M.A. (Music Instrumental) Part I (Semester I & II)

M.A.
Part-1 (Music Instrumental) Semester- I
2016-17 and 2017-18 Session

Outlines of Tests
Paper I Theoretical Survey & Scientific Study of Indian Music (Instrumental).

Paper II History of Indian Music (Instrumental) .
Paper III Stage Performance
Paper IV Viva-Voce
Syllabus and courses of reading:
Paper-I Theoretical Survey & Scientific Study of Indian Music (Instrumental).
Time 3 hrs. Maximum Marks : 75

Pass Marks : 35% Total Teaching Hours : 65
Internal Assessment 25 Marks
Instructions for the paper-setter:
The question paper will consist of three sections : A, B & C. Section A &B will have 04
questions each from the respective sections of the syllabus and will carry 12 marks each. Section
C is compulsory of 09 short answers type questions, covering the entire syllabus uniformly and
will carry 27 (9x3) marks in all.
INSTRUCTIONS FROR THE CANDIDATES
Candidates are required to attempt two questions each from the sections A & B and the entire
Section C is compulsory.
Section A
1. Study of the following technical terms of music: Alap, Jod, Meend, Krintan, Jamjama, Akarsh-
Apkarsh, Ghaseet, Jhala, Tora , Lag-Dat.
2. Study of classification of Indian musical instruments and new possibilities.
3. Study of Shruti in ancient, medieval and modern periods.
4. Shadaj Pancham and Shadaj Madhyama Bhava (cycles of the Fourths and Fifths).
Section B
5. Swar Sthapana on Veena according to: (i) Pt. Ahobal (ii) Pt. Shri Niwas (iii) Acharya
Brihaspati, (iv) Dr. Lal Mani Mishra.
6. Origin and development the following Gayan-Shailies : Dhrupad , Dhamar and Khyal
7. Evolution of notation system, its merits and demerits.
8. Introduction to the Western Notation System.
Books Suggested
Sangeet Shastra: K.Vasudev Shastri
Swar aur Ragon Ke Vikas Main Vadyon Kaa Yogdan : Indrani Chakarvarti
Sangeet Chintamani : Acharaya K.C.D. Brahaspati
Sangeet Bodh: Sharat Chander Pranjpe
Hamara Adhunik Sangeet: Sushil Kumar Chaube
Tantri Nad (Part I) : Dr. Lal Mani Mishra
Sitar Marg (Part I to IV) : Shripad Bandhopadhayay
Raag Prichay (Part I to IV) : Harish Chander Srivastava
Abhinav Geetanajali(Part I to V) : Ram Ashrey Jha
Bhartiya Sangeet Kosh : Bimal Kant Roy Chaudhary
Bhartiya Sangeet Vadayas : Dr.Lal Mani Mishra
Pranav Bharti : Pt.Onkar Nath Thakur
Bharat Kaa Sangeet Sidhant: Acharya K.C.D. Brahaspati
Hindustani Music: G.H.Ranade
Dhwani Aur Sangeet: Lalit Kishore Singh
Sangeet Shastra Vigyan: Panna Lal Madaan
Gayan Kala (Pbi.Uni.Pta.): Dr. Yashpal Sharma
Vadan Rachna Sagar Principal S.S. Kareer (Punjabi University,Patiala)
Vadan Parbeen Principal S.S. Kareer (Punjabi University,Patiala)

Paper II History of Indian Music (Instrumental)

Section A
1. Development of Indian Music in the following periods:
(i)Vedic Period (ii) Hindu Period (iii) Muslim Period
2. Contribution of the following music scholars and musicians:
(i)Ustad Allaudin Khan (ii) Ustad Vilayat Khan. (iii) Pt Hari Prasad Chaurasiya
(iv) Pt. Shiv Kumar Sharma (v) Pt. Vishwa Mohan Bhatt
3. Contribution of Pt. V.N. Bhatkhande and Pt. V.D. Pluskar to music.

