Professional Documents
Culture Documents
Taika Hlinovsky
Christine Stevenage
11.9.2020
with her identity?
(2003-2004), is uprooted from her homeland and family and sent to Austria to be safe from the war.
Marjane faces the trauma of being thrust into the culture of a strange nation, one that is unwelcoming
towards immigrants like her. Her friends and acquaintances dismiss her trauma when she brings it
up, and Marjane cannot tell her family in Iran about her problems because she feels guilty about
being in a safer environment than them. These factors cause Marjane to distance herself from Iranian
Desperately aching for a listening ear and someone to share the burden of her past with,
Marjane turns to her friends and her teachers. However, they ignore her whenever she brings up
Iranian culture and they are uninterested in her past. They believe that she is exaggerating to gain
attention and pity and say things such as “She lies when she says that she’s known war. It’s all to
Being ignored and distrusted negatively affects Marjane’s sense of self. She does not feel
safe presenting herself as Iranian because in Vienna, “Iran was the epitome of evil” (p.198). Being
constantly judged for her background makes Marjane ashamed of being Iranian. She wants to be
Hlinovsky 2
more like the Austrian youth. The desire to fit in leads Marjane to study political theory and
philosophy and experiment with drugs. Marjane also makes physical changes to fit it; she cuts her
identity. She feels that “The harder I tried to assimilate, the more I had the feeling that I was
Living in Iran, away from her family and friends, is very distressing for Marjane. She
confesses, “I’m scared for my parents. I’m alone and I feel guilty.” (p.218) Marjane feels survivor’s
guilt for having survived the war where so many lost their lives and for getting to live in the safety of
Vienna while her family was still in danger. Marjane cannot even bear to listen to news about Iran,
because she knows that she cannot help her family and friends even if they are in danger. Marjane’s
guilt makes her feel that her problems are miniscule compared to the stress of living in a warzone. In
addition, the backlash she experienced in Vienna by revealing her trauma makes her realize that she
must not reveal her secrets to her family so that they are not ashamed of how she forfeited her
Incapable of facing the past, Marjane decides not to speak or think about past events. By
denying the past, Marjane fails to see how her problems in Iran are due to unresolved issues in
the past. Suppressing her feelings weighs on Marjane. Unable to reveal to her friends in Austria the
emotional trauma of war in Iran and unable to tell her parents the shame and guilt of the lies and
suffering she had undergone in Austria, Marjane begins to harm herself both emotionally and
physically through drugs and isolation. Marjane turns to drugs and alcohol to avoid confronting her
inner strife. The more conflicted she becomes about her identity, the more often she turns
disappointments”. (p.221)
Hlinovsky 3
Marjane feels ashamed about using drugs, but she simultaneously relies on them more and
more to escape the shame of using them. Marjane’s attempt to fit in turns her into someone she
knows her family and she herself would not approve of. Marjane still deeply craves
sick as a result of neglecting her health for several months, Marjane decides to move back to Iran.
Marjane’s impotence to open up and reveal the things that trouble her to her friends and
family causes her sense of her identity to distort. Processing her trauma is a prerequisite for finding
her identity. Since Marjane never deals with the trauma of her past, she constantly struggles to find
her sense of self. Marjane believes that returning to her homeland would unify her sense of
identity. She tells a psychologist, “In Vienna […] I was reduced to nothing. I thought that in coming
back to Iran, this would change.” (p.274) Unfortunately, being reunited with her family and
childhood home did not bring her the relief she sought. Marjane is unable to heal from her trauma
because she links her authentic identity to the site of the traumatic events, her homeland. Being in
Iran is only a reminder to her of why she left in the first place. Marjane finds herself even further
displaced in Iran where no woman is safe from the fundamentalist regime, neither in public nor in
private. Returning to Iran has given Marjane back her family’s support, but she has lost touch of her
identity. Marjane explicates: “My calamity could be summarized in one sentence: I was nothing. I
was a Westerner in Iran, an Iranian in the West. I had no identity. I didn’t even know anymore why I
was living.” (p.275) Marjane’s complete loss of direction makes her give up on ever feeling better
After her failed suicide attempt, Marjane feels that she was destined to stay alive and tries to
take control of her life and reclaim her identity. Her solution is to become a “sophisticated
woman” (p.277) through a cosmetic makeover. Marjane changes her wardrobe, curls her hair, and
starts wearing makeup again. By altering her appearance, Marjane believes that she will unify her
identity and simultaneously be healed from her past trauma. However, this is just another way for her
Hlinovsky 4
to escape her trauma. Marjane uses inauthentic identities to avoid facing the past. The
most people “in search of a cloud of happiness, had forgotten their political conscience.” and that she
further. Everyone, including her, was hiding a part of their identity by abandoning their
resistance. In the end, Marjane burst out, “I can’t take it anymore. I want to leave this
country!” (p.340). The only thing keeping her in Iran was her family; she did not have a stable job or
Marjane never deals with all of her undisclosed trauma, and therefore can never come to
terms with her complete self and her identity, as accepting your past is vital for accepting yourself. In
all the places Marjane visits, she lets the social environment affect her perception of
herself. However, the ending is left open. It is possible that in France, Marjane is finally able to stay
true to herself and accept herself as she is. Maybe a single, unifying identity is not the optimal choice
for her, instead her identity is one that is constantly evolving and being reconstructed.
Hlinovsky 5
Bibliography: