POETRY IN THE MAKING

A BIBLIOGRAPHY OF PUBLICATIONS BY
GRADUATE STUDENTS IN THE POETICS
PROGRAM, UNIVERSITY AT BUFFALO,
1991-2016

James
Maynard

AMONG THE NEIGHBORS 1

The Poetry Collection of the University Libraries,

University at Buffalo, The State University of New York
Buffalo, New York
2017

_____________________________________________________
 Among the Neighbors
a pamphlet series for the study of Little Magazines
The Poetry Collection of the University Libraries, University at
Buffalo

Edric Mesmer, series editor

esmesmer@buffalo.edu

This series is supported by

The Mildred Lockwood Lacey Fund for Poetry

This issue © James Maynard

First printing, 2016
Second printing, 2017

cover design by Patrick Riedy and Edric Mesmer

 POETRY IN THE MAKING:

A PERSONAL INTRODUCTION TO A PUBLIC HISTORY

From its beginning in the fall of 1991 up through today, the

University at Buffalo English Department’s Poetics Program
has been largely organized around a single question: what is
poetics? While far from the first to orient itself around such a
pursuit, what has distinguished the program over the years is its
assumption, shaped entirely in the image of its founders and
continuing core faculty, that all answers to this question must
invariably be experimentally derived, historically and culturally
situated, and always plural. The defining vision of the program
is based on an anti-foundational understanding of poetry—i.e.
the processural activity of poiesis—as a liminal field always
evolving out of its multiform past in response to the
overlapping aesthetic, social, and political needs of the present.
Its approach to poetry is a radical praxis in both senses of the
word: rooted in particular theories and traditions and yet
constantly branching out into progressively new and unforeseen
directions. Pedagogically, the program has been heavily
informed by former UB English Department Chair Albert
Cook’s practice in the 1960s of hiring poets and writers to teach
literature classes based upon their experience as practitioners of
language as well as by those poets (both on faculty and visiting)
who had previously been associated with that other great
educational experiment Black Mountain College. It is no
coincidence that the Poetics Program developed in a rust belt
city that historically has been welcoming to experimentation
across the arts. Encouraging an interdisciplinary study of
poetries often within and between different cultures and time
periods, the program’s ethos from inception has included an
openness to formal innovation, a general respect for all forms

_____________________________________________________
3
of linguistic alterity, ethnopoetics’ insistence on the significance
of sound and oral performance, and an emphasis on writing as
social practice.

But, to be more specific, what has been / is the poetics of the UB

Poetics Program? Certainly one answer lies in the program’s
dedicated and engaged faculty who have each left an indelible
mark on the students like me who have been fortunate enough
to study with them, so much so that it is impossible to think of
the program without thinking of its core faculty Charles
Bernstein, Robert Creeley, Raymond Federman, Judith
Goldman, Susan Howe, Myung Mi Kim, Steve McCaffery, and
Dennis Tedlock; its extensive group of affiliate faculty in
English and other departments; and the curators of the Poetry
Collection who have been longtime collaborators and
participants, not to mention the hundreds of writers—some of
the most interesting and significant poets and prose writers and
critics and theorists from the latter half of the twentieth and
beginning of the twenty-first centuries—who have visited over
the years to give readings and guest lectures. But in my
experience, biased as it surely is, I’ve always believed that the
best indicator of the program’s evolving poetics, not to mention
its longstanding vitality, can be found in the activities of its
students and especially their publications. And this is as true
today in 2016 as it was in 1991. When I first arrived in Buffalo
as a new poetics student in the summer of 2001, it seemed to
me like everyone I met here was publishing a magazine, sewing
chapbooks, organizing readings and conferences, and/or
printing letterpress covers and posters. It was a community
based in large part on the collaborative activity of making, and I
loved it from the start.

An empirical approach to answering this ongoing question of

what has been / is the poetics of the UB Poetics Program?—which over

_____________________________________________________
4
the years has sometimes led to various tensions among the
community—can be found in the rich history of publications
produced here by its graduate students. Each of these titles—
each made thing—offers its own articulation of a particular
poetics, and their sum total demonstrates a wide variety of
active traditions (e.g., Objectivism, Black Mountain poetry,
New York School, Language poetry, New Narrative,
HOW(ever)); a number of emerging aesthetic movements of
the 1990s, 2000s, and 2010s (e.g., electronic poetry, post-
Language, Flarf, contemporary visual poetry, ecopoetics,
Conceptual poetry); and the broad reach of the program as
inscribed within a large constellation of overlapping print
networks centered in Buffalo and radiating outwards. As much
as these publications offer in terms of their content and form,
they are equally valuable in demonstrating how graduate
students in the Poetics Program have been able to participate in
the construction of their own literary communities through the
activity of publishing themselves, their peers, their teachers, and
their colleagues and mentors from around the world. Further
extending the ground of poetics made manifest in these
publications are the reading, talk, and performance series and
the symposia organized over the years by Poetics graduate
students. Viewed together these related projects allow one to
begin mapping out the particular contributions of the program
to the national and international discourses on poetry over the
past twenty-five years.

The beginning of this bibliography’s historical coverage

coincides with the founding of the Poetics Program in the fall
of 1991, and the first student publications begin to appear as
early as that same semester. Looking through the pages of these
chapbooks and magazines, one is continually reminded by their
acknowledgements of all the forms of institutional support that
made them possible. Certainly there would not have been so

_____________________________________________________
5
many titles without the generosity of those chairs and
departments most often thanked, including the David Gray
Chair of Poetry and Letters (Charles Bernstein, Steve
McCaffery), James H. McNulty Chair (Dennis Tedlock), Samuel
P. Capen Chair of Poetry and the Humanities (Robert Creeley,
Susan Howe), Graduate Student Association (GSA), the
Poetry/Rare Books Collection (now the Poetry Collection of
the University Libraries), the English Graduate Student
Association (EGSA), Department of English, the Samuel
Clemens Chair (Leslie Fiedler), the Melodia Jones Chair
(Raymond Federman), the Poetics Program, and others.

Whatever this bibliography may make visible about the history

of the UB Poetics Program, it does so at the expense of ignoring
the other magazines and presses in Buffalo with which these
students and publications were often in dialogue. To present a
more comprehensive picture then of a larger Buffalo poetics
one would need to add at least the following: other Buffalo
magazines (e.g., Earth’s Daughters, No Trees, Yellow Field); other
Buffalo publishers and presses (e.g., BlazeVOX, Blue Garrote,
House Press, Just Buffalo Literary Center, shuffaloff,
Starcherone, sunnyoutside, Weird Sisters, White Pine Press,
Writer’s Den); UB undergrad magazines and presses (e.g., name,
we the notorious pronouns, PressBoardPress); UB faculty
publication series (e.g. Buffalo Broadsides, Buffalo Vortex,
Outriders) and magazines (Intent, Becoming Poetics); and
publications from other schools, colleges, and organizations.

