Personalised report

and recommendations for

Argel Alfonso Islas Robles
11 February 2022

THE DJ TEST
DISCOVER YOUR DJ SCORE
and find out exactly how you can become a better DJ
CONGRATULATIONS ON
TAKING THE DJ TEST.

OVERALL SCORE

88%

GEAR MUSIC TECHNIQUES PLAYING OUT PROMOTING

How well do you Do you have Do you have a Are you capable YOURSELF
understand the an efficient, broad range of of performing Do you know
types of DJ gear DJ-oriented transferable DJing competently at what is needed to
out there today? music gathering skills? the main types of effectively hustle
system? DJ gigs? for gigs and get
success?

YOUR SCORE YOUR SCORE YOUR SCORE YOUR SCORE YOUR SCORE

9 10 9 9 8
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DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

GEAR 9/10
MUSIC 10/10
TECHNIQUES 9/10
PLAYING OUT 9/10
PROMOTING YOURSELF 8/10

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

WHY IS THIS REPORT
VALUABLE?
• Great DJs need a TECHNICAL UNDERSTANDING OF THE GEAR
• Great DJs need to be able to FIND THE BEST MUSIC
• Great DJs need to know the CORE TRANSFERABLE SKILLS
• Great DJs need to be able to PERFORM PROPERLY AT GIGS
• Great DJs need to know how to PROMOTE YOURSELF EFFECTIVELY

Through our work at Digital DJ Tips training over 27,000 DJs since 2010, we have realised there are
just three broad types of DJs:

1. Bedroom DJs
These people are just starting out as DJs and are developing their skills. They are usually
inspired by a DJ they’ve seen and particularly admired, but are unaware of the hard work to
come.

2. Semi-pro DJs
These people are skilled at the particular type of DJing they do but often go unrecognised
and unrewarded. Often their enthusiasm starts to diminish as they spend years trying to get
recognition (though they still keep getting drawn back to DJing...).

3. Great DJs
They earn more money, have more fun and get the best gigs. They are seen as highly credible in
their towns and cities. They have a sense of vitality because they are always the ones involved in
high-value DJ events and getting their “names in lights”.

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

UNTIL YOU ARE IN THAT THIRD
CATEGORY, A “GREAT DJ”,
YOUR JOB IS SIMPLE: WORK
TOWARDS BECOMING ONE.
People think it takes many years to become one, they think it’s about huge
talent, or being “cool” and in all the right circles, or being rich to start with,
or being young, or good-looking; nothing could be further from the truth.
You’ll see in this report that there are five core skill sets that will get you to the inner circle of
the DJ world, wherever you live. These strengths can be learned and developed just like any
other.

With focus, you can become a GREAT DJ in your town or city much faster than you think. We
know this because since 2010, we’ve worked with over 27,000 DJs in 63 countries to accelerate
their results.

IN TRAINING THE MANY THOUSANDS OF DJS WHO HAVE COME THROUGH

OUR PROGRAMMES, WE DID NOTHING OTHER THAN TO FOCUS OUR
STUDENTS ON THE FIVE STRENGTHS OUTLINED IN THIS REPORT. AS A
RESULT OUR STUDENTS REPORTED BACK TO US THAT THEY:

• Increased DJ bookings and referrals

• Landed better gigs
• Felt a greater sense of developing into the type of DJ they wanted to be
• Became better known, with opportunities coming to them from further afield
• Earned a lot more money from their DJing
• Felt more true to their “art”, to whatever it was that got them into DJing in the first place
• Became more passionate about their music and their DJing, and people loved hearing them
share that
• Overcame blocks and barriers that had previously prevented their success

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

FIVE STRENGTHS OF
A GREAT DJ
Becoming a Great DJ is about five
core skill sets that anyone can
learn and develop.

GEAR
The ability to understand, set up, and troubleshoot all types of DJ and associated gear
from a technical standpoint.

MUSIC
The ability to systematically discover, shortlist, organise and play the very best music
out there for your audiences.

TECHNIQUES
The ability to express yourself through turning what’s “in your head” into tight,
professional DJ mixes using any DJ gear.

