The

Times
Commissioned by Saitama Teion's Club
for Euphonium Tuba Quintet
Hiroki Takahashi

1. Present
      
                         

     
Allegro  = 142


A

      
    
1st Euphonium

                     
   
 

 
 
2nd Euphonium

                    
    
 



3rd Euphonium

  
                     

 


  

1st Tuba

       
 

           
       
2nd Tuba

          
 


                       

     
6

    
Euph. 1

      
              
 
 
Euph. 2

                      
Euph. 3
    
   
     



 
Tuba 1

      


           
        
Tuba 2

        
   
 
11
B

      
               
Euph. 1

       
   
  
               
Euph. 2

          
      



  
Euph. 3

 
         

         


  
Tuba 1

      
        


          

Tuba 2

-1-
                   
   
           
16

                
      
Euph. 1

        
 
 


              
Euph. 2

   
 
        
 
 
Euph. 3


                   
   


Tuba 1

       
             
     
Tuba 2

             
     
C

   
21

Euph. 1

                      
   


               
Euph. 2

      

 

 
Euph. 3


                              

 

Tuba 1

    
  
 

     

Tuba 2

 

25

    
Euph. 1

  
Euph. 2 

     
 


Euph. 3

      
 


Tuba 1

  
  

Tuba 2



-2-
                  
      
     
26
D

  
Euph. 1


                
    
 

         
Euph. 2

    
         
    


Euph. 3

            
                

  


 
Tuba 1

      
 

   
            

Tuba 2



      to 
                   


  
  
31

                 
Euph. 1

       
    
  

  
        
Euph. 2

              
 
 

Euph. 3



               
 
 

Tuba 1      

      
 

      
      
Tuba 2

 


       
   
36
E

         
Euph. 1

  
                            


     
Euph. 2

            
 
                       


Euph. 3

 
         


       

Tuba 1

        
  


    
Tuba 2

-3-
                 
    

41

Euph. 1

                
      
3 3 3

 
       
Euph. 2

                         
   



Euph. 3

    
        
3 3 3

 

Tuba 1

  


          


      
 
Tuba 2



 
                

F


46

Euph. 1

       
  

 

Euph. 2

             
    


Euph. 3

                   
             
 

Tuba 1

 


          
      
Tuba 2

      
     
    

50 D.S.

   
Euph. 1

          
 
3 3


Euph. 2

                  
 
3


Euph. 3

    
            
3


 
Tuba 1

     


         
   
Tuba 2

-4-
 
           
     
 coda

 
54

             
Euph. 1

    
  
    
 


     
          
Euph. 2

      
     
 

 
Euph. 3

            
               
       

 

Tuba 1

     
 

              
      
Tuba 2



-5-
 2. Past
          
        
 Adagio  = 110 
       
        
1st Euphonium

         
  
  

      
2nd Euphonium

       
 
      

  


3rd Euphonium

 
               
  

1st Tuba

      
  

2nd Tuba
     
 

            
          
    
G

 
7

           
Euph. 1

    
           


Euph. 2

              
  
 

Euph. 3

    
     
 

Tuba 1

      


   
  
Tuba 2




               
      
13
H

            
       

Euph. 1


      


Euph. 2 


                


  
Euph. 3
   
 
                            

 


Tuba 1

       
 

          
        
Tuba 2

 

-6-
          
           
 
   
20

                
Euph. 1

    
   
 

       
       
Euph. 2

             
  
 


Euph. 3

  
   
  

Tuba 1      

            
  

      
 
  
   
Tuba 2

 

                              
             
I


26

                                     
Euph. 1

 


            
                        
Euph. 2

  
Euph. 3
 
    
              



Tuba 1

      


Tuba 2
   
      



                           G.P.
         
rit.

    
30 a tempo

                                     
Euph. 1

    
  


                        
                  
Euph. 2

      
   


Euph. 3

  
                     




Tuba 1

         
         


   


 
Tuba 2

-7-
        
 
      
35
J

    
Euph. 1

   
    
  
 
 

  

      
Euph. 2

     
 
           

 
 


Euph. 3

 
               
 
 

Tuba 1

      
 
 

Tuba 2
     

    
 


     
       rit.  
        
