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617 Underrated/Overrated (Part One)
Postal correspondence: By Grandmaster Raymond Keene OBE
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BRITISH CHESS MAGAZINE, the World’s Oldest Chess Journal
The system was peculiar and seems to reflect a change in how chess is played to minimise
undecisive outcomes of matches. In case of a draw, the players played an Armageddon
game immediately after the draw with the same colours of pieces they had in the original
game. White had 10 minutes against Black’s seven, with a one−second increment starting
from move 41. A win in the Armageddon game gave one and a half points, the loser got
one point, while a win in the classical game gave three points. The time control for the
classical games was 120 minutes for the whole game with a 10−second increment starting
from move 41.
The other youngster who broke through 35...gxh5 Again the only move, but it’s
into the top ten was Firouzja. He had elementary to see that the bishop cannot be
quite a different tournament path, though. taken given h6.
After losing to Rapport and beating Tari,
Firouzja lost yet another drawn endgame 36.¥xh5 ¢f5 Now the pawn on g5
against Carlsen. cannot be defended, but now the
white king can move forward via the
Magnus Carlsen - Alireza Firouzja d4–square.
9th Norway Chess 2021 Stavanger NOR (6.1) 37.¥f3 ¥c8
XIIIIIIIIY XIIIIIIIIY
9-+-+-+-+0 9-+l+-+-+0
9+-zp-+pzp-0 9+-+-+p+-0
9p+-mk-+-+0 9p+-+-+-+0
9zPp+l+-zP-0 9zPp+-+kzP-0
9-zP-+-+-+0 9-zP-+-+-+0
9+-zP-+-+P0 9+-+-mKL+-0
9-+-+-mK-+0 9-+-+-+-+0
9+-+L+-+-0 9+-+-+-+-0
xiiiiiiiiy xiiiiiiiiy
BRITISH CHESS MAGAZINE | 583
10/141
Again the only move, preventing ¥b7. 46.¥g2 f1£ 47.¥xf1 ¥xf1 48.a7 ¥g2
with a draw.;
38.¢d4 ¢xg5 39.¢e5 Instead of going
towards the queenside Carlsen plays a more 41...¥d7! was another way to draw, using
subtle move. the king to support the f-pawn. 42.¥b7 ¢g4
43.¥xa6 f3 44.¥b7 ¢g3 45.¥e4 After
39.¢c5 is the alternative, but Black’s 45.a6 f2 Black promotes first, even though
passed f-pawn provides enough that is also a draw. 45...¥c8 46.¢d6 f2
counterplay. For example: 39...f5 40.¢b6 47.¥d3 ¥a6 48.¢c5 ¢h2! to avoid a check
f4 41.¢c7 ¥g4 42.¥b7 ¥e2 43.¥xa6 from a8! 49.¢b6 ¥c8 50.a6 ¥f5! with
f3 44.¥b7 f2 45.¥g2 f1£ 46.¥xf1 the idea of harassing perpetually the white
¥xf1 47.a6 ¢f5 48.a7 ¥g2 49.¢b6 ¢e5 bishop after 51.¥xb5 ¥d7 52.¥c4 ¥e6
50.¢xb5 ¢d6 with a draw as Black is in
time to blockade the pawns. 42.¢xf4 ¢f6 43.¥d5! Preventing the king
from using the e6–square to move closer to
39...f5 40.¢d6 f4 This is also possible. the queenside.
40...¢f4 was a way to draw, but Black had 43...¥d7 Black is practically in zugzwang
to see that after the forcing 41.¥c6 ¢e3 so he must give away something.
42.¢c7 ¥e6 43.¢b6 f4 44.¢xa6 ¥c4
45.¢b6 f3 46.a6 f2 47.¥g2 f1£ 48.¥xf1 43...¢e7 44.¢e5 ¢d8 45.¢d6 amounts
¥xf1 49.a7 ¥g2 50.¢xb5 ¢d4 he is just to the same - Black must allow the white
in time to latch onto White’s b-pawn and bishop to come to b7.
draw after 51.¢b6 ¢c4 52.b5 ¥a8 53.¢a6
¢c5 54.b6 ¢c6. 44.¥b7 White wins the pawn on a6 and the
rest is easy.
41.¢e5 ¢g6??
XIIIIIIIIY 44...¢e6 45.¢e4 ¢d6 46.¥xa6 ¥c6+
47.¢d4 ¥e8 48.¥b7 ¥d7 49.¥f3 ¥c8
9-+l+-+-+0 50.¥e2 ¥d7 51.¥d3 ¥c6 52.¥e4
9+-+-+-+-0 XIIIIIIIIY
9p+-+-+k+0 9-+-+-+-+0
9zPp+-mK-+-0 9+-+-+-+-0
9-zP-+-zp-+0 9-+lmk-+-+0
9+-+-+L+-0 9zPp+-+-+-0
9-+-+-+-+0 9-zP-mKL+-+0
9+-+-+-+-0 9+-+-+-+-0
xiiiiiiiiy 9-+-+-+-+0
Firouzja’s position collapses. He had two
principled ideas here that were sufficient for 9+-+-+-+-0
a draw, but each required some precision. xiiiiiiiiy
Forcing the exchange of bishops as, if
41...¥h3! Black uses his bishop as 52...¥d7 53.a6, the a-pawn promotes. The
in the lines we saw, from the f1–a6 game that changed Carlsen’s fortunes in
diagonal, both to defend his pawn on the tournament.
b5 and to allow the advance of his own
passed pawn. For example: 42.¥b7 1–0
¥f1 43.¥xa6 f3 44.¥b7 f2 45.a6 ¥d3
21.¢g2 White continues to improve his 35...¤f6 36.£c3 £c7 37.¢g2 c5 This is
position, though the immediate 21.d4 was just awful, further weakening his position,
also possible. in this case on the light squares, but
Nepomniachtchi just couldn’t sit still.
21...£e8 22.¦d2 ¤e7? The knight will
be useless on g6 so this manoeuvre only It was better to sit still with 37...£d8 but it
wastes time. is far from being fun. White strengthens the
grip with 38.¢f1 £d7 39.h4 £d8 40.¢e2
22...b6 23.£d1 ¤f6 was more to the point. followed by ¤c4, attacking Black’s queenside.
Now 24.d4 can be met by 24...exd4 25.cxd4
e5! 26.d5?! ¤b4 with good play for Black. 38.£d3 ¤e7 39.¤c4 ¤c6 40.£d6!
A rare move, played only in one more 20.b4 ¦c6 21.¦e1 ¢f7?
game from 1978. Rapport was probably XIIIIIIIIY
well-prepared for the commonly played
10.exd6. 9-+-+-vl-tr0
9+p+qzpkzpp0
10...cxd4 11.£xd4 White sacrifices
material for the initiative. 9p+rzP-zp-+0
9+-+-+-+-0
11...¤c2 12.£e4 ¤xa1 13.¥f4 ¥e6 The 9-zP-+QvL-+0
only move, covering the e-file.
9+-+-+N+-0
14.¦xa1 White is an exchange down but 9P+-+-zPPzP0
his lead in development is tremendous
and Black cannot easily finish the 9+-+-tR-mK-0
development of his kingside, which xiiiiiiiiy
means that his king will be stuck in the Black succumbs under the pressure, but the
centre for some time. way out wasn’t easy at all.
14...¦c8 15.¤d5 Continuing in active 21...e5! was the only move, but allowing
fashion. two possible sacrifices on e5 doesn’t look
right... and yet, it is! 22.¥xe5 (22.¤xe5
15.b3 is a more restrained alternative, with also looks scary, though Black manages
unclear play after 15...dxe5 16.¥xe5 £d7 to hold the balance after the forcing
with ...£c6 next. line 22...fxe5 23.£xe5+ ¢d8 24.£a5+
¢c8 25.b5 ¦c5! 26.£b6 £xb5 27.d7+!
15...dxe5 16.¤xe5 f6 17.¤f3 ¥xd5?! £xd7 28.£a7 ¢d8 29.£b6+ ¢c8
XIIIIIIIIY 30.£a7 with a repetition.) 22...¢d8 the
only move for Black. Now again both
9-+rwqkvl-tr0 sides play only moves: 23.a4! ¥xd6
9+p+-zp-zpp0 24.b5 ¦c7 25.¥xd6 £xd6 26.bxa6
£xa6 27.¤d4 £c4 28.¤e6+ ¢c8
9p+-+-zp-+0 29.¤xc7 £xe4 30.¦xe4 ¦d8! the last
9+-+l+-+-0 precise move. 31.h4 ¢xc7 with an equal
9-+P+QvL-+0 rook endgame.
9+-+-+N+-0 22.¤d4! Taking control over the e6–square.
9PzP-+-zPPzP0
22...e5 22...exd6 23.£d5+ ¢g6
9tR-+-+-mK-0 24.¥d2! with the idea or ¦e3 - the
xiiiiiiiiy bishop is needed on d2 in order to
17...¢f7 18.¦d1 g6 is the engine’s way protect the c1–square.
for a Black advantage, but it’s difficult
to criticise Rapport for not wanting 23.£d5+ ¢g6 24.¥xe5! ¦xd6 24...fxe5
to play with that dominant knight 25.¤f3 is crushing, the black king won’t
on d5. survive for long.
18.cxd5 ¦c5 19.d6 £d7 19...e5? is bad 25.¥xd6 ¥xd6 26.£e4+ ¢f7 27.£d5+
as Black cannot keep the rook on the ¢g6 28.g3
fifth rank to protect the e5–pawn. After
20.b4 ¦b5 21.a4 ¦b6 22.¤xe5! Black’s
position collapses.
2.¤f3 ¤c6 3.¥b5 ¤f6 4.0–0 ¤xe4 5.d4 11.¤g5 ¥c8 12.h3 ¥e7 13.¤f3 h5 Going
back to e6 with the bishop or playing
XIIIIIIIIY 13...¤h4 are valid alternatives.
9r+lwqkvl-tr0
9zppzpp+pzpp0 14.¤e2 The knight is well-placed on f4
from where it controls the e6 and d5 squares.
9-+n+-+-+0
9+L+-zp-+-0 14...¤h4 15.¤xh4 ¥xh4 16.g3 ¥e7
17.¢g2 ¥f5 18.c3 c5 19.¥e3 g5 Now
9-+-zPn+-+0 Black prevents ¤f4 because he weakened
9+-+-+N+-0 the d5–square with his previous move, so
9PzPP+-zPPzP0 ¤f4–d5 was a serious threat.
9tRNvLQ+RmK-0 20.f3 Threatening g4, which would fix the g5–
xiiiiiiiiy pawn and liberate the g3–square for the knight.
Carlsen decided to go for the endgame
rather than the popular alternative 5.¦e1. He 20...g4!
explained this choice by the fact that he had XIIIIIIIIY
suffered as Black in the endgame so he thought
he could try to pose some problems there. 9r+-+k+-tr0
9zppzp-vlp+-0
5...¤d6 6.¥xc6 dxc6 7.dxe5 ¤f5
8.£xd8+ ¢xd8 9.¦d1+ This check forces
9-+-+-+-+0
the king to e8 and narrows Black’s choice 9+-zp-zPl+p0
as it prevents plans with ...¥d7. On the 9-+-+-+p+0
other hand, the rook on d1 takes the spot
from the other one on a1 - often the f1–rook 9+-zP-vLPzPP0
goes to e1 and the a1–rook to d1. 9PzP-+N+K+0
9...¢e8
9tR-+R+-+-0
xiiiiiiiiy
590 | BRITISH CHESS MAGAZINE
October 2021
Black understands that he needs to prevent Berlin because his main problem is the
g4. He weakens the f4–square now, the one lack of connection between the rooks,
he wanted to control with his last move, but in view of the king’s being stuck on the
he worsens White’s structure in the process. back rank.
21.¤f4 gxf3+ 22.¢xf3 b6 Black prepares 24.¦ad1 ¦xd2 25.¦xd2 ¥d8 26.h4
for 23.¤d5, which now, with the c5–pawn Fixing the pawn on h5.
defended, can be met by 23...¥d8.
26.g4?! would be bad in view of 26...
23.¦d2 hxg4+ 27.hxg4 ¥c8 with ideas like ...¥b7
XIIIIIIIIY and ...¦h3 when all White would have
managed would have been to weaken his
9r+-+k+-tr0 position.
9zp-zp-vlp+-0
26...c6 Covering the d5–square.
9-zp-+-+-+0
9+-zp-zPl+p0 27.¤g2 Carlsen re-routes the knight to
9-+-+-sN-+0 f3 via e1, but this takes time. Still, it is
difficult to suggest something constructive
9+-zP-vLKzPP0 for White.
9PzP-tR-+-+0
27...¥g4+ Black could have eliminated the
9tR-+-+-+-0 pawn on e5 by 27...f6, which was also fine
xiiiiiiiiy for him.
Carlsen keeps it steady, but perhaps this
was a moment when he could have tried a 28.¢f2 ¦g8 29.a3 ¥e7 30.¥f4 ¦g6
more direct approach. 31.¤e1 ¥e6 32.¤f3 White achieved his
plan but that didn’t bring him much.
23.g4!? was more direct, forcing Black
to solve concrete problems. 23...hxg4+ 32...¥d5 33.¥g5
24.hxg4 ¥d7 25.¤d5 ¦c8 This is better than XIIIIIIIIY
25...¥d8 26.¥f4 when White is pressing.
26.¦h1 (26.¥f4 ¦h3+ 27.¥g3 Now 9-+-+k+-+0
27.¢e4? drops the g4–pawn to 27...¥xg4. 9zp-+-vlp+-0
27...¥c6 28.¢f4 ¥g5+ 29.¢xg5 ¦xg3
30.¤f6+ ¢e7 and Black is fine.) 26...¦g8 9-zpp+-+r+0
Black cannot leave the h-file by exchanging 9+-zplzP-vLp0
rooks as then White’s rook will penetrate 9-+-+-+-zP0
along the empty file. 27.g5 ¥e6 28.¢e4
now White wants to improve further with 9zP-zP-+NzP-0
¦h7 and ¦f1, putting pressure on f7, so 9-zP-tR-mK-+0
Black must act. 28...c6 29.¤f4 (29.¤f6+
¥xf6 30.exf6 ¦d8 is fine for Black, as 9+-+-+-+-0
with the opposite-coloured bishops and the xiiiiiiiiy
blockade on the light squares he is safe.) Allowing simplifications.
29...¥g4 avoiding the capture on e6. Black
is fine here, but White has managed to pose Putting the other light piece on g5 with
some problems and can continue to do so. 33.¤g5 was also rather harmless as it
doesn’t threaten anything. 33...f6 (or just
23...¦d8 Exchanging one pair of rooks marking time with 33...¢f8; but 33...¥xg5?
is always beneficial for Black in the is a mistake as after 34.¥xg5 White can
create a passed pawn by g4 and has good 1...e5 2.¤f3 ¤c6 3.¥c4 ¥c5 4.c3 ¤f6
chances.) 34.exf6 ¦xf6, with no problems 5.d4 This gives the game a more forcing
for Black. nature than the Giuoco Piano after 5.d3.
33...¥xf3 34.¥xe7 ¢xe7 35.¢xf3 ¢e6 5...exd4 6.e5 d5 7.¥b5 ¤e4 8.cxd4 ¥b6
36.¢f4 Defending the pawn on e5 and 9.¤c3 0–0 10.¥e3 A major tabiya of this line
threatening ¦d6, so Black’s next is forced. of the Italian where Black has an ample choice.
36...¦g4+ 37.¢f3 ¦g6 38.¢f4 ¦g4+ 10...¥g4 This has been played by Carlsen
39.¢f3 more than once. The alternatives are
10...¥d7, 10...f5, 10...f6 and 10...¤e7.
½–½
11.h3 ¥h5 12.£c2 ¤xc3 Carlsen has also
played 12...¥g6 and 12...f5.
Carlsen won the Armageddon that followed
so he was definitely more content with the 13.bxc3 f6 14.exf6 £xf6 15.¥e2 ¤a5
first encounter! Carlsen follows his earlier game with So.
Black can also play 15...¥g6, 15...¦ae8
The World Champion had a strange event. and 15...¥xf3.
After drawing the contender he lost from
a very favourable Sveshnikov position 16.0–0 ¥xf3 17.¥xf3 c6
against Karjakin in his first-ever loss in the XIIIIIIIIY
Sveshnikov since 2009 and dropped to a
minus score.
9r+-+-trk+0
9zpp+-+-zpp0
But then, as he usually does, Carlsen 9-vlp+-wq-+0
immediately struck back and beat Firouzja
(see above), starting a series of four 9sn-+p+-+-0
consecutive victories – his subsequent 9-+-zP-+-+0
victims were Tari, Rapport and Karjakin.
9+-zP-vLL+P0
Carlsen himself couldn’t explain the sudden 9P+Q+-zPP+0
change in his fortunes, as he said that he 9tR-+-+RmK-0
didn’t do anything differently compared
to the first part of the event when all he xiiiiiiiiy
could do was draw. One way or another, Black has given up the bishop pair but,
these four wins ensured a third consecutive by eliminating the knight on f3, he has
victory in the Norway Chess events. stopped White’s idea of putting a knight
on e5 and he has the better pawn structure
The last round of the tournament saw the and the c4–square for his knight to
second game between Nepomniachtchi and guarantee equal play.
Carlsen.
18.¦ae1 ¤c4 19.¥c1 £g6 20.£d1 Finally
Ian Nepomniachtchi - Magnus Carlsen deviating from Carlsen’s previous game.
9th Norway Chess 2021 Stavanger NOR (10.1) 20.£xg6 hxg6 21.¦e7 ¦f7 22.¦e2 ¥a5 gave
White little in: ½–½ (48) So,W (2772)-Carlsen,M
1.e4 Playing White the Challenger sticks (2847) chess24.com INT 2021.
to his usual first move even though he’s
played a lot of Retis via 1.¤f3 or 1.c4 or 20...¦ae8 21.¦xe8 £xe8 22.¥e2 £e6
pure English Openings. 23.¥xc4
draw thanks to his deep preparation in: ½–½ 18.b3 Threatening ¤f7.
(35) Vachier Lagrave,M (2749)-Karjakin,S
(2757) Krasnaya Polyana RUS 2021 18...¢c8 19.¤xf7 ¦g6 20.¤h8!
16...c5 17.¤f6!?
XIIIIIIIIY
XIIIIIIIIY 9-+k+-+-sN0
9-+-mk-+-+0 9zppzp-vl-zp-0
9zppzp-vlpzp-0 9-+-+-sNr+0
9-+-+lsN-tr0 9+-zp-zPn+p0
9+-zp-zPnsNp0 9-+-+-vL-+0
9-+-+-vL-+0 9+P+-+-+P0
9+-+-+-+P0 9l+P+-zPP+0
9PzPP+-zPP+0 9+-+-tR-mK-0
9+-+-tR-mK-0 xiiiiiiiiy
White had a good alternative in
xiiiiiiiiy 20.¤d5, but this definitely looks more
This interesting move is White’s idea. The aesthetically pleasing.
move severs the connection between the
rook on h6 and the bishop on e6 as now 20...¦xf6 21.exf6 ¥xf6 22.¥e5 Black
White threatens ¤xe6. has a pawn for the exchange but his pieces
are not coordinated and the position is
17...¥xa2? After a long think Karjakin already winning for White.
enters a losing position. Karjakin wasn’t in
good shape in Norway and here it shows. 22...¥xe5 23.¦xe5 ¤d4 24.¦xc5 b6
25.¦c4 c5 26.¦a4 ¥b1 27.c3 ¤c6
17...¥c4 was the correct way. After 28.¤f7
18.¦d1+ ¢c8 19.¤g8 ¦a6! Black has
sufficient counterplay, though the lines are
rather complicated.
This was the Eljanov win against Tabatabaei 21.¦xb7 ¦ad8 22.£e2
18.¤d2 ¦e8 19.¥a1 ¥g7 20.¢g2 £a5 32...¦e8 33.¦1xd3 exd3 34.£f6 ¤e7
Black gives up a pawn for active play. 35.£xg5+ ¢h8 36.£f6+ ¢g8 37.¦xd3
1-0
1.e4 e5 2.¤f3 ¤c6 3.¥c4 ¤f6 4.¤g5 d5 13.¤c3 ¦fe8 14.b3 ¤d5 15.¥b2 ¤f4
5.exd5 ¤a5 6.¥b5+ ¥d7 7.£e2 ¥e7 16.£f1 £g4 Black springs into action;
8.¤f3 e4 9.¤e5 White cannot defend with 17.¦g1 because
of the stunning 17...¥a3 18.¥xa3 ¤d3+
XIIIIIIIIY 19.cxd3 exd3 +, winning.
9r+-wqk+-tr0 XIIIIIIIIY
9zppzplvlpzpp0 9r+-+r+k+0
9-+-+-sn-+0 9zp-+-vlpzpp0
9snL+PsN-+-0 9L+p+-+-+0
9-+-+p+-+0 9sn-+-+-+-0
9+-+-+-+-0 9-+-+psnq+0
9PzPPzPQzPPzP0 9+PsN-+-+-0
9tRNvL-mK-+R0 9PvLPzP-zPPzP0
xiiiiiiiiy 9tR-+-mKQ+R0
9...c6 10.dxc6 bxc6 11.¤xd7 £xd7
12.¥a6 0-0 xiiiiiiiiy
17.¤e2 ¤xg2+ 18.¢d1 ¦ad8 Black
XIIIIIIIIY prepares a further sacrifice on d2.
9r+-+-trk+0
9zp-+qvlpzpp0 19.¦g1 ¦xd2+ 20.¢xd2 20.¢c1 ¦ed8
wins.
9L+p+-sn-+0
9sn-+-+-+-0 20...¥g5+ 21.¢c3 21.¢d1 ¦d8+ 22.¥d3
exd3 23.cxd3 £f3 24.¦xg2 £xd3+
9-+-+p+-+0 25.¢e1 £d2#.
9+-+-+-+-0
9PzPPzPQzPPzP0 21...¥f6+ Also 21...£f5 22.¦d1 £c5+
23.¥c4 ¥f6+ 24.¤d4 ¦b8 25.¢d2 ¥xd4
9tRNvL-mK-+R0 is interesting.
xiiiiiiiiy
22.¢b4 ¥xb2
4TH SHARJAH MASTERS 2021 SHARJAH UAE FRI 17TH SEP 2021 - SUN 26TH SEP 2021
LEADING FINAL ROUND 9 STANDINGS:
Rk SNo Name FED Rtg Pts TB1ss TB2 TB3
1 18 GM Tabatabaei M. Amin IRI 2624 6.5 0.0 42.5 36.0
2 3 GM Eljanov Pavel UKR 2680 6.5 0.0 42.0 36.0
3 4 GM Salem A.R. Saleh UAE 2679 6.5 0.0 40.5 34.5
4 2 GM Maghsoodloo Parham IRI 2695 6.5 0.0 38.0 32.0
5 33 GM Mchedlishvili Mikheil GEO 2571 6.0 0.0 45.5 39.0
6 9 GM Jumabayev Rinat KAZ 2651 6.0 0.0 44.0 38.0
7 12 GM Narayanan.S.L IND 2632 6.0 0.0 43.5 37.0
8 26 GM Yakubboev Nodirbek UZB 2604 6.0 0.0 40.0 33.5
9 23 GM Gupta Abhijeet IND 2612 6.0 0.0 38.0 32.5
10 5 GM Adhiban B. IND 2672 5.5 0.0 39.0 33.5
11 28 GM Delgado Ramirez Neuris PAR 2588 5.5 0.0 39.0 32.5
12 17 GM Erigaisi Arjun IND 2626 5.5 0.0 38.5 32.5
13 10 GM Abdusattorov Nodirbek UZB 2648 5.5 0.0 38.5 32.5
14 25 GM Niemann Hans Moke USA 2609 5.5 0.0 37.5 32.0
15 7 GM Paravyan David RUS 2660 5.5 0.0 37.0 31.5
16 27 GM Sadhwani Raunak IND 2603 5.5 0.0 36.5 31.0
17 34 GM Sindarov Javokhir UZB 2571 5.5 0.0 34.5 29.0
The players didn’t start on an equal footing. Their previous results from the Tour were taken
into account and this practically meant that only the leader Carlsen or So, who was trailing him
by four points, had a chance to win the first prize of $100,000. For each match win the player
got three points, while a win in the Armageddon gave the winner two points and the loser one.
The leader started the event in convincing fashion, defeating Duda 2.5−0.5. The first game
was particularly impressive.
Magnus Carlsen - Jan-Krzysztof Duda the easiest solution. It is here that Carlsen
wanted to use a rare idea.
Meltwater Tour Final 2021 chess24.com INT (1.1)
9.¦b1
XIIIIIIIIY
1.d4 ¤f6 2.c4 e6 3.¤c3 d5 4.cxd5 ¤xd5 Duda
avoids the Exchange Variation of the QGD and 9rsnl+kvl-tr0
aims for the Semi−Tarrasch type of position.
9zppwq-+pzpp0
5.¤f3 A curious choice by Carlsen, inviting 9-+-+p+-+0
a line that is considered is considred good
for Black. The usual move is 5.e4.
9+-+-+-+-0
9-+-zP-+-+0
5...c5 6.e3 The move 6.e4 would have led 9+-zP-+N+-0
to the main lines of the Semi−Tarrasch.
9P+-+-zPPzP0
6...cxd4 7.exd4 ¤xc3 8.bxc3 £c7 Black’s 9+RvLQmKL+R0
last two moves are nowadays considered xiiiiiiiiy
602 | BRITISH CHESS MAGAZINE
October 2021
The usual move here is the natural With a king on f1 the h3–square is the only
9.¥d2, defending the pawn on c3. way for the rook from h1 to get into the game.
Carlsen sacrifices it with check and
hopes to get a strong initiative, thanks 12...0–0 13.¦h3 ¤f6? This natural move
to his lead in development. is the decisive mistake, strange as it may
seem. Black allows ¤e5, after which
9...¤d7 9...£xc3+ Black will take on all White’s pieces obtain open access to
c3 on the next move, but it was also Black’s kingside.
possible here. 10.¥d2 £c7 11.¥d3.
with 0–0 and £e2 next, White has quick 13...£c7 was better. After 14.¥g5 f6 (or
development as good compensation for 14...¥d6 15.¦c1 £a5 16.£e2 with good
the pawn. compensation for White.) 15.¦c1 £d8
(15...£a5? 16.£c2! gives White a winning
10.¥d3!? The bigger surprise. White is attack after 16...h6 17.£e2 with the idea
ready to sacrifice the pawn and lose the of £e6 and now a pretty line is 17...¤b6
right to castle! Previously White played 18.¥xh6! gxh6 19.¦g3+ ¢h8 20.¦c5!!
the more natural 10.c4. blocking the 5th rank so the black queen
cannot join the defence on the kingside
10...£xc3+ 11.¢f1 ¥e7 12.h4! 20...¥xc5 21.£e3 with the inevitable
XIIIIIIIIY £xh6 mating.) 16.£c2! fxg5 17.¥xh7+
¢h8 18.hxg5 and it’s incredibly difficult
9r+l+k+-tr0 for Black to defend here. He should play
9zpp+nvlpzpp0 18...¦xf3! 19.gxf3 ¥xg5 20.¥f5+ ¥h6
21.¥xe6 £f6, with unclear play.