PLAYING OUT
The ability to “put on a show”, read a crowd, and programme exceptional DJ sets in all
types of venues and for all types of audiences.

PROMOTING YOURSELF
The ability to establish a highly visible online presence, build a genuine fanbase, and
fruitfully network with people who can help your career.

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

THE DJ TEST GAVE YOU A SCORE
FOR EACH OF THESE FIVE SKILL
SETS. LATER IN THIS REPORT WE
WILL DISCUSS HOW YOU CAN
IMPROVE YOUR STRENGTHS IN
EACH OF THESE AREAS.

YOUR “OVERALL SCORE”

You also had an “Overall Score” which relates to your ability to turn these skill sets into DJing
success.

As you develop in these five areas, you can become more successful as a DJ. Your DJing success
will depend upon a few additional factors:

• THE TYPE OF DJING YOU DO:

Some types of DJing are more financially lucrative than others. Mobile DJs, especially wedding DJs,
earn well; club residents less so, and bar/lounge or party DJs often do it for little more than love. DJ/
producers who tour the world, on the other hand, often get paid exceptionally well. Commercial
success will mean something different for you depending upon what type of DJing you do.
• THE AMOUNT OF DJING YOU DO:
The world is full of so-called “DJs”. You know what separates Great DJs (the top 10%) from the other
90%? They actually DJ for real! Nowadays, DJing doesn’t have to mean playing actual gigs all the
time, because you can also make and share mixes and shows online too... but you have to be playing
something, somewhere, as often as possible.
• THE AMOUNT OF EFFORT YOU PUT IN:
Great DJs are learning about gear all the time, constantly exploring new musical areas, improving
their techniques, taking interesting gigs that remove them from their comfort zones, and finding new
ways to promote themselves and partner with others to push their agendas. If you’re not doing these
things, you’ll be beaten by those who are.

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

UNDERSTANDING
YOUR SCORE

OVERALL SCORE

88%

- High Strength
- Medium Strength
- Low Strength

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

GEAR

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GEAR
Gear describes your competency around different types of equipment and software you’ll
encounter as a DJ. Not only does it mean how well you understand the equipment you
actually use, but how proficient you are in understanding all types of DJ gear. Past that,
it encompasses working knowledge of PA systems, lighting, cables and basic electrical
training, so you can troubleshoot and solve problems in critical performance situations.

YOUR SCORE:

9/10

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

YOUR PERSONALISED
RECOMMENDATIONS FOR GEAR

Not understanding the technical side of a modern DJ set-up - and that includes
the software and audio file technicalities as well as hardware - to a greater or
lesser extent hinders the majority of today’s DJs. Not you, though! You’re well
versed and feel competent faced with most DJ systems and situations, from the
point of view of understanding how things work.

One thing that never stops though is technology, and there are always new things to learn -
things that could help you to push your DJing to the next level, be the first to do something cool
on a new piece of technology that everybody else is still somewhat mystified about, or just fix
issues that have others scratching their heads.

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

When we teach students at this level, we emphasise competence in the
kinds of skills that people just don’t know are important, or that they are
aware of but have put off learning about, maybe through lack of belief in
their ability to do so. Some things our advanced students like to improve
their knowledge of include:

1. GAIN STAGING - Knowing how to optimise 4. BALANCED VS UNBALANCED AUDIO - Do you

the signal path from PA system back through know the difference, and when to use each? Do
installation mixer, master output, channel you know the difference between XLR, TS, TRS
output and channel gain simply means your and RCA audio cables? Could you fix or even
DJing sounds better. Being aware of any make leads of these types? From a home DJ
compressors and limiters in the chain and controller to a PA system, this knowledge will
knowing to spot when they’re being triggered, help you set it all up correctly.
too...
5. PROFESSIONAL AUDIO AND LIGHTING
2. MAPPING - Even in modern DJ hardware, but EQUIPMENT - From how to tune PA systems,
especially in software, mapping options let you to how to program DMX lighting, to how to link
redefine how controls work to suit your needs. audio and lighting equipment together (an area
Being able to customise buttons, knobs, faders that’s rapidly expanding), Great DJs take it upon
and lights on your gear to behave how you want themselves to understand these things, to take
them to behave is a powerful skill. advantage of them when and where they find
them.
3. MIDI AND NETWORKING - Being able to link
different pieces of equipment together to
control software with your chosen hardware,
sync time clocks and so on lets you customise
your gear easily to do exactly what you want, so
you can have a set-up that puts more control at
your fingertips, for a more unique DJ sound.

