Marguerite

Vocal Score
1. COME ONE, COME ALL
 
MAN: By l'hôtel Meurice... (Explosion; music)
Lento q = 66  

      
           

  
      
    
   
5    
 
          
            
    
mf
 
    
     
 
    
 
       
   
9
   
              
       

f
 
   
    
   
rall.
        
12
          

    


   

    
mf
  
 
  
  

  
    

12/05/08 © 2005, 2007 Bouberg Music MARGUERITE
Vocal Score -2- 1. Come One, Come All

15 a tempo q = 66
WOMEN
    
Shad. Come


KIERON + PADDY + MARK MEN
        

   
Come one, come all Come see, come
        

p          
 

 
 

17
  
stare
Shad.
 

 stare
      
       
       
   
mp

 
  


19 LUCY
    
       

There was a time Mar - gue - rite was ev - 'ry -
Shad.

 


         
        

    
p

 
   
 
 

21
  
Shad. where

MEN
    
 Come, see the
    
    

   
     
   
  
 
     
     


23
   
WOMEN
    
Shad. She will nei - ther know, nor care
     
  
  
 show She will nei - ther know, nor care
 
          
     
      
     
   
 

25
   
WOMEN
    
Shad. She burned her can - dles
   

MEN
   
 She burned her can - dles
      
           
               
  
  


27
              
Shad. She craved at - ten - tion A thous - and scan - dals

             
 She craved at - ten - tion A thous - and scan - dals
                  

                
  
   
 
 
29
       
Shad. Best not to men - tion
        
 Best not to men - tion
        
                         
  
   
 

31
  
Shad.
    

MARK MEN
        
 Now she pays the price No - thing comes with - out a
       

       

    

 
   
 
  

33 GAY, SIUBHAN, JESSICA WOMEN
    
       

With - out some blood Just a lit - tle sac - ri -
 
Shad.
     
 
    
 price

With - out some blood Just a lit - tle sac - ri -
     
        
          
    
       
   

35
         
    
Shad. fice She lived the good life She was am - bi - tious
      
 
       
 fice She lived the good life
     
She was am - bi - tious
       
          
       
 5

f
    
      
   

37
          
  
Shad. She was de - praved What she craved is what she
      

    


She was de - praved What she craved is what she
     
             
      
       
 

39
            
Shad. got Had it all and blew the
    
 
     
 got Had it all and blew the
    
 
     
        
 
  
 

     


41
        
     
lot Threw it all a - way, for what?
 
Shad.
    
 
     
 lot Threw it all a - way, for what?
     
    
 
     
  
 
 
ff
 
    
  
  

43
        


Shad. Sold her beau - ty, left her mark
    

   
 Sold her beau - ty, left her mark
   
        


   
  
 
     
     
  

45
           
 
Shad. For just a while Queen of Pa - ris af - ter


          


For just a while Queen of Pa - ris af - ter
       

          
 
 
f
   
     
  

47
      
Shad. dark She lit a
 
   
 dark

She lit a
  
     

     
 
 mf
   
   
   
 


49
       
Shad. spark She lived in style
   
    

 spark She lived in style
    
      
           
 
  
 
    
   
  


51 rall.
           
Shad. Life flows from her In the sum - mer Of her
    

  


       
Life flows from her In the sum - mer Of her

            
    
   
dim.
   
   
 
   

53 Poco meno mosso
 

Shad. years
 
 


years
  
                   
    
mp
        
    
   
 
 
55 rall.
      
      
She dies of love She dies of tears

Shad.

        

     
She dies of love She dies of tears

       
                             
  


dim. p

  
    
 
Vocal Score
2. LET THE WORLD TURN

MARGUERITE: I beg you, no talk of the war.
JESSICA: War? What war? (music)
Allegro q = 110
  2        
 
            
mf

              
         

4
  
Guests
    
PADDY
  

    
If you're
   
          
            
        

6
 
LUCY
        

  
Guests If you're clev - er Play your
      

   
+DUNCAN
 care - ful
    
Play your

       
          
   

Vocal Score -2- 2. Let The World Turn
 
8 +SIUBHAN

ALL
               
Guests cards right Keep your nose clean Know the score
    

KEIRON
 
ALL
         

   
     
cards right Keep your nose clean Know the score Life con-
   
           

     
    
  
  
 
  
  


10
  
Guests
  

PADDY
            
 - tin

  
- ues Same as e - ver All the
    
           
            
        
 
12 ALL
      
  
Guests Like be - fore
       

+KEIRON
   
ALL

    

hey - days All the pay - days Like be - fore
       
        

                       
             

   
14 ALL
         
  
Guests Let the world turn Let the

ALL
         

      
Let the world turn Let the
 
            
s .
glis

        

 
mf
       
               
         
   
16
                 
Guests world burn What do we care? We'll get our share We will
  

                
 world burn
           
What do we care? We'll get our share We will
      
                   
   
        
                
           
     
18
     
      
 
thrive Let the bombs drop Let the
  
Guests
       
     
 thrive
     
       
Let the bombs drop Let the
      
 
      
      
 

  
    
       
                
              

     
20
             
    
Guests world stop Let 'em drop, sir Stay on top, sir Stay a -
 
             
 world stop Let 'em drop, sir Stay on top, sir Stay a -
             
         
             
 
                        
 
    
           

22

+JESSICA
 
GAY
       
   
       
 
Guests live As for Co - co Cha - nel What that wo - man won't do Liv - ing
  
     
 live
         
      
      
 
            
                       
             
 
24
    
ALL
      
    
Guests high at the Ritz With a Ger - man Gen - 'ral too Well, you

  

               
                    
 
               
        
             


26
                      
       
Guests know Mar - gue - rite If it's good for Cha - nel Got to have one as well!
 
KEIRON

    

 
Need some
 
                    
    
     
 
                     
               

28
  
Guests
  
ALL
           
KEIRON
  


           
 
gas,
sir? Have a tank - ful Need a

     
  
         
      
 
    
mf

                        
               
 ALL
 
30
    
Let's be
 
Guests

ALL

                 
 truck, sir? You're in luck, sir Knock on

           
wood Let's be
          
              
    
                        

               

   
32
             
grate - ful Let's be thank - ful It's an

Guests
 
         

   

           
 
 
grate - ful Let's be thank - ful It's an
      

            

    

    

                        

                 
 
34
          
      
Guests ill wind Does - n't bring you Some - thing good
 
                

      
ill wind Does - n't bring you Some - thing good
 
     
   

 

     
  
pp
   
                     
            
    

        
36
  
 
                       
              
       

        
38
         
    
   
                    
             


40
  
Guests
   
MARK
  
DUNCAN
  
  
 
 Screw this

3
war. It is - n't our war to fight
                         
        

mf

 
 
 
42
  
Guests
          

KEIRON
  
 Sweet sur - rend - er gave us a sec - ond chance
                          
         

 
 
 
44
  
   
Guests
 
   

PADDY
   
 Ger - ma - ny is
3
put - ting our coun - try right
                      
           

  
 

 
46
           
LUCY
Out with the reds!

    
Guests
   
+KEIRON, DUNCAN, MARK

             
 Ger - ma - ny is
3
giv - ing us back our France Out with the
                    

         
mf cresc.
      
 
  
      
48

ALL
            
        
Guests Take them a - way! Let the sky fall Let the
  

     
ALL
 
 Jews! Take them a - way!
 
  
Let the sky fall Let the
       
       
 
  
      
       
   
    mf
                    

        
   
50
                

Guests guns roar Life gets rough - er Some will suf - fer Some will
  

                
 guns roar

Life gets rough - er Some will suf - fer Some will
 
       




          
              
        
                      

               

   
52
      
      
quit These are good times It's a
  
Guests
        
     
 quit These are good times It's a
 
       




    
     
        
    
          
      
                
               

     
54
    
JESSICA ALL
      
good war Some eat souf - flé Some eat
  
Guests
        

MARK ALL
    
 good war

Some eat foie gras Some eat
   
              
 
     
       
 

  
     
      
                
                
 
56
      
Guests shit
 

     

 
shit
  
       

        
  







      
p

     

   
 
      

  

 

Vocal Score - 10 - 2. Let The World Turn
       
  
58
          
           

 
                          
   

60
                
    
     
                      
     

62

               
     
    
    
                 
         
    
rall.

64
                      

                        
 
 
GEORGES: Trying? (music)
If you had any idea what I
had to do for those...

a tempo h = 100
    
 
66
      
JESSICA (last time)
      
Guests 
    
     
Is - n't it bliss Most wom - en 'd kill me for this
 
  
  



                   
VAMP
   
                 
           


70
    
    
   
 
   
Guests
 
 
 
Some wom - en 'd tear out my hair Just for a pair
  
  
     
 
 
    
 
mf
 
           
      
   

SIUBHAN, GAY,
73 a tempo h = 100
    
LUCY, JULIA
       
   
Guests

Ça, c'est la guerre! Wom - en out there
      

  
 
      
     
mf
 
                 
           







   
 
       
76
 
JESSICA LUCY
    
   


Guests
           

What's stop - ping 'em get - ting their share You got - ta keep
 
    
 
     
  
       

 
 
         
      
                     
           
 
79
 
       
ALL
        
Guests       
   Lovely
          
  
       

up witht the times Move with the times Oui, c'est la guerre
     

  


 
f
     
                          
            
             
  
  
83 Tempo I h = q
 
JESSICA
              
Guests stock - ings Light as feath - ers I've worn

   

            
                      
    
p
   
       
   
  
85 GAY (spoken)
       

  
 
Guests plen - ty I've torn plen - ty in my time!
   
ALL
    

             
Love - ly

              
           
  
      
           
      
 
87
   
  
Guests
    
         

           
 
legs, dear Smooth and mil - ky Was there
        
               
   
mf
      
                    
           

 
89
  
ALL
    
Guests
          
Let the
 
      

          
ev - er silk so silk - y So sub - lime? Let the
    

 

          
      
           
                 
          
  
91
         
+MARGUERITE
      
Guests Let the world burn
              
world turn Where's the
   

 

  
world

turn
 

 

 


Let the
 

  
world

burn
 

 

 
Where's the
                     
    
f
    
                     
             
   
93
       
      
  
Guests
      
par - ty? Join the par - ty Par - ty

      

  
par - ty? Join the par - ty Par - ty
     
               
       
       
  
 



  

GEORGES: Impeccable

95

taste, General. (music) GEORGES
      

Geor.
 
   
It's the
 
    


Guests time!
   
  
  



time!
 
       


gl

iss

sfz
.
mf
   
    



97
      
                      
 real thing,for sure You de-serve it, my dear May our race stay as pure May our blood flow just as
Geor.

     

  



    
    
99
 
   
      
        

Geor.

clear Let me of - fer a toast With this no - ble French wine To our
    
      
   
     
      



101 q = 106
 3
 
              

Geor.

friends 'cross the Rhine Ge - ne - ral, we drink to
 
      

  
  


   
  
mp
      

103
  
            
 
   
     

Geor.
Har - mo - ny! We Sons of France And Ger ma - ny Bro - ther - hood in armsWe're

      


 
   
   
 




          
     
  
         

107
            
 

Geor.

 
mak - ing his - to - ry War - um denn war - ten wir?
   
 
  
Guests

       

       
ALL
  


War - um denn war - ten wir?
   
  
   
      
  
    

    
  
   
             
  
      
    
 

  f ALL
Marziale
110
       
    
Guests
 f ALL
Ge - ne - ral, we drink to Vic - to - ry! We
 


         
 Ge - ne - ral, we drink to Vic - to - ry! We

    


  
       
       
       
  
f
      
           
         
 
112
     
  

Guests

Sons of France and Ger - ma - ny
 
     
 
 Sons

of France and Ger - ma - ny

            
       
         
         
 


       
 
   
114
     
     
 
Guests
 

Bro - ther - hood in arms We share a des - ti - ny War
  
        
 Bro - ther - hood in arms We share a des - ti - ny War
 
 
   


 







  
 
      
      
       
3




 
        

     
MARGUERITE: Oh, we're all
116
  
too serious - it's my birthday!
          
  
Guests um denn war - ten wir?
    
          
 um

 
denn war - ten wir?
 
 
    
       

p
      
         
     
 
       
MARGUERITE: Remenber? Georges, you promised me a band. GEORGES: They're here. They're
I feel like dancing. What sort of agent are you? Where is it? waiting in the kitchens. Don't worry.
118        

        
p
   
                  
               
           
MARGUERITE: A table, mes amis! I want to have fun.
                  
120
 
     
mp cresc.
 
                   
   
     

  
122
 
ALL
    

Guests Let the

  

 
 
    
.
gliss
         f
 
mf
        
     
   
  
    
123
         
   

Guests world turn Let the sky fall Look a -
   

ALL
      
 Let the world burn Let the guns roar
 
             

 
 








            
           
     
                   
            
    
125
             
 
Guests round you Times are chang - ing Time will tell Let the
       
     
 Times are chang - ing Time will tell

           
           
               
     
                   
           

    
127
             
  
Guests
           
world stop Let 'em drop, sir It's a
    

     
Let the bombs drop Stay on top, sir It's a
 
  
   
    
      
  
     
   
  
 
       
          
   
           
             
        
     
129
       
     
      
Guests good time It's a good war All is
    

        


good time It's a good war All is

   
      
      
    
          


   
131
   
  

  
Guests well

     


well
  
   
    


Vocal Score
3. JAZZ TIME
MARGUERITE: Come on, let's dance. (music begins, breaks down)
SIUBHAN: Oh yes, play! (music begins again)
Swing Tempo  = 100

 
 
   

(Drums)
 
  
 3 3 3

            
  
3
(onstage) mf
   


       
   


 
    

 
        
4
 
  
(Drums)
   
             

   
3 3


 
     
     

   
        

    

8
    
      
 
                 
     

12
     
ANNETTE
Ann.
          
