Karlheinz Stockhause

KLAVIERSTOCK
EXAMEN vom DONNERSTAG au~

als Klaviersolo

1979/83

Werk Nr.: ex 49 ~
~arlheinz Stockhausen

VIERSTOCK XII
vom DONNERSTAG aus LICHT

als Klaviersolo

1979/83

Werk Nr.: ex 49 ~
- ----

PIANO PIECE xn
EXAMINATION from THURSDAY from LIGHT

is the 3rd scene of Act I, MICHAEL'S YOUTH of the opera THURSDAY from LIG

The original version is published as a separate score entitled

EXAMEN
(EXAMINATION)
for
Tenor, Trumpet, Dancer/
Basset-hom, Piano/
Jury: Soprano, Bass, 2 Dancer-Mimes as speakers/
2 Tapes,

which may be performed by itself, with or without Jury and tal

This scene, with the above participants, is also included in the score of the entire fIrst act, MICHAl

In 1983, I rewrote this EXAMINATION as a piano solo "Pour Ie Printemps Musical de Vernier". It fIts ir
for solo piano as PIANO PIECE XII. It is dedicated to my daughter Majella who, as pianist, has worked w.

Performance Instructions

PIANO PIECE XII should be performed from memory (the music rack is then rel

In larger auditoriums, the piano should be amplifIed with 2 or more

microphones positioned above the strings ( if possible, mounted on
small stands inside the piano case, or affIxed to the inside of the lid),
and 1 microphone for knocking, whispering, etc., should reach from
the right in front of the keyboard lid, aimed at the pianist's mouth.
The dynamics are unnoticeably controlled by a sound projectionist
" '.
,
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:,'
( with a small mixing table) from the middle of the hall. The ampli- I

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,

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fIed sound should come mainly from the direction of the piano. ,,
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For shaping the spatial sound and for increased intelligibility, loud- I
,,
,

speakers should also be placed at the rear of the auditorium. They ,,

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should be switched parallel with the front loudspeakers, but at a
lower level.
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VI
 PIANO PIECE XU

EXAMINATION from THURSDAY from LIGHT

~IICHAEL'S YOUTH of the opera THURSDAY from LIGHT arranged for piano solo.

The original version is published as a separate score entitled

EXAMEN
(EXAMINATION)
for
Tenor, Trumpet, Dancer/
Basset-horn, Piano/
Jury: Soprano, Bass, 2 Dancer-Mimes as speakers /
2 Tapes,

'hich may be performed by itself, with or without Jury and tapes.

Its, is also included in the score of the entire fIrst act, MICHAELs JUGEND (MICHAEL'S YOUTH).

a piano solo "Pour Ie Printemps Musical de Vernier". It fits into the cycle of my previously composed works
:dicated to my daughter Majella who, as pianist, has worked with me since she was 16 (1977).

Performance Instructions

should be performed from memory (the music rack is then removed from the piano).

The loudspeaker towers

amplified with 2 or more must be at least 3.50 m
,,
I

if possible, mounted on high.

,,
I

:d to the inside of the lid), ,

g, etc., should reach from , '. ,'
at the pianist's mouth. ", .... '1
:
:
,," ,, y = microphone
by a sound projectionist , , I ,,
He of the hall. The ampli- ,
, , I
,
I
-It = sliding fader
e direction of the piano. ,, ,
, I
, I

reased intelligibility, loud-

, , \ ' o = panorama
,
,
,
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\
,,
I
I
potentiometer
of the auditorium. They
1t loudspeakers, but at a
, I

"f,
\ , \7= amplifier
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 [1] Numbers in boxes are metronome indications and always apply [] = phonerr
to a J . national
versity I

f Grace notes should be played somewhat broadly, rather than too

)f = clicks .
fast.

119 Grace notes very fast, quasi arpeggio. )l = click w

trem. trem.
)[
1=lor 1=1 Dense tremoli without fixed speed. = both cl

rit. = Slow down to quasi half tempo, H = hand-cl

molto rit.
-
slow down to a still slower tempo. fltistern = always'
(whisper) rolled '
= cluster (always chromatic). notatiOl
~ ~

i i = Silently press down key. stimmlos mfen ..•.~= like whi

(voiceless calling)
i = staccato always very short, regardless of the note value.
Stimm-Gerausch ..•.p'= voiceles
~ = Depress middle pedal and keep it completely down, otherwise the (vocal noise) ing, but
dampers loosen themselves and shift. sharp [
with g1
~ = Release middle pedal, and after the new chord, immediately de- the vow
press completely again.
stimmhaft fltistern = voiced 'i
....M-Ped....J= Release middle pedal. Make s
often w
~ = Depress right pedal; in addition to the places specified with ~
the right pedal may be freely used as usual for the slurring and pfeifen = whistle
colouring of pitches. (whistle) It is ea!
check tl
T = Play on the strings (according to the respective instructions). notated
pizzo
T = Pluck string with plectrum or fmgernail.

The glissandi on the strings were tried out on a Steinway B model grand
piano. With differently constructed pianos one may have to interrupt some
glissandi at a metal brace and quickly continue on the other side.

An accidental # or ~ applies only to the note which it directly precedes;

q serve only as reading aids. If a note with or r r
is repeated and these
repeated notes are joined with a beam, then the accidental is not notated
again, but applies to all of the repeated notes.

Vocal sounds and syllables must be held out for the full duration of the note
value.
s and always apply [ ] = phonemes in brackets according to The Principles of the Inter-
national Phonetic Association (Department of Phonetics, Uni-
versity College, London W.e. I).
jly, rather than too
)f = clicks with the fmgers.

)\... = click with the tongue against the gums.

)[ = both clicks simultaneously and mixed.

H = hand -clapping.

fliistern = always voiceless; stretch the consonants [s ] , [f] , voiceless

(whisper) rolled [r] , etc. Vary pitch of whisper according to the space
notation, or, when notated on one line, vary freely.

stimmlos rufen .I p= like whispering, but especially loud and sharp.

(voiceless calling)
ote value.
Stimm-Gerausch.l p= voiceless, yet no language as in whispering and voiceless call-
lown, otherwise the (vocal noise) ing, but only a noise. For example [tJ---J has only one
sharp [t] at the beginning, and then a continuous [JJ (sh)
with glissando, which results from the continual changing of
'ct, immediately de- the vowel position of the lips.

stimmhaft fliistern = voiced whisper.