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“In this business everyone needs to stay current and more importantly
get out of their comfort zone to grow. Your training made that easy. I
particularly like the interviews you have with other professional DJs,
a sort of ‘backstage pass’ to the business. I have been re-energised
by the new knowledge I have received. I feel I have a much better
understanding of current music and DJ technology.”

Kenny Zail, Dallas, Georgia

MUSIC

Review your score in

MUSIC
A DJ is only as good as his or her music - period. And the way Great DJs approach their
music collections is fundamentally different to the approach of your typical music fan.
Ruthless with his or her library, the smart DJ knows exactly why every individual track
is in there. Great DJs have tactics for hearing more music than the average person, and
reliable systems for choosing, curating and “packing” that music for DJ sets.

YOUR SCORE:

10/10

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YOUR PERSONALISED
RECOMMENDATIONS FOR MUSIC

A DJ is only as good as the music in his or her collection, and you’re pretty
much on top of this part of your DJing, already being somewhat of an
expert. You fully understand the importance of sourcing, shortlisting,
buying and organising your music, and are adept at thinking about what
to play at any given gig. You are confident in your ability to find the “right
tune for right now”, and feel like you know your collection well.

In our advanced training, we teach DJs how to move past just having the best tunes into the realm
where their sets become truly special, and we do this by concentrating on two areas: Getting
music nobody else has got, and being able to playing the kind of sets that deliver big genre, BPM
and style shifts, sets that delight audiences for their ambition, but still hold together really well.

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Some of the skills needed to play such sets are technical (we’ll move on to
those later in your report), but 80% of playing a great DJ set is simply down
to having the best music in the first place, and crucially, being able to lay
your hands on exactly the right track time and time again for the crowd in
front of you, which comes down to a mastery of music organisation. Here
are some key training points to help you get to this level:

1. FIND EXCLUSIVE VERSIONS OF POPULAR 4. ADD “POWER COMMENTS” TO YOUR TRACKS

TRACKS - This is still possible, even in the digital
age. If you can find remixers on SoundCloud who
you admire, for instance, and befriend them,
you could get their stuff to play in your sets sent
directly to you, and be one of the few people in
the world with such remixes.
- Make a system of tag words to use in the
“Comments” metadata field in your music.
You could add situation (“warm up”, “peak
time”), element (“guitar”, “sax”) or mood (“dark”,
“uplifting”, “dreamy”). Use smart playlists (see
above) to sort by these tags.

2. MAKE YOUR OWN VERSIONS OF POPULAR 5. MASTER SECONDARY SORTING - Secondary

TRACKS - Re-editing to change tracks you love to sorting is when you sort by one thing, then
suit your needs is not as hard as you may think, another. Some DJ software (eg Serato DJ) has this
and so removing vocals, adding breakdown, as a formal feature. It lets you drill down quickly
extending intros or splicing together different to get a certain subset of your music (vocal
versions of tracks is well worth taking the time to tracks below 120bpm, for example). You can
learn to do. replicate it by using smart playlists plus column
sorting.
3. MASTER “SMART PLAYLISTS” - “Smart playlists”
or “smart crates” either in iTunes or your DJ
software that auto-populate against rules you set
can be immensely powerful in making dynamic
sets that update as your collection changes,
putting interesting sets at your fingertips without
you doing a thing. Master these features.

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 “I was playing twice a week in bars, but I wanted to play in bigger
venues in front of more people and develop a stronger following, and
also to be more confident mixing. Perfecting my DJing is something
that I think about every day.

