Love Is Gone

           
 
Original Artist(s); SLANDER/Dylan Matthew

   
Piano Arrangement: Daiji Piano

   
 = 70

   
    


      

    


      

3

   
  
 
 

       
                
6

       

 
  

          
                      
9

     
             
      


     
                  
12

              
       
 
Daiji Piano
           
      
        

 
14

  
           
    

   
                 
16

       
             



    
 
              
18

 
   
 
  
          

          
 
20

        
             
 
 

       
        
   
22

             
    
          
 

      


       
 
24


            
        
 
2 Daiji Piano
     
                 
  
26

             
                 
 
        
       
   
28

           
                    
  
            
        
30

             
        
          
 
        
  
           
        

32

              
  
   
             
                 
 
  
34


       

                  
     
  
      
           
      
       
36

   
                        
   
  
Daiji Piano 3
        
         
    
          
38

         
        
            
  

   
                 

    
40

       
      
 

  
            
43

          
           
  

              

    
     
46

         

 
    

rit.

 


       
 
49

    
  


4 Daiji Piano