Hit the floor and feel the beat Jazz time
 
LUCIEN, PIERROT, ARMAND
Luc.
       

Pier.
Arm.
Jazz time

      

      
   
  
  

         
             

Vocal Score -2- 3. Jazz Time
  
16
 

             

Ann.
Strike a match and feel the heat Jazz time C - 'mon,

 
Luc.
       

Pier.
Arm.
         
 
Jazz time
    
 
    
  
     
 
         
             
 
20
                     

Ann.

have a fling, and stay - up late Like the pret - ty girls at Bon Mar - ché C - 'mon,
 
       

3
            
     
   3 3
  
  
   
            
   

24
                  
 
Ann.

dance and sing and syn - co - pate Got - ta swing your lit - tle blues a - way It's
  

          
 
        

 
     
   
           
     
 
    
28
Ann.           
jazz time it's jazz time Keep
               

      
                 
    
      
(walk)
        
    



32

Ann.             
hop - pin' 'til the morn - ing sun It's

      
Luc.

Pier.
Arm.

It's
                        
 
              
        

 
           
 
   
   

    
36
Ann.           
  
jazz time it's jazz time No
 
          
Luc.
 jazz
Pier.
Arm.
   
time it's jazz time No
 
        
 
Jazz time Jazz time
Guests
  
         
 Jazz time Jazz time
               
                      
           
 
         
       
  


40
Ann.   

          
stop - pin' 'til the dance is done

Luc.
  

          
 stop
Pier.
Arm.
- pin' 'til the dance is done
 
          
'til the dance is done
Guests
 
          
 'til the dance is done
  
3
     
 
       
        3

  
3 3
 
3
      
     
  
      
44

         
   
   
Ann.
You feel fine and fan - cy - free? You got jazz
    
    
Luc.

Pier.
Arm.
You got jazz
        
                   
     
  
       
     
      

48
       
Ann.           
You want fun and com - pa - ny? Now you has! If your
    
    
Luc.

Pier.
Arm.

   
Now you has!
             
  
 
3
      
     
      

 
    
  
     
       
52
       
        


Ann.
joie de viv - re's not so hot Then a lit - tle jazz is all you need Up in
 
           
  

     
       

   3 3 3
 

   

      
        
    
56
       
            
 
Ann.
Mont - par - nasse I know a boîte Sa - tis - fac - tion gua - ran - teed It's
 
      
Luc.

Pier.
Arm.
It's

 
  

 

 
  
     
   
s.
glis
   
    

            
      

60
       
Ann.         
jazz time it's jazz time Keep
       
      
Luc.
 jazz
Pier.
Arm.
 
 
time it's jazz time Keep
     
  

 


Jazz time Jazz time
Guests
  
         

 
Jazz time Jazz time
                  
                       
           
            
       
      
      

  
64
      
Ann.     
  
      
    
Luc.

Pier.
Arm.
 
     
Guests

     

  
      
  
           
            
              
                       
  

68
       
Ann.         
jazz time it's jazz time No
       
      
Luc.
 jazz
Pier.
Arm.
 
time it's jazz time No
       
  

 


Guests Jazz time Jazz time
  
 
       

 
Jazz time Jazz time
                 
     
                    
         
  
   
        
 
 
     
  

72
      
Ann.     
stop - pin' 'til the dance is done.
  
  
Luc.
         

Pier.
Arm.
stop - pin' 'til the dance is done.
  

       
 
'til the dance is done.

Guests

          
 'til the dance is done.
  
       
          
   
3

3
        
3 3 3 3 3

     
 
 
  
 

           
       
76
  
   

        
    
3 3 3 3 3
 
3
3
       
   

     
79     
  

              
    
    
     
3 3 3 3 3 3 3 3
   
   
   
 
  3 3
        
82
  
3
               
  
3 3
3

3 3
 
 
84
              
                  
       
(Orchestra)
         
       
      
              
88
     
   
     
   
      

  
        
92
             
            
      

 
        
 
         
96
      
     
                
             
  
 
      
      
 
    
  
         
 
     
 
     
       
100
     
      
  
  
       
     
          
     
  
  
104
      
   
3 3 3
  
             
     
         
              

107
  
      
3 3 3
 
 
      
   
  
     
 
OTTO: Stop this!
                 
 
110
 
    
    
          
 
         

Vocal Score
4. CHINA DOLL
MARGUERITE: Go on. I dare you - say it. (Otto exits; music)
MARGUERITE: No, no. I can't. Absolutely not. (music stops)
ARMAND: Oh, please Madame. (music begins again)

Andante moderato
     
3
   

    



(Onstage)
  
            
 
      
    

       
5 3


       
 
     

       

       
    
 

 MARGUERITE
9 3
        
Mar.
   
Some - one turns the key And the chi - na doll stands on
  
       
  
   

        
     
     
  


12
        

Mar.
tip - toe Pale and pink is she As she

  
    
    
   
         
   
   
  

Vocal Score -2- 4. China Doll

15
 
3
         
 
Mar.
pi - rou - ettes to the mu - sic All that she can

 

       
           
 
    
  
  

 

18
         
Mar.

see As her paint - ed head goes spin - ning Is a
    
             
      
  

 

  


21
    
  
       
Mar.
cir - cle with no be - gin - ning Is a ca - rou - sel ne - ver
     
            
       
    
  
   

24 rall. a tempo
            
Mar.
  
end - ing Is a round - a - bout to no - where So she ne - ver

 



  
         

 



   
    
 

 

27
      
3
  
Mar.

knows If she's hap - py or bro - ken heart - ed
  
        

 
     
        
       
     
 


30
 
3
        
 
Mar.
Round and round she goes Al - ways back a - gain where she
 
      

 
        
 
   
  
  

33

Mar.              
start - ed She will dance for you A - ny ho - ur you choose

    
         
 
   
 
  
  
 

36
Mar.            

  
She has no choice She is there to a - muse She twists and

      
  
              

   
   
 


39
             
Mar.
   
turns She will do as you say She can't es - cape She can ne - ver re -


     


          
  
  
     


42
    
Mar.
    
fuse you Spin the wheel of chance Is there
 
   
  
 

  
       

     

    
  

45 3
         
  

Mar.
a - ny - one there to save her? Some - one turns the

             
             

     
    
  
 

48
Mar.         

key and the Chi - na doll must dance

  

  

   
  
   
 
     
   
  


As the guests applaud, Armand

52 continues to play a piano coda
      

       
     
     
   


   
Suddenly an alarm siren sounds (music stops)

55 rall.
        
    

     
      
      
  
ARMAND: Madame, you're trembling. MARGUERITE: I'm scared.

59 ARMAND: Don't be. You'll be fine. (Explosion; music)
 
 
  

      
60
       

    
   
 
       
  

     
      
  
 ARMAND
64
               
 Who will
Arm.
set her free In her ho - ur of need? Poor Chi - na

     
   
     
    
  
  
   
 


67
             
 Doll
Arm.
   
Have you left it too late? Some prince may - be On a val - iant white

    
  
        


 
  
   
     

70
3
       
 steed
Arm.
    
You'll ride a - way To a new life that's wait - ing

       
          
  
    
  
      
   3     
        
73
 
     
 

 
mf

  


   


  
     
 
3

   
  
77
     

 
 

     
  




    
    
  


81 3
    
ARMAND
   
    
 Spin
Arm.
the wheel of chance Is there a - ny - one there to

      
      
       
  
    

  
     


84 MARGUERITE rall.
Mar.  
       
Some - one turns the key and the

          
 save 
Arm.
her? Some - one turns the key and the

  

   
 
      

  
    
    
    

 
87
Mar.       
Chi - na Doll must dance
 
      

Arm.

Chi - na Doll must dance
 


 
  
 


      
 
  
 

MARGUERITE: No, Armand. It's not worth it.
  
90 Suddenly, a fourth explosion sounds (music)
 
   


         
Appassionato q = 86

     
91
       
  
5 6 6 6
5 6 6
  
f brillante
        
    
    6   
93
                                
    

6 6 6 6 7
 
  
        
 

     
             
95
        
 
5 6 5 6 6 6 6
   
        
   

          
97 6 6 6
   

    
    
   
5 6
    
5
  
      

    
99
  
        

    
p
 
         
         
  
The siren sounds the end of the alert

103 rall.
        
 

    

      
  

Vocal Score
5. THE FACE I SEE
MARGUERITE: The bandstand at the Tuileries. Go. Now. (Armand exits; music)
Larghetto rubato q = 86

   
   


   
 
mp
      
         
   
 
     
    


        
     
    
  
7 Poco più mosso q = 92
      
     
      
   
mf
      
      
  

10
  
         
            

     
         
  

13
      
   
              
    
dim.
      

 

Vocal Score -2- 5. The Face I See
recit. q = 100

16 rall. MARGUERITE
           
Mar.
 
I have seen this face so ma - ny times

  
           

     


  
mp
   
 
  

20
Mar.                   
Tak - ing off my mask to end the day Yet to - night, this seems a

    
 

 







   
   

 
23
       
           
Mar.
dif - ferent face A face I had but some - how lost a - long the way 
  
The
  

 
 



   
  
 

 
 
26 a tempo
Mar.     
  


face I see Is young once
     
          
        
p
 
   

 
29
      


Mar.

more He kissed me once And
  
             
      
 
poco cresc.
 
  
 
32
         
Mar. 
all at once I re - mem - bered A
  
      
          
   
 
mf
        

      

35
Mar.           
time past re - mem - b'ring A time lost and

  
         
   
   
 
   
       
   
        

38
        
Mar.
      
longed for A time that was new He was here and
   
 
              
 
      
 
     
     

41
  
Mar.         
gone in a mo - ment One brief, end - less
       
  
3
    
   

 
      
3
mf
     

  
44
   
Mar.         
mo - ment It car - ried me back To
  
3
        
3
    
            
   

  
47

Mar.    
     
some - thing I knew Be - fore there was
    
         
       
   
   
  
  

50 rall.

Mar.     
 

   
you The
  
         
 

 

  
     
 

Allegro agitato h = 72

52
        
Mar.
  

   
face I see I've seen be - fore We
  
    
 
 



   
p
  
  
 

56
   
Mar.       
 
kissed just once Now look at me I'm a
  
    
   
 
 
   

 
poco cresc. mp
 
   

 
60
     
Mar.      
school - girl I blush like a school - girl I float in a
         
        
       

 



 
 

64
Mar.                 
day - dream It's a whim, Mar - gue - rite, just a whim Let it go, an - y
   


 
   
 
cresc.
     
    

 
67
      
Mar.   
thought of him Long a - go I turned a -
      
  
    
 
6
f
  
  


69
            
Mar.  
       
way from this Love was just for fools, the young in years It

       


6
   
      
  
  
72
  
Mar.  
  
starts in bliss It ends in
        
          
 

mf
   
     


75
Mar.                   
tears If he stood out - side the door now I'd be there I would fall in - to his
    


    
        
mf cresc. poco a poco
         
         
        
    


78 calmando

Mar.               
arms now Would - n't care May - be ev - en start be - liev - ing That my
        
         

  
  
f
   
   



  
     
 
 
81 rall.
  
      

Mar.
life can be - gin once more


The

    

         
    
 
dim.


      
 

  
 

84 Larghetto rubato q = 92
    
   

 
Mar.
face I see Has seen the world A


       
   
    

 
   
p
  
  
    
 
88 Più mosso
     
Mar.

world gone mad The hopes I

    

 
 


cresc.
       
 
  


91 Appassionato

Mar.    
    
had that led to no - - where The
 3 3 3 3 3 3 3 3
           
            
f
 
 
 
 
93
    
Mar.   
roads I've nev - er tak - - en My
   

3 3 3 3 3 3 5
   
                     6
 
 
 
 
95

Mar.      
dreams all for - sa - - ken That
   
    
  
ff
   

     
  

97
Mar.   
  
ne - ver could be
        
      

f


  


 


99 Poco meno mosso
   

Mar.
Yet
   
    
    



 


 
   





 
 
 

101
     

Mar.

still I feel His
   
    
  
   

p
  
   


103 rall.
Mar.     
 

lips, his trace On this
   
 
  
   
 
 
105


  
Mar.
 
face I see
 
    

  
 
 

Vocal Score
OTTO: We have no where else to go. (music) 6. TIME WAS WHEN
   
Walzer lento h. = 60
             

         
    
       
p

       

 



 

 

 
 

        
 
   
9
  
 
              
             
  
        
           

17
 
     
        
            

  

       
25

       
  
  

  
      
   


           

 
33 LUCIEN
            

Luc.
Time was when There were caf - és a - blaze with
   
     
  
 

      
                 
        
04/05/08 © 2007 Bouberg Music MARGUERITE

Vocal Score -2- 6. Time Was When

39
      

Luc.
     
lights Where is that ra - di - ance

      
   
       
    

        
        

 ANNETTE
 
45
            
Ann.
 
