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GeneratePrintedLessonPlan C 7 America Latina
GeneratePrintedLessonPlan C 7 America Latina
46328…
Materials
Normal Pencils
45 min Large Coffee Can Bongo
instructions
Large Five Gallon Drum with
NCCAS: Cn10.0.7a,
Drumstick instructions
Cn11.0.7a, Cr2.1.7b, Sambalero
Medium Twine Tub Drum
Pr4.2.7b, Re7.2.7a
instructions
World Percussion: Latin America
Extended
Project Book
15 min
Instruments
Percussion Instruments
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Using the DRAW tool, invite students to identify countries on the world map (slide 1)
they believe are part of Latin America.
Compare student responses to the Latin American map (slide 2) and discuss the
results.
Call attention to non-highlighted countries on the Latin American map (slide 2).
These countries, not considered part of Latin American, speak languages other than
Spanish or Portuguese.
Use the DRAW tool to draw lines separating Mexico from Central America and
Central America from South America.
Latin America is subdivided into four regions--North America (Mexico), Caribbean,
Central America, and South America (slide 3).
Ask students to share any historical knowledge they have about these regions (such
as European Conquest, indigenous people - Aztecs, Mayans, Incas, and so on).
Using page 5 of the project book, have students label (and color) the four regions of
Latin America.
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As part of this project, students will be introduced to new instruments they may
never have encountered before.
Watch the three short videos on the surdo, timbales, and guira.
The surdo is used primarily in Samba music, the timbales are used in Salsa music,
and the guira is used in Merengue music
Ask students if they have ever seen these instruments before and, if so, where.
Have students make brief notes about each instrument in their project book (page
23).
Now that students have been introduced to the sounds and instruments of the
samba, salsa, and merengue, have them play some of the foundational rhythms of
those styles using percussion instruments.
Many Latin American pieces use syncopated rhythms.
Ask students if they can define the term syncopation.
Syncopation: Placement of rhythms or accents where they wouldn't normally occur,
such as on the weak beats or off-beats.
Playing layered syncopated rhythms can be difficult. To help students meet this
challenge, we have provided a verbal phrase for each of the two-measure rhythm
patterns in the project.
Using slide 1, have students say the phrases on the screen one at a time.
Divide the class into 3 groups, having each group take turns saying (chanting) their
assigned phrase. (Make sure students articulate the accent marks accurately, as
accents are critical in creating authentic Latin rhythms.)
Layer in the phrases group by group until all three groups are saying their phrases at
the same time. Transfer the patterns onto percussion instruments.
Repeat this process for slides 2 and 3.
For an additional challenge, use the backing track at the bottom of the screen.
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Invite students to write any new information they have learned about Latin America,
surdo, guira, and timbales on the journal page 23 in their project books.
Remind them that in the next session they will be creating drums to use in all of the
three styles.
How does understanding the structure and context of music inform a response?
(Essential Question)
Click on the bullet points to highlight and review the learning objectives.
How does understanding the structure and context of music inform a response?
(Essential Question)
Have students translate the patterns from Screen 6 into one measure in QBackBeat
Lite.
Each line on the screen can be a new drum part.
Invite students to create a fourth part that complements the other three parts.
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