Section B
4. Origin and development of the following music instruments:

Rudra Veena & Vichitra Veena
5. Contribution of Punjab in the field of music.
6. Contribution of Namdhari Tradition towards Indian Classical Music.
Books Suggested
Bharti Sangeet Da Itihas (Pbi.Uni.Pta.) : Yoginder Pal Sharma & Bachittar Singh
Hamare Sangeet Rattan: Sangeet Karyalaya, Hathras
Bhartiya Sangeet Kaa Itihas: Umesh Joshi
Bhartiya Sangeet Ka ItihasLDr.S.C.Pranjpe
Punjab Vich Sangeet Kala Daa Nikaas Te Vikaas(Pbi.Uni.Pta): Panna Lal Madan
Punjab Ki Sangeet Prampara: Dr.Geeta Paintal
Bhartiya Sangeet Vadyas: Dr.Lal Mani Mishra
Musical Instruments of India: B.C.Deva
Indian Classical Music and Senia Gharana Contribution: Dr.Sunita Dhar
Bhartiya Sangeet Ki Utpati: Dr.J.S.Bawra
Musalman Aur Bhartiya Sangeet: Acharya K.C.D. Brahspati
Bhartiya Sangeet Ka Itihas: Bhagwat Sharan Sharma
Punjab Ki Vadan Sangeet Prampara - Dr, Bhairvi
Paper - III : Stage Performance (Music Instrumental)
Total Teaching Hours : 65 Maximum Marks : 75

Pass Marks : 35% Internal Assessment 25 Marks
Instruction for the Examiners
The Examination will be conducted by a Board of Examiners consisting of Head of the dertment/nominee,
internal teacher and external expert as per decision of the Syndicate 25-10-91 (Para 2, 3).
(A) The candidate has to choose one raag out of the ragas prescribed in paper IV with Alap, Jor Alap, Jor
Jhala, Vilambit, Drut Gat and Jhala. Marks 40.
(B) A Gat Vadan in any Taal other than teen taal in except the raga selected for performance.
Marks 15
(C) A Dhun Vadan Marks 10
(D) Demonstration of the following taals on hand in ekgun, dugun and chaugun layakaries and on tabla in
ekgun: Teen Taal, Ek Taal, Jhap Taal and Dhamar Taal Marks 10
Paper IV Viva-Voce (Music Instrumental)

Total Teaching Hours : 65 Maximum Marks : 75 Pass
Marks : 35% Internal Assessment 25 Marks
The Examination will be conducted by a Board of Examiners consisting of Head of the

department/nominee, internal teacher and external expert as per decision of the Syndicate 25-10-91 (Para
2, 3).
(I) From the following Ragas, one Vilambit Gat is compulsory, other than the raga selected
for stage performance, Drut Gats have to be done in all the ragas:
Bageshri, Bhairav, Chander Kauns, Bhimplasi, Yaman , Jog. Marks 65
(II) Ability to sing five Alankars while playing harmonium in any four thaats. Marks 10
ook suggested for practical papers:
Ten Thaat Ank: Sangeet Karyalaya Hathras

Tantra Vadan Kala : Dr Prakash Mahadik
Sitar Shiksha: Bhagwat Sharan Sharma
Sitar Malik: Bhagwat Sharan Sharma
Techniques of Sitar: Bandyopadhyaya
Sitar Shiksha Part IV: Baldau Ji Srivastawa
Vadan Rachana Sagar: Principal S.S. Kareer (Pbi.Uni.Patiala)
Vadan Parbeen: Principal S.S. Kareer (Pbi.Uni.Patiala)
MA Part-I (Music Instrumental) Semester II
2016-17 and 2017-2018 session

Outlines of Tests
Paper I Theoretical Survey & Scientific Study of Indian Music. (Instrumental)

Paper II History of Indian Music. (Instrumental)
Paper III Stage Performance
Paper IV Viva-Voce
Syllabus and courses of reading:
Paper-I : Theoretical Survey & Scientific Study of Indian Music. (Instrumental)

Internal Assessment : 25 Marks

.
Section – A
1. Advanced recording techniques and their application to Instrumental music.