Your training and community really helps me to push myself. I

took your advice and went through the material in order, and also
committed myself to your online coaching seminars. Now I’m being
booked more often at different venues, I’ve done some interesting
corporate events, and I’ve played my biggest venue yet as a club DJ on
three occasions to date, with 700 to 800 attending.”

Alex “Pullinsky” Poulin, Montreal, Canada

TECHNIQUES

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TECHNIQUES
The core skills of DJing are what allow the DJ to rise above any particular DJ set-up and
perform effectively. Once a DJ understands how tracks are constructed, how to structure
a set, how to beatmix, how to use a mixer, how to manipulate music with platters and
jogwheels, how to cleanly move between tracks, and how to add flavour with scratching
and other tricks, his or her sets quickly become more than the sum of their parts.

YOUR SCORE:

9/10

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YOUR PERSONALISED
RECOMMENDATIONS FOR TECHNIQUES

Congratulations, you’re a proficient DJ when it comes to knowing what to do

behind the decks - you’ve got the skills nailed and are comfortable enough to
step up to most DJ gear and know what you’re doing. You’ve probably also
reached the point where you know that these skills mean little without a great
music collection to be applying them to, so you understand how technical skills
can widen the scope of the music you can play in a DJ set, in order to surprise
the dancefloor without losing it.

I want to focus in on that last point with you, though: How technical skills can widen the range of
music you can play in a DJ set. This is actually work that is never done, because the more technical
skills you can add to your DJing repertoire, the more breathtaking your genre, BPM and style
shifts can be in a set, and so ultimately, the wider your scope as a DJ can become.

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One of the big areas we focus on with advanced DJs in our training here
at Digital DJ Tips is adding specialist skills - but always with the focus on
making our DJs stand out more, never just for the sake of it. Here are some of
the areas we teach, and that you could look at to add to your skill sets, too:

1. SCRATCHING - Ask your grandmother to mime
a DJ, she’ll probably pretend to hold some
headphones on one ear with her left hand, and
pretend to scratch with her right hand! That’s
how ubiquitous scratching is in DJing. Used
judiciously, scratching can enhance any DJ set.
2. LIVE REMIXING - While you can make re-edits
and unique versions of tracks beforehand and
simply play your efforts back at gigs, equally,
you can remix tracks live as you DJ, in order to
come up with versions unique to the crowd in
front of you, right now.
3. BIG BPM & GENRE SWITCHES - Using techniques
like post-fader delay, double/half-speed
beatmixing, and loop tempo changes, you can
enact huge BPM and genre changes in your
DJ sets, while taking all your dancefloor with
you, and considerably broadening the music
available to you to play.
4. CUE JUGGLING AND TONE PLAY - Kind of like the
controllerism version of scratching, cue juggling
and tone play refer to using your cue buttons or
pads almost like musical instruments, “playing”
then as you’d play a keyboard. Chopping up
well known riffs is a devastating way to use this
technique.
5. USING EXTRA DECKS - Your third and fourth
decks aren’t just for keeping “what if” tracks
cued up on. They contain interesting percussion
tracks, acapellas and “doubles” of what’s
currently playing, all of which can be used for
more adventurous mixing.

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“I live in Saudi Arabia, where there aren’t many DJs and no real
opportunities to learn or develop skills. I was desperate to
achieve something I’ve always dreamed of. Your materials are
much deeper and more detailed than other DJ training, and
have always seemed to me like the extra step from beginning
to pro. Not only have you helped me to achieve my DJing goals,
but you’ve educated me properly.”

Adnan Z Manjal, Saudi Arabia

PLAYING OUT

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PLAYING OUT
DJing is done in public, and playing out is very different to practising at home. From
understanding what the people who book you really require of you, to being able to
control the mood in a room, to conquering DJ nerves and learning to really perform
in front of a crowd, playing out is where you prove yourself. You need to be able to
programme DJ sets, read crowds, and deal with the unexpected, all the time staying cool
and confident.