 
41
K

 
        
Euph. 1

  
    
  

   
Euph. 2

                     
 
  

Euph. 3

            
      
  

Tuba 1   

 
 

 


           
  
Tuba 2

 


-8-
 3. Future
  
  Vivace  = 156     
           
L
1st Euphonium

                                          
 



2nd Euphonium

                                 
                     
  

3rd Euphonium

          
   
  

1st Tuba

 
 

2nd Tuba
                      
  

   
 
    
         
              
11

       
Euph. 1

           
                        


     
        
  
     
Euph. 2

                      
    
  


    
Euph. 3

          
                 
 


Tuba 1

     
 

  


     
           
Tuba 2

   M


    


          
    
21

                          
Euph. 1

    
     
 

                
Euph. 2

                
     
  

Euph. 3

   
                        
 
  

    
Tuba 1

  
                  
  

Tuba 2
        

  
 

-9-
    
                         

32

    
Euph. 1

         
 
 

  
                    
           
Euph. 2

        
 
      
Euph. 3

  
             

        
Tuba 1
   
        
Tuba 2
                 
     
   
  


                 
                   
41
N

      
Euph. 1

           
                     
  

     

Euph. 2

                
             

  
   


     
Euph. 3

 
                             
 
  


Tuba 1

     
  

      
   






        
Tuba 2



   


           


         
  
51


Euph. 1

  

        
                 
  

           
 
  
Euph. 2

         
 

                     
   
   
 


  
Euph. 3

            
  
 

Tuba 1

    


              



Tuba 2

 

-10-
                 

O


Cantabile
60

   
  
Euph. 1

          

Euph. 2

          
 




Euph. 3

 
       


  
Tuba 1

          


Tuba 2



             


P


70

 
Euph. 1

           
     



   
 
Euph. 2

        





Euph. 3

   
   
 
 5

     
Tuba 1

     



    
Tuba 2

 
   


   
          
 
80

  
Euph. 1

                




        
Euph. 2

      
Euph. 3
 
  
Tuba 1               


           
  
Tuba 2

-11-
   (Tempo I)
           
                  
90

Euph. 1

       
   
 
   
 
                      



Euph. 2

                      
       


Euph. 3

         
  


Tuba 1

  


            
   
Tuba 2

          


          
                  

98
Q

 
Euph. 1

 
                                
 

  
  

    
   
Euph. 2

       
              
  
   

 
    
Euph. 3

              
                     

 

Tuba 1

     
 

 


     







          
Tuba 2

        


 


           
                   
108

 
Euph. 1

         
                   
 



Euph. 2

    
 

 

                                  
    



Euph. 3

 
            


Tuba 1

  


                  

Tuba 2

-12-
  
          

    


      


117
R


   
       
Euph. 1

          
           
 

         
Euph. 2

          




Euph. 3

  
                 
  

   
Tuba 1


 

             
      
Tuba 2



    


  
            
 
S


127

  
Euph. 1

               
   



  
Euph. 2

                     
     



  
Euph. 3

 
                   



Tuba 1

  


              
  
Tuba 2

 
              


         
       
137 cresc. T
Euph. 1

                      
           
  

     
    
                        
Euph. 2

       
 

 
  
Euph. 3

   
                           
      
  

       
Tuba 1

        
  

           
          
 

Tuba 2

 


-13-
                       
      
 

146

                         
Euph. 1

   
 
    
                   
Euph. 2

    
 



  
Euph. 3

    
                         



 
Tuba 1

  


                             
        
 
Tuba 2



-14-
 Euphonium 1 Commissioned by Saitama Teion's Club
The Times
for Euphonium Tuba Quintet

Hiroki Takahashi

1. Present

      
                 
     

Allegro  = 142

                        


     
  
5
A

                     
   


 

9

                 
          
13
B

 C                      
 

 


   
21

                     
   


       
26
D

          
              
 

   
to 
32

                        
  

 
     
36
E

3 3 3

-1-
     
                     
  
Euphonium 1

 
F D.S.


46

 
          
3 3

    
 coda   

   
54

 

2. Past

  
   
              
  
     
Adagio  = 110

              
 
  

   
G


7

    

              


    
12

 
                  
             



  
H I
18

                        
  
  
27

                           
 
  
 
G.P.

     
a tempo
31 rit.

           


    
   
35
J

                 rit.  

    


K


42

 
-2-
 3. Future
Euphonium 1

               
      
   
Vivace  = 156 L

  
      
 

          
 
               
17

           

 
 
                  
  


26
M

             
 

                   
40
N

                   
 
       
 


49

                   

     
 Cantabile  
O


59

      

     
      
  


 
  
73
P

             
 

                
90 (Tempo I)

             
                  



98
Q

              
    
 


107

 
-3-
                               
 
Euphonium 1


113
R

 

  
  
         

             
      

122

 
    
 

         
          
    
S


133 cresc. T

  
 

              

145

   
 

      
       
  
150

-4-
 Euphonium 2 Commissioned by Saitama Teion's Club
The Times
for Euphonium Tuba Quintet

Hiroki Takahashi

1. Present

          

          
       
    
Allegro  = 142

                
                  


 

A

  
5


                          


   
 



13
B

               
           
 
17

                        

 C
   
21

       
               
       
 
25
D

                  to 

          
 


31

         
                                     
 
36
E

            
           


 
F


42

 
-1-
         
     
Euphonium 2

 
51 D.S.

                 
 3

      
 coda

    
54

 

2. Past

       
      

          
  
Adagio  = 110

         
 
   
  


            

8
G

                   H 
  
  

 
14

             
           

22
I

                                     
   
 
27

                                rit. 
     
