Professional Documents
Culture Documents
An Intro to Online
Stock Photography
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How to Make Over $2,000 a Month Selling Your Photos Online:
An Intro to Online Stock Photography
Published by:
Great Escape Publishing
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Delray Beach, FL 33483
Phone: 561-278-5557
Fax: 561-278-5929
www.thetravelwriterslife.com
www.thephotographerslife.com
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Table of Contents
Where to sell, How to Break in, and How Much You Can Expect to Make 4
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How to Make Over $2,000 a Month Selling
Your Photos Online
Stock photography is simply a term used for images that are not photographed
for a specific client’s use. Instead, they are images photographed and cataloged
for individuals to buy later from agencies that collect photos from hundreds of
other photographers.
But there’s a new kind of stock agency everyone is buzzing about and that’s what
we’re going to talk about today…
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1) Approximately 200 technically perfect images - good composition, perfect
exposure, proper focus
3) Keywords for each photo (Some agencies do this for you, check their
guidelines.)
4) A Word document that contains a list of all the photos you're submitting along
with their captions.
Why are they happy to give up their photos for $1 a piece a year?
Well, as noted above, with traditional stock agencies you often have a
contractual obligation to submit photos every month. One hundred photos a
month (which is typical) translates to 1,200 photos a year or $1,200. And your
portfolio will grow exponentially each and every year.
And since they don't buy exclusive rights (like the traditional stock agencies do)
to the picture, you can always sell it on your own for more cash.
To get started in the right direction and find the right stock agency -- or agencies
-- for you, here’s a list of a few whose acceptance rules are fairly flexible --
agencies that only require you to submit between one and ten photos to get
started.
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I recommend you choose the agency first -- before you collect your pictures --
because that will affect the way you prepare them.
Each agency has different requirements, from the size of image they accept to
the number of keywords they want you to submit. So take a look through the
sites and read through the requirements and the photographer agreement before
you decide.
Once you decide, you can upload your images at your own pace (there are no
minimum requirements but there are some maximum limits). And you'll need to
supply titles, descriptions, and keywords for each photo (be specific, descriptive
and clear -- not prolific and creative).
WARNING: Be your own worst critic when it comes to sorting through your
photographs and deciding which ones to submit. Most microstock agencies
monitor your acceptance rate and some will even put a hold on your account if
you submit too many images that don't meet their needs or follow their
guidelines.
If you get five rejections in a row without a single acceptance, stop submitting
and go back to practicing your craft.
If you don't know how large your photos are, you can right click on the thumbnails
in your computer and you'll find the size under "properties." Be sure to read the
rest of their guidelines, too, before you submit. Just click this link for more
information on selling your images on Bigstock photo:
http://www.bigstockphoto.com/faq.html
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JPGs that have a minimum of 4.0 megapixels. Be very careful here: if you
upload below-standard images, they'll lock your account for three months:
http://submit.shutterstock.com/
Dreamstime.com has more than 11,000,000 images that they sell in a tiered
pricing structure. To simplify, the more times an image sells, the more it costs,
and the more the photographer gets paid. Prices start at $0.20 with a
photographer's payout of 50% - 80%. They require JPGs that are at least 3
megapixels: http://www.dreamstime.com/faq13-what-requirements-do-you-have-
iStockphoto.com has over 6,7000,000 photos that sell for $1 - $25, depending
on size and rights, and pays contributors base royalty rate of 15% for each file
downloaded with ―exclusive contributors‖ making 45%. You also have
opportunities for more money as your file builds. iStock must approve 3 sample
images, first, and accepts JPG images at least 1200 x 1600 pixels.
http://www.istockphoto.com
Having said that, "useful" can be anything from photos of a textured wall or TV
static (graphic designers buy these to use as backgrounds for their designs) to
pictures of people and places (these get snapped up to illustrate magazine
articles, company brochures, space ads, websites, and more).
But while the content of stock photography is diverse, buyers seek out some
subjects more than others. Like people shots. People shots are the number-one
stock subject -- and I highly doubt that will ever change.