9-+-+p+-+0
9+-+-+-+-0 14.¤e5 Threatening ¥xh7, winning
9-+-zP-+-zP0 the queen.
9+-wqL+N+-0 14...£a5 15.¦g3 Now the threat is ¥h6.
9P+-+-zPP+0
15...¢h8 16.¥g5 Now White wants to take
9+RvLQ+K+R0 on f6 and follow up with £h5.
xiiiiiiiiy
17...gxh6 18.£f3! With the simple yet Unfortunately, the final event was not
unstoppable threat of £f4xh6. spared the embarrassment of the quick
draws by the usual suspects − Nakamura,
1–0 Radjabov and So. The match between
the first two was particularly tasteless,
with the four rapid games ending in our
It appears that this game gave Carlsen well−known Berlin and QGD repetitions
confidence after the shaky end of his we have seen way too often in the
previous event, the European Club Cup, games between these players. To make
when he was lost, but managed to save the it even worse, Nakamura was playing
game against Mamedyarov. another event simultaneously, the Titled
Tuesday on Chess.com! On Tuesday,
In fact, Carlsen managed to beat 28 September, he was playing So and
Mamedyarov only in the Armageddon in conveniently the last three rapid games
the second round, but more importantly, were quick repetitions. It is the opinion
his closest rival So lost to Vachier, thus of this author that while that speaks of
Magnus Carlsen and Anish Giri have a real handshake before their online match in
Round 6 of the Meltwater Champions Chess Tour! (photo: Champions Tour)
Nakamura’s unparalleled ability, it does 48.¢c3! ¢e5 49.¢d2! waiting for Black
show disrespect towards the organiser of to step on d5 and only then to come to d3.
a $1.6 million Champions Tour.
48...¢e5 Threatening ...¢e4. White loses
In the tie-breaks Nakamura won his matches the opposition now and the game.
against both Radjabov and So. Radjabov’s
blunder in a drawn pawn endgame is 49.¢d3 Or 49.¢e2 ¢e4 and the king
instructive. enters via f3 or d3.
6.¥g5 was tried by Duda. Black obtained 19.¥xb6 ¦xa2 20.¥d4 ¥c6 with
easy play after 6...¥e7 7.¥xe7 ¤gxe7 an equal endgame in the game: ½–½
8.dxc5 d4 9.¤e4 0–0 10.g3 £d5 11.¤ed2 (31) Giri,A (2777)-Carlsen,M (2855)
£xc5 ½–½ (54) Duda,J (2756)-Artemiev,V chess24.com INT 2021.
(2699) chess24.com INT 2021.
9...bxc6 10.0–0 0–0 11.£c2 ¥b6 12.¤a4
6...¤f6 7.¥g2 cxd4 Dubov’s Tarrasch ¥a6 13.¦d1 ¦e8 14.e3 ¦c8 15.b4 £e7
seems to be the trusted choice of the 16.¦b1 ¤e4 17.¤xb6 axb6
elite players. XIIIIIIIIY
8.¤xd4 ¥c5 9.¤xc6 9-+r+r+k+0
XIIIIIIIIY 9+-+-wqpzpp0
9r+lwqk+-tr0 9lzpp+-+-+0
9zpp+-+pzpp0 9+-+p+-+-0
9-+N+-sn-+0 9-zP-+n+-+0
9+-vlp+-+-0 9+-+-zP-zP-0
9-+-+-+-+0 9P+Q+-zPLzP0
9+-sN-+-zP-0 9+RvLR+-mK-0
9PzP-+PzPLzP0 xiiiiiiiiy
With very good play for Black - he no
9tR-vLQmK-+R0 longer has an IQP and can create play on
xiiiiiiiiy the queenside with ...h5–h4. The knight on
9.¤b3 was Giri’s choice when he faced e4 is not inferior to a bishop and in fact Giri
the Tarrasch against Carlsen. 9...¥b6 obtained a winning position before spoiling
10.¤a4 0–0 11.¤xb6 axb6 12.¤d4 it and losing. 1–0 (35) So,W (2778)-Giri,A
(12.¥e3 h5! is known to give Black (2777) chess24.com INT 2021.
good play.) 12...¦e8 13.0–0 ¤xd4
14.£xd4 ¦xe2 15.¥e3 ¦c2 16.¦fc1 0–1
¦xc1+ 17.¦xc1 ¥d7 18.£xb6 £xb6
To conclude the overview of the event, I offer The latest fashion, but I remember this
you a curious case of a mate-in-one blunder. move was played against me in the junior
championship of Yugoslavia in 1990!
Levon Aronian - Jan-Krzysztof Duda
Meltwater Tour Final 2021 chess24.com INT (6.1) 12...¥d7 was played almost automatically
in the past, but modern practice showed that
1.e4 Aronian did some serious work during life is not easy for Black after 13.£xc3,
the pandemic and included 1.e4 in his 13.¤xc3, 13.¢g1 or 13.¢b1 - too many
repertoire. moves to neutralise!
1...e6 2.d4 d5 3.¤c3 ¥b4 4.e5 c5 5.a3 13.¤xd4 ¤xd4 14.£xd4 ¥d7 15.£d6?!
¥xc3+ 6.bxc3 ¤e7 7.£g4 Going for the XIIIIIIIIY
most critical line.
9r+-+k+r+0
7...£c7 The sharpest reply. The calmer 9zppwqlsnp+-0
alternative is 7...0–0.
9-+-wQp+-+0
8.£xg7 ¦g8 9.£xh7 cxd4 10.¤e2 ¤bc6 9+-+-zP-+-0
11.f4 dxc3 12.£d3 d4!? 9-+-+-zP-+0
XIIIIIIIIY 9zP-zp-+-+-0
9r+l+k+r+0 9-+P+-+PzP0
9zppwq-snp+-0 9tR-vL-mKL+R0
9-+n+p+-+0 xiiiiiiiiy
9+-+-zP-+-0 It seems Aronian forgot his preparation.
9-+-zp-zP-+0 White achieves nothing with the move.
9zP-zpQ+-+-0 In the aforementioned game I played
9-+P+N+PzP0 15.¥e3 ¤f5 16.£c5 and here my opponent
mistakenly exchanged queens 16...£xc5?
9tR-vL-mKL+R0 The move 16...£c6 or 16...0–0–0 are better.
xiiiiiiiiy
WESLEY SO:
EVERYTHING WENT WELL EXCEPT…
17.¥xc5 after which I converted my 18.¦a3 was better, with the idea of taking
advantage without problems; 15.¦g1 is the on c3 with the rook.
most commonly-played move.
18...£d2# Probably an unpleasant surprise
15...£a5 16.£b4 £d5 17.a4? White wants for Aronian, but it happened once to
to develop the bishop on the a3–f8 diagonal, Kramnik too, though he was playing against
a common theme in the Winawer, but not a computer then...
quite appropriate here.
0–1
17.£xc3 was better, though after
17...£e4+ 18.£e3 £xc2 Black has
excellent compensation. The Meltwater Champions Tour was a
successful series of events and already the
17...¤f5 In this position Aronian spent more new tour for 2022 has been announced, the
than 5 (!) minutes and decided to follow up first tournament scheduled for February.
with his plan started on the previous move,
to develop the bishop on the a3–f8 diagonal. There will be no shortage of online chess
next year!
18.¥a3??
XIIIIIIIIY
9r+-+k+r+0
9zpp+l+p+-0
9-+-+p+-+0
9+-+qzPn+-0
9PwQ-+-zP-+0
9vL-zp-+-+-0
9-+P+-+PzP0
9tR-+-mKL+R0
xiiiiiiiiy
PHR: My grandfather taught me the rules The Game of Chess (or Portrait of the
artist's sisters playing chess), 1555. An oil
when I was five. I have never played on canvas painting by Italian Renaissance
in a chess club. However, I love chess. artist Sofonisba Anguissola. She was 23
When I lived in Holland, I liked to visit years old when she painted it
the Wijk aan Zee tournament. There I
had the opportunity to see the best chess playing chess). It is a painting by Sofonisba
players play and enjoy the atmosphere. Anguissola from 1555. Anguissola was
around 20 years old when she painted it.
BCM: Did things come up during your time
working on this book that surprised you? This was the first picture in the book Chess
in Art. I first received this from a friend on
PHR: You will always be surprised by a postcard from Poland!
something, such as how the figures have
changed over the centuries, or that women BCM: What key point would you like a
played around 1400! reader to take from this book?