Make sure to whisper not only with descending glissandi, but
often with ascending glissandi as well.
;>ecifiedwith f..-
or the slurring and pfeifen = whistle with lips.
(whistle) It is easy to mistake the octave when whistling. One should
check to make sure that one whistles the pitches which are
~instructions). notated.

zy B model grand
to interrupt some
. side.

directly precedes;
repeated and these
Ital is not notated

llfation of the note

VII
 Dbersetzung der Partituranweisungen Translation of the performance instructions from the score

KLAVIERSTOCK XII PIANO PIECE XII

EXAMINATION from THURSDAY from LIGHT
EXAM EN vom DONNERST AG aus LICHT
als Klaviersolo as piano solo

Seite / Page - 1 -
1. EXAMEN 1st EXAMINATION

diese VorschHigeimmer breit these grace notes should always be broad

Seite / Page - 2 -
kontin. loslassen gradually release pedal

Seite/Page - 3 -
AIle Gerausche, Worte, Gesten sollen immer sehr sparsam All noises, words, gestures should always be used very spa-
sein. ringly.

mit leichten Hand- und Koptbewegungen with slight hand and head movements

manchmal stimmlos rufen: "weiler, weiler ... /" call occasionally, without voice: "continue, continue .../"

unregelm. Schnalzer und Finger-clicks mit verschiedenen irreg. tongue clicks and fmger clicks with various pitches
TonhOhen

Seite/Page - 4 -
einige Handktisse a few hand kisses

Ku1)gerausche kissing sounds

FORTSETZUNG CONTINUATION

breiter - breit broader - broad

Seite / Page - 5 -
Lippenstellung position of lips

Finger - clicks mit versch. Tonhohen und schnelles Klat- fmger clicks of various pitches and rapid clapping of the
schen der Handspitzen (mit Pausen) fingers (with rests)

stumm niederdrticken press down silently

x
 Traduction des indications de jeu de la partition
Translation of the performance instructions from the score
PIECE POUR PIANO XlI
PIANO PIECE XlI
EXAMEN du JEUDI de LUMIERE
EXAMINATION from THURSDAY from LIGHT
version pour piano solo
as piano solo

ler EXAMEN
1st EXAMINAnON
these grace notes should always be broad ces appoggiatures toujours larges

reh1cher continument la pedale

gradually release pedal

Tous les bruits, paroles et gestes doivent toujours etre tres

All noises, words, gestures should always be used very spa-
parcimonieux.
ringly.
avec de legers mouvements de la main et de la tete
with slight hand and head movements
call occasionally, without voice: "continue, continue ...!" lancer parfois sans voix: « continue, continue ... !»
claquements de langue et de doigts sur des hauteurs de son
irreg. tongue clicks and fmger clicks with various pitches
diverses

envoyer quelques baisers

a few hand kisses
kissing sounds bruits de baisers

CONTINUAnON SUITE

broader - broad plus large - large

position of lips position des levres

fmger clicks of various pitches and rapid clapping of the faire claquer ses doigts sur des hauteurs de son diverses
et frapper rapidement l' extremite des mains l' une contre
fingers ( with rests)
l' autre (en faisant des silences)

press down silently enfoncer sans produire de son

 Seite / Page - 5 - (Forts. / con t. / suite)

CD = tiefstes CD = lowest
@ = hOchstes @ = highest
stimmlos zischen hiss without voice

Seite / Page - 6 -
H weniger laut B less loud
cluster stumm silent cluster
Anschlag verdeckt attack covered
plotzlich zum Himmel schauen suddenly look upwards
allmahlich wieder auf die Tasten schauen gradually look at the keys again

Seite/Page - 7 -
mit viel Wind with much wind
kurz short
mit Zapfchen-r oder anderem vogelahnlichem Triller with uvular r or other bird-like trill
"Wind" "wind"
Fingernagel-Gliss. tiber die Saiten streichen gliss. with fingernails across the strings

unregelma~ig irregular
beschworend stimmlos rufen call imploringly without voice
FORTSETZUNG GLISS. GLISS CONTINUATION
Ku~ger. kissing sounds
Schnaizer tongue clicks
stimmlos zischen hiss without voice
stimmlos laut at men (aus - ein) breathe loudly without voice (out - in )
deutsch German pronunciation

Seite / Page - 8 -
Fingernagel -Gliss. fmgernail glissando
zogern hesitate
Zahiennamen rufen call numbers

Seite/Page - 9 -
singen sing
Altstimme singt I Oktave tiefer und sempre f , Alto voice sings I octave lower and sempre f ,
Miinnerstimme singt I Oktave oder 2 Oktaven tiefer. male voice sings I octave or 2 octaves lower.
 CD = lowest CD = Ie plus grave
@ = highest @ = Ie plus aigu
hiss without voice siffler (comme un serpent) sans voix

B less loud Si moins fort

silent cluster cluster muet

attack covered attaque couverte

suddenly look upwards regarder brusquement en l'air

gradually look at the keys again peu a peu regarder a nouveau les touches

with much wind avec beaucoup de vent

short bref

with uvular r or other bird-like trill avec r uvulaire au autre trille analogue a celui d 'un oiseau

"wind" «vent»

gliss. with fingernails across the strings glissando en faisant passer les angles sur les cordes

irregular irregulier

call imploringly without voice lancer sans voix sur Ie ton d 'une invocation

GUSS CONTINUATION SUITE du GLISS.

kissing sounds bruits de baisers

tongue clicks claquements de langue

hiss without voice siffler (comme un serpent) sans voix

breathe loudly without voice (out - in) respirer fortement sans voix ( expirer - inspirer)

German pronunciation allemand

fmgernail glissando glissando avec les angles

hesitate hesiter

call numbers lancer les nombres

sing chanter

Alto voice sings I octave lower and sempre f , Vne voix d' alto chantera I octave plus bas et senzpre f ,
male voice sings I octave or 2 octaves lower. une voix d'homme chantera I au 2 octaves plus bas.

XI
Seite/Page .9- (Forts./conL/suite)
German pronunciation
deutsch
Italian pronunciation
ital.
broad
breit

Seite/Page - 10.
articulate phrases with pedal, as before
Phrasen mit Pedal artikulieren, wie zuvor

Seite/Page - 12-

lang gezogene [f] , [ s J , [ <; J, dazwischen )l und andere

long drawn - out [f], [ sJ ,[ <; J, with )l and other mouth
noises in between
Mundgerausche
CONTINUATION
FORTSETZUNG
slow everything down
alles verlangsamen

Seite /Page - 13 -
2nd EXAMINATION
2. EXAM EN
never play staccato, unless it is notated
niemals staccato, wenn es nicht notiert ist
surprised
erstaunt
hissing with <; and s
zischend -fauchend
vowel gliss.
v0kalgliss.
consonant
Konson.
gradually more and more pedal
allmahlich immer mehr Pedal
trill with upper minor second
Triller mit oberer kl. Sek. (bis Takt 95)

Seite/Page - 14-
kissing sounds
Kuf.)gerausche
play out
ausspielen
broad
breit
call numbers without voice
stimmlos Zahlen rufen
hand strikes against edge of lid
HandschHige auf Deckelrand
hiss without voice
stimmlos zischen

Seite/Page - 15 -
blow through the lips without tone, like wind
tonlos durch die Lippen rauschen wie Wind

exhaling
ausatmend
irregular tremolo
tremolo unregelm.