We knew then How we would set the world to
           
 
  

Luc.
  
now? How we would set the world to

      

     
       
               

 


51
Ann.          
  
 
 
rights Nev - er that in - no - cence
           

Luc.
rights Nev - er that in - no - cence
     

 
 
  
      
 

  
             
  
  

57
  
   
Ann.
  
now Nev - er such
 
          

Luc.
 
now Nev - er such
 
      
    
       
    
p  

mp
    
       
   

  
63
Ann.       
ra - di - ance now
      
   

Luc.
ra - di - ance now
    
 
         
 
            

     
        
    
 
69
Ann.            
  
Nev - er such in - no - cence Lost and
       
   

Luc.

Nev - er such in - no - cence Lost and
 
  
PIERROT
   

Pier.
              


Lost and
     
   
   
  
  
mp
             
    


      
75
Ann.      

   
      
gone Gone is the gift of be - ing young
         
 

Luc.
   

   

        

Pier.
 
             
       
      
       
       

 

  
 
81
Ann.       
 
Nev - er those mem - o - ries now?
       
  

Luc.

          

Pier.

       
          
 
    
    
mf
               
  

   
     
87
Ann.  
      
Lost and gone Lost are the
    


Luc.
     

     

Pier.
 
        
            
 

 
         
             

   
 
         
93
Ann.      
        
songs we could have sung Where are those
     
  

Luc.

          
      

Pier.

     
       
 
     
   
    
         

 
 

 
  
99
Ann.       
  
me -lo - dies now?
   
  

Luc.
me -lo - dies now?
  

    

Pier.
me -lo - dies now?
 
 
   
            
          
    
   
              
  
 
    
105
Ann.       
 
Nev - er those me - lo -dies now
       
  

Luc.


         

Pier.
      
         
        
    
      
           
 


   
111
Ann.         

Nev -er those me - mo - ries
       
   

Luc.

       
   

Pier.
    
            
         
          

   

  
  


 

    
     
   

117
        
 Mar -
Arm.

        
guer - ite, how can I wait an - oth - er day?
         
                 
  
3  3
3
3 3
f
   
     
3 3
       
3 3 3 3
   
      
3 3
      
121
      

 Mar - guer - ite
Arm.
 
        
my life is just a day a - way.
            
           

   
  
3 3
3
3 3 
    
     
3 3 3
       
3 3 3
   
     
3 3

       
125
  
 
 Mar
Arm.

   
- guer - ite, now you are here, I'm here to stay.
    
               
             
 

3  3 3
3 3  
 
                    
     
3 3
3 3 3 3 3 3
129
         
Arm.
    
this is our time.
                     
       
3  

3 3

                 
3 3 3
        
3 3
   
   
133
     
 
Arm.

     this is our one
  
and on - ly time.

Mar -guer - ite

                         
            
 
3 3
3
3 3 3 
   
            
3
   
       
3 3 3
3 3 3 3 3 3

138
              
 this is our
Arm.

day. Mar - guer - ite this is our
   
 
   
 
           
 
    
3

mf

mp
 
    
3

3 3
   
3
 
     
  
3 3


145
   
  
Ann.         
  
Time was when This was a ci - ty in its

           
 Time
Luc.
was when This was a ci - ty in its

       
 time
Arm.
 

             
 Time
Pier.
was when This was a ci - ty in its
     
         
       



 


       







               
   

151
Ann.    
 
 
  
pride Look at it What it be - - -

          
 pride
Luc.
Look at it What it be - - -
   


    
 pride
Pier.
 
  
Look at it What it be - - -
           
            
  
 
       
             












  
  
Vocal Score - 10 - 6. Time Was When

157

 

    
 
Ann.

came Not so long a - go Who knew

          
 came
Luc.
Not so long a - go Who knew
 

   
   
 came
Pier.
  
Not so long a - go Who knew

                  





 

  


   




   
       





      

   


163
          
Ann.
       
 
then Par - is would have so much to hide
 
             
 then
Luc.
Par - is would have so much to hide
   

            
 then
Pier.
Par - is would have so much to hide
        
     
             

 
   








   
     




    

   

  

169
  
 
  
  
 
Ann.

Some- thing in Par - is has died
            
 Some-thing in
Luc.
Par - is has died


           
 Some-thing in
Pier.
 
Par - is has
 
 
died
 
   
           
   
      

  


    
 
          
    

176
     
Ann.
       

Pa - ris is dy - ing of shame
             

Luc.


        

Pier.
    
       

      
 
     
     
 

          
 
  
 
      
183
      
         
       
  DEAD SEGUE
   
        

  

THE WORLD BEGINS TODAY
             
   
      
Marcia q = 120
  
       
189
 
    
p cresc. poco a poco
       
    
  

  
     

      
         
  
 
192
   
 

       
            
 
         
        
     
195
      
 


3
  
              
 

 
      

198
   
 
  
   


      
 
 

  
   
201
  
    
     
 
       

       
 
 

 
204
   
Byst.


PADDY ALL
 
    
    
    
 Ger - ma - ny and France Go march - ing on With
        

       

      
       


3
 
    
3
                 
     
3
 
207
    
ALL
     
Byst. Ger - ma - ny and France To -



  
   
   
   
 ban - ners bright
    
And eyes a - light Ger - ma - ny and France To -
   
    
    
  
        
    
      
3
               
    
 
           

       
210 direct segue

ge - ther show the way The World Be - gins To - day!
           

       
Byst.




ge - ther show the way The World Be - gins To - day!
  
      
 
3
         
    
 
             

3 direct segue

Vocal Score
7. WAITING
Agitato q = 120
  
ARMAND
          
  
 She
Armand

 

  
said she'd come at four Has she for - got - ten? I've
       


                  
       
  
mp
        

     
  

4
             
 thought
Arm.
of noth - ing else This end - less day Per -
         

  



    
   
 

      
 
  

        
            
 

 
6
            
   

Arm.
   
haps she is re - gret - ting That mo - ment when she kissed me That
    
          
  


  

 
    
  
  
           
      
            
  

8
                
 mo - ment of sur
Arm.

- ren - der Or was it all a sport for her a -
   
           
  

      
     


Vocal Score -2- 7. Waiting
         
10
          
 muse- ment?
Arm.
A heart - less lit - tle game some women play How
      
   


  

        
   

13
             
  

Arm.

can she have for - got - ten? She made me feel she meant it How
 
       
  
  


15 rall.
        
 can
Arm.

she not re - mem - ber?

    
  
      

  
    
 

 

17 Andante q = 108
     
        
 
Arm.

Wait - ing, all my life a kind of wait - ing Ne - ver
 
     
  
 
mf
   
  

 
20 poco accel.
 
             

Arm.
sure why I was wait - ing Now I know I've wait - ed


    
      
    
   
  
  
Poco più mosso q = 126
     
23
  
    

Arm.
for her Be - fore her My days went round and
    

    


  

mf
       
      
      
26
 
        

Arm.
round Now I know where I be - long Now I
  
    
  


    

     

    
   
29
        
  

Arm.
see a dif - ferent way Now I hear a dif - ferent

 
      
  
   
    
   

       
32

   

Arm.
song I woke at your kiss I
  
        
       
      
mf
     

  

  
35
      
 

Arm.
came at your call The first wound of

      
       
  
 
               

  
  
   
38
          

Arm.

love Cuts deep - est of all So deep, and so sweet Who
  
       
 

  
 




   
     
     

 
41

rall. MARGUERITE
Mar.        
Why
 
      

Arm.
     
are you? What are you? Mar - gue - rite
 
     
 
  
   
 



     
  

 
 
44 Agitato q = 120

    
3
Mar.           
did I say I'd come? What was I think - ing? I

    
        
 
mf
 
    
  


46
  
      
Mar.
   

have too much to lose To lose my head
     

       
 
     
 
    
   
  

  
48
Mar.             

Ro - mance is for be - gin - ners For
    
            
      
 
      
  

   
50
Mar.          


     
 
wait - ress - es and shop - girls They need a hap - py end - ing Be
 
   
        



   

  
 

 
52 Agitato q = 120

      
3
Mar.            
care - ful, Mar - gue - rite Think what you're risk - ing The

   
      
  
    
  


54
      
     
Mar.

 
boy's too high a price for you to pay
      

          
     
     
   
  

   
56
Mar.           
 
A ju - ven - ile dis - trac - tion A
    
          
     
        
   


 
58
Mar.         



   

 
mo - ment - ar - y mad - ness A game of just - pre - tend - ing

 
       
   
   


rall.
 
60 mf Andante q = 108
   
  
 
  

Mar.
I have wait - ed For all my

p
   
    
   
Arm.
Wait - ing, all my life a kind of

           
     
mf  
mf
   
        
     
 


63 poco accel.
     
Mar.
   
life - time I would have giv - en

        
      

Arm.
wait - ing Ne - ver sure why I was wait - ing Now I
 
 
             
  

    
     
  
  


 
66 Poco più mosso q = 126
    
      

Mar.
All my life to find you You come now To
         
    

Arm.
know I've wait - ed for her Be - fore her My

                      
  
     
   



 
69
     
Mar.            
save me My prince in shin - ing ar - mour You tell your - self our
      
   
    

Arm.
days went round and round Now I know where I be -
      

      
     
            
       
      

72
Mar.             
   
 
sto - ry has be - gun I know al - read - y how it ends
       
        

Arm.
long Now I see a dif - ferent way Now I
  
       
 
   
       
  
 
    
    

75
    
Mar.          
How soon it's done My hopes are lost be - yond re -
        
   

Arm.
hear a dif - ferent song I woke at your
  
         
   
      
         
       

 
78
Mar.            
call You come all too late Too
       
   

Arm.
kiss I came at your call The
     

 
 
    

  


       
     
 
81

       
Mar.
     
late to tell a dif - 'rent sto - ry And save the Chi - na
          
    

Arm.
first wound of love Cuts deep - est of all So deep, and so
    
      
 
 
      
f
 
        
    

84 rall.
          

Mar.
Doll Do not hope Dear Ar - mand

      

Arm.
      
sweet Who are you? What are you? Mar - gue -

  
       

 
  


mf
   
 


Vocal Score - 10 - 7. Waiting
 
Andante q = 108

87
      
 

     

Mar.
Do not wait Be - lieve me What you ask for is for -

  
  
    
   
Arm.
rite Wait - ing, all my life a kind of

     
   
      

mf
      
 
   


90
         
Mar.
     
bid - den What you ask for can't be giv - en The
 
                

Arm.
wait - ing Mar - gue - rite I've wait - ed for you Was it
      
       
      

        
  
 


93
Mar.              
years will pass Past hop - ing Past wish - ing Past
         
      

Arm.
all in vain Past hop - ing Past wish - ing Past
     
        
         
        
        
 
  
Vocal Score - 11 - 7. Waiting
 
96
Mar.      
wait - ing
   
  

Arm.
wait - ing
 
     
        
    
     
     
    
   
  

PIERROT: And that ass when she danced? (music)
Swing Tempo h = 86
98

PIERROT
             

Pier.
  
Come on, boy, and do your stuff Jazz time
102
         
... Oh, the slut!
     

Pier.
Y' know I just can't get e - nough Of jazz time

Vocal Score
8. JAZZ TIME (Reprise)

ANNETTE: Let me speak to Saurel tonight. He'll know what to do. (music)
Swing Tempo  = 100

   
  
   
         
(Drums)
        
   
  
ff
   
        



5
                   
   
f

      
   
8
  


   
           


      
              
    
11
    
  
 

             
        
mf   
      
         
   
              

     
13
          
  

 
          
        
 

Vocal Score
9. INTOXICATION
POLICEMAN 1: You can explain all that later. Come on. (music)
Animato q = 132
     
(Vox)
 
ARMAND
  
VAMP TILL READY
 
   
Armand
     
This in - tox - i - ca - tion

    
    

   
                            
      
                
4
    
         

Arm.
    
Takes my breath a - way This ag - i - ta - tion Fe - ver - ing the

       
 
    
         
                        
               
Vivo q = 144
  
7
     
        
   
Arm.
day I see her now at ev - 'ry turn A - round eve - ry cor - ner She's

      

        
  
        

                   
          
     
10 rall.
              

Arm.

there — she is wait - ing One mo - ment in - vit - ing, One mo - ment frus - trat - ing
     
 
        
  
   
          
     
    
  
Vocal Score -2- 9. Intoxication
13 a tempo q = 132
 
            

Arm.
     
My im - ag - i - na - tion Fierce and run - ning wild In - fat - u - a - tion

      
   
    
        
                        
                
Vivo q = 144
  
16

     
      

Arm.
  
Help - less as a child Can't tell the dark - ness from the light Or my
    
           
    
        
                        
               
 
19
        
   

Arm.
left hand from my right Does my life be - gin with
    
                          
  
    
     
22
        
    

Arm.
        
her? Did my life be - gin that night?
           
 
    
 
  
   

       
     
     
 

25

       
  
        

Arm.

She's a si - ren; she drowns me in her song She sings, she
      
      
             


     
       
 

28
 
   
rall.
            

Arm.
    
sings And the wa - ters roar and rise And I am drown - ing, drown - ing
 
    
  
 


  

     
  

   
  
31 a tempo q = 132
     
   
        
Arm.
This hal - lu - ci - na - tion Cra - zy and ob - sessed This fas - ci - na - tion
      
     

       
                       
                
34 Vivo q = 144
 
rall.
        

  
  
Arm.
rest She pressed her lips to mine and she In -


Will not let me
  
      
   
     
                
         

a tempo q = 132
37 MARGUERITE
        
   
Mar.
This in - tox - i - ca - tion Takes me by sur -

      
 

Arm.
tox - i - ca - ted me!

  
         
      
 
           
     
   

40
         
         
Mar.
prise This com - pli - ca - tion Fa - tal - ly un - wise Why should I throw it all a -
   
ARMAND



  
Arm.
  