YOUR SCORE:

9/10

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YOUR PERSONALISED
RECOMMENDATIONS FOR PLAYING OUT

You’re clearly comfortable playing gigs out, and you’ve got a lot of experience
of different types of gig, whether in your case that happens to be mobile,
club - whatever. You’re already a seasoned pro! You know how to plan a DJ
set, how to read a crowd, how to deal with everyone from the public to venue
management to other DJs, and are in control of your own nerves and moods,
able to portray a friendly, fun-loving attitude to your crowd, no matter how
you may feel on the “inside” during that particular event.

But one thing we know for sure from our own careers and from teaching DJs on our courses here
at Digital DJ Tips is that we never stop learning, and nowhere is this more true than when we’re
talking about playing out. After all, no two crowds are ever the same, so no two gigs present quite
the same challenge to the DJ - and that goes if you’ve played one gig or one thousand.

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When it comes to looking for incremental gains in the way you perform,
try scanning this list of ideas culled from our courses, and see if any of
them may in your view be able to help you to take things up a notch…

1. LOOKING BACK THROUGH YOUR SET HISTORY
- Most DJ systems have a “set history” feature.
Like a sports team analysing a performance,
looking back through what you played will jog
your memory as to what worked and what
didn’t, and is a valuable formal process for
improving performance.
4. USING “PERFORMANCE” TRICKS - This is the
stuff you wouldn’t do on a mixtape. Knocking
the bass out for a while, just for the buzz when
you kick it in again. Co-ordinating with the
lighting guy on big breakdowns. Killing the music
for half a minute, in darkness, before dropping
into something huge. Be bold. Try this stuff.

2. IMPROVING YOUR MICROPHONE TECHNIQUE 5. USING ENERGY LEVEL TECHNIQUES - This is an

- Mobile DJs use them all the time, but all DJs
should consider using the mic sometimes
- a well chosen, well timed phrase on the
microphone is instant communication with your
crowd, and can raise the energy like nothing
else. Try recording your sets to see how you do.
advanced technique, and it involves managing
the dancefloor’s energy in “waves”. Smart DJs
are happy to thin the floor this way only to build
up again, for the overall good; it gives people
space to breathe / get drinks etc before the DJ
chooses to move things up again.

3. TREATING LONG DJ SETS LIKE MULTIPLE SHORT

SETS - Mobile DJs can benefit hugely from this
one, but so can club residents or bar DJs -
anyone playing long periods, basically. “Pack”
three separate sets (beginning/mid/late), and
treat them as such - it’ll really help you to
structure your performance.

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 “The very systematic and clear approach of your training helped me
to concentrate on the things important for me. Surprisingly, the key
take-aways were not about some advanced techniques or details.
They were on basic, fundamental issues: track selection approach,
working on different types of a gear, preparation for gig, building
relations with promoters and club owners, and so on.

Since your training, I’ve taken a big step forward and, most
importantly, it’s in the proper direction. I have a structured web
presence in social networks, my website, and a fanbase. I have regular
gigs in different clubs. I have huge network among DJs, promoters,
club owners in a few countries. I organise my own parties and invite
leading DJs from other countries. Now I can think about the next step
- producing my own tracks. I feel like I’ll be in this business for many
years to come and I am enjoying my music more than ever.”
Leo Hazree, Baku, Azerbaijan
PROMOTING
YOURSELF

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PROMOTING
YOURSELF
In order to get the number of bookings you want, you need to deeply understand how
this works, and it doesn’t work by randomly giving out mixtapes. From having a great
online profile (including mastering social media), to building a valuable network of people
who can help you face-to-face in your town or city, to knowing how to ask for - and get
paid for - work, knowing how to promoting yourself is the glue that will hold everything
else together.

YOUR SCORE:

8/10

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YOUR PERSONALISED RECOMMENDATIONS
FOR PROMOTING YOURSELF

Well done! You’re doing many of the right things when it comes to promoting
yourself. You have taken the time to network in your town or city, you’re
aware of the “reach” of your online presence (ie how much you “own” Google
for your DJ name), and you’re building up a following. Your mixes and/or
own productions and re-edits get listened to, liked and shared, and you’re
comfortable talking confidently to people about what you do.