2. Importance of Drone in Indian Music and study of its principles.
3. Ancient, medieval and present music scales of Indian Music.
4. Study of Moorchhana and its impact on Modern Thaat System.
Section: B
5. Merits and demerits of Vadak.

6. Origin and development of the following gayan shailies : Thumri , Tappa, Tarana
7. Brief study of Rabindra Sangeet.
8. Comparative study of Uttari and Dakshini Styles of music with special reference to
swar, raag and taal system.
Books Suggested
Sangeet Shastra: K.Vasudev Shastri
Swar aur Ragon Ke Vikas Main Vadyon Kaa Yogdan : Indrani Chakarvarti
Sangeet Chintamani : Acharaya K.C.D. Brahaspati
Sangeet Bodh: Sharat Chander Pranjpe
Hamara Adhunik Sangeet: Sushil Kumar Chaube
Tantri Nad (Part I) : Dr. Lal Mani Mishra
Sitar Marg (Part I to IV) : Shripad Bandhopadhayay
Raag Prichay (Part I to IV) : Harish Chander Srivastava
Abhinav Geetanajali(Part I to V) : Ram Ashrey Jha
Bhartiya Sangeet Kosh : Bimal Kant Roy Chaudhary
Bhartiya Sangeet Vadayas : Dr.Lal Mani Mishra
Pranav Bharti : Pt.Onkar Nath Thakur
Bharat Kaa Sangeet Sidhant: Acharya K.C.D. Brahaspati
Hindustani Music: G.H.Rande
Dhwani Aur Sangeet: Lalit Kishore Singh
Sangeet Shastra Vigyan: Panna Lal Madaan
Gayan Kala (Pbi.Uni.Pta.): Dr. Yashpal Sharma
Gayan Shailies Visheshank

Paper II History of Indian Music (Instrumental)
Section – A
1. Development of Indian Music in the following periods

(i) British Period (ii) Post Independence Period.
2 Contribution of the following Music Scholars and Musicians:
(i) Pt. Ravi Shankar (ii)Ustad Allah Rakha Khan. (iii) Ustad Bismillah Khan
(iv) Pt. Nikhil Banerjee (v) Ustad Abdul Haleem Zafar Khan
3 Origin, development and characteristics of Senia and Rampur Gharana of Sitar.

Section – B
4 Origin and development of the following music instruments: Violin and Sarangi.
5 Detailed knowledges contribution of the following instrument towards the enrichment of music in
Punjab.
( i) Rabab (ii) Saranda (iii) Taus (iv) Dilruba
ooks Suggested
Bharti Sangeet Da Itihas (Pbi.Uni.Pta.) : Yoginder Pal Sharma & Bachittar Singh
Hamare Sangeet Rattan: Sangeet Karyalaya, Hathras
Bhartiya Sangeet Kaa Itihas: Umesh Joshi
Punjab Vich Sangeet Kala Daa Nikaas Te Vikaas(Pbi.Uni.Pta): Panna Lal Madan
Punjab Ki Sangeet Prampara: Dr.Geeta Painthal
Bhartiya Sangeet Vadyas: Dr.Lal Mani Mishra
Musical Instruments of India: B.C.Deva
Indian Classical Music and Senia Gharana Contribution: Dr.Sunita Dhar
Bhartiya Sangeet Ki Utpati: Dr.J.S.Bawra
Musalman Aur Bhartiya Sangeet: Acharya K.C.D. Brahspati
Bhartiya Sangeet Kaa Itihas: Bhagwat Sharan Sharma
Punjab Ki Vadan Sangeet Prampara - Dr. Bhairvi
Saaz Sangeet Visheshank
Paper- III : Stage Performance (Music Instrumental)

