EUPHONIUM

SONATA
for Euphonium and Piano
JEFF MANOOKIAN
I
         
  
Moderato assai 
                       
 

            2
       
11
                
          
  2

              
       
   
18
         
      


    
24
                       
        
 

 
30 
                       
espress.

    
 2
4 4


                                
36

      
2
2 2


 
   
43
                    


Copyright © 2020 by Windsor Editions

all rights reserved
2

  
   
              
52 dolce


  
 2

  
             
58

1 2 3

  
 

         
65
         
 

        
     
73
         



82             2
             
      
2
2
   


    
   
 

  
                     
87

 

   
             
91
      

 3

         
   
104
                  
     
         


   
             
        
110
       
2
 2 

         
     
                
116
   


 2       

121  
        
            
      
              


 
                           
127

    
  2

                

                 
135

     
 meno

4
II

 
Andantino con delicatezza 

            
          
espress.




                  
poco rall.
7 a tempo

           


    
                       
               
13
  
 

  
                    
19
        
  

 
                       
        
rallantando a tempo
26
        
3
 

           
                    
calando
34
    


a tempo

            
38
     
rit. a tempo
 5

                     
 
44 con sord.

  



51
                  
          
3


                          
55 poco rall.

 
                    
63 a tempo

     


                
68
            
 3

      
          
73


 

   
    
         
rallantando


79
 

6
III

          
Allegramente 

senza sord.
     
  
 

                                 
15
    



          
                  
cantabile



21

    


      
26
           
    

          
32

          
  


                                 
38

        


              
44
   
      
                 
 
 7

                  
49
   

                  
cresc.

             
               
54
 

 
    
           
3

 
60
 


           
3
68 3

    
espress.

  
 3

  
                 
3
73
 
3

 
79                 
         
  

 
              
87

   
8

                       
97

           
 

   
104
                                  
cantabile

    


       
111

        
      


              
117
           



                 
124

 


               
136

   
     

EUPHONIUM

SONATA
for Euphonium and Piano
JEFF MANOOKIAN
I
   
Moderato assai 

                       
            

11
     

                   
2

       
       
  
            
    
17
         
2

      
        

 
23
                         

 
          


                  
29 espress.

   
4

  
 2

    
       
2
35
    
4

           
2 2





  
41
         
            
 

Copyright © 2020 by Windsor Editions

all rights reserved
2

 
     
49 dolce

         
2

  

56

        
1 2 3

          


     
62
               


  
     
       
70
      
 


 
80
      
             
 
  
 
2

 
2

            

2



  
    
      
           
86
   
    
 

   
       
91
            

 3

104              
             
      
           


          2
      
110
             
   
2
 

   
           
116
     
2

        
             
   

 

        
121
     
       
   
             
 

  
         
127
                      
  2

135

                              

    

  meno

4
II

Andantino con delicatezza 


                 
espress.

  
      


      
poco rall.
7 a tempo

                        



                  
13
                         
 

       
19
        
            
 

                
rallantando
26

             
3 

          
a tempo
33
                   

calando a tempo

                         
37
   
rit.


 5

     
43 con sord.

              
a tempo

   


               
50
           
     
3


                    
55

    
poco rall.

  
                    
63 a tempo

    


        
68
                  

  3

                 
73


   

   
     
rallantando

        
79
     

6
III

  
Allegramente 
               
senza sord.


 

        
          
15
       
           
   


        
cantabile

   

21
        
        
       

  
       
26
          


 
32
               
   
  

 
38
                              
    
     

44
    
                 
                       

 7


      
49
   
                     
   
     cresc.

   
      
       
54
            
  


       
 
60
       
  
3

   
68 3

  
espress. 3

   
3

         


            
73
    
3

      
3

 
             
79
    
   
       

 
          
87
 
       
8


97
                         
            
 

       
104 cantabile

                         
        


111
        
         
     


             
117

          
   
  



  
124
                
      



136
         
    
           