NOTES ON THE BIBLIOGRAPHY

My principle in selecting materials for these lists has been to

identify those publications produced by students in the Poetics
Program (often difficult to determine, as membership has
always been largely the result of self-identification) and to list

_____________________________________________________
6
only those items that were published in Buffalo during their
time here as students. Presses and magazines that started
elsewhere and/or subsequently moved out of Buffalo to other
locations are marked (*). Notable examples of magazines and
presses edited by Poetics students and published outside of
Buffalo (and therefore not included here) include Roberto
Tejada’s magazine Mandorla and Peter Gizzi’s co-edited
magazine O·blék: A Journal of Language Arts and its
corresponding O·blék Editions.

Items marked (+) indicate that the archive for that particular
magazine or press is held by the Poetry Collection as one of its
manuscript collections.

CALL FOR CORRECTIONS AND ADDITIONS

Due to its nature this bibliography is undoubtedly guilty of

inaccuracies, omissions, and partial information, especially in
sections V. Reading, Talk, and Performance Series and VI.
Student-Organized Symposia. For these I apologize in advance,
and ask that anyone with any corrections and/or additions to
suggest please send them to me at jlm46@buffalo.edu. Also,
since this collection was composed almost solely on the basis of
the cataloged holdings of the Poetry Collection, anyone with
additional materials not listed here is encouraged to donate
them to the collection. We are continually looking for
chapbooks, magazines, photographs, faculty syllabi,
audio/video recordings, reading posters, and other ephemera
that document the ongoing history of the Poetics Program.

ACKNOWLEDGMENTS

Thanks to Edric Mesmer for his enthusiasm in publishing this

bibliography as the inaugural chapbook in his Among the

_____________________________________________________
7
Neighbors series, Michael Basinski for many years of sharing with
me his endless knowledge of the history of poetry in Buffalo,
Alison Fraser and Declan Gould for their help in gathering
together these publications, everyone who helped provide
information and/or donated materials for this exhibition (far
too many to name individually), and the Poetry Collection for
its dedication to collecting as completely as possible the
publications of students and faculty in the Poetics Program.
Two sources that were useful for their bibliographic
information regarding publications from the first few years of
the program are Publications from Buffalo, NY (Buffalo:
Poetry/Rare Books Collection, n.d. [1994?]) and Kristin
Prevallet, “A Selected Bibliography of Buffalo Publications in
Poetry and Poetics 1960-1996,” Chloroform: An Aesthetics of
Critical Writing (1997): 272-287.

Finally, I’d like to dedicate this publication—printed in

conjunction with a retrospective exhibition titled Poetry in the
Making: The UB Poetics Program 1991-2016 in the Poetry
Collection coinciding with the conference Poetics: (The Next) 25
Years as part of the 25th anniversary of the program—to all the
faculty, staff, and students of the UB Poetics Program past, present, and
future. For almost fifteen years now, first as a graduate student
and then as curator, I’ve had the pleasure of seeing these
publications assembled, printed, launched, exchanged,
discussed, and enjoyed, and I hope (expect!) that the making
will continue for many decades more.

James Maynard
Associate Curator
The Poetry Collection
March 28, 2016

_____________________________________________________
8
I. PRINT SERIALS

apex of the M
Editors: Lew Daly, Alan Gilbert, Kristin Prevallet, and Ram
Rehm
Contributing advisors: Susan Howe, David Levi Strauss, John
Taggart, Keith Waldrop, and Rosmarie Waldrop
1 (Spring 1994)
2 (Fall 1994)
3 (Spring 1995)
4 (Winter 1996)
5 (Spring 1997)
6 (Fall 1997)

Broke
Editor: Andrea Strudensky
Layout and illustrations: Joel C Brenden
[Earlier issues?]
Vol. 2, no. 1 (Winter 2009)

Celery Flute: The Kenneth Patchen Newsletter

Editor: Douglas Manson
Editorial Board: Michael Basinski, William Howe III, Lisa
Phillips, and Larry Smith
Vol. 1, no. 1 (June 2006)
Vol. 1, no. 2 (November 2006)
Vol. 1, no. 3 (July 2007)
Vol. 2, no. 1 (May 2009)

Chain (*) (+)

Editors: Jena Osman and Juliana Spahr
1: Gender and Editing (Summer 1994)
2: Documentary (Spring 1995)
3: Hybrid Genres/Mixed Media, Vol. 1 (Spring 1996)
3: Hybrid Genres/Mixed Media, Vol. 2 (Fall 1996)

_____________________________________________________
9
Chloroform: An Aesthetics of Critical Writing
Editors: Nick Lawrence and Alisa Messer
Associate editors: Amy Nestor, Cynthia Kimball, Taylor Brady,
Kristin Prevallet, Martin Spinelli, Ken Sherwood, Michael
Stancliff, Eleni Stecopoulos, and Yunte Huang
1997

Curricle Patterns: A Magazine of Poetry Manuscripts

Editor: Alicia Cohen
1 (November 1999)
2 (July 2000)

Damn the Caesars (*)

Editor: Richard Owens (Punch Press)
Vol. 1, no. 3 (Autumn 2005)
Vol. 1, no. 4 (Spring 2006)
Vol. 2 (2007)
Vol. 3 (2007)
Vol. 4 (2008)
Vol. 5 (2009)
Vol. N (2010)
Misc. ephemera

Displace: A Journal of Poetry & Translation

Editor: Yunte Huang
1 (1997)

Ecopoetics (*)
Editor: Jonathan Skinner (Periplum Editions)
1 (Winter 2001)
2 (Fall 2002)
3 (Winter 2003)

Essex
Editors: Scott Pound and William R. Howe (Essex Studios,
Toronto, and Tailspin Press, Buffalo)

_____________________________________________________
10
 Vol. 1, no. 1 (Spring 1997)
Vol. 1, no. 2 (Summer/Fall 1997)
Vol. 1, no. 3/4 (Fall 1997-Winter 1998)

Experimental Review: A Channel 500 Newsletter

Editor: Benjamin Friedlander (Channel 500)
Vol. 1, no. 1 (March 2000)

I Am a Child: Poetry after Robert Duncan and Bruce Andrews

Editors: William R. Howe and Benjamin Friedlander (Tailspin
Press)
Vol. 1 (April 23, 1994)

Kadar Koli (*)

Editor: David Hadbawnik (Habenicht Press)
4 (Spring 2009)
5 (2010)
6 (2011)
7: On Violence (Summer 2012)
8: Dystranslation (Summer 2013)
9: The Archive (Summer 2014)

Kenning: A Newsletter of Contemporary Poetry Poetics and Nonfiction

Writing (*)
Editor: Patrick F, Durgin
9 (Vol. 3, no. 3, Autumn 2000/Winter 20001)
10 (Vol. 4, no. 1, Spring 2001)
11 (Vol. 4, no. 2, July 2001): Often: A Play by Barbara
Guest & Kevin Killian
12 (Vol. 4, no. 3, Autumn 2002/Winter 2003): The
Audio Edition (cd)
13 (Vol. 5, no. 1, 2002)

Kiosk: A Journal of Poetry, Poetics, & Experimental Prose (+)

Editors: First published in March 1986 as The Moral Kiosk and
continuing as Kiosk: A Magazine of New Writing through 9 volumes

_____________________________________________________
11
into 1996 as a UB English Department journal, Kiosk’s editors
over the years included a number of students from the Poetics
Program. In 2002 Gordon Hadfield, Sasha Steensen, and Kyle
Schlesinger restarted the magazine—and associated it more
explicitly with the Poetics Program—as Kiosk: A Journal of Poetry,
Poetics, & Experimental Prose.
1 (2002)
2 (2003)
3 (2004)
4 (2005)

