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  • Brad Chris - Composition Storyboards

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    Hoàng Mạnh
    10 views35 pages
    The document provides tips for improving animation composition and storyboarding. It recommends using lower camera angles to add depth and interest. Characters and objects should be arranged so they are not parallel and the eye flows naturally between elements. An active silhouette and dynamic arrangements that draw the eye to key areas are emphasized. Perspective techniques like lowering the horizon can help set characters in the scene. The document also stresses simplicity in storyboarding with minimal lines and text to clearly convey the narrative.

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    The document provides tips for improving animation composition and storyboarding. It recommends using lower camera angles to add depth and interest. Characters and objects should be arranged so they are not parallel and the eye flows naturally between elements. An active silhouette and dynamic arrangements that draw the eye to key areas are emphasized. Perspective techniques like lowering the horizon can help set characters in the scene. The document also stresses simplicity in storyboarding with minimal lines and text to clearly convey the narrative.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views35 pages

    Brad Chris - Composition Storyboards

    Uploaded by

    Hoàng Mạnh
    The document provides tips for improving animation composition and storyboarding. It recommends using lower camera angles to add depth and interest. Characters and objects should be arranged so they are not parallel and the eye flows naturally between elements. An active silhouette and dynamic arrangements that draw the eye to key areas are emphasized. Perspective techniques like lowering the horizon can help set characters in the scene. The document also stresses simplicity in storyboarding with minimal lines and text to clearly convey the narrative.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 35

    Part 1

    PDF provided by www.animationmeat.com

    1
    Part 1

    2
    PDF provided by www.animationmeat.com
    Part 1

    3
    PDF provided by www.animationmeat.com
    Part 1

    4
    PDF provided by www.animationmeat.com
    Part 1

    Use lower angles and


    remember to make sure
    characters aren’t parallel
    to each other. Break
    things up!

    5
    PDF provided by www.animationmeat.com
    Part 1

    6
    PDF provided by www.animationmeat.com
    Part 1

    7
    PDF provided by www.animationmeat.com
    Part 1

    Does your composition have


    a nice silhouette?
    Make sure things read
    clearly.

    8
    PDF provided by www.animationmeat.com
    Part 1

    9
    PDF provided by www.animationmeat.com
    Part 1

    10
    PDF provided by www.animationmeat.com
    Part 2
    PDF provided by www.animationmeat.com

    11
    PDF provided by www.animationmeat.com
    Part 2

    12
    PDF provided by www.animationmeat.com
    Part 2

    13
    PDF provided by www.animationmeat.com
    Part 2

    14
    PDF provided by www.animationmeat.com
    Part 2

    15
    PDF provided by www.animationmeat.com
    Part 2

    16
    PDF provided by www.animationmeat.com
    Part 2

    17
    PDF provided by www.animationmeat.com
    Part 2

    Use perspective to your advantage. Try


    get some depth into your comps!

    A lower horizon line really sets your


    characters into the composition.

    18
    PDF provided by www.animationmeat.com
    Part 2

    Once again, lowering the


    horizon really helps!

    Try make your compositions


    more dynamic.

    Be aware of how the eye flows


    around the comp, and what
    you want the eye drawn to.

    19
    PDF provided by www.animationmeat.com
    Part 2

    20
    PDF provided by www.animationmeat.com
    By Chris Roman

    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 1


    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 2
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 3
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 4
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 5
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 6
    Part 2 by Chris Roman

    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 7


    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 8
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 9
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 10
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 11
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 12
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 13
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 14
    PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 15

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