XlI
German pronunciation allemand

Italian pronunciation italien

large
broad

articuler les phrases avec la pedale, comme auparavant

articulate phrases with pedal, as before

long drawn - out [f], [s] ,[ ~], with )l and other mouth
[ f] , [ s ] , [If] tires en longueur et entrecoupes de )l et
autres bruits de bouche
noises in between
SUITE
CONTINUATION
tout ralentir
slow everything down

2e EXAM EN
2nd EXAMINATION
ne jamais jouer staccato, si ce n'est pas indique
never play staccato, unless it is notated
etonne
surprised
en sifflant comme un serpent et crachant comme un chat
hissing with ~ and s
glissando vocalique
vowel gliss.
consonne
consonant
gradually more and more pedal
peu a peu de plus en plus de pedale

trill with upper minor second

triBe avec seconde mineure superieure (jusqu' a la mesure
95)

bruits de baisers
kissing sounds
jouer distinctement to utes les notes
play out
large
broad
lancer les nombres sans voix
call numbers without voice
coups de la main frappes sur Ie bord du couvercle
hand strikes against edge of lid
siffler ( comme un serpent) sans voix
hiss without voice

blow through the lips without tone, like wind

faire entendre comme un mugissement de vent a travers
les h~vres,mais sans son

en expirant
exhaling tremolo irregulier
irregular tremolo
 Seite/Page - 15 - (Forts./cont./suite)
unregelm. wie Wind irregular like wind
Pizzo(Plektrum), dann Fingemagel-Gliss. tiber die Saiten pizzo (plectrum), then fingemailgliss. over the strings

linke Schuhsohle tiber den Boden reiben rub sole of left shoe over the floor
einatmend inhaling
Wind wind
wie zuvor as before
Tasten keys

Seite/Page - 16-
breite arpeggi broad arpeggi
singen sing
BREIT BROAD
lang long

Seite /Page - 17 .
3. EXAMEN 3rd EXAMINATION
trem. leicht unregelm. slightly irregular tremolo
stacc. regelmaflig . regular staccato

Seite/Page - 18 -
Pedal allmahlich senken gradually depress pedal
voll (pedal depressed) completely
ausspielen play out

Seite/Page - 19-
Kuflgerausche unregelmaflig (auch langere) irregular kissing sounds (also longer ones)

Seite/Page - 20 •
FORTSETZUNG CONTINUATION
voll (pedal depressed) completely
stimmlos durch die Zahne (scharf) through the teeth (sharp) without voice
farbiges Rauschen mit diesen Tonh6hen coloured noise with these pitches
einatmen inhale
aus exhale
irregular like wind irnSgulier, comme du vent

pizzo (plectrum), then fingernail gliss. over the strings pizzicato avec plectre, puis glissando en faisant passer les
ongles sur les cordes

rub sole of left shoe over the floor frotter la semelle du pied gauche sur Ie sol

inhaling en inspirant

wind vent

as before comme auparavant

keys touches

broad arpeggi arpegeslarges

sing chanter

BROAD LARGE

long long

3rd EXAMINATION 3eEXAMEN

slightly irregular tremolo tremolo llSgerement irregulier

regular staccato staccato regulier

gradually depress pedal enfoncer peu a peu la pedale

( pedal depressed) completely enfoncer a fond la pedale

play out jouer distinctement toutes les notes

irregular kissing sounds (also longer ones) bruits de baisers irreguliers (meme longs)

CONTINUATION SUITE

(pedal depressed) completely enfoncer a fond la pedale

through the teeth (sharp) without voice sans voix entre les dents (cinglant)

coloured noise with these pitches bruit colore sur ces hauteurs de son

inhale inspirer

exhale expirer

XIII
Seite / Page - 20 - (Forts. / cont. / suite)

HandschHige hand strokes

auf die Deekelkante on the edge of lid

unter den Tastenkasten under the keyboard

Seite /Page - 21 -

stimmlos zisehen hiss without voice

Seite / Page - 22 -

singen sing

Zapfchen-r rollend rolling r with uvula

Lippen lips

wenn notig hier atmen breathe here if necessary

Atemst6Be breath accents (with diaphragm)

etc. wie pfeifen, aber nur Windst6Be (aus- und einatmend) etc. like whistling, but only wind thrusts (exhaling and in-
haling)

(gleiche Lippenstellung, wie vorher; klingt aber 2 Oktaven (same lip position as before, but sounds 2 octaves higher)
hOher)

Pizzo (Plektrum) pizzo (plectrum)

Glissandi mit Fingernagein glissandi with fmgernails

alles klingenlassen let everything sound

Seite / Page - 23 -

ein-atmend inhaling

t = mit Fingernagein auf Saiten hin und her reiben, t = rub fmgernails back and forth across the strings,

~ = mit parallelen Fingerkuppen und Fingernagein = knock on several strings simultaneously with finger
(2.-5.) auf mehrere Saiten gleichzeitig klopfen.
~ tips and fingernails (2- 5) held parallel.

1. H. Pizzo left hand pizzo

aus-atmend exhaling

r. H. right hand

Gliss. mit Fingemageln gliss. with fingernails

arpeggi breit broad arpeggi

durchh6rbar pedalisieren transparent pedalling

Tone werden von selbst dynamisch verschieden, einzelne The pitches automatically vary in dynamic. Individual ones
sprechen manchmal nicht an. do not speak sometimes.

XIV
hand strokes coups frappes de la main

on the edge of lid sur Ie rebord du couvercle

under the keyboard sous Ie coffre supportant Ie clavier

hiss without voice siffler (comme un serpent) sans voix

sing chanter

rolling r with uvula r uvulaire roule

lips levres

breathe here if necessary respirer ici, si necessaire

breath accents ( with diaphragm) coups de respiration

etc. like whistling, but only wind thrusts (exhaling and in- etc. comme pour siffler, mais ne produire que des «rafales
haling) de vent» (en expirant et en inspirant)

(same lip position as before, but sounds 2 octaves higher) (meme position des levres qu' avant; sonne cependant 2
octaves plus haut)

pizzo (plectrum) pizzicato (plectre)

glissandi with fmgernails glissandos avec les ongles

let everything sound tout laisser sonner

inhaling en inspirant

t= rub fmgernails back and forth across the strings, t= frotter les cordes avec les ongles dans un mouvement
de va-et-vient
.
L = knock on several strings simultaneously with finger
tips and fingernails (2-5) held parallel.
L = etfrapper simultanement plusieurs cordes avec Ie bout
les ongles des doigts 2 a 5, places en parallele.

left hand pizzo m. g. pizzicato

exhaling en expirant

right hand m.d.

gliss. with fingernails glissando avec les ongles

broad arpeggi arpeggi larges

transparent pedalling jeu de pedale transparent

The pitches automatically vary in dynamic. Individual ones Les sons voient leur dynamique varier automatiquement
do not speak sometimes. de l' un a l' autre, certains d' entre eux ne parlent parfois
pas.
Seite/Page - 24 -

wie Wind like wind

Seite/Page - 2S -

voll (pedal depressed) completely

Seite / Page - 26 -

lang long

BREIT BROAD

l.H. etwas lauter spielen bis Schlu1.\ play slightly louder with left hand, until the end

Translation: Suzee Stephens

like wind comme du vent

(pedal depressed) completely enfoncer a fond la pedale

long long

BROAD LARGE

play slightly louder with left hand, until the end jouer la m. g. un peu plus fort jusqu'a la fin

Translation: Suzee Stephens Traduction: Ralph Alexandre Fassey

xv
 KLAVIERSTOCK X
EXAMEN yom DONNERSTAG aus L

als Klaviersolo

1. EXAMEN

101J=bOI 4 5
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....•
~
A.•.. A•... A _

---M -Pee!.---J M

KLA VIERsrOCK XII

 @
rit.---6
3 > 3 3 > 3 > 3 3 > 3 > 3
FT1 :;=; Ff=r1=F9 r==F1Ti
--
~
~ .•..
3 :r.----"r~~ ..••.~~~~~~.~. D- ~
:::l. L L _[:-;........... -

@---~e I I I I I
6 6 ).
---.I.-
Z5!:
0 o
" ~
"
~
'-"E mp
A A 1\ 1\
]iF /\ 1\ ---.l1 _Pod..