P-Queue
Editors: Sarah Campbell, Andrew Rippeon, Holly Melgard, Joey
Yearous-Algozin, and Amanda Montei
1: Statements of Poetics & Parole (2004)
2: Anomalies (2005)
3: Hybrids (2006)
4: Disobedient/s (2007)
5: Care (2008)
6: Space (2009)
7: Polemic (2010)
8: Document (2011)
9: Volume (2012)
10: Obsolescence (2013)
11: Natality (2014)
12: Fatality (2015)
13: Mourning (2016) (forthcoming)

Pilot: A Journal of Contemporary Poetry

Editor: Matt Chambers and Andrea Strudensky
1 (2006)
2 (2007): a box set of chapbooks by 16 UK poets: Sean
Bonney, Emily Critchley, matt ffytche, Kai Fierle-Hedrick, Giles
Goodland, Jeff Hilson, Piers Hugill, Frances Kruk, Marianne
Morris, Neil Pattison, Reitha Pattison, Simon Perril, Sophie
Robinson, Natalie Scargill, Harriet Tarlo, and Scott Thurston

_____________________________________________________
12
Poetic Briefs (*)
Editors: Jefferson Hansen, Elizabeth Burns, Juliana Spahr,
Brigham Taylor, Bill C. Tuttle, and Mark Wallace
1 (December 1991)
2 (February 1992)
3 (March 1992)
4 (April 1992)
5 (May/June 1992)
6 (July 1992)
7 (August/September 1992)
8 (October 1992)
9 (December 1992)
10 (February 1993)
11 (April 1993)
12: Interview Issue: Dennis Tedlock, Masani Alexis de
Veaux, Robert Creeley, Eric Mottram, Ge(of) Huth, Charles
Bernstein, and Rosmarie Waldrop (nd)

President’s Choice
Editor: Steven Zultanski
1 (2007)

Rust Talks
Editors: Kristen Gallagher and Tim Shaner
1: Logan Esdale and Graham Foust (June 15, 2000)
2: Eleni Stecopoulos and Jonathan Skinner (September
14, 2000)
3: Roberto Tejada and Richard Deming (October 26,
2000)
4: Kathryn Wichelns and Meghan Sweeney (November
16, 2000)
5: Michael Kelleher and Christopher W. Alexander
(February 8, 2001)
6: Laura Penny and Peter Ramos (March 15, 2000)
7: Linda Russo and Greg Kinzer (April 12, 2001)

_____________________________________________________
13
 8: Barbara Cole and Thom Donovan (September 27,
2001)
9: Eun-Gwi Chung, Sandra Guerreiro, Anna Reckin
(October 25, 2001)
10: Gregg Biglieri and Nick Lawrence (November 15,
2001)
11: Brandon Stosuy and Patrick F. Durgin (February 14,
2002)
12: Nathan Austin and Elizabeth Finnegan (April 11,
2002)
13: Kristen Gallagher and Tim Shaner (October 3, 2002)
14: ?
15: Martin Corless-Smith and Gordon Hadfield (n.d.)
16: Alicia Cohen and Sasha Steensen (April 17, 2003)
17: James Maynard and Jonathan Stalling (May 7, 2003)
18: ?
19: Thom Donovan and Michael Cross (March 11, 2004)

The Rusty Word

Editor: Joel Kuszai
1 (September 20, 1995)

Satellite Telephone (*)

Editor: Robert Dewhurst
3 (Winter 2010)

Situation (*)
Editor: Mark Wallace
1 (December 1992)
2 (nd)
3 (nd)
4 (nd)
5 (nd)
6 (nd)
7 (nd)

_____________________________________________________
14
Small Press Collective
Editor: Taylor Brady
1 (April 24, 1997)
2 (November 10, 1997)

Uprising: An Occasional Journal (+)

Editor: Mark Hammer
1 (nd)
2 (nd)

Verdure
Editors: Linda Russo and Christopher W. Alexander
1 (October-November 1999)
2 (March-April 2000)
3-4 (September 2000-Feburary 2001)
5-6 (February 2002)

Wild Orchids
Editors: Sean Reynolds and Robert Dewhurst
1: Melville (2009)
2: Hannah Weiner (2010)
3: William Blake (2011)

Working Papers
Editor: ?
[1] (March 2010)
[2] (May 2010)

_____________________________________________________
15
II. ONLINE SERIALS:

alyricmailer
http://epc.buffalo.edu/ezines/alyric/
Editor: Michael Kelleher
1: Dan Machlin (1998)
2: Garrett Kalleberg (1998)
3: Eléni Sikélianòs (1998)
4: Laird Hunt (1998)
5: Heather Fuller (1998)
6: Stephen Mounkhall (1998)
7: Carrie Ann Tocci (1998)
8: Sheila E. Murphy (1998)
9: Notes from the Place(less Place) (1998)
10 & 11: Anselm Berrigan & Lisa Jarnot (1998)
12: Michael Basinski (1998)

Cartograffiti
URL no longer available
Editor: Taylor Brady and Small Press Collective

Deluxe Rubber Chicken

http://epc.buffalo.edu/ezines/deluxe/
Editor: Mark Peters
1 (May 1998)
2 (Feb. 1999)
3 (May 1999)
4 (Nov. 1999)
5 (March 2000)
6 (May 2000)
7 (May 2001)

Lagniappe: Poetry and Poetics in Review

http://www.umit.maine.edu/~ben.friedlander/lagniappe.html
Editors: Graham Foust and Ben Friedlander
Vol. 1, no. 1 (Fall 1998)

_____________________________________________________
16
 Vol. 1, no. 2 (Winter/Spring 1999)
Vol. 1, no. 3 (Summer 1999)
Vol. 2, no. 1 (Fall 1999)
Vol. 2, no. 2 (Spring/Summer/Millennium/Election
2000)

lume: a journal of electronic writing and art

http://epc.buffalo.edu/ezines/lume/
Editor: Michael Kelleher
1 (May 2000)
2 (February 2001)

RIF/T: An Electronic Space for Poetry, Prose, and Poetics

http://epc.buffalo.edu/rift/
Editors: Kenneth Sherwood and Loss Pequeño Glazier
1.1 (Fall 1993)
2.1 (Winter 1994)
3.1 (Summer 1994)
4.1 (Spring 1995)
5.1 (Summer 1995)
6.1: Local Effects for Robert Creeley @ 70 (Fall 1997)

_____________________________________________________
17
III. BOOKS, CHAPBOOKS, BROADSIDES, AND OTHER
PUBLICATIONS LISTED BY PUBLISHER

Allerwirklichste Miniatures Press

Editor: ?
The World: A Pamphlet Made Especially for the Geoff
Ward/Linda Russo Reading @ the Cornershop, Buffalo NY, Friday, 25
September 1998, 1998

Alyric Press
Editor: Michael Kelleher?
Michael Kelleher, Jonathan Skinner, and Eleni
Stecopoulos, Three, 1999