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Now, most amateur photographers make the mistake of trying to get the people
out of their photos. But, if you're shooting for a stock audience -- you should, in
fact, be doing your best to get people in them. Incorporating the human element
in your travel images will increase the dynamic interest of them and produce
more sales.
And, if you're a travel writer or travel photographer, here's more good news:
People can change the context of your images so that they will not only sell as
travel photographs, but can also be used in other contexts as well.
For instance, a business man with briefcase in hand running to catch the
Underground in London is saleable to someone looking to illustrate an article
about London. And since the guy's in a business suit, it's also saleable to
someone looking for business-type images -- an entirely different market.
A couple holding hands as they watch the sunset on the beach at Diamond Head
is a great photo to sell to someone interested in photos of Diamond Head. But
because of the couple, this photo can also be sold to photo buyers looking for
photos that illustrate love, happiness, good relationships, relaxation, etc.
By simply introducing people into your images, you not only make your
photographs more unique, but you increase the potential market for those
photos, expanding beyond travel into the broader range of buyers who purchase
stock photography. Images with multiple uses are great for stock.
Note: When you photograph people to sell for stock purposes, most agencies
require a legal document, called a ―model release,‖ signed by the model. You’ll
read more about the circumstances that call for a model release later in this
report.
Start with the magazines that get delivered to your door (or that you migrate to at
the bookstore). Since you have an interest in the subject matter already, this
might be an area for you to hone in on, especially if you have skills, equipment,
and knowledge of something that the rest of us may not.
Most photographers, for example, probably don’t know much about the violin.
They can put a violin in a model's hand, but they wouldn’t know the right way to
hold it, play it, and capture it in a way that was truly authentic. However, if you're
a violinist, or you know a lot about the violin, you have an advantage over other
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photographers. You can use your skills and knowledge of the subject to shoot
images that are not only interesting but will be more genuine and precise.
Keep in mind that stock agencies will each have there own unique list of wants,
so be sure to check and re-check those lists every now and then, as they may
spark a new idea for you.
Stock photographer Andrea Gingrich thinks so. In fact, she guarantees she’s always
having a blast.
Below, she reveals how she turned her favorite things -- photography and travel -- into a
full-time income and shares some of the photos that have funded her adventures, too.
Before I started shooting for stock, photography was an expensive hobby for me. I didn’t
want it to be more than that. In my eyes, if I had a career as a photographer, I assumed
that I could never be happy because photography would become ―work.‖ I had no
concept that work could actually be fun.
When I began shooting stock photography almost nine years ago, I filled my portfolio
with concept images -- people in business and education scenarios, and objects that
could be used for a myriad of purposes. That was my idea of stock photography.
Fast forward a few years later and I found myself becoming bored and unmotivated. I
wasn’t shooting at all. Photography had become work to me and it wasn’t fun anymore.
It was during this time that I decided: I was only going to shoot whatever makes me
happy. If it sells, great. If it doesn’t, oh well.
Today, I shoot what I’m passionate about. And I can guarantee you that I’m always
having fun.
I truly believe that if you don’t enjoy what you’re doing, it will show in the quality of your
work.
I don’t plan my photo shoots, but I do sometimes take photos with stock in mind. I travel
quite often and I always tie it into stock photography. My goal is to come away with at
least a few photos that will pay for my trip. Allow me to share some of these with you...
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“Philidelphia”
I took a boat tour with my family last summer. I specifically chose this tour because it
might offer some unique views of Philadelphia. The weather happened to be just perfect. I
shot many angles of this same shot, but this was the one that worked. It was unique
and the composition was just what I had hoped for.
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I attended a small iStockphoto meetup in New York City a few years ago. While most of
the group was chatting, I wandered away for a series of quick snaps of this model having
her hair styled. They weren’t even posed shots and were taken in the mirror!
