Professional Documents
Culture Documents
Slave narratives were some of the most effective weapons in battling slavery during the
abolitionist movement because of their varying complexities and their differentiation. The very
first slave narratives focused on the slave trade from Africa to America while the later slave
narratives focused on people who were born into slavery in America already. It is my opinion
that the latter type of slave narrative was more effective in furthering the abolitionist movement
than the former. I believe this was more effective because white people could better comprehend
the concept of people who were born into slavery as opposed to those who were moved from
Jacobs’ childhood is the foundation of what makes her narrative different from the
majority, and this difference adds to the credibility and realness of what she is saying. Jacobs,
known in her writings as Linda Brent, starts off her book by recounting her childhood. Her
childhood was a kind one; she even mentions that “[she] was born a slave; but [she] never knew
it till six years of happy childhood had passed away” (Brent, 3). This is one of the core
impressions that Jacobs, Bibb, and Northup portray in their writings. Jacobs’ autobiography
shows the duality of slavery and just how differently she was treated by various slave owners.
Starting off with a kinder point of view on slavery makes the harsh difference between her
childhood and her adulthood even more influential. Her childhood section shows the gradual
decline in her treatment as a slave and her realization regarding what she was a part of, which is
Linda Brent and L. Maria Child, Incidents in the Life of a Slave Girl: Seven Years Concealed (Auckland, New Zealand: The
Floating Press, 1861).
Henry Bibb Solomon Northup, “The Source: Challenging the “Peculiar Institution”: Slave Narratives from the
Antebellum South,” in Going to the Source Volume I: To 1877, n.d.
typically a rare occurrence, especially in many of the slave stories that I have previously
experienced.
By showing the true, uncensored version of history, Jacobs sheds light on the harsh
reality of slavery which was a core talking point in the growth of the abolitionist movement.
Many people, at the time, had their judgment on slavery clouded by a crowd mentality. They
were too blind to the fact that what they were doing was wrong because so many other people
were doing it and advocating for its normality, much like certain things in modern-day society. A
crowd mentality is very hard to combat, especially if it is something “useful” like slavery. One of
the most effective ways to combat a crowd mentality is to plant a seed of doubt in people’s
minds. That seed of doubt was further planted by Harriet Jacobs when she wrote Incidents in the
Life of a Slave Girl. By showing the harsh and painful truths of slavery, she was planting a seed
of doubt into people’s minds by demonstrating the dehumanizing effects of slavery such as
trauma and abuse. People that have very strong and firm beliefs, such as advocating for slavery
or other modern issues like military status, will typically read arguments from the other point of
view and try and debunk said arguments to further prove themselves to be correct. For example,
such people would read the title of Jacobs’ book and decide to read it; not because they
necessarily possessed a genuine interest in the subject, but because of their polar opposite beliefs
Even if the reader was not a plantation owner, they could still relate to and understand the
concept of slaves born into slavery more easily due to the stories that circulated about the slave
abuse or even witnessing this abuse firsthand. Since many people were likely uneducated on the
specifics slave trade, they would be quick to dismiss any bad mention of it if they couldn’t
connect it with their prior knowledge, and thus pro-abolition arguments wouldn’t have made
Linda Brent and L. Maria Child, Incidents in the Life of a Slave Girl: Seven Years Concealed (Auckland, New Zealand: The
Floating Press, 1861).
Henry Bibb Solomon Northup, “The Source: Challenging the “Peculiar Institution”: Slave Narratives from the
Antebellum South,” in Going to the Source Volume I: To 1877, n.d.
much headway. By introducing readers to the firsthand experiences of those who had endured
such abuse, such as stories about growing up on a plantation at the hands of a cruel master, white
readers could tie in their knowledge and memories from what they saw happen on the plantations
In history, we can see the physical effects of slavery, such as the physical wounds,
clothing, houses, and remains, but we cannot see the psychological damage that was inflicted
upon those who were enslaved. Since most slaves were not taught how to read or write, these
stories about the psychological toll are far and few between ( Bibb Northup, 207). The way that
Jacobs writes is very honest and intriguing. Her writing is very straightforward with the reader
about her story and situation as she progresses further into it, which makes sense with the tone
and gravity of what she is writing about. In the preface, Jacobs acknowledges that she would
have rather kept her life secret, making the story feel more personal to the reader and keeping
their attention for longer. Many real-life writers will typically acknowledge that it is hard to write
their book but establishing that the content is painful and private forms a stronger connection
with the reader and the writer. The editor’s introduction is also important; the editor provides
additional insight into Jacob’s life that Jacobs herself neglected to explain, as well as the
reasoning behind her decision to put her story into words in the first place. The editor also
provides a third party into the story, she verifies that what Jacobs is saying is true and that she
has done nothing but edit the story (Brent, 3). She emphasizes the point that she has in no way
altered the book or dramatized it in any way and that the book is well and truly a reflection of
Jacobs’ life.