BCM: How would you define the relationship PHR: I think that the book is a nice gift
between art and chess? for those who love chess and art and can
be a gateway to exploring the way in
PHR: Marcel Duchamp said it best. "While which human perception and depiction of
not every artist is a chess player, not every chess developed.
chess player is an artist".
This is the first volume covering the period
BCM: Based on your research, how has the from 1100 to 1900. The second is intended
chess display changed from 1100 to 1900? to cover the years 1900−2000. I’m still
working on this book. I’m contacting living
PHR: It is clear that chess was a matter for artists from all over the world. If all goes
rich people. The poor did not have the time well, the book should be published in 2022.
or the opportunity to learn this beautiful
game. The depiction of chess in art changed Peter Herel Raabenstein (1967,) is a
as the lifestyle in society changed. Czech painter and conceptual artist. He
lives and works in Prague. Founder of the
BCM: What image do you consider best for Zátiší Gallery in Prague, which focuses on
displaying chess? contemporary and modern art, he is the
author of the unique painting workshop
PHR: I particularly like The Game of "Become a Painter" and the author of the
Chess (or Portrait of the artist’s sisters book Chess in Art.
A REVIEW OF
“EIGHT GOOD MEN”
BY DORIAN ROGOZENCO,
ELK AND RUBIN 2021; AND
“NAIL IT LIKE NEPO”
BY ZENON FRANCO,
ELK AND RUBIN 2021
By Peter O’Brien
Photo: David Llada
612 | BRITISH CHESS MAGAZINE
October 2021
ROAD FROM
TO DUBAI
Rogozenco sets out all the games of the numerous points in each game to assess what
Candidates. Annotations are provided by the is happening. Franco then conducts a short
author along with no fewer than 13 other dialogue with the reader, going over the options
renowned players, including Kasparov, Peter in each situation. He frequently indicates
Heine Nielsen and the extremely gifted young that there is not necessarily a clear “right” or
Russian star Esipenko. The level of detail is “wrong” to what Nepo did or the reader might
not great, though I am inclined to rate that a have considered. We all know this is the way
sound choice. Individual games have already things actually are – often we don’t know. The
been examined in some depth elsewhere (for secret, it seems, is to stay in there.
instance, in these pages GM Colovic provided
us with a close look at the key game from round I recall reading a book by a famous diplomat
eight, where Caruana defeated MVL). And which had an introductory quotation saying “In
substantial digging will certainly continue for a the game of nations, there are no winners and
long while. Instead, the author seeks to convey no losers - there are just those who manage to
a sense of how the attitudes of individual keep playing”. Suitably modified, this is what
players were evolving as the tournament Nepo did successfully in Ekaterinburg.
proceeded. This is valuable. He highlights the
approaches of three players in particular. At the end of each game, Franco offers a few
key lessons, a few cautionary maxims. In this
Grischuk continued his life-long addiction to way, the book becomes a series of case studies
what has to be labelled self-imposed time of decision-making under risk. This method, not
trouble. The costs of that affliction, in terms heavy but very practical, of course, meshes well
of points and that splendid player’s prospects with the overall message concerning Nepo’s
for winning the tournament (or indeed any pragmatism. He chose to “dose” his wonderfully
tournament at classical time controls), are all creative and adventurous talents with a clear
too clear. focus on how to win the tournament. Certainly
he was helped by the styles adopted by some
MVL likewise again showed us his immense of his opponents, the fact that Ding Liren was
tactical skills, yet had decided that he would dreadfully off form in the first half, and that
not alter his opening repertoire for anyone. Giri missed some real opportunities. But that
That made him more vulnerable to those noted is exactly what a tournament at this level
for the depth of their opening preparation. In (the Candidates is unique in this sense) is all
so doing, the French GM clearly damaged his about. Tension, nervous control, the courage to
prospects of victory. sometimes play safe even if you feel you could
go for more, and the determination to stay in
Nepomniachtchi, on the other hand, the hunt throughout.
demonstrated exceptional pragmatism. Past
events have shown how, at this level, it is All this naturally leads to talking about Nepo’s
crucial to exhibit enough risk-averse behaviour chances against Magnus. We know from
to limit the damage. As Carlsen has said, it’s
often better to raise your performance floor We know from a number of
than to raise your performance ceiling.
examples in the last couple
Zenon Franco’s book on Nepo does much of years that the off-beat
more than look at his career over the past
decade and a half. The 30 selected games, originality of the Russian
including some from the Candidates, plus Champion is something which
several parts of games, serve also as a kind
of instruction manual. The reader is invited at Magnus finds disturbing
BRITISH CHESS MAGAZINE | 615
10/141
The first is Efim Bogoljubov, whose reputation has suffered badly from two decisive match
defeats at the hands of the great Alexander Alekhine. Indeed, voices have been raised which
question his suitability to challenge in the first place for the supreme chess title. It should, though,
be noted that commentators at the time of Bogoljubov’s first challenge, in 1929, praised the
aggressive quality and fighting spirit of the games, in particular when compared to the draw-
heavy contest from two years earlier, which brought Alekhine the title against Capablanca.
International Master Grigory Bogdanovich has written two volumes designed to rehabilitate
Bogoljubov’s reputation: The Creative Power of Bogoljubov, Volumes I and II, published
by Elk and Ruby. Bogdanovich’s trenchant conclusion is as follows: “It took several years
of daily work to eliminate the historical injustice that had pushed the legacy of one of the
most outstanding chess players in history, Efim Dmitrievich Bogoljubov, to the back of the
closet, where it remained mostly ignored for decades. The reasons for the oblivion of his
work boil down to both political conflict and banal human envy. He lived half of his life
away from the land where he had been born (Russia) and raised, and remained a stranger
in both his original and adopted (Germany) countries. I hope that these two volumes will
rescue Bogoljubov’s games from obscurity, because they have much to teach us!”
Let us take a brief look at Bogoljubov’s élan. Whereas the 1929 challenge to
record in elite and large-scale tournaments: Alekhine was fully justified, the reprise
in 1934 was unnecessary. This does
– Pistyan 1922: not, however, detract from the fact that
first prize ahead of Alekhine. Bogoljubov’s superlative performances
during the 1920s fully justified his selection
– Carlsbad 1923: as the appropriate challenger to Alekhine at
shared first with Alekhine and Maroczy. the close of that decade.
White with any difficulties. Much more is time but I had already lost my taste for
promising is 6...f6. this position and also my confidence in the
resistance I would be able to offer. ”
7.¥xe7 ¢xe7 if 7...£xe7 there follows
8.¤b5. 22.bxc4 dxc4 23.¦e3 c3 “Too late I realized
that 23...£xa2 is refuted by 24.¤d2! with
8.£g4 ¢f8 9.¤f3 ¤c6 “With the the double threat of ¦a3 and ¦ef3.”
offer of an exchange of queens by 9...
cxd4 10.£xd4 £b6 Black could obtain 24.¤b3 £a3+ 25.¢d1 If resistance is
approxmate compensation.” I doubt, possible, it is only by means of 25...£b2
though, that Bogoljubov would have desperately clinging on to the c3 pawn,
been particularly perturbed by this with the further idea of ...¥b5 and
recommendation, since he had already eventually a rook check on d8. This
beaten Spielmann with 11.£xb6 at Baden concept is not mentioned by Alekhine.
Baden 1925 (where Alekhine had won a
glorious first prize). 25...a5 26.¤fd4 ¢e7 27.¦ef3 ¥e8 28.¤e2
£b2 29.¤xc3 ¦d8+ 30.¦d3 ¥c6
10.dxc5 ¤xc5 sharper would have been XIIIIIIIIY
10...¤dxe5 11.¤xe5 ¤xe5 12.£g3 f6.
9-+-tr-+r+0
11.0–0–0 a6 12.¦h3 h6 Usually Black 9+p+-mkpzp-0
does not worry about the king’s side and
seeks counterplay on the queen’s flank. 9-+l+p+-zp0
This move is not corrected and, as will be 9zp-+-zP-+-0
seen, White manages to take possession 9-+-+-wQ-zP0
of and exploit the strong strategic point
d4. The opportune move would have been 9+NsNR+-tR-0
12... £c7 13.¦g3 f6 14 exf6 gxf6 with 9PwqP+-zPP+0
changes of a counterattack.
9+-+K+-+-0
13.¦g3 ¦g8 14.¥d3 ¤xd3+ 15.¦xd3 xiiiiiiiiy
£b6 16.¦d2 £c7 17.£f4 ¥d7 18.¤e2 In case of 30...Qxc3 there would follow 31
¦c8 19.¤ed4 ¤a5 20.¦d3 ¤c4 ¦xd8 attacking the queen.