Atticus/Finch (*)
Editor: Michael Cross
Cynthia Sailers, Rose Lungs, 2003
Elizabeth Willis, Meteoric Flowers, 2004
Eli Drabman, The Ground Running, 2004
Tanya Brolaski, The Daily Usonian, 2004
Thom Donovan and Kyle Schlesinger, Mantle, 2005
Gregg Biglieri, I Heart My Zeppelin, 2005
Myung Mi Kim, River Antes, 2006
Lisa Jarnot, Iliad XXII, 2006
John Taggart, Unveiling / Marianne Moore, 2007
Patrick F. Durgin, Imitation Poems, 2007
Taylor Brady and Rob Halpern, Snow Sensitive Skin, 2007
C. J. Martin, Lo, Bittern, 2008

Bon Aire Projects

Editors: Amanda Montei and Jon Rutzmoser
Amanda Montei and Jon Rutzmoser, Dinner Poems, 2013
Joey Yearous-Algozin, Holly Melgard’s Friends & Family
(introduction by Teresa Carmody, footnotes to introduction by
Vanessa Place), 2014

_____________________________________________________
18
 Teresa Carmody and Vanessa Place, Maison Femme: A
Fiction, 2015

Channel 500
Editor: Benjamin Friedlander
Mark Wallace, 6/20: Poem for O.J., 1994?
Richard Roundy, Inquiring Minds/Inside the White Bronco,
1994?
Jena Osman, Victor vs. Nebraska, 1994?
Cynthia Kimball, Proof, 1994?
William R. Howe, Scream Scream Scream All You Want,
1994?
Benjamin Friedlander?, Danger!! Warning!! Bar Your Office
Doors and Classrooms!! Anti-Revolutionary Poetics! Anti-Poetic
Revolutionaries!, 1994?
Lucia W. Noi [Luca Crispi?], Cult u ‘re tv, 1994?
Alice Crimmins, So a Husband Kills a Wife and We All
Enter into the Conversation, 1994?
Abby C. [Coykendall?], If X Has That Spot, 1994?
Victoria Lucas, Social Fantasies, 1995?
Ted Pearson, The Fall Classic, 1995?
Nick Lawrence, Pensacola Shotgun, 1995?
Benjamin Friedlander, Jeff’s Hulking Tan Toyota, 1995?
Robert Creeley, Help, 1995?
Carla Billitteri, Berlusconiana, Nov. ‘94, 1995?
Charles Bernstein, Mao Tse Tung Wore Khakis, 1995?
Georges Bataille, The Void (translated by Victoria
Tillotson), 1995?
Kristin Prevallet, The Princess Is Dead, 1997?
Benjamin Friedlander, Crash, 1997?
William Sylvester?, Think Big Die, 1998?
William Sylvester, (Hesiod’s She Who Poem, Eoia, Is in the
Loeb Library.), 1998?
Mark Peters, Bill, Bill, Bill, 1998?
Michael Kelleher, Immortality, a Jingle, 1998?
William R. Howe?, A Ship of the Crime Poplist, 1998?

_____________________________________________________
19
 Cher Horowitz, The Survivor Is the Worst Nazi, 1998?
Photios Giovanis, Haute Couture Killing, 1998?
Benjamin Friedlander, Memories of President Clinton, 1998?
Benjamin Friedlander, Ichabod!, 1998?
Brent Cunningham, Timely Is a Princess, 1998?

Cuneiform Press (*)

Editor: Kyle Schlesinger
Luisa Giugliano, Chapter in a Day Finch Journal, 2000
Luisa Giugliano, Chapter in a Day Finch Journal, 2000
(broadside)
Nick Piombino, The Boundary of Theory, 2001
:prose::acts:, 2001 (limited and regular edition broadsides)
Michael Magee, Leave the Light On, 2002 (with
Handwritten Press)
Patrick F. Durgin, Color Music, 2002
Patrick F. Durgin, Color Music, 2002 (broadside)
Gregg Biglieri, Los Books, 2002
Stacy Szymaszek, Mummified Arm Indonesian, 2003
David Pavelich, Outlining, 2003
Thom Donovan, Love of Mother a Reason, 2003
Gregg Biglieri, Reading Keats to Sleep, 2003
Derek Beaulieu, With Wax, 2003
Derek Beaulieu, With Wax, 2003 (deluxe edition)
Christopher W. Alexander, Two Poems, 2003?
Ron Silliman, Woundwood, 2004
Alan Loney, Meditatio: The Printer Printed: Manifesto, 2004
Andrew Levy, Scratch Space, 2004
Craig Dworkin, Dure, 2004
Robert Creeley, Oh, Do You Remember, 2004
Gill Ott and Christopher Webster (images), The
Amputated Toe, 2005
Craig Dworkin, Andy Warhol’s Lost Portraits, 2005?
Johanna Drucker, From Now, 2005
Gregg Biglieri, Sleepy with Democracy, 2006

_____________________________________________________
20
 Ulf Stolterfoht, Lingos VI (translated by Rosmarie
Waldrop), 2007
I Have Imagined a Center // Wilder Than This Region: A
Tribute to Susan Howe, 2007
Max Jacob and Larry Fagin, Two Poems, 2008

Curricle Patterns
Editor: Alicia Cohen?
Linda Russo, Secret Silent Plan, 2000

Dove | Tail
Editor: Victoria Brockmeier
Laura Mullen, Turn: Essay, 2006
Matthew Cooperman, Still: (to be) Perpetual: Poems, 2007?

Éditions Hérisson
Editor: ?
Bob Perelman, Chaim Soutine, 1994
Pam Rehm, Nick Lawrence, and Carla Billitteri, Three
Poets, 1994

Elevator
Editor: Michael Kelleher
Sugar in the Raw, 2000 (anthology)
Ed. Brian Collier, The Elevator Box, 2000 (boxed set)
Eds. Michael Kelleher and Isabelle Pelissier, The Postcard
Project, 2001 (boxed set)
Eds. Michael Kelleher and Isabelle Pelissier, The Postcard
Project, 2001 (book edition made and designed in collaboration
with Handwritten Press)
Ed. Jonathan Skinner, La Mitad: 11 from Buffalo, 2001
(anthology)
Ed. Amy Stalling, The Grid Project, 2003 (different word
grids and book edition)

_____________________________________________________
21
Essex Publications
Editors: Scott Pound and William R. Howe
Scott Pound, How Do You Like Your Blue-Eyed Text Now,
Jacques Derrida?, 1998? (no publisher information listed)

Habenicht Press (*)

Editor: David Hadbawnik
Micah Robbins, Crass Songs of Sand & Brine, 2010
David Hadbawnik, Sir Gawain and the Green Knight, 2011
The Rejection Group, 5 Works, 2011
Sarah Jeanne Peters, Triptych, 2011
JodiAnn Stevenson, Houses Don’t Float, 2011
Richard Owens, Ballads, 2012
John Hyland, The Novice, 2015
John Hyland, The Novice, 2015 (poem card)
David Hadbawnik, Sports, 2015
David Hadbawnik, Sports, 2015 (poem card)

Handwritten Press (*) (+)