(e)
(!') >5
>!
-
-
-
-
- .
bl I I
-
I
.
I . mDI, I . p
a •
lFP~
1M
-
--r r >
i
M I

Q. tempo t'it. __ -- 150,51

FORTSETZUN& bre.i.ter
I I
mp J
J ,-. r""'. ~...-
I'"' 3 j ••

p • IF
@ .. "..:~
bl - ~.qP. :-

P"O"
Hf' ./r P IP IP__

@ copyright K. Stockhausen 1983 KLA VIERSTOCK XII

 iit._--6IJ =63,51
=
> 3
J I I I
3
I J
>
J
3
1
> 3 >
, r. >
-,;,. ".,

-"l,.. I vr_~ bd l.. If

..•.. ~~.....-r.l: t - L l.
..".'
p'a L'"" .- ..•...•. ..... > L • .
•... 0
i
I,
.
> mi
" >

--~-
_~I\. I\. ~I\.'-_-.JA
m
f ~~

.J1-Ped. ...J
I ----------./
M
:t p ••.•
.....•

f'Lt. Motto a.cul. _ --/

e.i.nige Hondku.sse.
(e)>----- , Ku~gerauschc.1 >
> 5
C1f> -3 . . . B?
•

•
'-
, ~'O"

---1M
-----'r >
I

breiter
I I

3 3 f"I A. ~~ ,------"

~-; -- ..' ~~ .-.. .

p-_----!, p .--II P_____________ ----J

KLA VIERSTOCK XII

 @
9 -rit. /141,51
>
••••

Cps t ps t ps
[ y ~u
Lippe.n.stellung
.~ • u ~y i ~oe ~y
y-+{cl:c:.)
Fin9~1".ditks rna ver.sc.h.
und .schneUu Kla.tschen d

tr- ....
.-
>r/H

@~t':'l
> > ,,-, a,_ b .......•..
••...-____ "'I-
-. _ 3

~
I .-..:
,... I

-....- .... ~
--- -
>

.P _

6~ =====-
3
f ~.
r--3---,

- -- -M-Ped._

@ copyright K. Stockhausen 1983 KLAVIERSTOCK XII

 @
-/141, 1
"---
-rit.
~
> ,
..•..
5

~
~ /
>

t ps tJ
'{-(ek)
~oe ~ '{
FingC!.r-clicks mi.t versch. Tonnonen
und schneLW Kla.tschen lier HW\dsplhen ( mit PlWsen)

>r/ H : ---
.... ~.
3
3 _ J),3 L ~~

.-.: .-...
--- .

stumm niedercLrucken
. .
cluster ~~
lii:~

i-u.
tJ

r--3--,

-M-Ped.-.J

KLA VIERSTOCK XII

 CD
~ !OO
6 (0"1(1) \ @1
~r,r@ ~(i)
_0
>
~~r\
Q
>

i-ui i-u
tf tJ tI Ansthla.g)
( venie,kt
H weni9~r lQUt~f 3 _ 3--
1r mp

@
.F- - - -':":1-- - - -~- - - ~i ------
cLuster :tt: I -:iX: •
stumm ~ : ,,-Jf)- •
8 ~----------------------------
M ~

plohLic.h
zum Himmel
sc.hc:wen
6Q>
(I!l-~,
aLlmOJ

iF
3[IQ] 6G[
-- ~ If
@
°
81':' F- - -
J '- / I O.
- - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - -f- - - - - - - - - - - - - ~- - - - - f:-:-:-

.
o :j:',
8~~ -.----
-----------------------------------------------------------------------

@) copyright K. Stockhausen 1983 KLA VIERSTUCK XII

 Ansthlag)
( verde,kt

-3-- mp

- - - - - -:- - - - .p- - - - -.f --- --rf- -- - -..f- - - - - - - - - - - _mp - - - - - - -j!--- -- ---Bf- - - - - --

r
r

----_#' ~:
'--'"
-----~----------------------------------------------------------- '--""

plohLith
zum HimmeL
sc.ha.uen

o.UmCihlich wieder cwf die TQ.Sten schcwen

6[ill H wenigeT' Laut

--3-- --3-----.

F IF

-t.---------:..-~---- -f-~---------------------------------- -

: ~:
"----' -----
-------------------------------------------------------------------------
-.1'1- Ped.---J

KLAVIERSTUCK XII
 cv
[@

@
-------------------------------------------------
r-~---' r-3-, 3 3 3 3 3 3

F8••~0
#~ ~ •
~ ';" 1T : ••
-
Elf
_ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

6
r~-----------------------------------------------------
mit lCipfchen -.,.. oder andere"" vogel.iihnlic.hern TriUu

pfeifen ~

--;fnc;]
@~ I If Pizzo
- .- "Winc!"
1f ..,.
"== •••••••••••••••• 2t'
:7
~ --T-.., 5 ~
Sfit
,-
etc..
~ FORTSETZUN& G:L1S
P mp Finge.rn49el- GJ.iss. unTegel.mQjlig p
e iibe.r die Saikn sheichen

~eif~
..._- , @ii~tuy
9 1"" >.
<Ws ~
0.. e.
0.. e.. 0.. e.
f>

[tui tiu tiu ti tiu ]

Pi2.'l..

y------------------------
@ copyright K. Stockhausen 1983 KLA VIERSTUCK XII
 Q:eif0 '.~
mit vie.LWind i

00 3 -I":"
( kurz.)
I
.
HP'q- p- - TI' -
••• , -,
. . ..-
------':3~ 3 3 3 3 ~ 3 1 3 3 3 ~ 3 3 3 3 3

:-r.. ..•.•om • •••••• • ~

" •
>-
______________________________________________________________________________________ J
iito j
, l",mtOJ
xi.chen

<e~f0 4
@nol~ a" ---, \
> ...•

f [to-rr--- Ju-pi-t.e.rr Ju-pi- ter,. [ti.uJ

etc..
FORTSETZUN& ~L1SS .