      
                   
            
     
       
    
43 Vivo q = 144
   
rall.
          
Mar. 
way? The life that I lead All the ease that it brings Where I
 
         

Arm.
How could I e - ver walk a - way?
   
                 
  

   
        


46 a tempo q = 132
Mar.            

have all I need At the snap of a fing - er?
 OTTO
   
 
   
Otto

 
   
   



 p
      
    
    

49
rall.
        
 
    
  
Otto
Robs me of my mind Hu - mi - li - a - tion Ne - ver far be -


     

     
           
     

     
Poco meno mosso q = 126

52 MARGUERITE
          
Mar.
     
What be - came of her That pret - ty child Whose on - ly

      
 
Otto
hind
        
   

mp

   

 
 


 
55
Mar.       
   

    
dream was just to be a sing - er? What be - came of her Did she run
        
   

 
   
 

  

  
58
    
         

Mar.
wild? Did she run true? What did life bring her? Poor girl
   
   
  
   
  
   
   

 


61

Mar.   


Poor girl
         
OTTO
          

Otto
Eas - 'ly led, and led a - stray Lost her head and lost her
    
  

   

   
        
  

rall. a tempo q = 126

64
 
MARGUERITE
    
Mar.

I am drunk with

            
   
 way And to - day
Otto
She needs me more than e - ver
      

   
   
  
       

     
 
67 rall.
        
Mar.       

    
him My sens - es spin It's like my life is on - ly just be - gin - ning
 
   
ARMAND

Arm.
    
       
It's be - gin - ning,
       
  
 
       

     
70 Poco meno mosso q = 120
     
   
Mar.
       
 This
      
Otto
in - tox - i - ca - tion
We are both the same
      
 This
      
Arm.
in - tox - i - ca - tion Mar - gue - ri - te
 
            

      
 

     
     

73 MARGUERITE
    

  

Mar.
Ar - mand is his name
     
  
Otto
We are both to
      
   
Arm.
Mar - gue - ri - te
   
                   


     
     
76 rall.
    
 
  
Mar.
     
     
Otto
blame This in - tox - i - ca - tion
    
 
   
Arm.


 

  
       

    
     
   
                 
              

Lento rubato q = 60
80
  
                                    
p
     


              

82


  

  
                
  
84
                

          

   
      
  
poco rall. a tempo q = 60
 
86
          
                     

   
mf cresc. poco a poco
  
accel.
   
5
 
        
88
     
    
       
   
          
    f
 
5 5 cresc.
    



Vocal Score
10. DAY BY DAY (Part 1)

CHIEF OF POLICE: Take him away. (music)

Marziale q. = 120
        
         

     
   
     
f
                  

    

 
    
 
   
   
   
PIERROT: Where

3 are you taking me?
   
    
   


   
   
  
   
POLICEMAN 1: Tell us what

you know. (music) POLICEMAN 2: POLICEMAN 2:
Be a good Frenchman. Give us a Jew.
   
5 Marziale q. = 120
  

    
  
   
f
   
  
 

  
7
 
COLLABORATORS
            

Day by day There is a time when men must choose
 
Coll.
 
 
   
COLLABORATORS
       
 Day
  
by day There is a time when men must choose
                  

      
 
mf

                        
   

Vocal Score -2- 10. Day By Day (Part 1)
 
       
9
   
Clear the land Clean it at last!
   
Coll.
  
  
 Clear the
   
    
land Clean it at last!
     
  
           

4 4

                
      


  
11
     
        
Day by day Clean out the rab - ble and the Jews

Coll.
 
 
             
 Day
       
by day Clean out the rab - ble and the Jews

            
      

                        
   

 
       
13
   
Root 'em out Rub 'em out fast!
   
Coll.
         
 Root 'em

    
out Rub 'em out Fast!
     
      
       

4
4

                
      

 
 
  
15
            
Make them pay Pu - nish the guilt - y for their crimes
 
 
Coll.

     
        
 Make

    
    
them pay Pu - nish the guilt - y for their crimes
  
                
    

                        
   

           
17
Make 'em all Make 'em all hurt
       
Coll.

  
 Make 'em
    
all Make 'em all hurt
        


  
      
4 4

                        
   

  
19
     
        
Here we'll stay Tak - ing ad - van - tage of the times

Coll.
 
 
             
 Here
    
    
 
we'll stay Tak - ing ad - vant - age of the times
   
              
       

                        
   


         

21
    
 
         
Coll. Let 'em eat Let 'em eat dirt
   
   
 Let 'em eat

      
Let 'em eat dirt
  
      
      
      3
3

     
sfz
 
        
  
POLICEMAN 1: He says he's just remembered.
POLICEMAN 2: He does know a Jew.
POLICEMAN 1: Where is he? (music)
       

23
          
    
  
     
               
mf cresc.

                         
   
 
accel.
    
25
       
    
               
   

                       
cresc.
   
   
 
27
      
                
      
            
       
  
     
                  
29
    

4
4
 
  
 

         



    

PIERROT: Run. I told them about you. Run, Lucien. Run! (music)
         
     

31

  
6
 6
5 6
5 6 6
f brillante
    
       
   
   6     
                               
33
   
6 6 6 6 7
 
  
        
 

              
   
35
        

5 6 5 6 6 6 6
   
        
   
(music fades on cue)


       
6

6

37 6
   

    
  
   
5 6
    
5
  
      

Vocal Score
ANNETTE: Be careful. They're everywhere. (music)
11. I AM HERE
     
Marcia q. = 120
         
          

              
ff
                
           
        
   
 
       
 
  
3
        
      
   
   
       
       
         
                            
   
         
    

   
6
  
      
         
        
     
     
            
       
   
MARGUERITE: It's me, Marguerite. (as door opens: music)
  
Largo q = 92
    
8
        
                      
p
         
 


  




  
12 rall.
     
     




 
   

     
 
      

   
 
Vocal Score -2- 11. I Am Here
Moderato rubato q = 106
 
16 MARGUERITE
      
    
     
Mar.
I've told my - self to stay a - way Per - haps a hun - dred times a

  

     
   
 
 
     
  

18
        

   
 

Mar.
day I've tried to shut my eyes But still I see you ev - 'ry
      
           
  5   
    
  


 
20
           
  
Mar.
where You won't dis - ap - pear Ar - mand, it's hap - pe - ning so


    
      
  

  
   
  

 
22
      
Mar.
        

fast I'm throw - ing cau - tion to the wind It seems so clear

     
  


  

  
  


 
24
      
Mar.
       

I know now where I am at last I am
    
 
      

 
    
 
26

       
     
Mar.
here What hap - pens now Is yours to say I am


    
       
  
  
 
28

   
         

Mar.
here To take, or spurn, or turn a - way It's ab -
 
      
 
    
   
  
 
30
 
Mar.             
surd And yet I'm not too proud to say I will
    
    
  


     
   


32

            

Mar.
go, I will stay Say the word I'll o - bey Time was

      
    
      
    
   
   
   
34

       
     
Mar.
when they all came knock - ing at my door Face - less


      
  
p

   
  
  

36

            
 
Mar.
men Who knew my price and knew the score Let the

        
  

     
cresc. poco a poco
   
 
38
  
Mar.      
past be the past Let it
 
        
 
  
  
  
 

40
  
Mar.            
go I'm stand - ing here be - fore your eyes Stand - ing
     
           

  

  
  
mf
    
  
42

Mar.               
here with - out a mask, with - out dis - guise Look and
         
  
         
 
 
cresc.
   

 
44 rall.

Mar.        
see Ar - mand, I am
      
 
                 
 
 
f
     
 
 
 

46 MARGUERITE: You're leaving?
 
Mar.    


here
  
     
   
 
    
  
     




a tempo q = 106
48
 
ARMAND
           

Arm.
     
I have - n't slept since God knows when Ex - cept to dream and dream a -
   
     
p

    
   
50
       
         
 gain
Arm.

But now my mind is clear I was a - fraid of los - ing
    
 
 
 
  
  
52

            
 you
Arm.
  
My head in a spin I've wait - ed all these years for
  
      


  
  

  
 


54
   
           

Arm.
  
you For you to come and now you're here You've let me in

    
     
 
  



 
     
  


56 rall.
  
       

Arm.
   
What else can mat - ter now You're here From to -
   
   

  
 

    
   
  
a tempo q = 106
58 MARGUERITE
Mar.     

I am here
       
 day
Arm.
    
My life will nev - er be the same Who could
      
 
p
    
     
 
60
Mar.     

Yes, I know
      
     
 say
Arm.
A sin - gle kiss would light this flame You're to
        
      
   

cresc. poco a poco
   
 
 


62
Mar.               

I'm here to save my life You've come to set me free
   
   
 blame
Arm.
We can both start a -
       
  
         
 
 
   
 

 
64
     
Mar.       
My knight in ar - mour I'll find shel - ter where you are
   
        
 gain
Arm.
An - oth - er world, a - no - ther day You and
        

     
      
3 3
    
           
   
66
Mar.         
There's noth - ing more to fear
   
        
 I
Arm.
There's got to be a - no - ther way From to -

  
        
  
        
    
              


   


68
   
Mar.  
From to - day I am
  
   
 day
Arm.

Dar - ling I am
 
          
   
   
       
    
70 rall.
Mar.    
here
   
 here
Arm.
   
           
      
   
  
 
     
ff 

   
mf cresc. molto
  
         
    
  

Appassionato q = 110
     
  
72
    
               
f
     
   

     
  
 
      
       
74
      
      
   
      

      
  
  

   
Vocal Score - 10 - 11. I Am Here
 

accel.
     
   
76

    
       
      
   
 
           
      
       
78
   
   
   
          
   
      
    
       
       
80
     
   
 
                
      
  
precipitando
 
  
        
    
82

 
   
         
     

 


 
rall.
               
      
84
      
       
  
      
  
     

86
         
          
   
  
  
     
    
  
 segue

Vocal Score
12. TAKE GOOD CARE OF YOURSELF

Con moto q = 110
ANNETTE
  
  
       
     
Sau - rel has or - gan - ised the road The trains, the pas - ses and the
 
 
  
 

p
  
 
   

3
   
Ann.             
code Now all they need is you There's been a lit - tle change of
 
        
      
 9
  
   

5
Ann.              
plan Not much. Short de - lay. I have to stay, I don't know

   
     
    

  

 
  
  
7
 
Ann.              

more Sau - rel has giv - en me a job I have to do
     
    

    


  

   
 


Vocal Score -2- 12. Take Good Care Of Yourself

9
    

    
Ann.
  
I fear for Ar - mand and for you


LUCIEN
  
    

Luc.
 
I can - not leave you, no, it's
 
    
   
mp
     
   

11
  
Ann.     
       
  
I'll be al - right. Sau - rel knows best It's just a week or two!
 
       

Luc.
wrong
     
     
     

    
    
  
13
 
Ann.          
I'll be there, you'll see
  
             

Luc.
I'll die if you don't fol - low me

     
    
    
 
   
   
  
 


15

Ann.               
Where is Ar - mand? It's af - ter eight

    
    

Luc.
 
And do you wor - ry for me,

      
         
   
    
  

17
 
Ann.     
   
I'll come to you
  
            

Luc.
 
too?  All our days have been so
       
       
     



    
   
 
 
19 Andante rubato q = 92

   

Luc.
few
  
 
       
   

  

p
     
      


 
21
    
       
      
 
          
  


  
23 ANNETTE
Ann.        

    
Take good care of your - self Don't lin - ger where it's

   
 
 

     
   
 

 
25
  

        
Ann.
   
dark Please wrap up when it's cold Dear Lu - cien, it's not that

 

  
 
  
     
   
    
 
27
        
 
Ann.

far To be where good men are Where no - one wears a

     


  
       


29
   
             

Ann.
star Take care, Lu - cien, take care A day or two And I'll be
 
   

 
       
    


31 Con moto q = 110

    
Ann.  
there

LUCIEN
     

Luc.
          
I love your smile be - fore you speak To wake at night and know you're
    
     
   


mp
      
  
 
33
         
     
 there
Luc.

And then sleep on Now ev - 'ry day will seem a
     
  
  
      
   
 
35
    
Ann.
 
I'll be there
  
           
 month And each
Luc.
 
month a year When you are gone
      
       
  
  
   


ANNETTE: Where is he? Something
must have happened.

37 LUCIEN: Wait. (They kiss; music) ANNETTE
      
Ann.
    
soon Lu - cien it's real - ly time to

    
  


p
   
 

39
   
     
   
Ann.
go Do this for me! You know you are in dan - ger
  
      
   
    
  
 

41 Andante rubato q = 92
   
Ann.

here
 
LUCIEN

             

Luc.

Take good care of your - self Some day you'll be my
    
  
 




  
 
 


43
    
Ann.
     
The long - est days Of all my
 
         
 wife
Luc.
       
'Til then these days will seem The long - est days Of all my
   
  
  


  

  



45
 
Ann.           
life Go Please
  
           

Luc.

life I will o - bey Ann - ette

      



  

       
       

47

    

Ann.
go
 
ARMAND
      

Arm.
You are
    
    
  
         
mf
        
   
  

49 MARGUERITE
Mar.      
You will
 
ANNETTE


Ann.             
Take care, Lu - cien, take care Be ev - er on your
      
      

Arm.
here And noth - ing ev - er felt so right Mar - gue -


  

Luc.
   
  
  
 
        
     

  
  

51
       
Mar.  
teach me how to find my - self a - gain
  
      
Ann.
       
guard The times are hard Re - mem - ber when the moon is down I'll
  
   
 rite
Arm.
Mar - gue -

  

Luc.
 
