Memory

of the Lost
Code Vein OST
Original Composer : Go Shiina

  
    
Piano Transcription / Arrangement : MyReminiscence

              
               
 = 72


        

      
 




    


      
  


    
             
         
 
           
      
6

 


              


        



      


        


    


  
         
                 
 
 
          
11


       


            
           


        
   
  
         
       
   
      
       


  
14

          

        
                  
                 
        
                        
                  
    
17

    
    
   

 
            
                
   
                 
       
             
                       
          



20


   
3


3

  
3

          
  
 6

    
  
    
              
                              
             
23


         
 
3 3

      
  
3

   
3


6

  
    
 
     To Coda
        
 
   
             
         
3
26

   
  
10 3 3

 
3 3

  
3

  
3

 
   
                    
 
                        

28


 


    


 


             
     


 
3 3 3

  
           
     
        
      
    
 




33


            


 


        

  

 

2
             


   
      
    
37


 


   


             
    
     



   
               
        
  
40

  


        


               


          

  
     
    
     
               
                   


42

   
  
              


                  
     
                         
              

 
44

   
        

                   
            
     

 
   
         
             
                   

46

   
  
    
           
           

            
  
  
3
            D.S. al Coda

    
                     
    
rit. . . . . . . .

 
48

      
 

 

3 3

 
3 3


3

 
3

 
 


           


  
rit. . . . . . . . . .

 
50


   
    
3 3 3 

  