum bottle)
Sergeant Wright and Corporal Jepson, give me some way
there, let me burst this bottle in that woman’s head because
she threatened to lean my face.
TINY: How do you mean don’t bother with that, Sarge? You
know that I don’t back down from anybody. I have to do her
something tonight.
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SERGEANT WRIGHT: What kind of notice did you give
them?
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SCENE THREE
(In the living room of the captured house of Priscilla. Some
couches and chairs are in the room. Music is playing softly in
the background. Gwen is sweeping the floor. (Enter Banjo and
Scully)
GWEN: (Has a worried look) Banjo, are you sure you know
what you are doing when you made us put out Priscilla and
Darlene and take over their houses?
GWEN: Where are you going? How did you know that it’s up
here we live now?
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BANJO: You saw Priscilla and Darlene?
TINY: Banjo, it looks like a big house you have. Can you rent
me one of the rooms?
BANJO: It’s four bedrooms the house has, so we can rent out
two of the rooms.(Enters Janga, he’s Priscilla’s boyfriend)
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JANGA: It’s a whole heap of things we have. If I never saw
you I would say that Priscilla moved out leaving me and took
my things too, but why would she leave all of the furniture?
BANJO: Are you sure that’s not what she has done? As for
the furniture, I bought every piece you see here. Next time you
make sure that you don’t go and live in a woman’s house.
BANJO: I don’t know what they did with the furniture. They
must have sold them off or mashed them up.
JANGA: What did you say? You are up at Miss Ruby’s house.
So where are our belongings? Where are my liquors?( Enter
Tiny)
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JANGA: Banjo, you all renting out rooms to Tiny too and
Miss Meda. You hear this Priscilla, Banjo is renting out your
house.(Ends the call)
BANJO: (Takes the money from Tiny and counts it) Tiny,
come and sit beside me. (Tiny sits beside him) After this you
don’t have to pay me anymore rent. I will take it out in liquor
and some good loving. (Tries to hug her up, but Tiny pushes
him away)
BANJO: Why don’t you move in from tonight? See back part
of the money here. You can pay the truck to move your things.
BANJO: Cho, Tiny, if that’s what you’re afraid of, let us have
a quickie. (Moves closer to Tiny)
TINY: Your woman will soon come back. You want her to
cut me up.(There is a knock on the door and Banjo and Tiny
pull apart)(Enter Gwen).
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GWEN: It’s some things I went to buy to make breakfast in
the morning.
BANJO: I have one room left, but it’s expensive. You have
twenty thousand dollars plus one months deposit?
GWEN: You still live there. I am not sharing any house with
you and Tiny. I don’t want men to over-run my house.
MEDA: I have the money with me. But I don’t like Gwen’s
attitude because all of us used to live at 21 Lane so I don’t
know why she is behaving like that.
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GWEN: I can’t stop Banjo from renting you and Tiny the
rooms, but if it was me, I wouldn’t be renting either of you
anywhere.
MEDA: Who wants Banjo? All I wanted was the room to live
in. So she doesn’t have to worry that I am going to sneak
Banjo into my room when she is sleeping at nights. You don’t
have to lose any sleep that I am going to take Banjo away from
you.
BANJO: You are a big liar, Tiny. See back your money here.
I’m not renting you any room again.(Gives back Tiny her
money)
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GWEN: (Rushes at Tiny) You are telling lies on Banjo.(The
two women start to wrestle)(Meda and Banjo try to part them)
GWEN: How do you mean stop the fighting? After she told
lies on you. So it’s true, she is talking, you wanted to sleep with
her. (The two women are pulled apart)
MEDA: Tiny, you know what I’m not renting any rooms from
Banjo again.
TINY: Miss Gwen, any woman Banjo rents the house to, he’s
going to want to sleep with them. You see you, Banjo, I bet
you don’t come back to my bar and get anything more to trust.
BANJO: Get away from here, Tiny, after you told lies on me.
Is it your bar? As far as I know Sammy owns the bar.
TINY: It’s Sammy, who owns it, but I operate it for him.
Sammy can’t tell me how to run the bar.
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Other Books by Austin Mitchell
Novels:
My email: glengoffe1@cwjamaica.com
If you enjoyed these scenes why not buy the book and please be kind enough
to leave a review at Amazon.
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FOOTNOTES:
dash-throw away
trust-credit
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3 AUDIOBOOK COLLECTIONS
6 BOOK COLLECTIONS