 
      
 
       
       

  
  

53
Mar.      
If you're
        
Ann.          
keep a light to light your way And bring you home to me a - gain 'Till
        
  
 rite
Arm.
Look 'round, the room is full of light

     
LUCIEN
   

Luc.
   
There is the smell of dan - ger Eve - ry - where I go
 
 
 
      
    
 
 
 
 
   


55
Mar.      
there If you're there I will
    

       
Ann.  
then Each mo - ment you're a - way I'll make my - self be
      
  

Arm.
Mar - gue - rite Mar - gue - rite

    
      

Luc.
Yet, feel no fear When you are near

  
  


  
    
   


 


57
Mar.   
learn
    
       
     
Ann.
strong I'll tell my - self: no tears And we shall see a land at

 
        

Arm.
The streets of Par - is seem to

    
     

Luc.
   
And you'll be here When peace has come a - gain My
   
    
     
     
cresc. 

   
 

Vocal Score - 10 - 12. Take Good Care Of Yourself

59
      
Mar.  
You will know You will show

Ann.         

peace a - gain Through the days and
       


Arm.
shine to - night You are here to -


       

Luc.
girl, my wife We will share our
          
      
           



    
  


61
Mar.    
me

Ann.    
years

   
 night
Arm.

   
 life
Luc.

        
 
        
 
         
 
      
   
f
        
         
  
  

64 MARGUERITE
       
Mar.
         
You'll show me how to wake a - gain The heart that long went mis - sing
  
ANNETTE
Ann.        
Sau - rel will tell you what to

ARMAND
      
      

Arm.
To - geth - er from to - day To - ge - ther we can

  
LUCIEN

      

Luc.
So watch and wait for me As
          

         
      
mf sub.
cresc.
 
   
     
 

 
66
       
Mar.    
You will give me back the years a - gain Don't you
          
Ann.       
do And who to trust and who is who God speed, Lu - cien, my
        
 

Arm.
some - how find a way Mar - gue - rite

      
    
 eve
Luc.
- ry day goes by The times go hard


   
  
 
      
    


     
     

 

68
Mar.   
know? Let me stay
  
            

Ann.

love My lov - er and my friend I long to be your
  
  

Arm.
Mar - gue - rite

      
    

Luc.
Be on your guard Be on your guard
      
          
 
  



70
Mar.      
Let me stay

       
    
Ann.

wife To stay with you, my Lu - cien to the end
   
       

Arm.

I ask for noth - ing but to have you near

      

Luc.
   
There has to be a bet - ter time for us
       
           

  


     
    


72

Meno mosso
Mar.     
Don't let me go

Ann.       
To the end of life
      


Arm.
Mar - gue - rite You're here


      
 Think of
Luc.
me Good - bye
   
    
 

    






 



  
f
   
    
 
 
   
 
     
 

74
   
  

 
 


 
       
      
 
 
poco rall.
   
76
         
         

   
mf sub. cresc.
      
  
  
 

 
 
78
       

 
        
  
 
Vocal Score
               
Energico q = 120
                
          


ff

             
    
      
        

   
 
 
   
 
          
3
      


3
           
          
                  
3
 
5 3
                   

 
  
3 3
       

        
ff 3 3

         
       
 
         

          
       
         
7
      


3
            
          

9
       
   



 
     
                

3 3
      
3
        
             
 
    
       
         
11
        

3
    

 
   
 
      


                  
                       
            
13
           
3 3 3
 
  
cresc.
       
3
    
3
     
         
 
q = q.
       
           
15
  

           
                          
      
       

17
    
   
   
                  
s.

s
gli
    
   
19
  

                   

                        
     
       

21
     
      
                  
s.

s
gli
    

  
          
23
   
                  
                         
   
     
  
        

 

25

 
   

  
s.
glis
                       
    
  
 
27
  

                   
  
                        
     
                     

  
29

 
  

 
       
                              
       
    
   
32
  
  
 

 
            

   
       


 
34
 
COLLABORATORS
              
Day by day Peop - le are van - i - shing from sight
 
Col.
 
 
COLLABORATORS
             
 Day by day Peop - le are van - i - shing from sight
       
  
             
       
f
                        
     

       
36
   
Sud - den - ly no -bo -dy there
   
Col.
   

 Sud - den - ly
   
    

no -bo -dy there
       

  
 
      
   

                        
   

  
38
          
   
Who's to say Where they are ta - ken dead of night
  
Col.
 
 
          
 Who's to say Where they are ta - ken dead of night
       
  
             
      

                        
   


       
40
    
Nev - er ask, nev - er ask where
   
Col.
   

 Nev - er ask,
   

nev - er ask where
          
   
4
 
         
  
 
4
 
   
              
  
 
 
  
42
          

We're a - live Ger - ma - ny con - quers in the East
 
 
Col.

    
        
 We're

a - live Ger - ma - ny con - quers in the East

  

             
       
  


                        
   

           
44
Ger - ma - ny march - ing a - head
          
Col.
 
 Ger - ma - ny march - ing a - head
             

4 4
           
    
                    

  

   
46
     
       
 
We sur - vive Ger - ma - ny saves us from the Beast
 
Col.
 
 
          
 We sur - vive Ger - ma - ny saves us from the Beast
  
    
                
 

                        
   
q = 80
   
48 Più mosso
MARGUERITE
Mar.      
Ar - mand...

ARMAND
Arm.          
3



     
Thank heav - en you're
  
    
 
Col. Sta - lin - grad count - ing her dead

   
    
 Sta - lin - grad
  
count - ing her dead
         
    

  
 

mf
              
   
 
50
     
Mar.

I'm late...

   
3
   
 here
Arm.
As long as you're
   
      
 


 
 
  

  
52
   3 
Mar.  
We meet like thieves in the
  
 here
Arm.
  
        

 

   

  

  
 
 
54
  
3
Mar.             
night We steal what mo - ments we may
   
    
3
   

Arm.

One day we'll meet in the
   
  
 
    


 


     

   
   
 
      
 
56 Energico q. = 120
  
 light
Arm.
  
       
COLLABORATORS
           
Day by day Look at the queues out on the street
 
Col.
   
   
COLLABORATORS
  
         
 Day by day Look at the queues out on the street
       
  
  
                   

  
  
 
f
                          
      

 
       
58
    
Look at 'em, Stand - ing in line
      
Col.

      
 Look at 'em,
      
Stand - ing in line

         
4
 

       
4
               
        
4
       4
  
 
60
            
 
 
We're o - kay, Plen - ty of booze and lots to eat

Col.

           

 We're
 
       

o - kay, Plen - ty of booze and lots to eat
         
                 
    
 
4
                 
             
 
        
62
 
Cav - i - ar, big ci - gar, wine
        
Col.

 
 Cav - i - ar, big ci - gar, wine
          

     
 
     
  
                         
   

 
 
64
     
          
Let them say These are the days of our de - feat
 
Col.
   
              
 Let them say These are the days of our de - feat
       
  
4
                       

     
                        
     
 

66

MARGUERITE
Mar.  
 
Ar - mand,
        


 
Look at us, do - ing jus' Fine
      
Col.

      
 Look at us, do - ing jus' Fine
                
                
       
                
               

   
68
Mar.     
Don't ev - er let go
    
                        
      
                        

       
 

Vocal Score - 10 - 13. Day By Day (Part 2)
  

70
Mar.   
 
   
Ar - mand...

        
               
    
9   
   
                 
               

   

72
Mar. 
   

ARMAND
   

Arm.
I'll al - ways be near
      
              
          
  
   
             
               
   

   
74
  
Mar.

One day

    

Arm.
 
        
   
 
   
                     
                 

   
 
76

Mar.        
you'll leave me, I know...
            
 
  
  

     
                     
              
     

78

Mar.   
  
 


Arm.
  
One day's
      

 
   
      

 
 
 
 
 
          
         
        
Andante q = 86
   
80
  
  

Arm.
 
     
a long way from here
  
    
       

    
    
        
         
       
           
82
  
    
   
   
  
     



84
              
    
     
         
q = 132
86
   
ARMAND
          

Arm.

Here and gone You are here and gone And it
      
   
 

  
 
   
  
    
89

    
 hurts
Arm.
  
  
each time let - ting go
  
        
     

  
  


  COLLABORATORS     
91
           
 
We'll sit tight til the war is won When the war is won We'll run the
Col.
           

COLLABORATORS
       
 We'll sit tight til the war is won When the war is won We'll run the
     
                     
  
      


 
   

 
94
  
MARGUERITE
Mar.     

Dreams shin - ing dreams Of new worlds And
 ARMAND    
   
 Dreams
Arm.
  
shin - ing dreams Of new worlds And
   
show
Col.
 
    
 show
    
   
 
    
    
 
   
  
  
 
97
Mar.          
bright to - mor - rows When at last the storm clouds
   
     
 bright
Arm.
 
to - mor - rows When at last the storm clouds
    
  
 
 


      
          

 

 

100
Mar.         
clear You and I will still be
   
    
 clear
Arm.
You and I will still be
   
      






 
 
           
 

    
 
  

103
Mar.           
here And all that I ask is love me
     
     
 here
Arm.
And all that I ask is love me
  
         
 
    
                     
     
            

 
     
107 COLLABORATORS
    
 
    
France, no - ble France We stand here in
Col.
 

COLLABORATORS
   
 France, no - ble France We stand here in
     
 
  
 
 

 
   
 
    
  
  
   
110
    
     
Col. love and du - ty God in heav - en, take our
   
        
 love
 
and du - ty God in heav - en, take our
    
  
 
 


      
          

 

 
    
113
 
   

hand Bless our brave be - lov - ed

Col.
   
      
 hand

Bless our brave be - lov - ed
   
      


 
            
         
  
  
  
116
 
   
    
land And show us the ways to
Col.
   
  
     
 land

And show us the ways to
 
     
  
       
            
    
       
   

   

119

MARGUERITE
 
 
Mar.

Calm, all is calm No
 ARMAND
 
   

Arm.
  
Calm, all is calm No
  
    
Col. please you France, France,
    
     
 please you France, France,
  
    
  
   
 
      
    
   
  

122
Mar.        
place here for wars And sor - rows
   
    
 place
Arm.
  
here for wars And sor - rows
  

Col. Faith, love
 
 
  
 Faith, love
 
    

 
    
  
 
 

124
Mar.  
All

 
 All
Arm.
   
  
Col. Rise
 
   

 Rise
   
      
       
  
    
   
    



126

Mar.    
is
 
    

Arm.
is
    
   
Rise
Col.
   
    

  
Rise
 
   
  
 
      
 
  
      
   


q = q.
 
128
Mar.     
calm
 
     

Arm.
    
calm
    
France
   
  
Col.
  


       
  
         
France
      
    
f
                          
      
        

    
     
130
4
     
4
                       
         
 

 
132
          
COLLABORATORS
       
Day by day There is a change a - cross the land

Col.
         

COLLABORATORS
           
 Day by day There is a change a - cross the land
               
  

    
             
  
    
f
                         
  
   

 
        
134
    
We will go where the wind blows
          
Col.
  
 We will go where the wind blows
        

         
4
 

       
4
                
 
4
          
     4
            
136


MARGUERITE
Mar.
  
Ar - mand, thank heav - en for

       
OTTO
 

Otto

 
She Falls a-
     
 

Day by day
Col.
      
 

 
Day by day
  
  
  
             
   
mf
               
      
   


138

Mar.      
  
you
       
     
          

Otto

 
sleep With a smile On her lips But the smile's Not for
    
Col.

   

         
 
  
                  
   
           
              
   
   
140
 
      


Otto

me She Dis - ap -
            


ARMAND
  

Arm.
 
My eyes see no - thing but
     
 

Col. Day by day
      
 

 
Day by day

     

   

   
     
f
   
               
mf
      
   

          
   
142
  
          

Otto

pears Now and then Nev - er says Why or when Not to

 
     

Arm.
 
you

    

Col.

   

 
            
                   

    
            
              
   
  

        
144

MARGUERITE
Mar.
  
Ar - mand, how luc - ky we
   
    
  

Otto

 
me She Won't de -
      
Day by day
   
Col.


 
 Day
      
by day
    
         
 
f
    mf
         
   
 
 
   

   
146
Mar. 
  
    
are
     
           

Otto

 
clare Where she goes Will not share What she knows Not with
  

Col.

 

               

   
 
  
                    
    
        
148
  
Mar.  

   
I want this nev - er to
   
Otto    

 
      
me She Has a

ARMAND
Arm.     

 
I want this nev - er to
      
 
Day by day
 
Col.
   
 
 Day
     
     
by day

 
       
       
mf
   
           
     
   

  
150
Mar. 
   
end
   
         
Otto     
 look
 
In her eyes But I don't Rec - og - nise What I

Arm.   
 end
 
  

Col.
   

    
       
    
              
  

    
                       
     
    

152
    

Otto
  
see Is it the
       
   
   
COLLABORATORS
    
Day by day There is a shift - ing of the sand
       
    
Col.
 

      
COLLABORATORS
 Day by day There is a shift - ing of the sand
       
  

     
    
            
f
                         
     

 

154
   
  
 look
Otto
 
         
of love? Ne - ver that

      
We will go where the wind blows

Col.
   
 We will
       
go where the wind blows

 
   
    
mp
                         
      
 

156
   
  
 look
Otto
 
         
for me Nev - er in

       
We will turn when the wind turns

Col.
  