However, if you still feel you need to do that “special something” that’ll finally help you land
the gigs you really want and get paid what you think you’re really worth, apart from “stick with
it”, the best advice we can give you is to offer a list of ideas taken from our high-level training
programmes here at Digital DJ Tips. What follows is a list of things our top students do that are
helping them to get to the next level.

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Take a look, and if there’s one that jumps out at you as something you kind
of knew you needed but haven’t done yet… get some time in your calendar
to do it, and make sure it happens!

1. GET A WEBSITE - It’s not good enough to have
multiple social media presences. You need a
website, a place to call “home”. Here you can
brand yourself exactly how you want. Here
you can link to all your social media accounts,
binding everything together. All good DJs have a
website. Get one if you haven’t.
4. GROW AN EMAIL LIST - Collect email addresses
of fans, both offline and online. Get their
permission to email to them, and send them a
quick note when you have gigs, a new mixtape, a
new post in your website - whatever. Even in this
social media age, email is still the most valuable
way of communicating with people.

2. MAKE AN ELECTRONIC PRESS KIT (EPK)
INCLUDING PROFESSIONAL PHOTOGRAPHY -
On the website you’ve got (or will shortly build),
make sure you include a place where people can
see your DJ biography, mix list / discography, gig
summary, and get good pictures of you. Make it
downloadable.
5. OWN PAGE ONE OF GOOGLE - By signing up
under your DJ name to as many social media
networks as you can, and having mix service
accounts, and your own site, you can dominate
Google for your name. Don’t forget to post
plenty of pictures tagged with your name, to
dominate Google Images, too.

3. GET OTHER PEOPLE WRITING ABOUT YOU - How

are you going to interest publications (local
blogs, listings magazines, music portals etc)
to write about you? What can you do (charity,
competitions, etc) that will give them something
to write about? When they do, ask them to link
to your website.

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 “My DJ sets are brilliant. I know they are. I get told all the time, and
every time I play or practise at home I’ve got you guys in my head
reminding me about something or other. The fear of not playing out
is now gone. Since taking your training, far from being trembling and
sick-frightened during an opening of a set, I’m smiling and thinking
‘wait till you see what I’ve got in store for you’.”
James Gillies, Jersey
Visit www.digitaldjtips.com/courses to find a DJ training course to help
you move your DJing to the next level, whatever you now feel is the most
pressing area you need to improve in.

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Review your overall

SCORE
The overall score reflects your ability to get the gigs you want, get paid what you think you’re
worth (if that’s what’s important to you), but most importantly, to get the enjoyment you’re
looking for from your DJing.

It is a measure of your connection to the music, your love of making people dance, and the
respect you’re getting from those who matter to you in the venues where you play, your town or
city, and the DJing community at large.

The overall score will improve as you land better gigs, earn more from your DJing, and start to
plan longer term - and start to believe in this process!

Of course, DJing doesn’t have to be about money (and it certainly doesn’t need to be about fame),
but recompense and recognition do have an impact on your happiness, satisfaction and long-term
ability to succeed as a DJ.

People who feel they’re constantly going unrewarded and unrecognised often derail themselves
as a result of blindly “chasing the dream” and burning out. It’s important to work on the right
things, and take this test regularly to see how you’re progressing!

TAKING TIME “OUT” FROM YOUR DJING TO WORK “ON” YOUR DJING
INSTEAD OF “IN” YOUR DJING (FINDING NEW SOURCES OF MUSIC, LEARNING
HOW A NEW PIECE OF GEAR WORKS, MASTERING A NEW SKILL, GETTING
GOOD AT PLAYING A DIFFERENT TYPE OF GIG, MASTERING A NEW SOCIAL
MEDIA NETWORK) WILL PUSH YOU FORWARD FASTER THAN ALWAYS DOING
THE SAME THING.