Editor: Kristen Gallagher
Alicia Cohen, bEAR, 2000
Michael Magee, Morning Constitutional, 2001 (with Spencer
Books)
Ikhyun Kim, Il Jom Oh, 2001
Aaron Levy, Tombe: In Conversation with Kristen Gallagher,
2001
Ed. Kristen Gallagher, The Form of Our Uncertainty: A
Tribute to Gil Ott, 2001 (with Chax Press)
Michael Magee, Leave the Light On, 2002 (with Cuneiform
Press)
Dan Featherston, The Clock Maker’s Memoir: 1-12, 2002
Barbara Cole, From “Situation Comedies,” 2002
Nathan Austin, (glost), 2002
Terrence Chiusano, On Generation and Corruption: Parts I
and II, 2003

_____________________________________________________
22
 Gordon Hadfield and Sasha Steensen, Correspondence: For
La Paz, 2004

Hostile Books
Editors: Joe Hall, Mike Flatt, Veronica Wong, and Ryan Sheldon
Joe Hall, No, 2015
Mike Flatt, Asbestos, Vol. 1, 2015
Ryan Sheldon, Lemon, 2015
Veronica Wong, emmenagogue, 2015

Leave Books
Editors: Kristin Prevallet, Juliana Spahr, Mark Wallace, Bill
Tuttle, Elizabeth Burns, Jefferson Hansen, and Brigham Taylor
(began as a collective)
Keith Waldrop, The Balustrade, 1991
Bill Tuttle, Private Residence, 1991
Elizabeth Robinson, Nearings: Two Poems, 1991
Ann Pedone, The Bird Happened, 1991
Robert Kelly, Manifesto: For the Next New York School,
1991
Jefferson Hansen, Gods to the Elbows, 1991
Peter Ganick, As Convenience, 1991
Elizabeth Burns, Letters to Elizabeth Bishop, 1991
Susan Smith Nash, Grammar of the Margin Road, 1992
(published by Leave Books? no publisher information listed)
Nina Zivancevic, I Was This War Reporter in Egypt, 1992
Mark Wallace, You Bring Your Whole Life to the Material,
1992
Joseph Torra, Domino Sessions, 1992
Juliana Spahr, Nuclear, 1992
Cathleen Shattuck, The Three Queens, 1992
Rena Rosenwasser, Unplace . Place, 1992
Pam Rehm, Pollux, 1992
Bin Ramke, Catalogue Raisonné, 1992
Nick Piombino, Two Essays, 1992
John Perlman, Imperatives of Address, 1992

_____________________________________________________
23
 Jena Osman, Balance, 1992
Gale Nelson, Little Brass Pump, 1992
Joyce Mansour, Cris / Screams (translated by Serge
Gavronsky), 1992
Le Ann Jacobs, Varieties of Inflorescence, 1992
Susan Gevirtz, Domino: Point of Entry, 1992
Drew Gardner, The Cover, 1992
Tina Darragh, Adv. Fans—The 1968 Series, 1992
John Byrum, Interalia: Among Other Things, 1992
Dodie Bellamy, Answer: From “The Letters of Mina Harker,”
1992
Tom Beckett, Economies of Pure Expenditure: A Notebook,
1992
J. Battaglia, Skin Problems, 1992
Michael Basinski, Mooon Bok: Petition, Invocation, &
Homage, 1992
Mark Wallace, Complications from Standing in a Circle: The
Dictionary Poems, 1993
Susan M. Schultz, Another Childhood, 1993
Stephen Ratcliffe, Private, 1993
Lee Ann Brown, Crush, 1993
Julia Blumenreich, Artificial Memory: 4 Ingathering Texts,
1993
Bruce Andrews, Divestiture—E, 1993
Cole Swensen, Walk, 1994
Joe Ross, Push, 1994
Eléna Rivera, Wale; Or, The Corse, 1994
Joan Retallack, Icarus Fffffalling, 1994
Kristin Prevallet, From “Perturbation, My Sister”: (A Study of
Max Ernst’s “Hundred Headless Woman”), 1994
Randall Potts, Recant: (A Revision), 1994
Eds. Juliana Spahr, Mark Wallace, Kristin Prevallet, and
Pam Rehm, A Poetics of Criticism, 1994
Sianne Ngai, My Novel, 1994
Kevin Magee, Tedium Drum, Part II, 1994
Kimberly Lyons, Rhyme the Lake, 1994

_____________________________________________________
24
 Lori Lubeski, Stamina, 1994
Cynthia Kimball, Omen for a Birthday: Unravelled Poems,
1994
Lisa Houston, Liquid Amber, 1994
Barbara Henning, The Passion of Signs, 1994
Sally Doyle, Under the Neath, 1994
Laynie Browne, One Constellation, 1994
Guy R. Beining, Too Far to Hear, 1994
Will Alexander, Arcane Lavender Morals, 1994
Kim Rosenfield, Two Poems, 1995
Mark McMorris, Figures for a Hypothesis: (Suite), 1995
Ira Lightman, Psychoanalysis of Oedipus, 1995
Kevin Killian, Santa, 1995
C. S. Giscombe, Two Sections from Giscome Road, 1995
Marten Clibbens, Sonet, 1995

Little Scratch Pad Press / Little Scratch Pad Publications / Little

Scratch Pad Editions / Little Scratch Pad Factory
Editor: Douglas Manson
Douglas Manson, Edge of Perception: A Poem, 2000
Douglas Manson, Or VVV: Sinespoem 1-7, 2003
Douglas Manson, The Flatland Adventures of Blip and Ouch:
A One-Act Closet Drama, 2004
Douglas Manson, A Book of Birthdays, 2005
Aaron Lowinger, Autobiography I: Perfect Game, 2005 (with
House Press)
Douglas Manson, Sections in Four Seasons: From “To
Becoming Normal: A Poem of Limit,” 2006 (Bird in the Tree Edition)
Tom Yorty, Words in Season: Poems, 2007 (Little Scratch
Pad Editions 6)
Nick Traenkner, Accidental Thrust, 2007 (Buff & Rust 2)
Kristianne Meal, TwentyTwo: First Pallet, 2007 (Buff &
Rust 2)
Kristianne Meal, TwentyTwo: First Pallet, 2007 (Little
Scratch Pad Editions 1)

_____________________________________________________
25
 Douglas Manson, At Any Point: From “To Becoming
Normal: A Poem of Limits,” 2007 (Buff & Rust 4)
L. A. Howe, NTR PIC E ST R, 2007 (Little Scratch Pad
Editions Chapbook 5)
Michael Basinski, Of Venus 93, 2007 (Little Scratch Pad
Editions Chapbook 3)
Overherd at the River’s Hip: 15 Buffalo Poets: Poems in
Conversation, 2008 (Little Scratch Pad Editions number 2.3)
Jaye Bartell, Ever After Never Under: 20 Choruses, 2008
(Little Scratch Pad Editions second series 2)
Jonathan Skinner, With Naked Foot, 2009 (Little Scratch
Pad Editions second series 4)
Geof Huth and Tom Beckett, Interpenetrations: Buffalo,
2009

Low Frequency
Editor: Michael Flatt
Please Welcome: Intros 14-15, 2015
a rawlings and Chris Turnbull, The Great Canadian, 2015
Nathaniel Mackey, From “Blue Fasa,” 2016 (forthcoming)