21.b3 £a5
XIIIIIIIIY 31.£c4 ¦xd3+ 32.¦xd3 ¦c8 33.£c5+
¢e8 34.£xa5 ¥xg2 35.f3 ¥f1 36.£b5+
9-+r+-mkr+0 ¢f8 37.£xb7 ¦e8 38.¦d7 ¢g8 39.£c7
9+p+l+pzp-0 ¦f8 40.¦d8 ¦xd8+ 41.£xd8+ ¢h7
42.¢d2
9p+-+p+-zp0
9wq-+pzP-+-0 1–0
9-+nsN-wQ-zP0
9+P+R+NtR-0 Alekhine’s summation: “Bogoljubov
9P+P+-zPP+0 exploited my mistakes very well, winning
the game in elegant style.” In spite of this
9+-mK-+-+-0 setback against Bogoljubov, Alekhine
xiiiiiiiiy still went on to win the tournament by a
“A blow which is based on a tactical full point.
calculation. With ...¤a5–c6 Black would
have been able to defend himself for some
My cowardice manifested itself with He studied the board for quite some time.
another player. One day, in the cramped Then he broke his silence: “I offer you
quarters of the Florianopolis chess club, a draw.” Mecking, Brazil’s foremost
I was introduced to Henrique Mecking, player, a man in contention for the world
only in town for a family visit. Mecking championship, the man who had been third
was Brazil’s foremost player and, at at Hastings, the greatest player in whose
one point, number three in the world. presence I had ever been, was offering me
He had become the first Brazilian to a draw. Perhaps he was afraid of being late
achieve International Grandmaster status for dinner. Perhaps he was simply bored
the year before. The year before that he at the slow pace of my moves. I will never
had finished tied for third, behind only know. As for me, I was afraid that, if we
Karpov and Korchnoi, at Hastings. In continued, he would be strong enough to
1977, two years after our encounter, he rally his forces and manage to crush me even
reached a FIDE ranking of 2635. He was from that serious disadvantage. I was sure
considered a worthy contender for the he would maneuver his two knights with
world championship during the seventies, such dexterity that I would be exhausted
but his career was stifled by a dreadful trying to foresee his incursions, his forks, the
disease, which prevented him from entirety of his web of branching possibilities.
playing throughout the eighties. I knew that honour demanded that I play on.
I teetered on the razor edge between honour
I don’t know why he was so kind as to and the temptation of a somewhat sullied
agree to play me, an unknown nonentity. glory, and, after a long silence of my own, I
Perhaps he was bored. Perhaps he was said “I accept.”
killing time before meeting his family
for dinner at a local seafood restaurant. In doing so, I knew that half a century later
I, of course, did not mention that my I would be able to say to you and our small
ranking had never risen beyond 1875. world of chess: “Believe it or not, I once
We sat down in a corner and played an got a draw with Mecking.” As we both can
informal game with neither chess clock see, however, I gained that questionable
nor notation. That was the game that led glory be steeping myself in shame.
to my greatest glory and greatest shame.
Alexis Levitin's work as a translator
I was White and he played a Sicilian Dragon of poetry has carried him repeatedly
variation in which a rook is exchanged for to Portugal, Brazil, and Ecuador,
a knight and greater mobility. I was excited where this story took place. He began
at my qualitative advantage, but he made playing chess with his father and his
sure there were no open files for my rooks step-father, both solid Russian chess
to exploit. Half an hour later, however, I players, at the age of six. He has
somehow managed to create an unpleasant played in cafes, restaurants, and on
fork that resulted in the loss of his second beaches around the world, but rarely
rook. That exchange had not been planned. enters tournaments. His only trophies
We both gazed at the board in silence. I had are for a high school championship
two rooks for two knights! I suspect my in 1956, a second place at the
heartbeat was far above my cross-country Polgar Chess Authority in 1999,
runner’s norm of 60. Was it possible that I and the Plattsburgh Chess Club
might defeat Brazil’s greatest chess player? Championship in the year 2000.
Luke
MCShane
WINS THE MANX
LIBERTY MASTERS
By IM Shaun Taulbut
Photo: David Llada
This event was won by England’s Luke 7.¤c3 ¤bd7 8.b3 ¦e8 9.¥b2 e5 10.dxe5
McShane with 6.5/9 ahead of Polish GM Kasper 10.e3 is worth consideration, retaining
Piorun with 6/9. The organiser was Dietmar the tension.
Kolbus who also played in the tournament.
10...dxe5 11.¤g5 White aims a knight at e4
We look at two of Luke McShane’s most which can then go to d6.
interesting wins from the event.
11...¤c5 Black decides to allow an
We start with the win against Richard Pert, an exchange of queens to keep control of e4.
ending in which White had drawing chances.
12.b4 12.£xd8 ¦xd8 13.¦fd1 ¥f5 is equal
Richard Pert - Luke McShane as Black has control of e4.
Manx Liberty Masters 2021 Douglas ENG (3.1)
12...£b6 13.bxc5 13.a3 h6 14.¤ce4 ¤cxe4
1.d4 ¤f6 2.¤f3 g6 3.g3 ¥g7 4.¥g2 0-0 15.¤xe4 ¤xe4 16.¥xe4 ¥e6 17.c5 £c7
5.0-0 c6 6.c4 d6 leaves Black with a slight advantage.
XIIIIIIIIY
9rsnlwq-trk+0 13...£xb2 14.£b3 £xb3 15.axb3
9zpp+-zppvlp0 XIIIIIIIIY
9-+pzp-snp+0 9r+l+r+k+0
9+-+-+-+-0 9zpp+-+pvlp0
9-+PzP-+-+0 9-+p+-snp+0
9+-+-+NzP-0 9+-zP-zp-sN-0
9PzP-+PzPLzP0 9-+P+-+-+0
9tRNvLQ+RmK-0 9+PsN-+-zP-0
xiiiiiiiiy 9-+-+PzPLzP0
Black opts for a complex King’s Indian 9tR-+-+RmK-0
rather than playing ...d5, when White has
a slight edge in the symmetrical position. xiiiiiiiiy
622 | BRITISH CHESS MAGAZINE
October 2021
56.¥e4 ¢c5 57.¥f5 ¢c6 58.¥e4+ 12.¦e1 ¥b7 Now White has to consider
¢d6 59.¥f5 ¥d5 60.¥d3 ¢e7 61.¥f5 the threat against e4 so defends the
¢f8 62.g6 ¢g7 63.¥d3 ¢f6 64.¥c2 pawn again.
¢g5 65.¥d3 ¥g8 66.¥c2 ¢g4 Now
Black captures on g3, keeping his edge. 13.¥c2 h6 13...exd4 14.cxd4 ¤b4 15.¥b1
c5 16.d5, with a slight edge for White, is
67.¥e4 ¢xg3 68.¢c2 ¢f4 69.¥c6 The also playable. In this line, if 15...¤xe4
losing move; White should play 69.¥d3 ¢e3 16.¤xe4 ¥xe4 17.¥xe4 ¦xe4, 18.£b3
70.¥f5, keeping tabs on the black e-pawn. gives White good play.
10...¦e8 11.h3 ¦b8 11...exd4 12.cxd4 ¥b7 17...c5 18.¥xf6 £xf6 19.¤h5 £e7 Not
looks best here. Black cannot capture twice 19...£g6 20.¤h4 £g5 21.¤f5 g6 when
on e4 because of ¥d5. 22.£xd6 is much better for White.
MANX LIBERTY MASTERS 2021 DOUGLAS ENG SAT 18TH SEP 2021 - SAT 25TH SEP 2021.
CATEGORY: 12. AVE: (2531)
Rk Name ELO FED 1 2 3 4 5 6 7 8 9 10 Pts. TPR
1 GM McShane, Luke J 2674 ENG ½ ½ ½ 1 1 ½ ½ 1 1 6.5 2681
2 GM Piorun, Kacper 2638 POL ½ 0 ½ ½ ½ 1 1 1 1 6 2644
3 GM Lupulescu, Constantin 2660 ROU ½ 1 ½ ½ ½ ½ ½ 1 ½ 5.5 2597
4 IM Gavrilescu, David 2477 ROU ½ ½ ½ ½ ½ ½ ½ 1 1 5.5 2617
5 GM Parligras, Mircea-Emilian 2583 ROU 0 ½ ½ ½ ½ 1 1 ½ 1 5.5 2605
6 GM Erdos, Viktor 2622 HUN 0 ½ ½ ½ ½ ½ ½ ½ ½ 4 2478
7 IM Galyas, Miklos 2448 HUN ½ 0 ½ ½ 0 ½ ½ ½ ½ 3.5 2460
8 IM Csonka, Balazs 2496 HUN ½ 0 ½ ½ 0 ½ ½ ½ ½ 3.5 2455
9 IM Pert, Richard G 2416 ENG 0 0 0 0 ½ ½ ½ ½ 1 3 2419
10 IM Kolbus, Dietmar 2295 GER 0 0 ½ 0 0 ½ ½ ½ 0 2 2337
Book
Fifty shades of Ray
RAY’S
VaRieGated
PROSE
The unifying thread is
found in Ray’s fascination
with all manner of pioneer-
ing - whether in chess, in
art, in science, in travel, in
ideas, in historical journeys
or in literature
To those to whom
chess remains a wonderfully and
uniquely enchanting blend of art,
mathematics and science,
with limitless metaphorical
connotations for life itself,
Ray Keene offers the
perfect antidote to chess-
writing tedium
three of the very many predilections of ‘How Jewish pioneers discovered a new
the author) - preferably over a good meal beauty of chess’ to my own favourite, as
or glass of wine. one educated in the Greco-Roman classics,
‘Two questions posed by Borges’, where
There have been very many books about Ray entertainingly and with a typically
chess - many by Ray himself - as well original take revisits two questions which
as many which are encyclopaedically have for centuries intrigued readers and
comprehensive and virtually unreadable: scholars of Virgil.