Pass Marks : 35% Internal Assessment 25 Marks

The Examination will be conducted by a Board of Examiners consisting of Head of the dertment/nominee,
internal teacher and external expert as per decision of the Syndicate 25-10-91 (Para 2, 3).
(A) The candidate has to do one raag out of the ragas prescribed in Paper -IV with Alap, Jor Alap, Jor Jhala,
Vilambit and Drut Gat, Jhala. Marks 40
(B) Gat Vadan in any taal other than teen taal in except the raga selected for performance.
Marks 15
(C) Ability to sing Folk song/Punjabi Song and to replay it on your Instrument . Marks 10
(D) Demonstration of the following taals on hand in ekgun, dugun and chaugun layakaries and on
tabla in ekgun: Char Taal, Ada Char Taal, Jhumra Taal and Tilwara Taal.
Marks 10
Paper IV Viva-Voce (Music Instrumental)

Pass Marks : 35% Internal Assessment: 25 Marks

The Examination will be conducted by a Board of Examiners consisting of Head of the
department/nominee, internal teacher and external expert as per decision of the Syndicate 25-10-91 (Para 2, 3).
From the following Ragas one Vilambit Gat is compulsory, other than the raga selected for stage
Performance, Drut Gats have to be done in all the ragas. Marks should be awarded on the basis of Performance and
Viva-Voce.
Prescribed Ragas :
I.
1 Shudh Sarang,
2 Lalit
3 Ahir Bhairav
4 Puriya Kalyan
5 Abhogi Kanhra.
6 Maru Bihag - 65 Marks
II. Ability to play and sing a patriotic song on Harmonium - 10 marks
Book suggested for practical papers:
Ten Thaat Ank: Sangeet Karyalaya Hathras

Tantra Vadan Kala : Dr Prakash Mahadik
Sitar Shiksha: Bhagwat Sharan Sharma
Sitar Malika: Bhagwat Sharan Sharma
Techniques of Sitar: Bandyopadhyaya
Sitar Shiksha Part IV: Baldau Ji Srivastawa
Vadan Parkash : Principal S.S. Kareer (Punjabi University Patiala)
Sitar Tarangini
Vadam Kala
n?w aJ/ ;zrhs (tkdB) Gkr-gfjbk
;w?;No-gfjbk (;?;a aB 2016-17, 2017-2018)
g/go L1 Gkosh tkdB ;zrhs dk f;XKse ;ot/yD ns/ ftfrnkBe nfXn?B.
e[Zb nfXnkgB ;wK L 65 xzN/ tZZX s''I tZX nze L 75

gk; nze L 35 % nzdo{Bh w[bKeD L 25 nze
g/goK bJh ;wK L 3 xzN/
gohfyne bJh jdkfJsK
gq;aB gZso d/ T, n ns/ J fszB Gkr j'Dr/. Gkr T ns/ n ftZu uko-uko gq;aB
j'Dr/. jo/e gq;aB 12 nzeK dk j'tr / k. Gkr J ftu ;ko/ f;b/p; Bkb ;pzXs 3-3 nzeK
d/ 09 ;zy/g T[ZsoK tkb/ gq;aB j'Dr/.
gqhfynkoEh tk;s/ jdkfJsk
gq;aB gZso d/ Gkr T, n, ftu'I d'-d' gq;aB eoBk iao{oh j?. Gkr J d/ ;ko/ gq;aB
iao{oh jB.
Gkr- T
1) ;zrhs dh j/m fbyh seBheh ;apdktbh dk nfXn?B
nbkg, i''V , whIv , feqsz B , iwiawk , neo;a-ngeo;a, x;hN, Mkbk, s'Vk, bkr-
vkN
2) Gkosh ;zrhse ;kiaK dk torheoD s/ BthnK ;zGktBktK.
3) gqkuhB, wZXekbhB ns/ nkX[fBe ekb ftu ;o{sh dk nfXn?B.
4) ;aVi gzuw ns/ ;aVi wfXnw ;ztkd ( u"'Ek ns/ gzitK uZeo)
Gkr- n
5) gzfvs nkj'pb, gz a ;qhfBtk;, nkukohnk pqj;gsh ns/ vk a bkb wBh fw;ao nB[;ko
thDK s/ ;to ;EkgBk.
6) j/m fbys rkfJB ;?abhnK dk iBw s/ ftek; L- Xo[gd, Xwko ns/ fyankb.
7) ;to fbZgh gZXsh dh T[sgZsh r[D ns/ d';a.
8) gZSwh ;to fbZgh pko/ ikDekoh.
;w?;No-gfjbk
g/go L II Gkosh tkdB ;zrhs dk fJfsjk;

gohfyne bJh jdkfJsK
iao{oh jB.
Gkr- T
1) j/m fby/ ;w/I nB[;ko Gkosh ;zrhs dk ftek;