M Press
Editors: Alan Gilbert, Kristin Prevallet, Ram Rehm, and Lew
Daly
Lew Daly, Swallowing the Scroll: Late in a Prophetic Tradition
with the Poetry of Susan Howe and John Taggart, 1994 (apex of the M
supplement #1)

Meow Press (+)

Editor: Joel Kuszai
Bill Tuttle, Epistolary: First Series, 1993
Elizabeth Robinson, Iemanje, 1993 (2nd printing March
1996)
Joel Kuszai?, Brooklyn Yards, 1993 (published by Meow
Press? no author or publisher information listed)
Benjamin Friedlander, Anterior Future, 1993

_____________________________________________________
26
 Michael Basinski, Cnyttan, 1993 (2 states)
Misko Suvakovic, Pas Tout: Fragments on Art, Culture,
Politics, Poetics and Art Theory, 1994-1974, 1994
Leslie Scalapino, The Line, 1994
Pierre Joris, Winnetou Old, 1994
Robert Fitterman, Metropolis (1-3), 1994
George Albon, King, 1994
Juliana Spahr, Testimony, 1995
James Sherry, Four For, 1995
Mark Johnson, Three Bad Wishes, 1995
Loss Pequeño Glazier, The Parts, 1995
Peter Gizzi, New Picnic Time, 1995
Benjamin Friedlander, A Knot Is Not a Tangle, 1995
Dubravka Djuric, Cosmopolitan Alphabet, 1995
Charles Bernstein, The Subject, 1995
Rachel Tzvia Back, Litany, 1995
Bruce Andrews, Charles Bernstein, and James Sherry,
Technology/Art: 20 Brief Proposals for Seminars on Art & Technology,
1995 (no publisher information listed)
Gary Sullivan, Dead Man, 1996
Ron Silliman, Xing, 1996
Kenneth Sherwood, That Risk, 1996
Lisa Samuels, Letters, 1996
Lisa Robertson, The Descent: A Light Comedy in Three Parts,
1996
Meredith Quartermain, Terms of Sale, 1996
Kristin Prevallet, 28 for the Road, 1996 (Meow Press
Ephemera Series #6)
Jena Osman, Jury, 1996
Hank Lazer, Early Days of the Lang Dynasty, 1996
Wendy Kramer, Patinas, 1996
Cynthia Kimball, Riven, 1996 (Meow Press Ephemera
Series #4)
Jorge Guitart, Film Blanc, 1996
Deanna Ferguson, Rough Bush, 1996

_____________________________________________________
27
 Robert Duncan, Copy Book Entries (transcribed by Robert
J. Bertholf), 1996
Robert Creeley, The Dogs of Auckland, 1996
Natalee Caple, The Price of Acorn, 1996
Jonathan Brannen, The Glass Man Left Waltzing, 1996
Taylor Brady, Is Placed Leaves, 1996
Dodie Bellamy and Bob Harrison, Broken English, 1996
Natalie Basinski, How the Cat Got Her Fur, 1996 (Meow
Press Ephemera Series #12)
Michael Basinski, Barstokai, 1996 (Meow Press Ephemera
Series #5)
Michael Basinski, Heebie-Jeebies, 1996
Cynthia Kimball, Annotations for Eliza, 1997
Kevin Killian, Argento Series, 1997
William R. Howe, A #’s: Onus, 1997
Dodie Bellamy, Hallucinations, 1997
Charles Alexander, Four Ninety Eight to Seven, 1997
Susan M. Schultz, Addenda, 1998
Denise Newman, Of Later Things Yet to Happen, 1998
Noemie Maxwell, Thrum, 1998
Andrew Levy, Elephant Surveillance to Thought, 1998
Joel Kuszai, Castle of Fun, 1998 (Meow Press Ephemera
Series #22)
Daniel Kanyandekwe, One Plus One Is Three at Least:
Selected Writings of Daniel Kanyandekwe (edited by Julie Husband
and Jim O’Loughlin), 1998
Benjamin Friedlander, Selected Poems, 1998
Stephen Cope, Two Versions, 1998 (Meow Press
Ephemera Series #23)
Don Cheney, The Qualms of Catallus & K-mart, 1998
Graham Foust, 3 from Scissors, 1998

Nickel City
Editor: Christopher W. Alexander
Christopher W. Alexander, Admonitions, 2000

_____________________________________________________
28
Nominative Press Collective (*)
Editor: Christopher W. Alexander
Judy Roitman, Diamond Notebooks 2, 1998
Keston Sutherland, Scratchcard Sally-Ann, 1999
Matthias Regan, The Most of It, 1999
Christopher W. Alexander, History Lesson, 1999

Otamolloy
Editor: Michael Kelleher?
Michael Kelleher, The Necessary Elephant, 1998

Phylum Press (*)

Editors: Richard Deming and Nancy Kuhl
Richard Deming and Nancy Kuhl, Winter 2000, 2000
Roberto Tejada, Amulet Anatomy, 2001
Graham Foust, 6, 2001
Joel Bettridge, Shores, 2001

Poetic Briefs
Editors: Editors: Jefferson Hansen, Elizabeth Burns, Juliana
Spahr, Brigham Taylor, Bill C. Tuttle, and Mark Wallace?
Sterling D. Plumpp, Blues for My Friend’s Longings, 1993
(Poetic Briefs Broadside #1)

Poetics Program
Ed. Jena Osman, Lab Book, 1992
Charles Bernstein, What’s Art Got to Do with It: The Status
of the Subject of the Humanities in the Age of Cultural Studies, 1992
Brandon Boudreault, Allison Cardon, George Life, Claire
Nashar, Sean Pears, Jacob Reber, and Corey Zielinski, Launched in
Context: Seven Essays on the Archive, 2016 (published by Spring 2016
graduate reading group on archives supervised by James
Maynard)

Porci Con Le Ali (*)

Editor: Benjamin Friedlander

_____________________________________________________
29
 Benjamin Friedlander, Mininotes, 1996
Heiner Müller, ABC, 1996 (translated by Benjamin
Friedlander)
Benjamin Friedlander, Period Piece, 1998
Benjamin Friedlander, Partial Objects, 1999
P-Queue / Queue Books
Editor: Andrew Rippeon
Richard Taransky and Michelle Taransky, The Plans
Caution, 2007
Eds. Michael Cross and Andrew Rippeon, Building Is a
Process, Light Is an Element: Essays and Excursions for Myung Mi Kim,
2008
Erica Lewis (poems) and Mark Stephen Finein (artwork),
The Precipice of Jupiter, 2009
José Felipe Alvergue, Us Look Up / There Red Dwells, 2008
Geof Huth, Eyechart Poems, 2009
Jimbo Blachly and Lytle Shaw, Pre-Chewed Tapas, 2010
Simone de Beauvoir and Vanessa Place, The Father &
Childhood, 2011

Punch Press (*)

Editor: Richard Owens
Richard Owens, From “Bel & the Dragon,” 2007
Brian Mornar, Repatterning, 2007
Bill Griffiths, And the Life (The Motion) Is Always There,
2007
Dale Smith, Susquehanna: Speculative Historical Commentary
and Lyric, 2008
Rave On: Punch Press, Damn the Caesars, 2008
Richard Owens, Two Ballads, 2008
Ben Lyle Bedard, Implicit Lyrics, 2008
Sotère Torregian, Envoy, 2009
Richard Owens, Punch Press, 2009?
Thomas Meyer, Kintsugi, 2009
Natalie Knight, Archipelagos, 2009
Carrie Etter, Divinations, 2010

