Flute Di

Na Muli
The Itchyworms

          
Jazz Nicolas and Wally Acolola Jonas Pangilinan

          
  
 = 121

   
          


   
 
14

     
                    



cresc.

  
34


                  


  
 
63

          
                
 

   
90

                        
              
101

                            
3 3 3 3 3 3 3 3 3 3 3


                 
110

 
           
3 3 3 3 3 3 3 3 3 3 3 3 3 3

            
    
118

              
3 3 3

 
 

          
133


                         


     
143

                         
 
    
151
          

2

      
160


B♭ Clarinet 1 Di Na Muli
Jazz Nicolas and Wally Acolola The Itchyworms Jonas Pangilinan

   = 121
                    
   

  
       


                  
15


           


       
cresc.

         
28

           


                            
58

                              
    
71

          
                     
 

 
87

 
             
           


                 

99

      

                          
3 3 3 3 3 3 3 3

                
109

         

             
3 3 3 3 3 3 3 3 3 3 3 3 3

                
116

                                  
3 3 3 3 3 3 3   

 
126

                                    


 
141

                      
           
155


B♭ Clarinet 2 Di Na Muli
Jazz Nicolas and Wally Acolola The Itchyworms Jonas Pangilinan

   = 121
          
             

  


                        

 
15

          


    
cresc.

          
28

     



                               
58

                        
  
     
71

      
                 
 

     
86

  
                                   


        
98


                             
3 3 3 3 3 3 3

 


              
108

 
                        
3 3 3 3 3 3 3 3 3 3 3 3 3 3

           
  
115

     
3 3 3 3 3 3 3  

               
      
125

                                   
 

 
140

                     
         
155


B♭ Clarinet 3 Di Na Muli
Jazz Nicolas and Wally Acolola The Itchyworms Jonas Pangilinan

   = 121
       
          

 
 


          
                
15


  


    
cresc.

                   
28

     


        
                
58

           
   
           
71

                       
 

  
      
86

       


             
              3 3 3    
99

                      
3 3

        
3 3 3

    


   3 3     3 3 3    
109

                 
3 3 3 3 3 3 3 3 3

    
3 3 3             
117

 
3 3 3 

                                 
 
129

 


                        
143

                       
    
157


Alto Saxophone Di Na Muli
The Itchyworms
      
Jazz Nicolas and Wally Acolola Jonas Pangilinan

          
          

 = 121

                    


           

16

         
          


           
cresc.

  3 3 3 3 3 3 
30

                             
soli3 3

              
    3 3 3  3 3 3 3 3 3  3 3 3
41

                                   
3 3 3 3 3

 
  
50


                             
3 3 3  soli

      
63

          
                      
 

 
77

  
                       
  
 

  
92

              
      
      


     
 
107 

                   
 3 3

    
         
116 

                      
3 3 3  

             
129


                                  



145
s s.
gli

cresc. 
            
2

 
160


Tenor Saxophone Di Na Muli
Jazz Nicolas and Wally Acolola The Itchyworms Jonas Pangilinan

   = 121
                              

 


                             
16


                         

cresc.

        
29

        
               
42

                                     


  
56

        
                       
  
  
68


              
solo

  
            
80

 
      
                         
91

   
 

                               
       
104

  


     
               
118

 
 

                        


  
134

   
                                   
 


 
145
                  
2

    
159


B♭ Trumpet 1 Di Na Muli
The Itchyworms


Jazz Nicolas and Wally Acolola Jonas Pangilinan

                     
      
 = 121

    
   
 

           
cresc.

     
29

         
                
43

                       
     
   
57


       
            
         

69

                     
 3 3 3 3 3 3 3


                 
108

  
                             
3 3 3 3 3 3 3 3 3 3 3 3 3 3

           
115

         

       
3 3 3 3 3 3 3 solo

       
 
122


                                        
3  

 
140

 
           
                    
149

 

                               
 
158

 
solo
B♭ Trumpet 2 Di Na Muli
The Itchyworms


Jazz Nicolas and Wally Acolola Jonas Pangilinan

                     
  
 = 121

 
   


cresc.