(T) t?fde ekb (n) fjzd{ ekb (J) w[;fbw ekb
2) j/m fby/ ;zrhsekoK dk ;zrhs B{z :'rdkB
(T) T[;skd nbkT{dhB ykB (n) T[;skd ftbkfJs ykB
(J) gz a joh gq;kd u""o;hnK (;) gz a f;t e[wko ;aowk (j) gz a ft;atw'jB GZN
3) gz a th an?B Gksyzv/ ns/ gz a th avh g[b;eo dk ;zrhs B{z eh :'rkdB<
Gkr- n
4) j/m fby/ ;kiaK dh T[sgsh ns/ ftek;

(T) o[do thBk (n) ftfuso thBk
5) tkdB ;zrhs d/ y/so ftZu gzikp dk :'rdkB.
6) Gkosh ;ak;soh ;zrhs d/ ;zdoG ftZu BkwXkoh gozgok dk :'rdkB.
;w?;No-gfjbk
g/go L III (go?eNheb g/go) L wzu gqdo;aB

gohfyne bJh jdkfJsK
ftjkoe gqhfynk, fJe w[eoo p'ov d/ nfij/ gqhfyneK dh nrtkJh j/m eotkJhnK
ikDrhnK, fi; ftu f;zvhe/N 25-10-91(g?ok 2-3) d/ c?;b/ w[skfpe ftGkr d/ w[yh $w[eoo
ehs/ j'J/ nzdo{Bh nfXnkge ns/ pkjoh wkjo j''D.
1) g/go u"Ek ftZu fBoXkos okrK ftu T[jBK ftu'I fe;/ fJe okr ftu nbkg, i'V
nbkg, i'V Mkbk, w;hsykBh rs, do[s rs ns/ Mkbk tikT[Dk iao{oh j?. nze -40
2) fJe nbr okr Gkt w[y okr s'I nbr fe;/ okr dh rs shB skb s'I fJbktk
fe;/ th skb ftZu eoBh iao{oh j?. nze -15
3) fJe X[B tkdB nze -10
4) j/m fbyhnK skbK dh fJer[D, d[r[D, u"r[D b?nekohnK jZE s/ ns/ fJer[D spb/
s/ tikT[D dh :'rsk.
(T) shB skb (n) J/e skb (J) Mgskb (;) Xwko skb nze -10
;w?;No-gfjbk
g/go LIV (go?eNheb g/go) w"fye gqhfynk.

ftjkoe gohfyne bJh jdkfJsK
1) ;N/i g/go ftu gq;s[s ehs/ ikD tkb/ okr s''I fJbktk j/mK fdZs/ okrK ftu''I e'Jh
fJe okr ftu ftbzps rs ns/ pkeh ;G okrK fti do[s rs .
pkr/;aoh, G?ot , uzdoe""I;, Ghw-gbk;h, :wB, i''r nze- 65
2) fe;/ uko EkNK ftZu jkow''Bhnw tikT[Id/ j'J/ gzi nbzeko rkT[D dh :'rsk.
nze-10
;w?;No-d{ik (;?a;aB 2016-17- 2017-18)
g/go L1 Gkosh tkdB ;zrhs dk f;XKse ;ot/yD ns/ ftfrnkBe nfXn?B.

gohfyne bJh jdkfJsK
iao{oh jB.
Gkr- T
1) nkX[fBe foekofvzr seBheK ns/ T[jBK dk tkdB ;zrhs ftZu gq:'r.

2) Gkosh ;zrhs ftu vo'B dk wjZst ns/ T[;d/ f;XksK dk nfXn?B.
3) Gkosh ;zrhs dk gqkuhB, wZXekbhB s/ nkX[fBe ;gse.
4) w{oSBK dk nfXn?B ns/ nkX[fBe EkN gZXsh s/ fJ;dk gqGkt.
Gkr- n
5) tkde d/ r[D s/ d';a.