the influence of chess computing
programmes has undoubtedly affected Provocative, challenging, colourful, spicy,
the game in many ways, some actually here is a menu of delights: a meze table
beneficial, but it has also led to much or tapas board where piquant flavours
mind-numbingly turgid prose, preceded jostle for attention. It even looks as good
by such formulae as ‘here the engine as it tastes, with elegant chess diagrams
suggests...’. a most pleasing feature. You will not
necessarily like or agree with everything,
So, to those to whom chess remains a but you will leave the book with your
wonderfully and uniquely enchanting mind buzzing with the sheer verve and
blend of art, mathematics and science, ebullience of this vivid evocation of the
with limitless metaphorical connotations game of life.
for life itself, Ray Keene offers the perfect
antidote to chess-writing tedium. The
section headings themselves contain
unexpected and tempting delights, from David Taylor
Openings
for Amateurs
The
Uncomplicated
Capablanca
By Pete Tamburro
ptamburro@aol.com
his queenside pawns. He prepares for the 18...¥xd3 The lively play Golombek was
long term right here in the opening. It’s looking for lay in 18...¥d6! 19.¥xf5 ¤xf5
also worth noting that White’s last few 20.¤c5 £e7 21.b5 b6 22.¤cd3 c5 23.dxc5
moves were absolutely necessary to make bxc5 24.¦fd1 c4 25.¤c6 ¥xh2+ 26.¢xh2
sure Black did not get the play on the £c7+ 27.¤f4 and White’s still better, but
kingside he wanted. it’s more of a fight.
At long last. Note that White’s pieces are attack on c6. We saw that he could even
all where they are supposed to be. The have played b5 sooner, but the omission
knight helps prevent c5. The queen will was not critical to the outcome of the
recapture on b5, and the rooks are ready game. Black had some possibilities of
to invade. It is instructive to compare making it more difficult, but perhaps
this diagram with the one after move Golombek’s seeing the inevitable took
14. The pawn structure tells the tale, a little bit out of him, considering the
and the comment about looking at c6 as reputation of the living legend sitting
the losing move does not seem like such across the board.
hyperbole at this point. The "vertical"
pressure of the queen and two rooks You should take a look at the Evans game
overwhelms the opponent’s passively (mentioned at the start of this article) as
placed minor pieces. a contrast. It was a monumental battle.
The more you play over these types of
23...cxb5 If 23...¦ec8 24.bxc6 bxc6 positions, the better you will get. The
25.£a6 ¤f5 26.¤c5 The knight path minority attack has appeared as a weapon
from c3 to a4 to c5 to d3 is a key theme against the Stonewall Dutch, so it has
to remember with this piece. 26...¦c7 other uses as well. Its most popular use is
27.¤d3 £e6 28.g4 ¤e7 29.¦b7 ¦xb7 in the Exchange Variation of the Queen’s
30.£xb7 Gambit Declined. Some good games
to study are Najdorf-Eliskases, Mar del
24.£xb5 ¤e6 Defending the b7 pawn can Plata, 1947; Chukaiev-Chernikov, 1964;
get the d5 pawn lost: 24...¦e7 25.¦c5 ¦d8 Beliavasky-Yusupov, URS Ch, 1983.
26.¤c3 For the pinnacle of the struggle for both
sides, the Alekhine-Capablanca match
25.¤c3! Golombek notes that White in 1927 can’t be beaten. There is much
should not get too hasty with gobbling the more. You can learn a good deal about
b7 pawn: 25.£xb7 ¦eb8 26.£c6 £xc6 chess by studying these games.
27.¦xb8+ ¦xb8 28.¦xc6 ¦b1+ and Black
gets unnecessary activity.
1–0
Problem
World
by Christopher Jones
cjajones1@yahoo.co.uk
Grandmaster of Chess Composition
Solutions are given on page 638
1 XIIIIIIIIY
9-+-+-+-+0
9+-+-+-+-0
9-+-+-+-zp0
9+-+-wQ-+-0
9-+-+-+-mk0
9+-+-+-+p0
9-+-+-+nsN0
2 XIIIIIIIIY
9-sN-+-+-+0
9+-+p+-+-0
9-snp+p+-+0
9mKpmkP+-+-0
9-snl+-wQ-+0
9+-+-+N+-0
9-+p+-+-+0
9+-+-+-tRK0 9+-+-+-+-0
xiiiiiiiiy xiiiiiiiiy
Nikolay Akimov (Kazakhstan) Kabe Moen (USA)
3 4
Mate in 2 Mate in 2
Original ORIGINAL, after H.Jansen
XIIIIIIIIY XIIIIIIIIY
9-+-+-sn-tr0 9ksn-+-+-+0
9mK-+-+-zpk0 9zp-+p+-+-0
9p+-+L+-+0 9p+pzP-+-+0
9+-+-+-+-0 9zP-zP-+-+-0
9-+l+-+NsN0 9-+p+-+-+0
9+-+-zp-+-0 9+-zP-zp-zp-0
9-+rvl-+-tR0 9P+-+P+P+0
9+-+-+-+-0 9+-+-vlLtRK0
xiiiiiiiiy xiiiiiiiiy
Steven B. Dowd and Kostas Prentos Ljubomir Ugren (Slovenia)
(USA / Greece) Helpmate in 17.5
Mate in 3 Original
Original
Endgame Studies
by Ian Watson
ian@irwatson.uk
1 XIIIIIIIIY
9-+-+-+-mk0
9+-+-+-+-0
9-+-+K+-+0
9+-+-+N+-0
9-+-sN-+-+0
9+-+-zp-+-0
2XIIIIIIIIY
9-+-+-+-+0
9sN-+-mK-+-0
9k+-+-+N+0
9+-+p+-+-0
9-+-+-+-+0
9+-+-+-zp-0
9-+-+-+-+0 9-+-+-+-vL0
9+-+-+-+-0 9+-+n+-+-0
xiiiiiiiiy xiiiiiiiiy
J. Mendheim N. Mansarliskiy & S. Tkachenko
3 4
Aufgaben fur Schachspieler 1832 64 1998
Mate in 9 moves win
XIIIIIIIIY XIIIIIIIIY
9-+-+-+-vl0 9-+-+-+-vl0
9+-+-+-+-0 9+-+-+-+p0
9k+P+-+-sN0 9k+P+-+-sN0
9+-+-+-+p0 9+-+-+-+-0
9-+-+-+-sN0 9-+-+-zp-+0
9mK-+-+-+-0 9mK-+-+N+-0
9-+-+-+-+0 9-+-+-+-+0
9+-+-+-+-0 9+-+-+-+-0
xiiiiiiiiy xiiiiiiiiy
P. Michelet P. Michelet
Original, after Rinck 1935 2021 Original 2021
win win
The Line
The Troitsky Line. The father of chess endgame studies, Alexei Troitsky, thoroughly
investigated the ending of two knights versus pawn in the 1930s. Two knights and king
cannot force mate against a lone king, but KNN v KP can be won, if the pawn can be
blockaded by one of the knights. The other knight and the king force the enemy king
into a corner and then the blockading knight comes over to complete the mate. That only
succeeds if the blockaded pawn is far enough back, otherwise it promotes and prevents the
mate. Troitsky worked out how far back it has to be; for example, if it’s on the a−file it can
have got to its fifth rank, but no further, on the b−file, if it’s beyond the third rank, that’s
drawn, c−file fourth rank, d−file fifth rank. e/f/g/h are a reflection of a/b/c/d. So there’s a
line across the board, and this has gained the name the Troitsky Line.
You may think that is for endgame study enthusiasts only, that the ending of two knights
against pawn does not occur in over−the−board play. Not so. It has arisen many times; for
example, Karpov had it and he lost to Topalov even though the pawn was beyond the
Troitsky Line, because he didn’t know the defensive strategy. Indeed both players made
mistakes, Topalov not being well−booked on it either, but Karpov made the final error.
Many other players have been faced with this ending. Others have had the option to lead
play into it, but decided not to, because they didn’t know whether the position was won
or not, or how to play it. A few over−the−board players are well−versed in it, and notable
amongst these is Colin McNab. He is an OTB GM, but he is also a problem and study
expert, and when faced with the two knights v pawn ending he handled it much better
than his opponent and indeed far better than Karpov or Topalov. That was in the EU
Championship in 2006 against Mika Karttunen.
McNab won in 22 moves from when the NN v P arose in the game, even though with
best play it should have taken 79 moves to achieve mate. That shows an issue with NN v
P - it very often takes more than 50 moves to give mate, so although Colin had blockaded
the pawn far enough back, in an over−the−board game with best play, it should have been
a draw. Indeed, in the least favourable ‘winning’ position, it takes 115 moves to force
mate. So there is a ‘second Troitsky Line’, where the knights win even if the 50−move rule
applies.