“youth”
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When I’m out for a walk, I sometimes take my camera. I have developed a knack for
finding the smallest things that may go unnoticed by most people. Once I found the word
―youth‖ scrawled in graffiti on a brick wall. It’s proven to be a very useful stock shot, and
it’s sold over 100 times.
―portrait‖
I gathered with some photographer friends who had very little experience with studio
lighting. We set up the lights and I helped everyone get some shots of their own as I
taught various techniques.
Because everyone had such a great time, I was able to get some portraits of my friends
with amazing, genuine expressions. What was initially going to be just a night of hanging
out with friends turned out to be a great stock opportunity for me -- I got all of them to
sign model releases!
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use without a model release, you won't get the money for those shots that you
would if you had a release available.
1. Carry a model release with you at all times and have no fear about asking the
people you photograph to sign it, or
2. Shoot in such a way that the people are not identifiable -- their heads are
turned, they're in shadow without facial detail, or they're simply blurred into the
background.
Either way, adding the human element to your travel images will increase the
dynamic interest in them and produce more sales for you.
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All three of these photos say, "wedding." All three include a human element. But
none require a model release.
First, when you’re traveling to destinations where you don’t speak the language,
ordering a cup of coffee is a challenge... and getting someone to sign a model
release would be nearly impossible.
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Not only that, it can be uncomfortable to ask folks to sign a release. If you were
going to ask people to model for you in some sort of formal shoot, that would be
one thing.
But to stop somebody on the street and ask her to sign a model release --
somebody whose picture you’ve just snapped, no less -- can feel invasive.
Especially if you consider yourself a little shy.
Does that mean that you should only snap pictures where you can't identify the
people?
Here's the rule of thumb: For editorial or fine art use (that's magazines,
newspapers, textbooks) - you don't need a model release. For stock agency or
other commercial use - you do (and that's where the human element pictures
come in).
If the person in your shot is unidentifiable (as in the photos above) then you don't
need a model release -- even if you are selling your shot for stock or commercial
use.
If a stranger could identify the person in your photograph (which is to say the
person in your photo has a unique tattoo or scar or is clearly visible and anyone
could pick him or her out of a lineup) then you do need a release. Short of that,
you don't.
But even if the bride in the photos above could prove in a court of law that she
was in that exact location, wearing that exact dress and jewelry, holding those
exact flowers, at the exact time that those pictures were taken, she still wouldn't
have a case. A judge would still say that, in those photos, she is unidentifiable.
And, so, you could continue to sell them for stock and commercial use without a
model release from her.
It means that you can easily turn any special event into a money-making
opportunity (and you won't even need a model release).
The next time you attend a wedding, a birthday party, a high school graduation --
don't try so hard to capture the front of the subject's face or her entire body in
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your picture. Look, instead, for "unidentifiable" people photos you could sell for
stock use.
Look down at your subject's feet. Focus on her hands. Shoot from behind her
head. You'll discover all sorts of ways to include a human element in your photos
-- without including an identifiable human.
You can start taking stock photographs in your home, your neighborhood, your
kitchen, at work, at family gatherings, in hotel rooms, or wherever you go. Here’s
a free report with 101 stock-worthy photo ideas to keep you going. It’s called,
―101 Things You Can Get Paid to Photography in (and Around) Your Own
Hometown.‖ http://www.thephotographerslife.com/free/101things/index.php
Professional photographer Shelly Perry doesn’t submit any photos for sale as
stock without first editing them in Photoshop and/or Lightroom.
Here’s a free report with a collection of tips to help you get started post-
processing your photos.
Adobe lets you download and use free trials of many of their products. They just
work for 30 days, but it’s enough time to practice and get a feel for the programs
before you decide to buy.
You do have to sign up with Adobe.com, first, but it’s quick and free.
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http://www.adobe.com/products/photoshoplightroom
(Scroll all the way to the bottom – the link is on the left under ―Next steps.‖)
Updated weekly, you’ll find a treasure trove of tips on how to better take, edit,
store, and sell your photos in The Right Way to Travel’s online e-letter archive,
here: http://www.thephotographerslife.com/category/articles/
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