.en

)
-, @us~
== > CUlS ein a.. e. a.. e. 0.. e.
f> >

-------]MI- CHA-
EL
( d=tsc.h)

KLA VIERSTOCK XII

 1"lt.---/3 @
6 .3_C"}_~ r:.3_~ •

Jo - vis Ju- pi.ter MI.01A-EL Thors-

156,51
r.

Fingerno.ge1- G.Liu. (7)

~ F f
Y I Pedo.L a.d. l'

zogern
I meno "
If p : p
t

l.E- __ Pff~::=:.==-===2 m -.-====== ~f-=== j!'-

-----------------------_.
"t

llil POc.o rtt. _ /~ tempo rit. --/4 Q ten-

f
> >

ZWU d-rei vier funf ems

/'

.
> => f

p. tTef'\. at! lib. #J. . ~. #~. >

~-------------------------------------------------------------------------
@ copyright K. Stockhausen 1983 KLA VIERSTOCK XII
 t'tt.--- f3 @
3 ,3-, r-3~

156,51

(7)5

=======--rnf===
Ped.o.l CLtllib.
=- =f
zogern meno m05S0
I

. t. (B •.•. )
) 1) if? -=::::: mE .EP : mf : J (F)
.--====== '"
---------------------------~

I~tempo itt. __ - --/4 Q tempo poco rit. _

/
zwei. drei vier funf ei.ns 2.wei. drei vi.er fvnf
5

> # • > #-&-

-------------------------------------------------------------------------------
KLA VIERSTUCK XII
@
1:
8-.? J~ J r
r r f ... li.J I..L.]C.r
333
;u.r L -.b I 3
3 •
f P mp (11') P mf F f p f (li" m2 F mf 2-===

a. tempo (15.5)
""F fr3-, mE
)i >

e a.] LFCHE~-VA [ 1. e 0. J MT':-CHt-- VA I [i--Ci.--e ] MI- CHA.VE: [i Q. eJ

~ {} .
F.
_ Ee W
======= == --- Mf
~r L.-
~f..---.;u.r-
r r LU r f....
3 -.:.J 3 L.- 3 ---l 3
f m£
-E ..... ""1> E r'!f F -=:::. i (! , mf f I Peclo.l ad lib.

>
tF; f>

(~)
P I p--
@ copyright K. Stockhausen 1983 KLA VIERSTUCK XII
~ktavetLefu uod
st
.s~""pTe f,
1 Ok.ta.ve oc1er lOkkvet'l tie-fer.
T'it. I
- > . \I > - > . \1

MI- NA [U 1 a.] LU- ZI- FA [u e. a.] LU- ZE- FA [v e. 0.] LU CE VA

ch) i~.
A"_ [tJ] ,...:.,

F 11". !~~
f
------- --- --- ----
I.LT
3
~.r.-----._"rLT
3 3
T
L3~ c-3--'
7" r i~~-#-r-r-r-f-#rf
I '--3--'
#

P rnf F f F f (]f) me E rnf 2-=f P p mf rTf •••

fr3..., mp TLt.----/OO>
> >

CHE- VA [i Q. e ] HI- CHA'VE: [1 Q. e]

1f P

---
---
.~u..rmf 3
mE
mE f I Ped.o.l ad lib.
M ••

>
ri.t. -I
--------,

>

p f rnf j

KLA VIERSTUCK XII

 @

5
5 J r-- 3~ r;:::- 3---"\
@
rnp mf f mp

&Q I' '" , •.... ," r •••. - r -"

8 - - - - - - - - - - - - - - - _.- - - - - - - - - - - - - - - -_.-- - - - - - - - -- -- - - - - - -- - - - -- _.. _.- - - - --- _. - - . - - --- - -- - --- - - -- -
p ,, "'- "'- f'...
J1. Ped....J

3 7 accel. I 63,sl
> -

•
~

@
8_ I. - - - . - - - - - - - - - - - - - - - - - - - - - -t-----------pnp- --- 3- - -"1- --:- - - - - - . - - - t -------
----------~-;mp
,-- --==' r- ~

lJ --_- -- ------ - -- - - - - - - • - - - - - - - - - - - - -' - - - . - ~ - - - - - - - - - . - - - - - - - - - - - . - - - . - - - - - - - - - - -

~-- ~ I~ etc. (Phro.sen mit Pedol. a:r1:Lkuuercn, wie. 1

@ copyright K. Stockhausen 1983 KLA VIERSTOCK XII

 ----_._._- - --------------_.>-------------------- .
f mp mf f

. - - - - - - - - - - - - - - - - - -- _.. - - - - - - - - - - - - - .. - - - - . - - - . -- - - -- -. - - - - - - - - - - - - - - - - - - - _._.-:>- - - - - - -. - - - --- - - - -- -- - - --

___ "' f' '" I P

aaeL. -163,51 moLto rit. _

p
>

======--
--------t---. ------.-------------------- -----_.------------------.----------------
r-J--,: E r-3£mp F
>
...
____ I ~ etc. (Phr/Ue., mi.t Ped.al a:rtikuliercn, wie zuvor)

KLA VIERSTOCK XII

 @

If =m =
@
8.. --p- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1- - - - - - - - - -mj
- - - - - - - - --

~ ' /
\", ,/ , ,/

~------------------------------------------------------------------------------_.

rit. _
[ill
(rnp,>
rit.__ /0.. tempo

,--3---, 3

@)
,
1- 3-.
mp ~ - :::
~3~
==-- 1:P.

•• ,I ""'-, ..;, .# ~\o", .", -..,..."-.._-----

1L _ ;)!. . - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

@) copyright K. Stockhausen 1983 KLA VIERSTUCK XII

 Tit. - - -

__________________________________________________________________________ J

mj f ,--6~

~.... -' •...

-------------------------------------------------------------------------------Ee----
/ '-"..... /

"'--
-
M...

meno
Tit. rnosso Cl"eL. _
rit.__ fa. tempo :
> =,f
3 ,---- 3 I':'1':'\'

J J

- - - - - - - - -- - - - - - - - - - - - -- - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - -

KLAVIERSTDCK XII
 @

IJ=bOI
Lo.ng guogene. [f] ,[5] , [~] I do.zwische.n >L und. o.nQere Mund.g~rCi.usc:he.

-mp
rf'= --- ,,-.... ~ 3
~

r:"\ ,.-- 3~ ,-- 3------, .-3----.

~
': ~
r'="'
· -e-..... + -e-.
B~- - ~ - - - - - - - - - - - - - - - - - - - - - - - mE - - - - - - - - - - - - - - - - rn.f - - - - - - f--:-::- - - -- - - - - - - - - - - - - .
y ~etc.

acaL.-- - --lliJ 't'tt. 1 a. tempo

aUes ve.Tl.o.ng,samen
FORTSETZUN&

F_
qq>
~

@
~ . ~- ~- ..
!!f~f===:=:.:=:
"---tI s-
~-----------------mE-----------------------------------------F------------------
-e-.