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A Great DJ knows they are able to progress by
following a plan. Your overall score shows you
where you are now, but you need to put your
plan in place to progress quickly and enjoy
yourself as you do.
WAYS TO IMPROVE YOUR
OVERALL SCORE:
• Be sure you always ask for payment in your
DJing, either in cash or other bonuses. Even
if you ask for a single pound, dollar or euro, the
change in the dynamic between you and the
person booking you is profound.
• Aim to increase what you earn month-
on-month. It’ll become a kind of game, and
increase your expectation that as time goes on,
you will improve, and you will be paid more.
• Put your prices up. As you get established, an
easy way to do the above is to raise what you
charge. Don’t wait and wait to do this; better to
charge more by continually raising your prices
in small increments than doing so all at once
in a big leap. It also holds you accountable for
delivering at a higher level.
• Put systems and procedures in place to help
you advance in your DJing. Regular mixtapes,
timetabled music discovery sessions, a weekly
residency - anything you can do that is routine
and repeats will help you get into the right
mindset to work constantly at becoming a
Great DJ.
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DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.
• Find a mentor or advisor who can help you
improve your DJing skills. Or, take specific DJ
training courses to improve in the areas you
think you need help the most (we can help with
that: visit www.digitaldjtips.com/courses)
• Surround yourself with a peer group who
normalise the results you want to achieve.
You’ll become more like the people you spend
time with so be sure to choose wisely.
• Expand your DJing into new markets. If
you want to play underground techno and
underground techno alone, move to a city that
can sustain that type of specialisation. If you’re
a mobile DJ, make sure you advertise with a
wide enough reach to get sufficient bookings.
You don’t need to be stuck playing small; it’s
you who decides the type of DJing you do, and
where you do it.
• Change your style to get what you want.
If what motivates you the most is full, happy
dancefloors and getting paid rather than
playing a certain type of music, don’t be proud -
change your music to please the crowds you can
get where you are!
WHAT NEXT?
OUR GOAL IS TO SUPPORT DJS TO BECOME SUCCESSFUL AND FULFILLED, WHATEVER STYLE OF
MUSIC OR DJING IT IS THEY LOVE, AND WHATEVER THEIR ASPIRATIONS.

We want to see more music lovers performing the music they love, not just playing it passively.
We think every music fan has it in them to be a DJ, and we do not subscribe to elitism or “one size
fits all” philosophies of how DJing should be done. The dancefloor is always right, and we know
that music can change lives - we want as many people as possible to share the joy we’ve had filling
dancefloors and changing lives ourselves.

Since 2010, we’ve helped over 27,000 people to learn to DJ, via our website, books, seminars and
video courses, based around our philosophy of teaching gear, music, techniques, playing out and
promoting yourself as interlinking parts of what the modern DJ has to do to achieve success.

We believe that you have a huge passion for music and you have a burning desire to share that
music with other people. If you completed this test, clearly you are open to ways of improving
your skills and success as a DJ or DJ/producer.

This PDF was prepared for you personally to help you identify areas in your DJing to work on, and
the materials we emailed/will email to you in the week following you taking the DJ Test will also
help guide you in the right direction.

And when you’re ready, we’d love to have you as a student on one of our courses. Whether you
want to learn to DJ, scratch, produce, run an event business, make mixtapes, livestream, or one
of many more topics and subjects, we will definitely have the course for you among the online DJ
and production training we offer.

TO BROWSE THE COURSES DIGITAL DJ TIPS TEACHES, GO TO

WWW.DIGITALDJTIPS.COM/COURSES

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DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

 YOU CAN ALSO
READ OUR BOOK.
CLICK HERE

AND WATCH OUR REVIEWS AND view online now

FREE TRAINING OVER ON OUR
YOUTUBE CHANNEL

DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.

THANK YOU FOR USING THIS ONLINE TOOL AND TAKING A
VALUABLE STEP TOWARDS BECOMING A GREAT DJ, WHATEVER YOUR
MUSIC AND WHATEVER TYPE OF DJ YOU WANT TO BE.
IF YOU HAVE ANY FURTHER QUESTIONS AND YOU WOULD LIKE TO GET IN
TOUCH EMAIL INFO@DIGITALDJTIPS.COM

STAY IN TOUCH

www.facebook.com/digitaldjtips www.twitter.com/digitaldjtips

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DIGITAL DJ TIPS | THE DJ TEST | THE GLOBAL DJ SCHOOL.