 We
        
will turn when the wind turns

 
  
    
     
   
           

   

 
158
   
 love
Otto
  
with me


      
  
p
 
  
Vocal Score
14. DREAMS, FOOLISH DREAMS
Andante q = 116

        
   
mf
 
             
     
   

5
       
  
       
mp
      
   

   
            
   
         
      

    
  
14
 
MARGUERITE
         
     
Mar.
lit - tle does he

Young, still so young He sleeps now With - out a care How
   
 
 
 
 
  





mp
    
     

Vocal Score -2- 14. Dreams, Foolish Dreams
19

Mar.         
know of me You and I to - ge - ther

 
  

 





mp
   
     
   
 
   
23
      
Mar.
  
Safe to - ge - ther we lie And reach for
  
 

 
 

     
  
   
p

       
 
27
   
Mar.     
 
dreams

 ARMAND
  
   
 Dreams!
Arm.
  

How I dreamed I dreamed we could soar like eag - les
      

      
   
    
  
 
mf
   
 
  

31
       
  
 In
Arm.
my sleep we leap the sky You and I to -
     
  
    
         

             
    
 

35

      
 ge
Arm.
- ther Close to heav - en we
   
        
   
    

   

       
38 MARGUERITE
Mar.              
In the shad - ow of the night We take wing
    
      

Arm.
fly In the fad - ing of the
         
              
 
   
     
 
  
  
41
              
Mar.
   
In the beat - ing of our hearts When I look in - to your face I am
         
    
 light Ang
Arm.
- els sing In the beat - ing of our hearts
   
                


    
 
     



  

 
45
  
Mar.            
strong In the hold of your em - brace I be - long
            

Arm.
In the hur - ry of the day You are
       
   
      


    
   

49
       
Mar.           
In the sha - dows of the night Then you ap - pear Has there ev - er been a
   
        
 near
Arm.
And so We dream our dreams Fool - ish dreams I -
    
              
 
 
   
   
 
  
53
                   
Mar. 
time Quite like this? Can there ev - er come a time Not like this So we dream on while we
     
         
 ma
Arm.
- gine A world just start - ing Here in the fad - ing of the light
                
           
     
 

   
  

57
Mar.                     
may Take our chan - ces day by day In our lit - tle share of heav - en We'll dream
   


Arm.
We Dream Our Dreams
       
  
        

mp

      
  

  
61
    
    

        
     
 
64
               
    
 
 Dream... Do
Arm.
you dream? What se - crets d'you hide in sleep Per - haps you dream of oth - er
    
    
  

mp
   
 
              

67
   
 
 arms
Arm.
Oth - er lips to rouse you I watch you there And I could weep
  

     
 
  
    
 
  

70 Lento q = 80
  
                      
   
p
  
    


   

72
  

      
           
         
        
      
75
       


      
                 
p
 
         
    
78
    
              
             
      
 
 
       
 
81
   
(fade out on cue)
                

   
 
  
p
         
          
  
mf
85 rall.  DIALOGUE

    
  
   

 


         
     

ARMAND: I thought we could make it different. (music)
89
  
                      
   
p
  
    


   

91
  
  
           

 
             
 
        
      
94
                  
               
p
 
         
    
97 (fade out on cue)
   
       
             
  
 
 
   
 
99 SAUREL: He's dangerous. (music stops)
    
         
        
   
     
  
almost segue

Vocal Score
15. TAKE GOOD CARE OF YOURSELF (Reprise)

SAUREL: It's an order. (music)
Con moto q = 110
 
    
       
     
p
      
  

3 ANNETTE
  
Ann.         
This wom - an's brought you to your
 
           
    
mf
       
  
   
5

           
Ann.
  
knees She's bad, bad for you You can - not know what lies a -

       
       
          
      
 


7
   
Ann.             
 
head You see no fur - ther than her bed When will you learn?
 

       
    

      
   

02a/05/08 © 2007 Bouberg Music MARGUERITE

Vocal Score -2- 15. Take Good Care Of Yourself (Reprise)

9
      
Ann.    
     
 
There's dan - ger eve - ry - where you turn? Take good care of your -
   
     
 
 



 
mp
    
     
 
11

           
Ann.

self This land is full of spies Don't lin - ger where it's
  

   
   
    
  
 
13

              

Ann.
dark There are a thous - and eyes out there Who'll watch your eve - ry
        
     
   

     
     
  
15
   

      
Ann.

move Who prey u - pon the weak Be - ware of peo - ple

       

   
 
  
 
  


Vocal Score -3- 15. Take Good Care Of Yourself (Reprise)

17
            

Ann.
you don't know Con - si - der well be - fore you speak take
 
   
 


 
      
 


19 rall. a tempo
Ann.       
care, Ar - mand, take care
    
 
 
      

   

  f
  
      
 
  
          
 
 
   
 
21
 
 
     
 
       
       

      
accel.
                         
23 ANNETTE: I have an hour.
   
          
     
    

                     

25
   
      
       

  


Vocal Score
16. I HATE THE VERY THOUGHT OF WOMEN

HERMANN: Your brother's in enough trouble as it is. Let's go. (music)
  
Lento q = 80
       
   


     
mf

mf espress.
          
 
 
4 rall.
       
     
   
  
 
   

  
7 Allegro q = 152

        
OTTO
     

Otto
    
I hate the ver - y thought of wom - en They steal your man - hood

           
 
f
      
f
 
     

 
 
p 
10

            

Otto
  
with a smile I've known them – ev - 'ry sort of wo - man
 
           
3 3
 
   
 

    
p f
  
 



p 
Vocal Score -2- 16. I Hate The Very Thought Of Women
13 Più mosso q = 196

    
        

Otto
 
 
I've seen their greed, I know their guile Some - where to -
     
3
       
3
  
  

3
 
mf mf
    
   


16

           

Otto
     
night In some bed - room she lies Shin - ing with
          
     
 

rall.
20

              

Otto
   
sweat With a boy be - tween her thighs She fills his mouth with kis - ses

      
 
  

f
        
 
 
23 Allegro q = 152

             

Otto
    
I hate her for the shame in - side me This sec - ret shame that

            
   
 
        
fp fp

f
    
        

 
26
   
           

Otto
  
haunts the night The dog with - out a name in - side me
 
   

   

    
 
    
mf cresc.
f
        
    
  
 
29

              

Otto
 
The dog that begs – and soon may bite Who am
      
       

   
  
  
  mf

        
           
  
  
        
 

Otto

    
   
I to this wo - man? No bet - ter nor
        
  
mf
       

 
34
         

Otto
 
worse than a pas - sing a - quain - tance who puts
  
       

  
 
     

 
37

       

Otto

cash in her purse She was all that I
  
    
  
 
   
 
    



40
         

Otto

want - ed She meant Pa - ris to me I have

     
  
    
    


 

43
             

Otto
al - ways loved Pa - ris Now I hate what I
 
        
        
     
      
rall.
 
    
46
  

Otto

see
  

        
        
      

f
          
 

49 Allegro q = 152

                

Otto
 
I've served the State, I've done my du - ty I won't go hun - gry

        
 
    
f
     
      
 
  
52
   
           

Otto
 
at this feast I hun - ger for her mouth, her beau - ty
  
       
3 3

         
      
   
mf
Più mosso q = 196

 
55
    
            

Otto


 
Let beau - ty come and feed the beast! How I
       
       
      
  
   
 
            
        
 

   
58
    
  

Otto
      

hate all these French - men Whores, wast - rels and
       

mf
    


61
   
         

Otto
      

Jews How they flaunt - ed their splen - dour How they
   
  
   
  
    
  

64
       

 whine
Otto
    
now they lose Give the spoils to the
  

  
 
   
     

67
 
           
 vic
Otto
   
     
- tor That's a price of sur - ren - der It is
   
   
 
      

70
  
            
 not
Otto
for the French To re - sist or re -

   
 
 

 
 
  
      
    

    
73

rall.
  

Otto
fuse
         
          
  
   
     
76 Allegro q = 152
                

Otto
It's come at last It is the ho - ur Two na - tions wed - ded
  
      
  
mf
  
       
 
 
79
           
 in
Otto

their pride Great Ger - ma - ny, sup - reme in pow - er
  
 
  
        

mf
 
   
        
   
Più mosso q = 196
  
82
   
     

Otto

And France in beau - ty, side by side Some - where to -
  
 

 
  
  

  mp
 

      
 



85
       
 
 night
Otto
She be - trays me a - gain Flat on her
 
   
     
 
      
  


 
89 rall.
             
 back
Otto
With some boy who's half her age What can I do but hate her?
       




   
mf cresc.

      

92 Allegro q = 152
            
   

Otto
With half the world in our pos - ses - sion She still com - mands me

      

 mf dim.
 

     
 


OTTO: I still have
not defeated France.
  
95 rall.
            
 with
Otto
a glance Un - til I'm free of this ob - ses - sion


    
p

 
   
        
   
Vocal Score
17. THE LETTER

OTTO: Good. Sit. Write. (music) One last letter.
     
Largo OTTO: Armand...
  
   
mp
  
 
  
  
3 OTTO: No, perhaps that's too abrupt.

MARGUERITE

   
   
Mar.
Mon a - mour These

    
       
 
  

 
 
    
5 OTTO: My dearest Armand

   
Mar.
    
words I write Don't be - lieve a word
    
  
 
 
  
  
    

Vocal Score -2- 17. The Letter
7 OTTO: This must end. It has no future


Mar.          
 own

  
They're not my In
  

 

     
     
    

9 OTTO: You were an amusement
Mar.          
time to come You'll come to un - der - stand
     
      
mf 
      
    
     
 
11 OTTO: for a forty-year old woman
Mar.    
What I do
 
  


   
   

cresc. poco a poco
    
    
    
13 OTTO: But you can't give me the life
Mar.      
All I do
      

    
       
   



 

 
   
15 OTTO: that Otto gives me,
Mar.            
I do it just for you Al - ways re -
  
   
    
     
     
    
    
  
17 OTTO: And I need that life more than I need you.
   
Mar.  
mem - ber
  
  

 

 

f
 
decresc. poco a poco
    

    
    

19 OTTO: Do not try to see me again
Mar.         
What I do is not my choice
  
  
 
 
     

     
     
21
 
      
Mar.
   

What you read is not my voice
   

     
     
23 OTTO: Adieu, Marguerite
    
    
Mar.
My love Mon a - mour
   

 

 
 

pp

        
        

   
26

 
 


        
        
OTTO: We both have a kind of honour, you and I. (music stops)


29

 
 

 
        
        

32 rall.
   
 

 
   
    ALMOST SEGUE

Vocal Score
18. WHAT'S LEFT OF LOVE?

OTTO: Now, my darling... (music)
Appassionato q = 132
     
    
  
    
         
   
   
3

ARMAND
       

Arm.
Damn the day I saw you for the
     

       
    

  
           

  
    
  
6
    

    
 first
Arm.
   
time Damn the day I saw you at the Salle Pley - el I was

       


               
   
     
  
  
    
9
     
          
 there,
Arm.

that eve - ning, with you Though you nev - er knew I'd al - ways re -
   
      

      
          
    
      


Vocal Score -2- 18. What's Left Of Love?
   
12

   
   
 mem
Arm.
 
- ber Damn the day I stood there in your shad - ow
  
      
3
  
        
   3    
  
   
 
   
    

     
15
  
        
 Fol - low - ing your mus - ic in the
Arm.
 
Salle Pley - el As I turned your pa - ges

     

 


 
        
    
  
    
 
  
 
18
   
           
 one
Arm.
 
by one Like a flow - er turns to face the sun So I

                    
     
     
  
  
21
  
        
 felt
Arm.

my luck had just be - gun I was thun - der - struck and

  
       
       

 
    
    

 

    
24
   
  
   
 lost
Arm.


in won - der Must I pay for ev - 'ry man who hurt you?
   
 
    
  
   
     
   
   
    
          
    

    
27

       
 How could I be - gin to know the
Arm.
 

price I'd pay?
       
        
        
    
    
   
          
    
30

      
 Damn
Arm.
the day
     
       
      
mf
     
        
    
poco rall.
  
33
     
        
  
mp
    
        
   

35 Poco meno mosso

  
            
 Here,   
Arm.
here in my hands These bit - ter words That tear me a -

 
p
          
            
      
   
  
38
    
   
   
    
   

 part
Arm.
How will I live my life Where do I start? When each word is a
        

         
   
   
      
  


      
41
   
     

 knife
Arm.
Straight to the heart And now you shut the door Cast me a -
   
    
            
       

mf
  
    

        
44
      
     

Arm.
side A man who is - n't rich Can't pro - tect Can't pro - vide Damn your soul Damn you...
   


        

          
    
     


        
47 Tempo I
  
       
 What is left of days that nev - er
Arm.

end - ed? What is left of all that we were
  
       
      

      
       
         
  

50

      
 dream 
Arm.
- ing of? What's left of
  
      

     
    
  

  
    
 
53

    
 love?
Arm.
            
           
  
7
       
            
     
56
 
p

           

Arm.

Why am I sur - prised; why is it strange That the

   

   

      
 
    



59
    
        
 Chi
Arm.

- na Doll can nev - er change There are words that wound and

       
  
      
    
 
62
   
         
 words that
Arm.

kill Mar - gue - rite, your words cut deep - er still So
 
             
3 3
 
    
 

       
65
  


       
 damn the day you walked in - to my life
Arm.

- time What is left of all we felt the
  
     
                 
f
      
   
 p 
68
 
   
    
 first
Arm.


time What's left of love?
   
