Professional Documents
Culture Documents
Socio Cultural Approach
Socio Cultural Approach
URBAN DESIGN
SOCIO CULTURAL APPROACH
● Urban Design’s Social Dimension can be defined as the relationship between space and
society.
● This topic focuses on five key aspects of Urban Design:
URBAN DESIGN
PEOPLE AND SPACE :
• The relationship between people and their environment starts with architectural or
environmental determinism, where the physical environment has determining the
influence on human behavior.
• By shaping the built environment, urban designers influence patterns of human
activity and thus, of social and cultural life.
• Dear & Wolch (1989) argued that social relations can be:
› Constituted through space – where site characteristics influence settlement form.
› Constrained by space – where the physical environment facilitated or obstructs human
activity.
› Mediated by space – where the friction-of-distance facilitates or inhibits, the
development of various practices.
› The relationship between people and their
environment is best conceived as a continuous
two-way process in which people create and
modify spaces while at the same time being
influenced by those spaces.
URBAN DESIGN
less interaction due to spatial arrangement
URBAN DESIGN
THE PUBLIC REALM:
• The public realm has ‘physical’ (i.e. space) and
‘Socio Cultural’ (i.e. activity) dimensions.
• Public life involves relatively open and universal
social contexts, in contrast to private life, which is
intimate, familiar, shielded, controlled by the
individual, and shared only with family and friends.
Public Realm
“Public space relates to all those parts of the built and natural environment where the public
have free access. It encompasses- all the streets, squares and other right of way, whether
predominantly in residential, commercial or community/civic uses; the open spaces and
parks, and the “public/private” spaces where public access in unrestricted (at least during
daylight hours). It includes the interfaces with key internal and private spaces to which the
public normally has free access.”
URBAN DESIGN
The relative ‘publicness’ of space can be
considered in terms of three qualities:
PUBLIC LIFE:
• Public life occurs in social space used for social interaction, regardless of whether it is
publicly owned or privately owned space, provided it is accessible to the public.
• Public life can be broadly grouped into two interrelated types – ‘formal’ and ‘informal’.
URBAN DESIGN
THE PUBLIC REALM:
URBAN DESIGN
ACCESSIBLE PUBLIC REALM:
• The criterion of universal access (open to all) suggests a single
or unitary public realm.
• A constructivist interpretation, however, suggests there is no
single or unitary public realm since a space that is public for
citizen A may not be public for citizen B.
• Use of public realm has been challenged by various developments, such as increased personal
mobility- initially through cars and subsequently through the internet.
• Public realm activities like leisure, entertainment, gaining information and consumption can be
satisfied at home through the television or the internet.
• Domestication of such activities has meant the public spaces are less significant as a focus of
people’s lives.
URBAN DESIGN
NEIGHBOURHOODS:
Neighbourhoods have been proposed and/or designed as a planning device – that is,
as a relatively pragmatic and useful way of structuring and organizing urban areas.
URBAN DESIGN
SOME WAYS HOW DESIGN CAN SUPPORT NEIGHBOURHOOD DIVERSITY
URBAN DESIGN
SAFETY AND SECURITY:
• People face a variety of threats in the urban environment – crime, ‘street
barbarism’; acts of terrorism; fast-moving vehicles; natural
disaster/phenomena; and unseen problems such as
air pollution and water contamination.
• Creating a sense of security and safety is an essential
prerequisite of successful urban design.
FEAR OF VICTIMIZATION:
URBAN DESIGN
CONTROLLING SPACE: ACCESS AND SOCIAL EXCLUSION
• While by definition, the public realm should be accessible to all, some environments-
intentionally or unintentionally- are exclusionary and are less accessible to certain sections
of society.
• If access control and exclusion are practiced explicitly and widely, the public realm’s
publicness is compromised.
• Lynch and Carr (1979) identified four key public space management tasks:
URBAN DESIGN
EXCLUSION CAN BE CONSIDERED IN TERMS OF THE FOLLOWING:
URBAN DESIGN
EQUITABLE ENVIRONMENT:
• If urban design is about making better places for people, then the ‘people’ referred to
are all the potential users of the built environment – old/young, rich/poor, male/female, those
able-bodied and those with disabilities, the ethnic majority and ethnic minorities.
CULTURAL DIFFERENCE AND PUBLIC SPACE:
URBAN DESIGN
INCLUSIVE DESIGN:
• Whatever the product or the outcome is, inclusive design is not a niche activity, nor one
addressing ‘special needs’, instead, it is about ensuring design outcomes are of greatest
value to the widest possible range of users.
• By its very nature, good design is inclusive and is the responsibility of all built environment
professionals, as well as land and property owners.
URBAN DESIGN
CONCLUSION:
• More than any other dimension, urban design’s Socio Cultural dimension raises a host of
issues concerning values and difficult choices regarding the effects of urban design
decisions on different individuals and groups in society.
• While the aim should be to create an accessible, safe and secure, equitable public realm
for all, economic and social trends can make his increasingly difficult to deliver requiring
urban designers to consider their values and their actions in designing and creating public
spaces.
URBAN DESIGN
THANK YOU
URBAN DESIGN