@ copyright K. Stockhausen 1983 KLA VIERSTUCK XII

 t'it. _
dere Muno.ge.ro.usche. I :-
-

• b
o

_-e-' "--'
- - - - - - - - - - - - m.f - - - - - - f ...----.-- ------------------------------------------------rnf - -

a.tl:a.cCC1
1.EXAMEN

ri.t. 1 a. tempo molto ri.t. _

GlUes Ve.Tlo.ng.sa.men

3 3 r- 3-----. ,-- 3 ----.

,. v "- _

-e-0

------------------------F----------------------------- J
---M-Pe<i.J

KLA VIERSTUCK XII

 @
2. EXAMEN

2jJ=bO) 4 niemClls sto.cca.to, Wenn e.s nic.ht notiert

3 3 , >
ist
3 3 > 3 3 >3 3

@< II F t'.

3 3
sempre poco Pedal.

6153..1 f~
e.rstClUnt f
2
m~no4~d..
~c.sso
Jl'T:l
~ Voka.lqliss.

f [f~
....
5

'"

! -- mE 3 ~3
f mf
e A A-A.....A-J

4~ ,-- 3""""",>, > 3

,~JUr
,;'
>
t~_
-- '.
..--....~,>"A-
r IV IV

3 3 3 3 3 3 3 3
j'-J. ~
TriUe.r mit obuel
.£ sempre poco PedAL

@ copyright K. Stockhausen 1983 KLAVIERSTOCK XII

 @

t notle.rt ist
> 3 3 > 3 J >3 3

3 3

61s3,sl f 2,uchend -fouchend iit. I

e.rsbnt

y u
[fJ Koruon. J

~_::_3__ ==_/
a.U,.,ahlich immer rnehr Ped.o1.
---A...-A-A...J

,--3>, > 3 2
\

3 3 3 3 J 3 3 3 3
TrlUer mit obue.r kl.Sek. (bis To.kt 95)
J sempre poco Ped.a.l

KLAVIERSTDCK XII
 4 cwsspi.elen
I I
@
Ku/?lgero.usc.he
3
>

@ ~
.. ,
-- 3 3
3

mp,
3 3 3

3 141.51
>
rit. 5lliJ
5> ~ > > > > > >
I ,
5timm-
> S-3 \ "'="
ueriWsc.n

ei.ns zwei drei vier funf suhs siebeneins ----frr----frr- ]

p8""----.

@ >~

l2 .3
J
' f
p----------
[illCD o
1~
CD>
(mp,
f••..
\~/r 4@]

I) If ~ F [31! ~T#~t it :r ~-e- (.1£)

-L__ --:m2~~IfI'''J mEpIf >
@ copyright K. Stockhausen 1983 KLAVIERSTUCK XII
 QlJsspi.ele.n
I I
@
g-----
,--3-----,
P

'"E P A A 3_tLJ

-rit. 5 (}Q]
> > ~3 \ f':'.
i-u]
[ts- [u-i]
ts-
[i-u1
ts-J
[frr--- fn----ftT- ]
f{ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --
1 P If F mp 1f

f F
______________ A ----JA

1[ill
CP/ 41lrsJ
-u

KLA VIERSTOCK XII

 @

2 [EL 4 --------~
eQ.UsaIme.nd. elna.trnend. '> ausatmend. ;
tonl05 d.urch d.ie tremolo unTege.l.m. . Sti.~m.
~eTCWSC
,It;-'"""""'--
~..............
~""
Ji'=
Lippen 1"QUSc.ne,
wi..e. Wind.

3l1Q] 'tl't .- -- "'I ;;.t<;:=:

[y
"J unTtg
~et<..
m.
wie Wind.
tuj.---u
f
Iff

@ Piu. (Plektrum) dann Finge.rna.gel- &I.i.u. iibeT d.ie SCliten

.J 3 .J .} >3 ..•.

F
Linke
Sc.huhsohle. i.ibe.r
d.en Boden reiben

611=1131 -rit. _ ,,"el. ~1=11314 [1

8
.stimmlo$
f~
1"ufU\

e.ins
,--3---,
> ~

J~
@ !Ef~:r=i-Mftft
=p-
-
....
f. > 3 f e.Wsteri
...L.-A'-- A J~ ----I ~1l

@ copyright K. Stockhausen 1983 KLAVIERSTUCK XII

 4 2 moLto 1"tt.- - --/
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - '3- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1
:.ncl elnCltmend. '> cwsatme.nd > >' ~i~0
stl.~""
...
l"~elm.
••• ~e1"QU~'

tui----u tui---- vtui-----u Y ]

:::=:::::::::::
.... et:. w ie Wind j'" mf (wie ',WVOl")

rum} d.o.nn Finge.rna.gel- &l.Us. iiber d.i£ $cliten

..•. - Teuten

> > > 3

Cl(.Cel. ~ I=I13 1 4 J J:11 I rit.__

5 H
.stimmlo.
f> > > > > >
rufUl

eins Z\Jei. dre.l vier

3 f C,uISter'i
_____ 1 ~ ----I ~I£l

KLA VIERSTOCK XII

 @ 6~
r-3---. S J•. r--3---, -3 -= mD
•

_______
ill 1 f llill. , '''' It
,-3);'r- 3

•
3
. 3. of L-3 '
poco 'Peda.l p--------

150,51
f= E ( 1"
~ge~)-
[au (m]
mf _
f .3

@< I~ -~--, W- ·
p. J. v.t
J J.I=='S
m
'-3---' pl...
.~ \....-- 3 ~
~
'---- 3----J
p. . r-3»

f F= m mE
.EJ A I P u I L.A..-J f

[ill (stimmlos rufen)

[]Q]
(F'
<f~ev
f ~----------
m ] ei.ns lwei. drei vie.,. funf sechs
3 r--J--. ,---3--

@
mE

3 •• , 3 --:-..J '--3~
H L.- L--
3
-E
@ copyright K. Stockhausen 1983 KLAVIERSTOCK XII
 @ 6~ .
-3===--mD il..t._- - -
ill
S
_..r-3----,
:-_ffil f.f1I1
-
3
,-" J~,-3~ 3
>~
3
-----.'-
3~
> >
I:'
r-3~

f
> >
.3 5 > (>=J)
p

-rit. BREIT

(mJ f
mf _ ==- mr-3 ~\

3
v.f

3----J
---
---J '--
mf
___ ~U_~I ~ p

o.tta.eca.
.t
rna lto T~. 3. EXAHEN-.1
1-- __

t:\lo.ng
\

2wei. vieT" funf sechs si.eben a.cht neun z.ehn elf z.wolf d.rei.zehn

- ,- 3 -----. r-- 3 "">"'

1..--3 --I
3 ~3 J
P A__

KLA VIERSTOCK XII

 @
3. EXAMEN

8~ p
>
- 6 tr" . ..... ......~..._-

@ p mp - If

"'F ,luster ~ ..,

8 - - - - - - --- -- -p---------- - _~L_~..\--- -- ----e --- - no_ - -- ---~~- -- ----- -- u _

M .=..

non sto.ee.!
3- ,--3---
• I I r-- , ~

, , '--

er-3~
I I I'l
I "1- I I
"I
@I~ E r-3~~3~ ~3---, I 3 \
.
- - . . . '- " . .
8__~ -_-_- e_ - - __ - - - - - - - - - - - - - - - - e - - - - - e -- -- - - e - -- -- - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - -m'- -.----------

POc.o c.rese. p mF

@ trem.l~cht un~elm. --3--~ --3 ·

3

8---if -. - I-:4:: - -- .. ~- -----~ -.--!~------~----~~-_m:.-----~-----:-~------1-- -- of ----- .