_____________________________________________________
30
 Richard Owens, Cecilia Anne at One, 2010

Quinella Press
Editor: Nicholas Laudadio
Michael Kelleher, Three Poems, 1998
Graham Foust, Three Poems, 1998
Taylor Brady, Three Poems, 1998
Joel Bettridge, Three Poems, 1998

RIF/T
Editors: Kenneth Sherwood and Loss Pequeño Glazier?
Loss Pequeño Glazier, Electronic Projection Poetries /
Kenneth Sherwood, Hard [HRt] Return, 1995

Rubba Ducky (*)

Editors: Christopher W. Alexander and Matthias Regan
William Fuller, Avoid Activity, 2003
Henry Card, People’s History Pop-Up: For the People by the
People, 2003? (published by Rubba Ducky? no publisher
information listed)
Henry Card, Freedom Fighter Portraits, 2003? (published by
Rubba Ducky? no publisher information listed)

Tailspin Press
Editor: William R. Howe
Mark Wallace, The Sponge Has Holes: A Bibliophilic Event,
1994 (Tailspin Press Chapbook 002)
William R. Howe, Tripflea: (Book), 1994
Eds. Raymond Federman and William R. Howe, Sam
Changed Tense, 1995 (with Weird Sisters Press)
Michael Basinski, SleVep: A Performance, 1995 (Tailspin
Press Chapbook 003)
Michael Basinski and William R. Howe, Place Your Text
Here, 1995
Nils Ya, Chastisement Rewarded: A Poetics of the Fragment,
1996

_____________________________________________________
31
 William R. Howe, Pollywannahydral: A Shape, 1996
(Tailspin Press Chapbook 006)
Kenneth Sherwood, Text Squared: A Word-Sculpture, 1997?
(Tailspin Press Chapbook 004)
Peter Jaeger, Stretch Conflates: An Exquisite Corpse, 1997
(Tailspin Press Chapbook 007)
William R. Howe, A, 1997

Trifecta Press
Editor: Nicholas Laudadio
Graham Foust, Endless Surgery, 1997

Troll Thread (*)

Editors: Joey Yearous-Algozin, Holly Melgard, Chris Sylvester,
Divya Victor
Joseph Yearous-Algozin, The Lazarus Project: Alien vs.
Predator, 2010
Chris Sylvester, The Republic, 2010
Chris Sylvester, Grid, 2010?
Chris Sylvester, Biography: There Past, 2010?
Joseph Yearous-Algozin, Buried, 2011
Divya Victor, Partial Dictionary of the Unnamable, 2011
Divya Victor, Partial Directory of the Unnamable, 2011
Chris Sylvester, Total Walkthrough, 2011
Holly Melgard, Colors for Baby, 2011 (Poems for Baby
Trilogy 1)
Holly Melgard, Foods for Baby, 2011(Poems for Baby
Trilogy 2)
Holly Melgard, Shapes for Baby, 2011 (Poems for Baby
Trilogy 3)
Shiv Kotecha, Paint the Rock, 2011
Joey Yearous-Algozin, The Lazarus Project: Night and Fog,
2012
Joey Yearous-Algozin, The Lazarus Project: Faces of Death,
2012
Joey Yearous-Algozin, The Lazarus Project: Heaven, 2012

_____________________________________________________
32
 Joey Yearous-Algozin, 911 9/11 Calls in 911 Pt. Font: Part
1, 2012
Joey Yearous-Algozin, 9/11 911 Calls in 911 Pt. Font: Part
2, 2012
Joey Yearous-Algozin, The Lazarus Project: Nine Eleven,
2012
Divya Victor, Partial Derivative of the Unnamable, 2012
Chris Sylvester, Junk Rooms, 2012
Chris Sylvester, Still Life with Every Panda Express Food Item
Three Times: For Chris Alexander’s “Panda,” 2012
Maker, Poems for Money, 2012
Holly Melgard, The Making of the Americans, 2012
Trisha Low, Purge Vol. 1: The Last Will & Testament of
Trisha Low, 2012
Isaac Linder, The Moviegoer, 2012
Shiv Kotecha, Outfits, 2012
Josef Kaplan, 1-100, 2012 (16 vols.)
Sarah Dowling, Birds & Bees, 2012
Jeremiah Rush Bowen, Nazi (Argument on the Internet
(5/31/11 - 8/31/11) vol. 1 ), 2012
Jeremiah Rush Bowen, Faggot (Argument on the Internet
(5/31/11 - 8/31/11) vol. 2 ), 2012

Uprising Press (+)

Editor: Mark Hammer?
Barbara Tedlock, From “The Beautiful and the Dangerous” /
Michael Basinski, Egyptian Gods 6, 1991 (Uprising 1)
Elizabeth Willis, From “Songs for (A)” / Stephen Ratcliffe,
Nostalgia, 1991 (Uprising 2)
Susan Howe, From “Melville’s Marginalia,” 1991 (published
by Uprising Press? no publisher information listed)
Rachel Blau DuPlessis, From “Draft 2: She,” / Michael
Boughn, Stone Work V 1991 (Uprising 3)
Michael Basinski, Her Roses, 1992 (Uprising 9)
Edward Dorn, The Denver Landing: 11 Aug 1993, 1993

_____________________________________________________
33
Vigilance Society (*)
Editor: Anonymous
Eli Drabman, From “Daylight on the Wires,” 2006?
Eli Drabman, Daylight on the Wires, 2007?

Wild Horses of Fire Press

Editor: Thom Donovan
Thom Donovan (with images by Abby Walton), Tears
Are These Veils, 2004

_____________________________________________________
34
IV. BOOKS, CHAPBOOKS, BROADSIDES, AND OTHER
PUBLICATIONS PRINTED WITHOUT A PUBLISHER
(ORGANIZED CHRONOLOGICALLY):

Ed. Mark Hammer, The Image of Language, The Language of

Image: UB Poetic Voices: 1992, 1992 (publisher unknown)
Jonathan Fernandez, Ah! Thel Is Like a Watry Bow, 1993?
(published by the author)
William R. Howe, Projective Verse: A Preformance Script
with/out Type Writer in 5 Parts, 1994 (published by the author)
Alan Gilbert and Kristin Prevallet, A Selective Bibliography
of French Poetry in Translation Published in American Small Press Poetry
Journals from 1980-1992, 1995 (publisher unknown)
Joel Kuszai, Filmic 10: Salt Series, 1995 (published by the
author)
Cynthia Kimball, Song for a Handfasting: (For Two Voices),
1995 (publisher unknown)
Benjamin Friedlander, The Missing Occasion of Saying Yes,
1996 (published by the author)
Kristin Prevallet, The Rhyme of the Ancient Mariner: An
Interpretation of the Poem by S. T. Coleridge, 1997 (VHS recording)
William R. Howe, Notions of Nationalistic Feverish
Paradigmatic Coronal, 1998 (published by the author)
Christopher W. Alexander, Eschatology: A Reader, 1999
(published by the author)
Terrence Chiusano, Ikhyun Kim, and Brandon Stosuy,
Last Friday, May 12, 2000, 2000 (publisher unknown)
Sandra Guerreiro, Finger Print: Impressão Digital, 2001
(published by the author)
Terry Cuddy and Mirela Ivanciu, Transient Views of Western
New York, 2001 (VHS recording)
A Degraded Textual Affair, 2002 (edited by William R.
Howe?)
Linda Russo, Solvency, 2005 (publisher unknown?)
Susan Howe, Loving Friends and Kindred, 2006 (printed by
Sarah Campbell?)

