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these (p. 36) may illustrate the danger of being too up-to-date! It is a reference to the
common use of "Yahweh" as an element in theophoric names in the Eblaite texts; I
should be rather more conservative and prefer to wait for a detailed examination of the
texts in question.
It is fair to form an assessment of the book in terms of its purpose and designed
audience. On the positive side, it will convey to its readers something of the nature and
character of the enterprise that is biblical scholarship. And, presupposing a theological
interest on the part of the reader, it will indicate the manner in which matters of
P. C. Craigie
Hayes has written a clear and modern introduction to the study of the OT as
literature. It is an introductionin the educational sense, providing introductory material
for the student entering this field of study; it is not an Einleitung, in the more classical
sense, pioneering new methods or proposing fundamentally new interpretations of the
biblical literature.
The book begins appropriately with the study of the canon, elucidating both Jewish
and Christian perspectives on the topic and noting the reawakening of current interest
in canonical criticism. Then Hayes progresses to a chapter on the textual criticism of
the Hebrew Bible, followed by two chapters on questions of method: the historical-
critical approach and form criticism. The remainder of the book (chaps. 5-10) is
devoted to an examination of the major groupings of biblical literature, based upon a
descriptive analysis rather than a canonical division: the Pentateuch (5), the Historical
Books (6), Israelite Prophecy (7), the Psalms (8), Israelite Wisdom Literature (9) and
Daniel and Jewish Apocalyptic (10).
Each chapter begins with a bibliography, containing English language works
(including many foreign works available in English translation); the listed items are
mainly modern, but the bibliographies also contain the more important older works
pertaining to each subject. The substance of each chapter is clearly written and
characterized by a summary approach which should be of considerable assistance to
108 JOURNALOF BIBLICALLITERATURE
such as structuralism(p. 197), without giving them undue emphasis in their infancy,
and it providesmore comprehensivetreatmentof the tried and tested methods such as
form criticism.It is certainlyto be recommended,both as a textbook and as an intro-
duction to the general reader who desires a detailed, but not excessively technical,
introductionto the study of biblicalliterature.
P. C. Craigie
This book intends to introduceboth Old and New Testaments in one volume to
students on the undergraduatelevel with a specificemphasison the Bible as literature.
Thompson claims that he "focuses in this book almost entirely upon the language of
the Bible and the fantasticworldcreatedthroughthat language"(p. xv). Nonetheless,
the book raises a serious question as to whether or not the Bible can be introduced
only throughanalysisof its language.
After a brief discussionof the creativeforce of languagewhich leads to a fantastic
country, Thompsonanalyzesbasic ground rules operatingin the syntax of song, story
and sayings.These rules serve to dramatizethe dynamicsof a divine-humandialogue.
The author believes that the dynamicsconsists of six elements. First of all, two
types of myths, "cosmogonic," (element 1) and "covenantal,"(element 2), are used
to express the dynamicrelationshipbetween God and the human. The relationshipis
then, he believes, constantlychanging throughoutthe Bible in such a way that the
human is either "at-center"(element 3) with God or "off-center"(element 4) away
from God. In the processof the dynamics,God gives to the human either "condition-
al" promises (element 5) such as those accompaniedby the commandments of
obedience and the threatsof rejection,or "unconditional"promises (element 6) such
as love and forgiveness. This type of analysis reminds the reviewer of the so-called
structural analysis of the biblical text after the pattern of Claude Levi-Strauss.
The author, then, examines how the dynamics operate in the book of Psalms
because he believes that "the world created through the poetic language of the Psalms
mirrors in miniature the whole Bible" (p. 53). Here he treats the recurring "I" of the
Psalter,and concludesthat "in the PsalmsGod and man are constructedas partnersin
a relationship,"the theme of the divine-humandialogue.
The major portion of the book traces the theme of the dynamics of the six
elements throughoutthe Bible from creationto the Revelation of John. At times the
authorgives no more than outlines of the famous stories in the Bible. The tendency is
quite noticeablein the section of the OT (chaps. 7-13), but is somewhatcorrectedin
the section of the NT (chaps. 14-19). Discussingthe differentliterarystructuresof the
Synopticand JohannineGospels, Luke-Acts and Pauline epistles, the author presents
theologicaldynamicswithin the NT in such themes as the kingdomof God, eschatol-
ogy, and the church'sministrybeforeand after Paul.
The book is full of interestingperspectives.For example, the law in the Bible is
viewed not as a set of rules of human behaviorbut as a way of talking about people
and their relationships;for this reason, the humanisticor cosmogonicelement appears