......M. Peti ..J poe

@ copyright K. Stockhausen 1983 KLA VIERSTDcK XII

 @

--===========f
p t.,..•.•...•...••..•.••....
_ ....•.
v ••.••>
_v~,'\MMV.-~

~ ~p F>, u
. un
._uu uu
f:.
__ n __ u
f
uo.u uu

>

--3

. "- ./. . .
.------------------------------------m'-.---.----.. -----.---.--------------.-----.----------------

=
, ---3----~ ---- 3 ---------.

._f_ . f ~-------------------------------------.
_________________________________
j
poco Pedal

KLA VIERSTDcK XII

 @

@ -
8 (,F) • •
-----_.-------.-------_
• • I I =:' =,=,==, .. . .
.. -------_._------
p
Pec.l.a.1. allrniihlich senken

~ tlCUl. -- _153,51
>
j21'
>
y y oe a u u ,.
[tl flJ
tI------

@
POc.o > > > > > -

~l. ~
> ,,
,
'JZJ
-'
-:

=------ tJ
i___ ul:Ji
o.U~
, ~

f
--~==="
@ ml' "'-:3 3 > ~ > .. -;;;:::'

r------------, r--

.-/ . . "-
r 9«. . K . ~I f~ i1~
- .-
- r-
~
••
. -> . I I ~ H II
eE'>
,- ~
- -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - -'--v--J
JJ
- - - - - --- - - - - - - - - - - - - -
non staLe,

@ copyright K, Stockhausen 1983 KLA VIERSTOCK XU

 .... . .
---- --p ----. - - - - ------ - ------ ---- ----_.-------. -- -- - . -- .0 • 0 _ • • _ • __ 0
o 0

0 • : _ 0
0
• _ .: _ : _ 0 ~ _ 00 _

I
I

Ped.al. ollrniihtich se.nken ;(voll)

>
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>
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tf----------tf

---- - ---- -------- - - - ------ ----------- --_ .. --- -- ------ ---- - ---- -- - - - - -- - -------- .•. -- - -- --- ---------

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KLAVIERSTDCK xu
 @)

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 "'P 11---
mf, 1:: r::-"i •••
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I
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Ku~geTiiu.sc.he. I

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11

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...
11
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• I

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KLA VIE RSrOCK XII

 @
I
I
FORTSE:TZUNGt 1------------------------------
: , 11 1,----11---- ~--11
I
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....
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@ !P.

u ~~~
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l.E- > .

6~ -
mp> tnm. m mp,.-- -
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@ poco

........... cl
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.l-P
2.

6
fa:rbiges RAuschen rnit diesen Tonhiihen ei.natmen o.us ei.na.tme.n a.u.s
g- - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - ---- - - -- --- - - --- -- - - -- - - -- - -- - - - - - - - - . - - . -- -- - - - - -. _. --- - - .
> ,> 0 >~ I. I > 0> . >. .>

mf [5] [5] [S] [f ][5] [5] I [S] [f] [s]

I ECHO
1f~ tn.m. If If.....-

@ - - ..

p---------------------
L.E.---- - -- - --- - - - - --- ----- ----
CD copyright K. Stockhausen 1983 KLA VIERS TUCK XII
 ii.t. 1
---11---
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11
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if ---~-------------- (0J.Jf d.ie DeekelkAnte.)

._-------------------~
KLA VIERSTDcK XII
 @
~_~.~ __ n - __ - __ :;;
~
__ - n - __ ~_>_- ~~. -- - - - __ - _u - - - n __ ' Ii.Qj
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p ~f\. I P ,3p;tO p€(

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3> 3 3 3 3 >3

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poc.o p~'~ M •• --M...-... .-.. --.-.... -... -.--..----------.--.-------

@ copyright K. Stockhausen 1983 KLA VIE RSTUCK XII

 @
- - - - - -et"
- -- - - - - - - - -- - - - - - -- - - - - - -- - - - - ---,
[f] trif no" dim.

clu.ter b • poc.o Q. po,o dim.

8 \" ~ '--" - _- - - - _- _-_- - . -- - ---- - - - --- - -- --'"--'"
--
------------IM ••• P I

l.l-i i-u
tI tI
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3 3 3 3 3

.... -- --------_
•••••••• •
---- --- -
,
--- -_ .. -_ .. --- ---_
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cluSl£r _
•. _- -~- .. :-._-.-..
,-eo
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_ .. ------------- •..---_.-----_ - ----_ .. ---_ -----.
_____ , o
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__ M

@
>

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)+
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=
---? ~- ----------------.- .-.----_.--.-------.----_._.~-~.::._. ----. ---.. --- --- -~-- .-----.--.------~--':":.--.- :'
~ ~ JL..
KLA VIERSTDCK XII
 @ moLto -rlt. _
0~ CBr"--cp _
»

rl
•.(b~J:r po,o Q. poc.o c.res,. m~ =
a:. - - - - - - - - - - - - - - - - - - - - - - -- - - - - - -. - -. - - - - - - - - - - - -- - --- - - - - - - - -- - - - - - - - - - - --_. -- - -- _. - • - - - - - --- . - - - - --- - - - -
poco Ped.ol

61 J=4sl mf
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> .
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-,
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.....;;;;;.._ 5-i ~3-'
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12 wenn notig
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p g--------
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.
>
. ,sti"''''los
-
• [RR (AApf<heo
e
p, roliendl
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I

Lippen

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B. ______ • __ !__
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@ copyright K. Stockhausen 1983 KLAVIERSTDCK XII
 @.motto 1"1.t. _ I
o~ CB"---CD
•

>3 . > >>

> vn •••••••••
tr _ •..••••••_ ""''h'¥>....".
••••••••• ••••..•• v.-_.....- .

duster
>

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=1 4
>• 5 >• > s J
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A
-- -_ .... _ ....... -_ fP -''J---I p
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t - ..- - .- - - .- - .- - - - - ..- - - ....- - ..- -- _. f- -_. - -- - - - -- - - -- .- .- .- -_ ..- -_.-IF- - - - -- - ..
....
_

p-----

n not'9
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>", ~ :.. ~ ~ - ~ ~ - -"

. . .sti",,,,los

.d 0 U. ] [Y] [Y]D']etc. wie pfei.feo, ab&t' nut' Windsti:i~e (a.U.5- und e.inoi",end)
(gLei.c.he Lippe.n.stellvn9, wie voTher; klin9t aber 2. OktA.,~ hohet )

tf . i2"
. m/ .
.. ~ _______.. _. ______J • \, ,;&: :e-
Piui(PlektT"Um) ~~issa.ndi mit ting£Tniigdn
11':- .•. _.Il_ _. 11_
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. f 2 ~
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r1:.
___________
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. f~ i...• alLe.s kli.ngenlQ.5sen

------, p
KLAVIERSTUCK XII
 @
(0) ein-atmend
L 8-"- --..- - - - ~-•.. - - - ~-•.- . - - -- -.-..-
4Us-atmend
- ............•..
- _.._........•.. -
,-3---. ,--3---,-
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ein
; _.....•..-
3
; - -.- - ..•- .

stimmlo.\

['1'] ['1']etc..
l.H.Piu. Pin.
mi,>
@ 3

lj
~
if off
p
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t = + mit nngern~eLn a.uf So.i.ten hin una her reiben, L = mi.t paro.Uelen Fingerkuppen unc:l.FingeTn~eln (2.-5.) cwi

em
8_. -;. - - -; - - - ~ ~-- _. - . : ! -.--~ -....--.--:.:.
~~ -_.
----.-
-.-_.----.-; -------- .-; ---.--:.---._.-.;.---------- .