           
           

29

 

  
      
                
43

                          
   
57

   

                 
              
69

  3 3 3 3
  
3 3 3 3

                             


  
   3 3     3 3 3   
109

3 3 3 3 3 3 3 3

                   
               
   
116

3 3 3 3
   
3 3 3 

                             
    
140

                      
        
   
153


B♭ Trumpet 3 Di Na Muli
The Itchyworms


Jazz Nicolas and Wally Acolola Jonas Pangilinan

   
                
   
 = 121


 

                  
cresc.

       
28

  
          
     
40

  

              
              
54

   
        
               
64

 

  3  3  3  3  3  3      3 3 3 3 3
3


                 

105 3

      3  3  3  3  3      3 3
3

                       
111 3 3

 

  3  3  3   
3 3

         
      
         
118

 

 
          
    
          
143

    

                      
  
154

 
Horn in F Di Na Muli
Jazz Nicolas and Wally Acolola The Itchyworms Jonas Pangilinan

   = 121
               
  

 


                              

17

  
    
                 


   
cresc.

      
31

 3 3 3 3 3 3 
              
                 
soli 3 3

            
41

 3 3 3 3 3 3 
                 
     
3 3 3 3 3 3

       
3 3

       
49

       
soli

        
3 3 3 3 3 3

        
          
62

  
 

                                 
74

 
soli


                               

89

                             
       

102

     


                


       
114

                   
3 3 3 3 3 

               
127

 


                                   
143
             
2

      
158
s s.
gli


cresc.
Trombone 1 Di Na Muli
The Itchyworms
              
Jazz Nicolas and Wally Acolola Jonas Pangilinan

  
 = 121

                


      

16

             
             
solo

 
cresc.


28

                 


  

41

        
                

56

               
     

         
68

                
    
 


          

94

                       


 

105

               
 


    

119

                     

 

 

135

                       


 

147

              
   

159


Trombone 2 Di Na Muli
Jazz Nicolas and Wally Acolola
The Itchyworms Jonas Pangilinan

                                 
 = 121

              


     

16

   
                   


   
cresc.


44

  
                           

58


                              
 
70

                   


   
soli

    
96

                       
 

 

106


             


     

119

                
           
 


134

                              



147

     
       
 

160


Trombone 3 Di Na Muli
Jazz Nicolas and Wally Acolola
The Itchyworms Jonas Pangilinan

                                

 = 121

 


               
 
16

   
                       
cresc.


44

                          
      
58


                              
 
70

         
   
 soli

           
  
96

                               


 

108

 

                                 

122

                                     
 


138

                                  

151

       
  
163


Euphonium Di Na Muli

                 
The Itchyworms
 
Jazz Nicolas and Wally Acolola Jonas Pangilinan

     
   
 = 121

     
                                   
solo


15

        
                            

 cresc.


27

        
                             

40

               
                      
solo 3

 
55

      
                              


 
68

 

                                  

83

  
     
         
      
soli

      

98

            
   


             

111

                      

 solo

     
 
127

                                     


  
138

 
                        
  
148
        
    
2

 
161


Tuba Di Na Muli
The Itchyworms

Jazz Nicolas and Wally Acolola Jonas Pangilinan

      
                  
   
 = 121


  

  
cresc. 

                            
28

    

 
                                   
39

    
                   
           
52




  


        
                
64


3

    
                       


         
      
75

                     
             
87

         
                         
  
99

 

      
  
                 
           
109

 



      
                       
121
3 3 3

   

 
                                         
144
3

 
       3  
                           
157
3


Drumset Di Na Muli


The Itchyworms

 
Jazz Nicolas and Wally Acolola Jonas Pangilinan

           
           
             
 = 121

  
        
                                   
25

   
                    
         
                   
34

     
                 
cresc.

                              
41

     

                     
 
                            
47

   

                       


    
                              
56

  
        
         
      
                   
  
66 3


   
           
            


                      
73


     cresc. 
                 
              
                
 
79

     
      
                                   
    
85 3

     
   
                                
2

                
91

     
              
                              
97

     
     
                       
                         
103


     
   3
               
                  
         
   
109 3

        

         
             
   
                            
114

    
 
 3
 
            
                
                     
 
121

   3 3 
   


                          


                          
139

      
   3
                


                                   
147 3

        

                     
                            
153

     
   3  

            
                            
159 3

      