G.P.

 
 

 a tempo


30


           
        


   
35
J

         rit. 

   

   
42
K

  
-2-
 3. Future
Euphonium 2

                                   

Vivace  = 156

                 
                           
 
9
L


                            
  

        
18

                      
   


         
 

 
M
26

  
                           


   


     
43
N

                      
                     
  

   
51

     
          

 

      
 
Cantabile
59
O

               
        
 
76
P

                                         
         
(Tempo I)
89


                                   


      
98
Q

 
                           
  

   
106

 
-3-
  
                  
       
Euphonium 2


114
R



    
 
 
              

123



  

      cresc.           
T

    
S


133

 

                          
      
   
142

 

         
     

150

-4-
 Euphonium 3 Commissioned by Saitama Teion's Club
The Times
for Euphonium Tuba Quintet

Hiroki Takahashi

1. Present

 
                   
 
  
Allegro  = 142

 
                                 

A

  
5

                                  


         
B


13

 C


                              
   



19


 
     D     
     
                 
  


25

          to 
                      
 
 

 
31

                                                
 

  
38
E

      F

                       
3


3

   


  
44

3 3

              
  

               
 coda

 
     
52 D.S.

 
 2. Past
Euphonium 3

 
                                    
   

Adagio  = 110

         
               
   

   
G


10

              


        
    
     
 

 

H


18

I            
                                     


  
26

                   rit.    
G.P.

    


 a tempo


31

                            




J


35

                      
   

 
42
K rit.

  

3. Future

                         
                 
Vivace  = 156

                               
 

            
9
L

            
                 
 

    
18

  
 
  
  
 
    
 
 
 
 
            

     
              
Euphonium 3


M


26

        
        
                        



36
N

                                    


 
   
47

                   
 

    


   
 
Cantabile

  
O


55

                  
       
 


68
P

                     
 5

      
90 (Tempo I)

     
                                      
Q 

 
 
98

                      
   

        
112


                       
        
117
R


                               
  

  
S


131 cresc.

                       
        
 

 
141
T

         
          

 


149


 Tuba 1 Commissioned by Saitama Teion's Club
The Times
for Euphonium Tuba Quintet

Hiroki Takahashi

1. Present

   
                   
     
A


Allegro  = 142



        

                  
 
B

 
  
8

         
 
                  

15 


                                    
  
21
C

          
                        
 


D

    
27

       
 

         
33 to 

 
  

         

E

            
38


                      


  
      
46
F


            


     
50 D.S.

         
 coda 
54
 2. Past
Tuba 1


            
        
Adagio  = 110


         
  

  
   
G


10

     
 
            
 

    
18
H




                       
  
26
I


J


G.P.


                 
               
a tempo
32 rit.

 
           rit. 
    
   

     
  
40
K 

  

3. Future

    
                  

Vivace  = 156
L


                 
  

       
15


  




                    
M

 
26

  

34
  
                      
Tuba 1

  
41
N

     


        

      

48


  

   
        
Cantabile

   
O

   
60

 

                
 
76
P

         
               
90 (Tempo I) Q

    
 

   
            
   
102

 
    
 

               
108
R

                   
 

      
   
125

 

                 
S

       
133 cresc.

  


         
                       


T

     
141


 

     
149
 Tuba 2 Commissioned by Saitama Teion's Club
The Times
for Euphonium Tuba Quintet

Hiroki Takahashi

1. Present

       
A

               
Allegro  = 142

      
  
 

     
      
      
7

       


           
B

              
13

   
 C  
          
         
        
19

 
      

D

   
         
  
27

   

           

 E

   
to 

       
33

 


   


      
F

           
42

 
                   
D.S.


48

  
 


  
 coda

           
      
54

 
 2. Past
Tuba 2

 
       
G

     
Adagio  = 110



        


  
 H


     
13

      
 
            
      
 

   
20

  
        
 

                
       
I

 
26

  

 G.P.

        
a tempo


   
J

  
32 rit.

 

  



K

  
42 rit.

     
 

3. Future

  
 
                      
Vivace  = 156
L

      
  

              

13

  
   
   
        

         
    


        



M

  
26

              


          
N

            
35


     
Tuba 2


       
44

   
    
 

             
           
50






Cantabile

 
O P

  
60

    



                
84 (Tempo I)

   
Q

    
               
94

   
  

                       
      
105




    
R

    
117

     
 


             
125

   


S

          
133 cresc.


   


      

T

     
141

  

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