Slave narratives are filled with power and emotion; however, there is something more
impactful about a slave woman’s story. The lives of women have unfortunately been fraught with
Linda Brent and L. Maria Child, Incidents in the Life of a Slave Girl: Seven Years Concealed (Auckland, New Zealand: The
Floating Press, 1861).
Henry Bibb Solomon Northup, “The Source: Challenging the “Peculiar Institution”: Slave Narratives from the
Antebellum South,” in Going to the Source Volume I: To 1877, n.d.
unnecessary challenges for millennia, and the slave trade only served to exacerbate this problem.
Women are known to write more emotional pieces and are overall thought to be better writers by
stereotypes, and emotion is really what drives these true-to-life stories into our hearts. This is
what makes a woman’s point of view the most impactful and attention-grabbing. People are, by
nature, intrigued by emotional pieces of work; women, throughout history, have been encouraged
to take on more home-oriented jobs such as teacher, nanny, or servant, because women were
thought to be weaker and more submissive than men. This is directly and effectively magnified
Enslaved women had to go through not only physical but mental and emotional torture as
well. Since women were seen as submissive and better at home-oriented jobs, they would be
more likely to help around the house, which would lead to a lot of unwanted information and
unwanted advances. Jacobs mentions her girlhood in specific when talking about these unwanted
advances (Brent, 9). These advances were from her new master, who was forty years her senior.
In this passage, she talks about how careful slave women had to be. She writes about her
master’s persistent following and looming, always there and always watching; reminding her of
who she belonged to (Brent, 10). Her master would threaten her by saying that if she was not
silent about it to the grave, he would kill her. None of the other slaves would ask what was
wrong, because they were afraid they would be punished for asking or speaking about it.
The masters were not the only people to be wary of. Jacobs speaks of her jealous
mistress, who would be constantly suspicious and malevolent towards her slaves (Brent 1861,
11). Even if the mistress would bring up her troubles to her husband, he was ultimately the
dominant one and he would keep doing what he wanted because he knew there was nothing and
no one that could stop him. Slave men would most likely not have this factor in their lives. Since
Linda Brent and L. Maria Child, Incidents in the Life of a Slave Girl: Seven Years Concealed (Auckland, New Zealand: The
Floating Press, 1861).
Henry Bibb Solomon Northup, “The Source: Challenging the “Peculiar Institution”: Slave Narratives from the
Antebellum South,” in Going to the Source Volume I: To 1877, n.d.
the masters were the dominant characters in the household, even the mistresses would be scared
of him so they would most likely be faithful partners. Men were seen as stronger and were given
harder jobs such as working to build things or tend to animals, and were not often positioned in
the house, so a sexual aspect would not be a part of their story nor would they have the worry of
Slave narratives are very complex pieces of literature that are layered with deep roots of
emotion and pain. They bring to light the true, raw horrors of slavery and aid in our
understanding of history. Harriet Jacobs was a brave woman who brought her story to paper and
documented her experiences as a woman in slavery. Her narrative aided in furthering the
abolitionist movement by bringing to light her traumatic story and others similar to it. The
psychological and emotional torture that was expressed through those stories were the backbone
of the abolitionist movement and expanded the knowledge and empathy of any person who read
them.
Linda Brent and L. Maria Child, Incidents in the Life of a Slave Girl: Seven Years Concealed (Auckland, New Zealand: The
Floating Press, 1861).
Henry Bibb Solomon Northup, “The Source: Challenging the “Peculiar Institution”: Slave Narratives from the
Antebellum South,” in Going to the Source Volume I: To 1877, n.d.