     
      


    
   

Vocal Score
19. PARIS...
PIERROT: Good, we'll take him to Saurel. (music)
Allegro q = 168
            
        
                         
       


gliss.
f
                    
     
        

          
           
    
  

5
       
  
               
                    
 
            
        
   rall.
      
9
       
       
                  
dim.
                          
       
Andante (colla voce) h = 60

13

    
CHANTEUSE

               
Chant.
Par - is is a ro - mance Just be - gun She is all the morn - ings of the

  
 
 

 
 



    
  
 

 

Vocal Score -2- 19. Paris...

16
              
Chant.      
world In one She is the fol - ly She is the fi - re
 
   
   
 

 






  
     
 
 
19

       
 

             
Chant.

She is what can hurt you She's your heart's de - si - re Par - is was a si - ren from
    
     








  
    
  

 

22

      
   
         
Chant.
the start Gave all men her love - song But none her heart
  
    
   
  

 

       
   
 

 
 
25
        
Chant.                

She is the mys - t'ry

With ma - ny

fa - ces

She is the de - lu - sion
    
     






     

   


28 Slow fox (swing) q = 80


    
      
Chant.

Eve - ry man em - bra - ces
   
   
        

  
 
 
       
 
                
       
31

         

        
 
           
                          
            
   
34

            
      

        
                     
        
37

          

        
 
       
                           
            
   
40

                
       
         
                          
          
       

OTTO: You don't need these.
    
MARGUERITE: All right, all right,
43 VAMP I'll come. Just let me... rall.
 (first time only)
    
   
                  
   
     
     
     
 
45

CHANTEUSE
           
Chant.
 
 
Lis - ten! You can hear it on the wing That song of long - ing On - ly

    
  

  

  


   
 



   

48
 
               
   
 
 
Chant.

Par - is seems to sing Of ghosts and shad - ows And the heart - break that they bring
 
   
   

 
     





    
 

    
51

  
      
Chant.
   
Ne - ver fad - ing... Pa - ris nev - er chang - es She

        


    


     

   



54

       
         
Chant.
stays true She has seen it all be - fore And seen it through
  
  
 
   

 
 


       
 
 


 
 
57
  
Chant.               
       

Pa - ris will out - last you
 
She will for - get you She will for - give you
       
   





     

    



    
     
Chant.
Par - is will out - live you
 
 
             

  
 
 
       
 
                
       
63

           
        
 
       
                           
            
       

VAMP
 
66 PIERROT: You'd better not screw it up.rall.

        
(first time only)
   
    
   
                 
       
          
            
   
69

    
               
Chant.
Forged in re - vo - lu - tions, Lost and won She will still be Pa ris when we're gone

       
 
  
 




      
 
   
  

73 Allegro frenetico (straight) q = 176

Chant.      
  
            
  
Vive Pa - - ris!
   
    


 

          
   
             
 
  
    
  
77
       
    
    
          
        
        
 
 
 
  
    
   
80
               
                     
            
         
        
       

Otto indicates that the band
should continue (music)
Andante (colla voce)
       

      
 
83
            
  
  
 mf
         
  
     
     


Chant.            
        
 
        
Pa - ris est une pu - tain au grand coeur Une fille qui se vend Au plus
   
                          
    
p
                    
       
              
   
89

                 
      
Chant.

   
off - rant sans pu - deur Pa - ris ma - qui - llée Pa - ris rouge bai - ser Pa - ris vert de gris
        
                          
              
                          
        
       
92
     
Chant.       
   
             

Le jour la nuit Pa - ris est une

    
  
 
 
          
           
                
   

95

                
  
 
Chant.
  
fille de p'tite ver - tu Une fille trop bel - le Hab -il - lée ou tou - te nue Elle prend vos
            
                          
         
             
                    
       
Glass breaks (music stops)

98

Chant.            
   
 
  
Deutsch - marks Mais elle sait aus - si se don - ner pour rien Un p'tit
  
   
 
              
             
 
           
                  

 
         
MARGUERITE: Yes, I'm fine. Will you excuse me?

CHANTEUSE: Mesdames et messieurs!
(music)

101 Allegro frenetico (straight) q = 176

Chant.      
 
  
bé - guin
   
      
Ta - ba - rin c'est la fête à

Crowd

       
  


        
       
Ta - ba - rin c'est la fête à
             
    
 
gliss.
        
                  
    

 
 
104
        
       
  
Pa - ris Et voi - là les douze coups de mi - nuit
   
Crowd

          
  



 
   mi - 
           
       
Pa - ris Et voi - là les douze coups de nuit
  
   
   
       
           



 
 
      
 
107
    
Crowd Bonne an - - - née
     
  
 Bonne an - - - née
      
           
                         
  
         
       
         
  
110
           
tin tin tin tin tin Bonne an - née!
    
Crowd
 
 
          
 

tin tin tin tin tin Bonne an - née!

     
   
 
      

  
 
 
    

       
  
 
 
 
   
  
 
Vocal Score - 10 - 19. Paris...
ARMAND: But now I see you - I can't.
LUCIEN: Armand.
OTTO: Marguerite! (music)
 
113 ARMAND: Get out,

it's dangerous.
Crowd         
MARGUERITE: Armand!
10! 9!

     

 

 

fp fp
  
  
 
  
115 ARMAND: Leave LUCIEN: Armand, what MARGUERITE: What do you
 
and don't come back. are you doing... mean? What's dangerous?
Crowd         
8! 7! 6!

     




 
 

fp fp fp
 
   
  
   
118 OTTO: Marguerite, MARGUERITE:
 
OTTO: Marguerite? what are you doing? Everything's fine.
Crowd        
5! 4! 3!
  
   





 


fp fp fp
 

  
  
 
ARMAND: Marguerite,

121 OTTO: Marguerite! CROWD: HAPPY NEW YEAR!

goodbye.
Crowd          
 
 
  
2! 1!
  
   
 
     
 
 
  
fp fp ff
 
 
    
  
     
ALMOST SEGUE
Vocal Score
(Scream; music)
Energico q = 120

                     
                     
      3
           
ff
    
       
  
3
 
        
                   


               

     
        
3 3
           
           
       
  
5
    
   
 





 3
     
         
      
3
       
   
                      
           
7
      
     
3 3 3
 

     
    
3
    
3
    
         
  
sub. mf cresc. poco a poco
 
9
  
COLLABORATORS 3 3
       
3
      
Day by day Ma - ny a French - man's going to fall.
  
Coll.
   

COLLABORATORS 3 3
      
3
      
 Day by day Ma - ny a French - man's going to fall
    3

3
 3

   

 

 


  
    
 
sub. mf cresc. poco a poco
    
   
12a/05/08 © 2005, 2007 Bouberg Music MARGUERITE

 
11
     
      
3 3

Coll. Round 'em up Make 'em all pay

   
        
3 3
 Round 'em up

3
  
Make 'em all pay
    
       
   
 

    
3
     
  
    
13

3
 3

       
3
      
Down they go Spil - ling their guts a - gainst a wall
  
Coll.
   

3 3
      
3
       
 Down they go Spil - ling their guts a - gainst a wall
    3

3
 3

     

  
      
 
      
   

 
15
  
     
3 3
    
Coll. Hund - reds will suf - fer this day

      
   
3 3
 
 Hund-reds

   
will suf - fer this day
     
       
 
 
     6
  
     3
    
    3   
3

  
17
     3
  3
  
  
3
Yes - ter - day Ger - ma - ny stood here at our side

Coll.
       

  
3 3

 
3

Yes - ter - day Ger - ma - ny stood here at our side
        
 

 
          

3 3 3
f
  
    
   
  
19
3
           
3
Coll. Ab - so - lute, re - so - lute, strong
 3

            
 Ab - 3so - lute, re - so - lute, strong
   
 
3 3
        
         
 
  
      
 
    
21 dim. poco a poco
 
  
3 3
    
3
      
Day by day There is a turn - ing of the tide
   
Coll.
  
   
3 3
   
3
     
 Day by day There is a turn - ing of the tide
  
  
3 3 3
   
     
 
dim. poco a poco
      
       
3 3 3 3
 
 3
  3


 
23
     
3 3
       
Coll. Ev - ery - thing's turn - ing out wrong

   
     
3 3
 
 Ev - ery - thing's
 
turn - ing out wrong
 3

3
    
       
   
          
   
  
 
25
     
3 3
       
There is a les - son to learn
Coll.

  
     
3 3
  
 There is
 
a les - son to learn
   
          
 
              

  
  
 
27
     
3 3
       
Al - ways be rea - dy to turn
Coll.

   
     
3 3
 
 Al - ways be
 
rea - dy to turn

    
 

  
      

 

Vocal Score
21. HOW DID I GET TO WHERE I AM

GEORGES: Get out of here. (music)
 
Lento rubato q = 72
 
 
 

   




  
mp
  
           
 
mf
4
  
 

 

 

 




           
   

7 MARGUERITE
Mar.                 
How did I get to where I am? How could I let it get so
 
 
  
p
 
 
 
9
 
                
Mar.
bad? How did I e - ver let him go The one good thing I e - ver
    
   
  
  


Vocal Score -2- 21. How Did I Get To Where I Am
11
       

     
  
Mar.
had? Why did I drift so far from home To live my live out - side the
 
  
 
 
   
 

13
         
        
Mar.
rules A - mong the clowns A - mong the fools? I loved the daz - zle and the
 
   
 
 
 
  

 

15

Mar.                 
light The sweet se - duc - tions of the night When men of means were eve - ry -
       
 
    
    
 
 
 
  
17
 
                
Mar.
where They used my bed; they slept else - where I ne - ver asked what badge they
     
     

  
      
   
 


19
        

 
      
Mar.
wore They left their pass - ports at the door And eve - ry man was just one
   
      
   
 

 
  

 
  

Mar.
more
        

     
            
  
mf
   
         
    
      
   
        
 
24
 
            
      
   

rall.
          
              

26
      
 

     



            

Tempo I q = 72

29 MARGUERITE
Mar.                 


And then at last one came my way He saw be - hind the mask I
  
  
   
pp mp
    
  

31
 
                
Mar.
wore He made the world seem new and gay He saw me as a girl once
    
      
  
   

33
       

   
    
Mar.
more How did I get to where I am? How did I come to be a -
  
   


    
 
35
         
         
Mar.
lone And lose the on - ly love I've known He's gone, the one love that I have
 
      
    
mf
   
 
 

37
 
                
Mar.
known With each un - truth, with each mis - take I learned that time and youth don't
   
       
  
dim. poco a poco
    
  

39
    
            
Mar.
wait That Chi - na Dolls can fall and break That some - times sav - iours come too
     
   
    
  
  
  

Mar.
late
  
  
 
      
     
mp
            
         

rall.
        


 
44
        
              
       
 
47 Tempo I q = 72
  
Mar.
              
The one good thing I ev - er had Why did I ev - er let him

     

mp dim. poco a poco
    

  
49
          
          
Mar.
go? How could I let it get so bad? How did I get to where I am?

 
 

 
morendo
    
 
 

Vocal Score
DE GAULLE: Paris liberé! (music)
Energico q = 120
 
      
f
              
    
    
3
 
      
sfp
            









 
            
q = q.

5
     
COLLABORATORS
 
             
Day by day Peo - ple are ask - ing what we did
Coll.
     
            
COLLABORATORS
               
 Day by day Peo - ple are ask - ing what we did
     
                            
         
pp cresc. poco a poco
                  
           
   
     

 
         
7

       
Sav - ing Jews that's what we did!
           
Coll.
     



   
Sav - ing Jews that's what we did!
        
   
         
 
                 
           
    
  
  
 
 
9
  
                  
"Yes" we say We were the her - os of the day
             
Coll.
 
  
         


"Yes" we say We were the her - os of the day
    
                        
         
                 
           
  
     
 
            
11
    
              
Coll. Eve - ry day, sav - ing a Yid
 



  

Eve - ry day, sav - ing a Yid
   
  
4



              


  
   4
                   
4
          
   
   

        
13
     
       
     
Hip hoo - ray! Wel - come the Bri - tish and the Yanks
    
Coll.
     
 

 
Hip hoo - ray! Wel - come the Bri - tish and the Yanks
            
   
  
           
   
  

f
                
 
 
        
        

  
            

15
  
We were here Fight - ing for France
               
Coll.

 


We were here Fight - ing for France
             

     4
4

    4
 

  

          
         
   
   
      
  
 

17
        
          
Li - ber - té! Mer - ci beau - coup and lots - a thanks
    
 
Coll.
        
           
 Li - ber - té! Mer - ci beau - coup and lots - a thanks
           

     
                
        
                 
dim. poco a poco
              
    
 

   
19 q. = q
        
   
3 3
   
Coll. We were here tak - ing our chance
  
    
   
   
3 3
    
 We were here tak - ing our chance
 
              
3 3
  


          

 

 

  
 
    
 
21
          
3 3
    
Coll. We were here, La Ré - sist - ance
 
   
      
3 3
   


We were here, La Ré - sist - ance

     
          

 

 

 
 
    
 
23 Meno mosso
         
3 3
     
Coll. Vive de Gaulle. Vi - ve la France.
   
   
      
3
  
 Vive de Gaulle. Vi - ve
3
la France.

