imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language, national origin, historical period, genre, and subject matter. For historical treatment of various literatures within geographical regions, see such articles as African literature; African theatre; Oceanic literature; Western literature; Central Asian arts; South Asian arts; and Southeast Asian arts. Some literatures are treated separately by language, by nation, or by special subject (e.g., Arabic literature, Celtic literature, Latin literature, French literature, Japanese literature, and biblical literature). Definitions of the word literature tend to be circular. The 11th edition of Merriam-Webster’s Collegiate Dictionary considers literature to be “writings having excellence of form or expression and expressing ideas of permanent or universal interest.” The 19th-century critic Walter Pater referred to “the matter of imaginative or artistic literature” as a “transcript, not of mere fact, but of fact in its infinitely varied forms.” But such definitions assume that the reader already knows what literature is. And indeed its central meaning, at least, is clear enough. Deriving from the Latin littera, “a letter of the alphabet,” literature is first and foremost humankind’s entire body of writing; after that it is the body of writing belonging to a given language or people; then it is individual pieces of writing. But already it is necessary to qualify these statements. To use the word writing when describing literature is itself misleading, for one may speak of “oral literature” or “the literature of preliterate peoples.” The art of literature is not reducible to the words on the page; they are there solely because of the craft of writing. As an art, literature might be described as the organization of words to give pleasure. Yet through words literature elevates and transforms experience beyond “mere” pleasure. Literature also functions more broadly in society as a means of both criticizing and affirming cultural values.
The Scope Of Literature
Literature is a form of human expression. But not everything expressed in words even when organized and written down is counted as literature. Those writings that are primarily informative technical, scholarly, journalistic would be excluded from the rank of literature by most, though not all, critics. Certain forms of writing, however, are universally regarded as belonging to literature as an art. Individual attempts within these forms are said to succeed if they possess something called artistic merit and to fail if they do not. The nature of artistic merit is less easy to define than to recognize. The writer need not even pursue it to attain it. On the contrary, a scientific exposition might be of great literary value and a pedestrian poem of none at all. Etymology is the history of words, their origins, and how their form and meaning have changed over time. By extension, the term "the etymology of [a word]" means the origin of the particular word. HISTORICAL USAGE OF ETYMOLOGY English ETYMOLOGY comes via Old French etimologie, ethimologie from Latin etymologia (which Cicero spells in Greek letters and glosses as veriloquium, Latin for “speaking the truth, conveying the truth”), a loan translation of the Greek etymología “analysis of a word to discover its true meaning.” Etymología is a compound of the neuter noun étymon “true meaning of a word according to its origin” (a neuter noun use of the adjective étymos “true”) and -logía, a Greek combining form used in forming the names of sciences or bodies of knowledge. Ancient and medieval etymologies are mostly conjectures, puns, or folk etymologies, and are generally wildly incorrect. Cicero, for instance, gives the etymology of Venus (stem Vener- ), the goddess of love, as a derivation of the verb venīre “to come” because love and desire come to all. The most famous etymological howler in Latin is Lūcus a nōn lūcendō “Grove from there being no light,” a pun on lūcus “a clearing, grove” and lūcēre “to shine.” Lūcus a nōn lūcendō first appears in a commentary on the Aeneid by Maurus Servius Honoratus, a grammarian of the late 4th and early 5th centuries. Common English folk etymologies include cockroach for Spanish cucaracha and chaise lounge for the correct chaise longue. In the case of cockroach, you have the unfamiliar Spanish sounds assimilating with two near-sounding English words, cock and roach. The longue in chaise longue means “long,” but to English readers, looks very close in spelling to lounge, which is a logical use for a chair that is made for reclining on. ETYMOLOGY in the sense “the linguistic science that investigates the origins of a word, its relationships with words in other languages, and its historical development in form and meaning” dates from the 1640s.