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22 Case Study Opening
22 Case Study Opening
CASE STUDY:
OPENING
CHAPTER RE VIE W
“You have to start with Garry shows the students the mechanics of Evans Gambit, the
gambits, you have to start aggressive opening he used against his opponent, Viswanathan
Anand, in their 1995 tournament game in Riga, Latvia. Chess
with open chess...because
borrows the terms “tempo” and its plural “tempi” from music
that’s how you can learn to define the concept of a “beat” in time on the board (not time
about tactics. Obviously on the clock). That is, the number of moves, or tempi, required to
you have to learn about achieve a goal, or get a piece or pawn to a certain square. When
strategy but...you need to Garry says Anand was “one tempo short,” it means Anand could
do more...aggressive chess have defended if he had just one extra move. Garry encourages the
while learning.” students to study and practice gambits in order to sharpen their
tactical knowledge and to play for victory right from the start.
—Garry Kasparov
G ARRY ’ S D OUB LE CHECK
SU B C HAPTER S
• “The Romantic Era of chess in the second half of the 19th
• Kasparov vs Anand, 1995 century was all about gambits, sacrifices, open lines, and
active pieces. Attack at all costs! Defense is for cowards! This
swashbuckling style fell into decline as its failures mounted
against the more pragmatic and dogmatic teachings of Wil-
helm Steinitz and Siegbert Tarrasch in the late 19th and
early 20th centuries. But it’s still a delight to play over the
wild cut-and-thrust battles of players like Mikhail Chigorin
his fellow “knights of the Evans Gambit”, who played it and
the less sound King’s Gambit almost exclusively. It was a
matter of honor!”
LE ARN M ORE
GARRY K A SPAROV 64