6) j/m fbyhnK rkfJB ;a?bhnK dh T[Zsgsh ns/ ftek;- m[woh, NZgk, sokBk.
7) ofpzdok ;zrhs pko/ ;zy/g ikDekoh.
8) ;to, okr ns/ skb gXZsh gZy'I T[Zsoh s/ dZyDh ;zrhs gXZshnK dk s[bBkswe nfXn?B.
;w?;No-d{ik
g/go LII Gkosh ;zrhs dk fJfsjk;.

gohfyne bJh jdkfJsK
gq;aB gZso d/ Gkr T, n, ftu'I d'-d' gq;aB eoBk iao{oh j?. Gkr J d/ ;ko/ gq;aB iao{oh
jB.
Gkr- T
1) j/m fby/ ;w/I d/ nzsors Gkosh ;zrhs dk ftek;

(T) fpfNq;a ekb (n) ;[ssz osk s'I pknd dk ;wK
2) j/m fby/ ;zrhsekoK dk ;zrhs d/ y/so ftZu :'rdkB.
(T) gz a oth ;zaeo (n) T[;skd nZbk oZyk ykB
(J) T[;skd fp;fwbk ykB (j) gz a fBfyb p?Boih
(e) T[;skd npd[b jbhw iakcao yakB
3) f;sko d/ ;/BhnK ns/ okwg[o xokD/ dh T[Zsgsh, ftek; ns/ ft;a/;asktK.
Gkr- n
4) j/m fby/ ;kiaK dh T[ZsgZsh s/ ftek; L tkfJbB s/ ;kozrh.

5) gzikp d/ ;zrhs dh gqrsh ftu j/m fby/ ;kiaK dh G{fwek pko/ ft;fsqs ikDekoh L
(T) opkp (n) ;kozdk (J) skT{; (j) fdbo[pk
;w?;No-d{ik
g/go LIII (go?eNheb g/go) wzu gqdo;aB

ftjkoe gqhfynk, fJe w[eoo p'ov d/ nfij/ gqhfynkyeK dh nrtkJh j/m eotkJhnK
1) g/go IV ftZu fBoXkos okrK ftZu fe;/ fJZe okr ftZu nbkg, i'V nbkg, i'V
Mkbk ftbzps ns/ do[s rs ns/ Mkbk eoBk iao{oh j?. nze-40
2) w[Zy okr s'I fJbktk fe;/ th j'o okr ftZu shB skb s'I fJbktk fe;/ th skb ftZu
rs-tkdB. nze-15
3) e'Jh th b'e rhs, iK gzikph rhs rkT[D ftZu :'rsk ns/ ngD/ ;kia T[Zs/
tikT[Dk. nze-10
4) uko, skb nkVk u"skb, M{wok skb ns/ fsbtkVk skb dhnK fJe r[D, d""r[D,
u"r[D b?nekohnK B{z jZE s/ tikT[Dk ns/ fJjBK dh fJZe r[D spb/ s/ tikT[D dh
:'rsk. nze-10
;w?;No-d{ik
g/go LIV (go?eNheb g/go) w"fye gqhfynk.

1) ;N/i g/go ftu gq;[ss ehs/ ikD tkb/ okr s''I fJbktk j/mK fdZs/ okrK ftu''I e'Jh
fJe ftbzps rs iao{oh j?. ;G okrK ftZu do[Zs rs eoBh iao{oh jB. w"fye
ns/ gqdof;as gqhfynk d/ nkXko s/ nze fdZs/ ikD. fBoXkos okr L-
1) ;[ZX ;kozr 2) bfbs 3) njho-G?ot 4) g{ohnk-efbnkD
5) nG'rh ekBVQk 6) wko{ fpjkr nze -65
2) jkow'Bhnw T[Zgo fJe d/;a Grsh rhs rkT[D s/ tikT[D dh :'rsk

nze-10

M.A. (Music Instrumental) Part I (Semester I & II)

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M.A. (Music Instrumental) Part I (Semester I & II)

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M.A.