_____________________________________________________
35
 Steve McCaffery, Appelle’s Cut, 2007 (printed by Matt
Chambers, Michael Cross, and Richard Owens?)
Michael Cross, Foresting, 2007 (printed by Andrew
Rippeon?)
George Oppen, The Poem, 2008 (printed by Andrew
Rippeon?)
Susan Howe, I heard myself as if you, 2008 (printed by
Richard Owens and Andrew Rippeon)
Michael Sikkema, David Hadbawnik, and Nava Fader,
Sideways, 2009? (printed by David Hadbawnik)
Scrap Paper: A Small Press Portfolio, 2009
Richard Owens, Archer Disowns, 2010 (printed by Andrew
Rippeon?)
Andrew Rippeon, The hill I am of / Julia Bloch, The Selfist,
2010? (printed by Andrew Rippeon)
Andrew Rippeon, 5 from “Flights,” 2010? (printed by
Andrew Rippeon?)
Divya Victor, From “Sutures 3.11.10,” 2010? (printed by
Andrew Rippeon?)

_____________________________________________________
36
V. READING, TALK, AND PERFORMANCE SERIES

[These student-organized series have been in addition to the

Poetics Program’s departmental series Wednesdays at 4 Plus (Fall
1990-Fall 2004) and Poetics Plus (Spring 2005-present)]

Another Reading Series

Organizers: Barbara Cole, Gordon Hadfield, and Sasha Steensen
Early 2000s

BYOB
Organizer: ?
2011

(co)ludere
Organizer: Divya Victor
2008

Cornershop
Organizer: Anya Lewin
1998

Deluxe Rubber Reading Series

Organizer: Mark Peters
1999

Dove | Tail
Organizer: Victoria Brockmeier
2014

Emergency Poetry Reading

Organizer: ?
Dates?

Exchange Rate
Organizer: ?
2004?

_____________________________________________________
37
Last Friday
Organizers: Linda Russo and Christopher W. Alexander
1999

ñ (enye), Poesía y Crítica en la SUNY-Búfalo: A Non-Unilingual

Reading Series of Poetry, Criticism and Translation
Organizers: Rosa Alcala and Kristin Dykstra
2000-2002

Opening Night
Organizers: ?
Fall 2008-present

Poetics Plus Plus

Ogranizers: Graduate Poetics Group
2015

Poets Theater
Organizer: David Hadbawnik
2009-2012

Portable Lecture Series / Portable Talk

Organizer: ?
Dates?

Red Flannel (+)

Organizer: Mark Hammer
1988-1995

Refer
Organizer: Divya Victor
2009, 2011

Rust Talks
Organizers: Kristen Gallagher and Tim Shaner
2000-2004

_____________________________________________________
38
Saloon Conversation Series
Organizer: ?
2006

Scratch and Dent

Organizers: Cornershop and Small Press Collective
Dates?

Small Press in the Archive

Organizers: Margaret Konkol (founder), Nicholas Morris, and
Ronan Crowley
2007-2014

Steel Bar
Organizer: Jonathan Skinner
2001

_____________________________________________________
39
VI. STUDENT-ORGANIZED SYMPOSIA:

Writing from the New Coast: First Festival of New Poetry at

SUNY Buffalo
Organizers: Juliana Spahr and Peter Gizzi
March 31-April 3, 1993

Place(less Place): A Gathering of Poets

Organizers: Small Press Collective
June 19-20, 1998

Eye, Ear & Mind: A Conference on the Poetry of Ronald

Johnson
Organizer: Joel Bettridge
March 15-18, 2000

Prose Acts
Organizers: Christopher W. Alexander and Brandon Stosuy?
October 18-21, 2001

A Degraded Textual Affair

Organizer: William R. Howe?
June 6, 2002

Re-reading Louis Zukofsky’s Bottom: On Shakespeare: A

Symposium for Students, Poets & Scholars
Organizers: Kyle Schlesinger and Thom Donovan?
October 31-November 1, 2003

(Re:)Working the Ground: A Conference on the Late Writings of

Robert Duncan
Organizers: James Maynard, Robert J. Bertholf, and Michael
Basinski
April 20-22, 2006

_____________________________________________________
40
Contemporary British Poets
Organizer: Matthew Chambers
April 12, 2007

George Oppen: A Centenary Conversation

Organizers: Andrew Rippeon and ?
April 23-25, 2008

A Symposium on Dura
Organizer: Andrew Rippeon
November 21, 2008

Poet-publishers: A Small Press Symposium

Organizers: Richard Owens and Andrew Rippeon?
April 19-20, 2009

Modes of Love and Reason: A Bernadette Mayer Symposium

Organizer: Robert Dewhurst?
April 1, 2011

Clairvoyant Codes: A Symposium on the Work of Hannah

Weiner
Organizers: Robert Dewhurst and Sean Reynolds?
October 19, 2012

_____________________________________________________
41
VII. RADIO SHOWS

T-n-T Broadcasts
Edited by Martin Spinelli
1995

LINEbreak (+)
Hosted by Charles Bernstein; co-produced by Charles Bernstein
and Martin Spinelli
Recorded 1996-1996 in Buffalo and elsewhere

Inks Audible (WHLD 1270 AM, Buffalo)

Hosted and produced by Doug Manson
Broadcast ca. 2005

Spoken Arts (WBFO 88.7 FM, Buffalo)

Hosted by Sarah Campbell
Broadcast ca. 2006

_____________________________________________________
42
 Among the Neighbors Series

1 Poetry in the Making: A Bibliography of Publications

by Graduate Students in the Poetics Program,
University at Buffalo, 1991-2016
by James Maynard

2 In Search of Blew: An Eventual Index of Blewointment

Magazine, 1963-1977
by Gregory Betts

3 TISH— Another “Sense of Things”

by Derek Beaulieu

This new pamphlet series seeks non-academic and academic

submissions of 10-30 pages on the subject of little magazines,
generally or on specific magazines, published from 1940 onward.

We invite subjects along the lines of:

- case studies of a single little magazine;

- publishing networks in and among little magazines;
- studies of the materiality of small press publications;
- contexts of association and sociability upon the pages
of magazines; and,
- bibliographies, including bibliographies of poets or
groups of poets or “schools” among little magazines.

Illustrative content most welcome!

Please send proposals to the series editor at

esmesmer@buffalo.edu

_____________________________________________________
This consciousness within her
uncurled itself upon the rollers of objective
experience
printing impressions
vaguely and variedly
upon Ova
in place of the more formulate education
coming naturally
to the units of a national instigation

—Mina Loy
from “Ova, Among the Neighbors”