The 50−move rule in OTB chess has been changed several times. Composed positions
comply with OTB rules, but there have to be a few exceptions and, fortunately, in studies
the 50−move rule has not ever been in force. There is sense to that: the play begins from
a position in which we do not know what happened before, so the 50−move count might
have begun before the ‘start’ position.
The Line isn’t a perfect rule; there are some exceptions. Our first position is one of these,
from a century before Troitsky’s analyses. It’s an exception because Black’s king is in the
wrong corner; from a general start position, the defender has to allow his king to be forced
into a corner, but if he heads for the wrong one, the attacker has a much easier task. That
was the mistake that Karpov made against Topalov. Notice, in the Mendheim position, that
when White has blockaded the pawn, his blockading knight has a short route to mating a
king on a1, h1, and h8, but a longer route to mate a king on a8. Incidentally, this position
isn’t strictly a study; indeed, it was composed as a mate in nine.
The reason I am writing this article is that I’ve been sent two new studies by Paul Michelet.
Paul is one of the UK’s leading composers and he often takes existing studies by well−
known composers and improves them. He was inspired to these by the Rinck study that
was in this column in the February 2021 issue. He noticed that it can be improved and
then it occurred to him that he can also incorporate the Troitsky Line idea in the improved
version. In his first setting, the black pawn is behind the Line, so White will win if he can
capture the black bishop. In his second setting, if you remove the black pawn that is on
h7, then White can’t win, because the f−pawn is blockaded too far down the board, but the
addition of the h7 pawn enables White to win because an exception to the Troitsky Line
arises in the solution.
FAJAROWICZ
VARIATION
6207 Here are two pairs of games
By Alan Smith
15...¥g6 16.b3 ¦he8 17.¤f3 £f6 18.¤d4
between well-matched opponents, all four ¥c5 19.¤d5 Hoping for time to regroup.
of whom were prizewinners in the British
Championship. The first pair features the 19...¦xd5! 20.cxd5 ¥xd4 21.¦d1 ¤b2
Fajarowicz Variation which modern theory
frowns upon, but back in the 1930s the 0-1
theoretical evaluation of the line was not clear.
Leicester Evening Mail, 8th August 1934
Baruch Wood - Alfred Lenton
Chester 1934 Fast forward five years...
1.d4 ¤f6 2.c4 e5 3.dxe5 ¤e4 The Baruch Wood - Alfred Lenton
Fajarowicz variation.
Birmingham - Leicester 1939
4.¤f3 ¤c6 5.£c2 d5 6.exd6 ¥f5
7.£a4 White avoids a trap, 7.dxc7 £xc7 1.d4 ¤f6 2.c4 e5 3.dxe5 ¤e4 4.¤f3
8.£b3 0-0-0 9.¥e3 ¥b4+, and Black is ¥b4+ 5.¤bd2 £e7 Varying from one of
winning, according to MCO 9. his previous games, 5...¤c6 6.a3 ¥xd2+
7.¤xd2 ¤xd2 8.¥xd2 ¤xe5 Davey -
7...¥xd6 8.¥d2 8.g3 ¥c5 9.¥e3 £f6 Lenton BCF ch 1936, White blundered his
10.¥xc5 £xc5 11.£a3 £e7 was van queen and lost swiftly.
Doesburgh- Richter Munich 1936.
6.£c2 f5 7.exf6 7.a3.
8...£e7 9.e3 ¤c5 10.£d1 0-0-0
11.¤c3 11.a3 was a sensible precaution. 7...¤xf6 8.a3 ¥d6 9.e3 ¤c6 10.b4
b6 11.¥b2 ¥b7 12.¥d3 White is not
11...¤b4 12.¤d4 ¤bd3+ 13.¥xd3 attacking: the bishop belongs on e2.
¤xd3+ 14.¢f1 £h4 15.£e2 15.g3 £h3+
16.¢g1 ¤xb2 17.£b3 ¤d3 and White is 12...¤e5 13.¤xe5 ¥xe5 14.¤f3 ¥xb2
still struggling to activate his rooks. 15.£xb2 0-0 16.0-0 ¤g4! 17.£e2?
Victor Knox - John Littlewood 8...a6 9.0-0 b5 10.a3 ¤e5? Way too
ambitious. Black should settle for 10...d6
Cheshire - Lancashire 1970 11.f4 ¥e7 with a Scheveningen structure.
1.e4 e5 2.¤c3 ¥c5 A sideline with an 11.f4 ¤c4 12.¥xc4 bxc4 13.e5 cxb3
impeccable pedigree. A favourite of 14.exf6 bxc2 14...gxf6 was mandatory.
Anderssen and Bird, it was later adopted
by Capablanca, Alekhine and Larsen. 15.£d4! gxf6 16.¤d5! A thematic
Black dodges the sharper lines of the sacrifice in the Sicilian. I presume John was
Vienna, arising from 2...¤c6 3.f4 or expecting 16.£xf6 ¦g8 when Black should
2...¤f6 3.f4 be okay.
We start with two 2-movers which should be quite easy to solve (but of course do
feel free just to read on and enjoy the nice play in their solutions), and then turn to an
interesting 3-mover (welcome to this column to its co-author Kostas Prentos!), for which
the inspiration was a long-ago OTB game of the great problemist Sam Loyd; Steven Dowd
remarks “one of my favourite ideas in direct mates is trying to make OTB combinations
into plausible problems”. Finally, a contribution from our regularly-featured expert in long
helpmates. In this case, we are looking for 35 ‘half-moves’, initiated by White, in which
Black collaborates in achieving a position in which he is mated. Very long helpmates like
this one tend to be easier than helpmates in say 4 or 5 moves because the possibilities
for both sides, necessarily, are limited, and in this problem the need for White not to run
completely out of moves will give you the intro to the solution.
In his Chess Wizardry: The New ABC In our 3-mover, the key, 1.¤e5!, grants a flight
of Chess Problems John Rice defines the (h6) but threatens mate next move by any move
Rukhlis as “a pattern of moves combining of the h4 knight. The skill of the composers is
mate-change and mate-transference. At seen in that in each of the four defensive tries by
least two set or virtual-play [i.e., the play Black that extend play to move three it is one,
after unsuccessful ‘tries’ by White] mates and only one, of the possible continuations by
are transferred to different defences after the h4 knight that works – and each of the four
the key, while the original defences gain continuations works once. Thus, the solution
new mates”. Nikolay’s 2-mover goes runs: 1…¥xe6 2.¤f5+ ¢g8 3.¤e7; 1…¤xe6
part way to this by showing the pattern 2.¤hg6+ ¢g8 3.¦xh8; 1…e2 2.¤hf3+ ¥h6
in relation to one defence: in the diagram 3.¤g5; and 1…¥e1 2.¤g2+ ¥h4 3.¦xh4.
position if it were Black to play 1…¤e3
would allow 2.¤f3. After the nice, flight- Once more
giving key, 1.£g7!, 1…¤e3 is no longer the murky world of helpmates
met by 2.¤f3 (which would fail against
2…¢h5) but is met instead by 2.£xh6. As I said above, the early play in Ljubomir’s
However, after 1…h5 (the other defence helpmate is determined by the need to give
to the threatened 2.£g4) White’s mating the white king breathing space. In a fashion
move is indeed 2.¤f3. familiar to aficionados of very long helpmates
the white king then must mark time while its
A focus on the square d5 counterpart sets off on a long journey that
culminates in his freeing the square c6 for
In Kabe’s 2-mover White would like to his knight and thus facilitating the movement
move the d5 pawn, so that 2.£d4, now of the white d-pawn, before dashing back to
guarding d6, would be a threatened mate. a8 – a prodigious round trip by His Majesty,
However, if 1.d6?, 1…e5! is a successful determined with complete accuracy by the
defence. So the key is 1.dxe6!, and the composer’s expertise – 1…a3 2.¥f2 a4
nice effect of this is that there are now five 3.¥xg1 ¢xg1 4.¢b7 ¢h1 5.¢c8 ¢g1
defences, all involving moves to d5 and all 6.¢d8 ¢h1 7.¢e8 ¢g1 8.¢f7 ¢h1 9.¢e6
met by different mates – 1…¥d5 2.£xb4; ¢g1 10.¢d5 ¢h1 11.¢xc5 ¢g1 12.¢d5
1…d5 2.£f8; 1…¤4d5 2.¤a6; 1…¤6d5 ¢h1 13.c5 ¢g1 14.¤c6 ¢h1 15.¤e7 dxe7
2.¤xd7; and 1…¢d5 2.£e5. 16.¢c6 e8=£ 17.¢b7 £xd7+ 18.¢a8 £c8.
1.¤e2 ¢g8 2.¢e7 ¢h8 3.¢f8 ¢h7 4.¢f7 after 4…¢xc7. In the resulting position,
¢h8 5.¤f4 e2 6.¤g6+ ¢h7 7.¤f8+ ¢h8 the black pawn is blockaded behind the
8 ¤e7 (or ¤h4) e1£ 9.¤e(h)g6 mate. Troitsky Line.
Hardinge Simpole
is delighted to announce
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Fifty Shades
of Ray
Chess in the year of the
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Raymond D. Keene
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