Part-1 (Music Instrumental) Semester- I

2016-17 and 2017-18 Session

Paper I Theoretical Survey & Scientific Study of Indian Music (Instrumental).

Syllabus and courses of reading:

Paper-I Theoretical Survey & Scientific Study of Indian Music (Instrumental).

Time 3 hrs. Maximum Marks : 75

INSTRUCTIONS FROR THE CANDIDATES

2. Study of classification of Indian musical instruments and new possibilities.

3. Study of Shruti in ancient, medieval and modern periods.

Sangeet Shastra: K.Vasudev Shastri

Sangeet Chintamani : Acharaya K.C.D. Brahaspati

Sangeet Bodh: Sharat Chander Pranjpe

Hamara Adhunik Sangeet: Sushil Kumar Chaube

Tantri Nad (Part I) : Dr. Lal Mani Mishra

Sitar Marg (Part I to IV) : Shripad Bandhopadhayay

Raag Prichay (Part I to IV) : Harish Chander Srivastava

Abhinav Geetanajali(Part I to V) : Ram Ashrey Jha

Bhartiya Sangeet Kosh : Bimal Kant Roy Chaudhary

Bhartiya Sangeet Vadayas : Dr.Lal Mani Mishra

Pranav Bharti : Pt.Onkar Nath Thakur

Bharat Kaa Sangeet Sidhant: Acharya K.C.D. Brahaspati

Hindustani Music: G.H.Ranade

Dhwani Aur Sangeet: Lalit Kishore Singh

Sangeet Shastra Vigyan: Panna Lal Madaan

Gayan Kala (Pbi.Uni.Pta.): Dr. Yashpal Sharma

Vadan Rachna Sagar Principal S.S. Kareer (Punjabi University,Patiala)

Vadan Parbeen Principal S.S. Kareer (Punjabi University,Patiala)

Time 3 hrs. Maximum Marks : 75

Instructions for the paper-setter:

INSTRUCTIONS FROR THE CANDIDATES

1. Development of Indian Music in the following periods:

(i)Vedic Period (ii) Hindu Period (iii) Muslim Period

2. Contribution of the following music scholars and musicians:

3. Contribution of Pt. V.N. Bhatkhande and Pt. V.D. Pluskar to music.

4. Origin and development of the following music instruments:

Paper - III : Stage Performance (Music Instrumental)

Total Teaching Hours : 65 Maximum Marks : 75

Instruction for the Examiners

Paper IV Viva-Voce (Music Instrumental)

Instruction for the Examiners

The Examination will be conducted by a Board of Examiners consisting of Head of the

Ten Thaat Ank: Sangeet Karyalaya Hathras

MA Part-I (Music Instrumental) Semester II

2016-17 and 2017-2018 session

Paper I Theoretical Survey & Scientific Study of Indian Music. (Instrumental)

Syllabus and courses of reading:

Paper-I : Theoretical Survey & Scientific Study of Indian Music. (Instrumental)

Instructions for the paper-setter:

INSTRUCTIONS FROR THE CANDIDATES

1. Advanced recording techniques and their application to Instrumental music.

5. Merits and demerits of Vadak.

Sangeet Shastra: K.Vasudev Shastri

Sangeet Chintamani : Acharaya K.C.D. Brahaspati

Sangeet Bodh: Sharat Chander Pranjpe

Hamara Adhunik Sangeet: Sushil Kumar Chaube

Tantri Nad (Part I) : Dr. Lal Mani Mishra

Sitar Marg (Part I to IV) : Shripad Bandhopadhayay

Raag Prichay (Part I to IV) : Harish Chander Srivastava

Abhinav Geetanajali(Part I to V) : Ram Ashrey Jha

Bhartiya Sangeet Kosh : Bimal Kant Roy Chaudhary

Bhartiya Sangeet Vadayas : Dr.Lal Mani Mishra

Pranav Bharti : Pt.Onkar Nath Thakur