       
 
  
p
       
 
  
segue

Vocal Score
23. COME ONE, COME ALL (Reprise)
  
Lento q = 66

WOMEN
       
    
Come one, come all
  
   

MEN
        
 Come one, come all

              
                         
 
p
     
 
   
  
4
  
       
     
Col. Come see, come stare At the dar - ling of her

  
            

 
Come see, come stare At the dar - ling of her
 
       
     
                  
    
  
   
 
6
   
Col. day

    
 day
      
       
                      
mp
    
   

Vocal Score -2- 23. Come One, Come All (Reprise)
 
8

      
   
 
Col. Come see her crawl Smell the per - fume of de -
   
           
 Come see her crawl Smell the per - fume of de -
      
     
                    
    
   
 
10
     
           
Col. cay Count the tear - drops as they fall They won't wash her crimes a -
      
  
        
 cay

Count the tear - drops as they fall They won't wash her crimes a -
        
                          
     
   
 
 
12
           
way Have you for - got - ten
   
Col.
  
    
 way Have you for - got - ten
            

 
                     
   
         
         
   

 
14
       
       
Col. Her false em - bra - ces Her emp - ty laugh - ter
   
       
    
 Her false em - bra - ces Her emp - ty laugh - ter
        
                                  
   
      
       
  
 
  
16
       
 
  
 

Col. Her airs and gra - ces? Look hard, look
     
        


Her airs and gra - ces? Look hard, look
     
                                
 
 
cresc. poco a poco
     
       
     
 
        
18
     
  
          
                
Col. well What's in store for Ma - d'moi - selle The sha - ven head The years of
   
 
     
 well What's in store for Ma - d'moi - selle The sha - ven head The years of
          
               


   
     
  
    

 
   

    
                 
 
20
 
        
 
             
Col. blame The shame, the blot u - pon her name Come, tell the tale Of a wo - man of her
     
                 
 blame The shame, the blot u - pon her name Come,tell the tale Of a wo-man of her
     
      
   
    
         
mf
          
 
    
 
 
22
    
                  

Col. time Be - longed to all Be - longed to none She screwed the French She fucked the

               
 
 time Be - longed to all Be - longed to none She screwed the French She fucked the

    
                          
   
        
          
  
 
24
      
          
Hun You paid the slut, You had your fun Turned her back u - pon her
     
Col.
       
    
 Hun You paid the slut, You had your fun Turned her back u - pon her
         

        

  
     
   

 
                                  
  
25
  
 
own With - out re - gret This tart who had a heart of stone We won't for
                          

Col.
 
              
 
 own With-out re-gret This tart who had a heart of stone We won't for
   

      
   


   
f cresc.
   
    





    


27 Poco più mosso


       
3 3 3 3 3
            
3
get There were brave ho nest French - men Re - sist ing and dy - ing Where was her pride?
             3    
Col.

   
 3 3 3
get There were brave ho nest French - men Re - sist ing and
3 3
dy - ing Where was her pride?
                  

                          
ff 3 3 3 3 3 3 3 3
    
   

29
       
3 3 3 3 3 3
               
Sel - ling her - self to who - ev - er was buy - ing Now, Mar - gue - rite Where can you
                    
Col.

  
 3
Sel - ling her - self
3
to who - ev - er
3 3
was buy - ing Now,
3
Mar - gue - rite Where can you
3
     
                
      
3 3 3 3 3 3
     
       
  

  
31 a tempo
    
         
hide? Come close, come thrill Her time goes
  
Col.
 
    
       
 hide? Come close, come thrill Her time goes
            

             
       
dim.
   
 
       
   

33 rall.
      
 
 
 

Col. fast Come look your fill Come look your
    
 
     

 fast

Come look your fill Come look your
    
                                
   
     
    
    
 
35
      

last

Col.
 
      
 last

   
     
p
         
     


Vocal Score
23. COME ONE, COME ALL (Reprise)
 
Lento q = 66

WOMEN
     
    
 
Come one, come all

     


             
                         
 
p
    
 
   
  
3
 
     
 
      
Col. Come see, come stare At the dar - ling of her


   

 
       
     
                  
    
  
   
 
5
   
Col. day


 

      
       
                      
mp
    
   

 
7
  
Col.
   

MEN
         
 Come see her crawl Smell the per - fume of de -
      
     
                       
    
   
 
9
   
Col.
      
  
        
 cay

Count the tear - drops as they fall They won't wash her crimes a -
        
                               
     
   
 
 
11
         
Have you for - got - ten
   
Col.
  
    
 way Have you for - got - ten
            

 
                     
   
         
         
   

 
13
       
       
Col. Her false em - bra - ces Her emp - ty laugh - ter
   
       
    
 Her false em - bra - ces Her emp - ty laugh - ter
        
                                  
   
      
       
  
 
  
15
       
 
  
 

Col. Her airs and gra - ces? Look hard, look
     
        


Her airs and gra - ces? Look hard, look
     
                                
 
 
cresc. poco a poco
     
       
     
 
      
17

     
  
          
                
Col. well What's in store for Ma - d'moi - selle The sha - ven head The years of
   
 
     
 well What's in store for Ma - d'moi - selle The sha - ven head The years of
          
               


   
     
  
    

 
   

    
                 
 
19
 
        
 
             
Col. blame The shame, the blot u - pon her name Come,tell the tale Of a woman of her
     
                 
 blame The shame, the blot u - pon her name Come,tell the tale Of a woman of her
     

      
   
    
         
mf
          
 
    
 
 
21
    
                  

Col. time Be - longed to all Be - longed to none She screwed the French She fucked the

               
 
 time Be - longed to all Be - longed to none She screwed the French She fucked the

    
                             
   
        
          

 
23
     
           
Hun You paid the slut, You had your fun Turned her back u - pon her
    
Col.
        
    
 Hun You paid the slut, You had your fun Turned her back u - pon her
         

        

  
     
   

 
                                  
  
24
  
 
own With - out re - gret This tart who had a heart of stone We won't for
                          

Col.
 
              
 
 own With-out
   

re - gret This tart who had a heart of stone We won't for
      

   


   
f cresc.
   
    





     


26 Poco più mosso
3 3 3 3

3
  
                  
3
get There were brave ho - nest French - men Re - sist - ing and dy - ing Where was her pride?
                 
Col.
3

   
 3 3 3
get There were brave ho - nest French - men Re - sist - ing and
3
dy - ing
3
Where was her pride?
                 

     
                    
ff 3 3 3 3 3 3 3 3
    
   

28
       
3 3 3 3 3 3
               
Sel - ling her - self to who - ev - er was buy - ing Now, Mar - gue - rite Where can you
                    
Col.

  
 3
Sel - ling her - self
3
to who - ev - er
3 3
was buy - ing Now,
3
Mar - gue - rite Where can you
3
     
                
      
3 3 3 3 3 3
     
       
  

  
30 a tempo
    
         
hide? Come close, come thrill Her time goes
  
Col.
 
    
       
 hide? Come close, come thrill Her time goes
            

             
           
dim.
   
 
       
   

32 rall.
      
 
 
 

Col. fast Come look your fill Come look your
    
 
     

 fast

Come look your fill Come look your
    
                                
   
     
    
    
 
34
      

last

Col.
 
      
 last

   
     
p
         
     


Vocal Score
24. FINALE
ARMAND: I know what you did for us. (music)
I'm here, I'm here.
Agitato q = 144
        
ARMAND
        

Armand
Run - ning through the crowds in the town A mil - lion peo - ple on their

    

 
mp

    
 
 
  
3
                       
 feet It seemed to me eve - ry - one
Arm.
Was run - ning,too Down eve - ry street And all you heard was cheer - ing

    








    
  
  

 
6
            

Arm.
And all I thought of was to run to you 

    
 

  

  
    
   
 

9
  
              
 Mar
Arm.
- gue - rite I pro - mise you we'll be to - ge - ther now


  




 

   
    
   
  

Vocal Score -2- 24. Finale
   
12
   
      

Arm.
 Mar - gue - rite I pro - mise you that we are

    
       
         
   
   
 
 

                        
15


Arm.
free to be to - ge - ther Not in se - cret as be - fore Please un - der - stand The war is ov - er now And
  
  

  



 
f
  

  
 
                       
18
  
 no-thing now Can harm you an - y more I know the sac - ri - fice you made I owe you more than ev - er
Arm.
      

 
   

  
 



  
  

 

21
    
 can
Arm.

be paid Mar - gue - rite

          
  
mp
  


 

  


           

24
  

Arm.
This is a pro - mise I will not be - tray


         
         
  
  
  
  
 
27

             

Arm.
Mar - gue - rite This is the morn - ing of a bright new day

    
 







p

   
  


30 MARGUERITE
Mar.        
 
I've longed for this I've prayed for

   


 

 p
      
     


34
     
Mar.
  
this To feel once more The kiss that
   
 
    

 
     
  


 
38
 
Mar.         
changed me for al - ways In your lov - ing eyes now I
      
         

  
   
  

42
   
      
Mar.
     
see what I've longed for I see who I am You were in my
    
        
 

    
   
  
46
        
Mar.    
life for a mo - ment One brief, time - less mo - ment When
    
         

  

   
 

50
   
      

Mar.
 
I was the dan - cer And you turned the key The
 
   
    
   
 
  

   
    
 


54
      

Mar.
face I see I've longed to


ARMAND
     
 

Arm.
 
Now I un - der - stand They've told me Of
  
           
mf
           
  
 

57
Mar.   

  
see You've come to me And
      
        
 ev - 'ry - thing you've done
Arm.
That let - ter that you sent me Was
   
    
          
     
  
 
60
Mar.         
all you see Is a mem - 'ry You
         
    
 on
Arm.

- ly to save me Mar - gue - rite I ask you to for -
   
         
                



 
  






 
mf
     
  
  

      

   
  
63

Mar.       
come back to save me My own knight in
    
        
 give
Arm.
 
me Mar - gue - rite I thought I was for - sa - ken Mar - gue -
            
        



 
  




 
  




        
    
  


 

        
     
 
66

Mar.      
   
arm - our From out of the blue When I thought my
 
     
 rite I
Arm.
    
knowI was mis - ta - ken I'm here now From a

  
  
6
   









         
      
     

3
       
  
 
      
   
     
69
   
Mar. 
life was worth noth - ing You came and you
      
         

Arm.
 
sleep I was a - wak - ened Now I know the rea - son Why I
             
           
    
f
        
 
            
                 
                 
        

  
72
  
Mar.     
claimed me you car - ried me back To a
        
        
  

Arm.
lost you Know the sa - cri - fice The price it cost you It was all to
  

 
 

         
         
              

dim.
    
  
        
           

 


        
 

75

Mar.        
time That was new Be - fore There was
   
   
 save
Arm.
    
me I see it now It al - ways was

        
       
      
  
       

 
  
  
   

78
 
 
Mar.
you If I should fall Don't


    
 you

Arm.
   
     
 


 

 
 
pp
    





81
Mar.    
  
let me break If I should
     
    
   
mp
  



 
 
84
    
Mar.
 
sleep Ne - ver let me wake
 
  
   
  
 
  

PIERROT: I couldn't find a doctor.
ARMAND: It's alright, she's going to be alright...
She's asleep. Isn't she? She's asleep. Tell me she's asleep? (ARMAND steps upstage; music)
    
 
87
     
 
       

p
     
   
    

rall.

 
 
92
  

    
    
   

  
  
    

 


Vocal Score
25. BOWS/PLAYOUT
          

              
    
ff  
   
f
  
 
mf
    
    
  
        

     
3

 
        
      
        
 
   
  
 
  
accel.

        
      
5
   
    
 
     
       
 
  
 
  

   
     
      
7
  
   
       

 

  


  

 
         
9           

 
             
    

  


Vocal Score -2- 25. Bows/Playout
  
 
rall.
     
 
 
11
  
p

   
f
       
 
         
    


f

 
        
Appassionato q = 86
14
      
    

5 6 6 6
5 6 6
  
f brillante
        
    
   6   
                                  
16
   
6 6 6 6 7
 
  
        
 

     
               
18
  
5 6 5 6 6 6 6
   
        
   
 
               
20
      
    
6 7
 
    
   
     





Swing Tempo h = 100
 
22
                          
   
(Drums)
   
     


 
27
              
                  
       
f
         
       
             
     
31
               

   
     
   
      

 
          
35
                
    
             


 


 
        
 
     
   
     

39
     
                 
      

    
   
 
      
        
     
  

         
 
     
   
      
 

43
      
    
  
       
     
             
              
    
47
  
      
  3 3 3 3 3 3
        
     
        
     

            
             
   
51
  
     
  
   
    
    
  
       
   
  
  
55
          
   
  
       
     
   
      
  
      
    
59
7
         
7
sfp
 
     

 


Marguerite

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Vocal Score

1. COME ONE, COME ALL

           

          

        

                  

       

       

2. LET THE WORLD TURN

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

    

       

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

Out with the reds!

                    

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

           

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

      

           

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

MARGUERITE: A table, mes amis! I want to have fun.

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

18/05/08 © 2005, 2007 Bouberg Music MARGUERITE

Swing Tempo  = 100

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

Strike a match and feel the heat Jazz time C - 'mon,

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

You feel fine and fan - cy - free? You got jazz

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

tip - toe Pale and pink is she As she

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

pi - rou - ettes to the mu - sic All that she can

cir - cle with no be - gin - ning Is a ca - rou - sel ne - ver

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

a - ny - one there to save her? Some - one turns the

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

Suddenly an alarm siren sounds (music stops)

ARMAND: Madame, you're trembling. MARGUERITE: I'm scared.

set her free In her ho - ur of need? Poor Chi - na

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

the wheel of chance Is there a - ny - one there to

her? Some - one turns the key and the

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE

MARGUERITE: No, Armand. It's not worth it.

15/05/08 © 2005, 2007 Bouberg Music MARGUERITE