Professional Documents
Culture Documents
1. History of music
i. Ancient period
ii. Medieval period
iii. Modern period
iv. History of Hindustani music
2. Brief study of the lakshana granthas,
i. Natyasastra
ii. Sangita ratnakara
iii. Chaturdandi Prakasika
3. Manodharma Sangeetha – A brief study
i. Thanam
ii. Ragalapana
iii. Niraval
iv. Kalpana svara
v. Pallavi
i. Sarali varisa – 8
ii. Jantavarisa – 8
i. Kharaharapriya
ii. Sankarabharanam
iii. Mohanam
iv. Hamsadhwani
v. Kalyani
3. Samanya Gitam – 3
4. Lakshana gitam - 1
1. Jatisvaram - 1
1. Divyanama kirtana - 1
2. Bhajan - 1
3. Devarnama – 1
4. Thillana - 1
1. Krithis with ragalapana and kalpana svaras in the following ragas [two among
i. Mayamalavagowla
ii. Sankarabharanam
iii. Mohanam
iv. Hamsadhwani
v. Kalyani
2. Pancharatnam – 1
SB 001 - Theory paper I – Introduction to Indian Music
4. History of music
v. Ancient period
vi. Medieval period
vii. Modern period
viii. History of Hindustani music
5. Brief study of the lakshana granthas,
iv. Natyasastra
v. Sangita ratnakara
vi. Chaturdandi Prakasika
6. Manodharma Sangeetha – A brief study
vi. Thanam
vii. Ragalapana
viii. Niraval
ix. Kalpana svara
x. Pallavi
v. Sarali varisa – 8
vi. Jantavarisa – 8
vi. Kharaharapriya
vii. Sankarabharanam
viii. Mohanam
ix. Hamsadhwani
x. Kalyani
7. Samanya Gitam – 3
8. Lakshana gitam - 1
5. Jatisvaram - 1
5. Divyanama kirtana - 1
6. Bhajan - 1
7. Devarnama – 1
8. Thillana - 1
3. Krithis with ragalapana and kalpana svaras in the following ragas [two among
vi. Mayamalavagowla
vii. Sankarabharanam
viii. Mohanam
ix. Hamsadhwani
x. Kalyani
4. Pancharatnam – 1
SB 001 - Theory paper I – Introduction to Indian Music
7. History of music
ix. Ancient period
x. Medieval period
xi. Modern period
xii. History of Hindustani music
8. Brief study of the lakshana granthas,
vii. Natyasastra
viii. Sangita ratnakara
ix. Chaturdandi Prakasika
9. Manodharma Sangeetha – A brief study
xi. Thanam
xii. Ragalapana
xiii. Niraval
xiv. Kalpana svara
xv. Pallavi
x. Jantavarisa – 8
10. Alankaras should be sung in three degrees of speed in the following ragas
xi. Kharaharapriya
xii. Sankarabharanam
xiii. Mohanam
xiv. Hamsadhwani
xv. Kalyani
9. Jatisvaram - 1
9. Divyanama kirtana - 1
10. Bhajan - 1
11. Devarnama – 1
12. Thillana - 1
5. Krithis with ragalapana and kalpana svaras in the following ragas [two among
xi. Mayamalavagowla
xii. Sankarabharanam
xiii. Mohanam
xiv. Hamsadhwani
xv. Kalyani
6. Pancharatnam – 1
xiv. Jantavarisa – 8
14. Alankaras should be sung in three degrees of speed in the following ragas
xvi. Kharaharapriya
xvii. Sankarabharanam
xviii. Mohanam
xix. Hamsadhwani
xx. Kalyani
13. Jatisvaram - 1
14. Bhajan - 1
15. Devarnama – 1
16. Thillana - 1
7. Krithis with ragalapana and kalpana svaras in the following ragas [two among
xvi. Mayamalavagowla
xvii. Sankarabharanam
xviii. Mohanam
xix. Hamsadhwani
xx. Kalyani
8. Pancharatnam – 1
xviii. Jantavarisa – 8
xix. Madhyasthayi varisa
18. Alankaras should be sung in three degrees of speed in the following ragas
xxi. Kharaharapriya
xxii. Sankarabharanam
xxiii. Mohanam
xxiv. Hamsadhwani
xxv. Kalyani
17. Jatisvaram - 1
18. Bhajan - 1
19. Devarnama – 1
20. Thillana - 1
9. Krithis with ragalapana and kalpana svaras in the following ragas [two among
xxii. Sankarabharanam
xxiii. Mohanam
xxiv. Hamsadhwani
xxv. Kalyani
10. Pancharatnam – 1