~imm9
['1'] [Y] ek.
Pi:u ....- GLiss. mit ring,
r.H.
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3

W ~
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I

(Tone werden von selhst cLjn(Ul'li,u, ver.su,ie.cie.n. etnul"e. .sprecher:

durc.hhorbar peda.lisieren

@ copyright K. Stockhausen 1983 KLA VIERSTOCK XII

 fi3\
~,="J..:::,_~~~ =f==========--E
~~'.~~~~
. . ~~~
.. . ~ ~~ ~. -- -- 3 ~ ~_--- - -- --- - - - __3 " .. _

[tr k;tVKatvka hkatvkatvkatvtykaMvkatytyka ty kah ka tv]

Pin.

f
3
3

l. Lj U
f=: ========-F
~, L = ",i.t pCU"o.UelenFinge.rkuppen und ringeTni:4Jeln (2.- 5.) Q.uf mehrere. So.ite.n gle.ic.hzei.ti,g klopfen

- .. _ .. -- .. - - .•. _ .. - - - - ...............................•. - .. - -_ - - - _ >- -

-=::: - - ._- . - .. _ - f. -

[ty ka ty] [vJ [ka

GLi.55. mi.t Fingern~eln

f
. >
f
lJUp L ~
l LJ
==-

rLt._ - - - - - -4EJ
20kL .. __._
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bl.

(Tone weTden von selhst <L.1"o.rrIi,c.h ve.r.schie.de.n, einuLne. .spTe.che.n mOJ\chmo.l nitht o.n.)

KLA VIERSTOCK XII

 o.cc.eL. - ~
@
lOkt.---------1 .1lm _ s JJm 2t~t.-----------,
@

2[ll] rit. ~~l. __a,tempo

wie Wind
p--=========f=======--F
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f -=:::::::. R' 1) :
-~~A::~~~~~~~A===mp ~
A =mp A ~ I

@) copyright K. Stockhausen 1983 KLA VIERS TUCK XII

 @
> 1
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______ ~l. __a.tempo

F t!e-in-at-m-e.n-ci-=========f >
ews

___________________________
[~~J -- ~~~J
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s

=f 5ub.~
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.f
motto l"i.t. ----I
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a ••• •••

t-------- - - --- -----. 3 ---- ------ -- -- --------- - -\1

s # 5 5

mp

IF mf E
p_:-" ==== mp 1) --=====:
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p
KLA VIERSTOCK XII
 IIX )lJo..LS~3IA Vl)1 £861 u;lsmnploolS ')I lq:lPAdoo 0
----------------a o.,od 0< W
. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - •• - - - - - _. - - - - - - - - ••• - - • - - . - - - - - - - - - - - - - - - - - • - - - - - - • - - - "8
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p ""------"------------.--------------------- u -- -
t
- - - - - - - -- -- •• - - u -- - -- - -- - ~ .v"o"; - . -- - - - - -- . -- " - .;;~

KLA VIERSTOCK XII

 @ ilt

F ~~
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L-------------------------------------------------------------------------------------------
p-------------------

52.
e- g-:::- - - - - - - - - - ::::-~ :;:- - - - - - - -. - - - - ==-"1;_ -- - - - - -- - - - - - - - -- --' ;; i:::--------------;-~;:=-==- -==- -::-.- -
@eifev

( LH.et",dS
p mr
laukr .spiel.en
bis 5chlu~lP I\ ..J" J .•. ,...
@) copyright K. Stockhausen 1983 KLA VIERSTUCK XII
 0t Lan9
r7\
@ ilo
8----------------1
EM :J.
loc.o
•...
>
\000'0

.....
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- - •.•.- - -- - - - - _ .. - - - --- --- --- _ .. - - - - - - - - -- - - _
•. •. - - _ .•. -- - - _ .•. - _ _ .•. _ •.•. _ .•. - .•. _ •.- --. _ •.•. - - - _ .. - _ -_ .. --
------------------------1 vol! I
~

molto
28-----------
BREIT t'tt. ~
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::- ----------- . -__-- =;1;_ -- -- --.. -_.--;_~;: -_.---------__-=-ni.-_._'---- .,,--j.---- -; ---.------- --.. ---

----"'- .•..._------
KLA VIERS TUCK XII
 @

r
3 ___ 7o.a.el
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@ copyright K. Stockhausen 1983 KLA VIERSTUCK XII

 @
.ccel. -.@ moLto ri.t. __ ---
. ---.3-
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.f.:----------..----f-------------------
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3 ~ p". ...

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_______ ..@ rtt. _

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:.:.:.::': - - - - - - -,.~- - - - - - - - - - - - - - -...- - -. - - - - - - - -: - - - - - - - - -,. ~ - - - - - • - - - - - - - - - :;...:;.::.; -".-- - - - - - - - j - - - - - 3- f;" -; ---

Q7\3. " "

--=======f

_--_ .... ....__ 1 mf.~--; --o

KLA VIERSTOCK XII

 @

@~if~

mf"---- : - r ""p-======
?:- <> -
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mf f
8- - - - - --- - - - -- - - - - - - - - - - - - - - - - - - . - - - \";- -~ - - - -: - - - - - - - - - - - - - - -- - >------------>- -------- - - -------

cE~~)
L~ r;"\ mP3 >~
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@ t":"t ,--3-

~
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.ff'- f

@ copyright K. Stockhausen 1983 KLA VIERSTDCK XII

 R' =mp
:-:-:-:1_:_ - ----------- -.- -_. --- - -
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.
f ==========--p :rnf

KLA VIERSTOCK XII

 @
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g- ;;,~:. -- -- u_-_- -_-_-_-_-_-~_-:: -- ~f~ -- f;;_-_- ----:-.-_--_-_-
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@ copyright K. Stockhausen 1983 KLAVIERSTUCK XII
 @

molta tit.-------1
r---------------,
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==========---p
p--------' p----"

______________ piu l"tt. moltor'it. _

: ~ ~3~ :
----------------------------------------------------------------------------------------------.------------1
_ gliu.
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mf

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=.f
KLA VIERS TUCK XII