Less a PianoTempo Marks “ jypo is an Itallan word. It means “RATE Tord indeating the rate of speed used in oe fying musi are called TEMPO MARKS igre are some of the most important tempo marks: ALLEGRO = Quickly, happily MODERATO = Moderately. ANDANTE = Moving along. The word a: ADAGIO = Slowly, ot ly means “walking.” waltz Time MIDDLE C POSITION Moderato § 3 5 | é fee ! Suggestion: Repeat with both hands one octave higher.' | GRADUALLY SLOWING THI P 8 an abi ated ld on RESUME THE ORIGINAL TEMPO, The Windmill I ‘Andante ‘Al-waysturn- ing, Al- ways tum ing! Al ways face co nsf the wind! ‘Al-waysspin ning, Al-ways spin - ning! How we love to see you spin! When thewind is blow - ing, and ev- en when it's slow ing, 4 Keep on spin - ing, keep on turn - ing! How we love to see you spin! AN mf a tempo Suggestion: For recital performance, repeat THE WINDMILL playing both hands one octave higher; then play the last line AGAIN, very slowly and softy.Sioux wa, Cpe Tye oe, Chicos 2 Kickapoo, Ki-0- const —— 7 i feat Christo-pher Co- | lum -bus came) Pea aero | eee os | oes Ne 5 Brom A ra-aa,|Suwaes ante: te, | wp — rete a Note: Sioux is pronounced "Soo." it rhymes with “too.” H_ The double dots inside the double bars indicate 5 ‘at everything between the double bars must be REPEATEI = ee~ Harp Song ‘Moderately Siow 1 mf / st time mf, 2d time p) VERY IMPORTANT! ‘Also play HARP SONG in the following ways: 4. Play the Srd and 4th measures of each line of >. Play the tst and 2nd measures of each line on! 'y combination of the above 2 ways- igher than written. e octave hi than written. 'e octave lower t!The sign, ova placed over IDE SISS ‘means Tree NOTES ONE OCTAVE {BNOTES) HIGHER THAN ‘WRITTEN. gva Concert Time Allegro Moderato BOTH HANDS ava ~ a *8°@ applies oni ly 10 the STAFF below it unless “both hands i D.C. al FineAllegro: Pay both hands Bva through Here's a lit tle thing they call the Mu rh sic Box Rock, mf legato Mu = sic Box Rock, Mu - sic Box Rock! Wind 2 lit - tle spring and it’ ‘run tke clock: last time ritardando 10 end Repeat Let it play un = oth it runs down, rary tianhoe ven eighth notes eppear singly, they wok Ke this: gf YJ sie ig ces on a used with eighth rests. COUNT: “one-and” OR: “two-8ths” Clap (or tap) the following rhythm: The Magic Man Mysterious! ys ly 1 Who con pull a sab bit out of Yho ean van ish on - y thud a, Boat era ee57 cy -bod-y's hat? oy, Mi 9 feat tate a Oh, the — Mag. ie Man can , Magic Man cant vo canwave a wand and changea mouse in-to a cat? ven takean el - e-phantand make it dis ap-pear? Othe mar-vel- ous, magi - cal FL mys-ti- cal Mag - ic Man cant5 BOTH THUMBS ON MIDDLE O! The Greatest Show on Earth! March Tempo 4 4 AAR 3 3 Irn OD 5 Come to the Great - et show on Earth fu its full of nin Wes fu of ‘Come sso the ‘Seo what our0 bats can L —————— And when the =i starts 0 a 3 mus =e ply, vont say “Hon y_—___————_ It's Cir- cus. Day, ‘And you will 2 a shout for al you're worth, Great = est Show on orth!”=e he whirlwind: cow, yoo. 0 "HALESTE” POSITION consists entirely of Rallsteps, except forthe last 2 measures, ns piece me allegro moderato 34 Pp chat Ing, churn ng whiting, whiting, twisting, turn ng, hum sing, hurl ~ ing ob imps ping, whisking, curv - ing, curl - ing, F £h, be Tretesune ‘Swift-ly swerving, circ - ling, sending Leaves in live ~ ly spi= rals_ spin -ning putts of fluff and down of thist- les, How it huffs and howls and whistles! Di - zi- y it winds and chas- es Ev - "ty- thing it finds and rae - 6 Whit - ing, twirl - ing, swirl - ing out of sight! a |the Planets iDDLE O “WHOLE STEP” POSITION Andante Plan - ets that | trav - el ‘round | one ofthe a ep -tune and_—| Pu to, ‘the | far - tht inn | Sats Po cal ‘round (Play Tet time onty? Play 2nd time. yg EN Gan you name] them ev - ‘ty Yes, you can | name ev - ‘rya a Piece with 2 L.H. Positions LH. G Position aH. POSITION Lines 1,2 LH. c Posmion Line 3 oo =o “0 IE you will See that this piece is he KEY SIGNATURI piece isin the KEY OF G MAJOR— frmemust be SHARPED: Watch forthe F's in the LH. part ofthe last el French Lullaby Moderato 3 T 5 last time ritard. ater rene Pos D.C. al Finecy A Piece with 2 R.H. Positions ee e— LH © POSITION A eta RA. @ Pom ‘nee 6,6 seiele BAHAY aaeas ‘The piece begins in the KEY OF © MAJOR, changes to the KEY OF G MAJOR, then returns to © MAJOR. Be sure to make all the F's sharp In the Sth and 6th Vines, Sonatina KEVOF ¢MAIOR 103.006. Allegro moderato 4 Maite gk SON: JATINA sa short instrumental selection. it may have one, two, or three movements. I the ist t ‘only movement begins in the key of C majc n or, the second part of the i A G major. The movement returns to the original ‘key at the end, eee I2nd time ritardando Move D.C. al Fine rr70 ‘This ploca isin the KEY OF C MAJOR. Although 3 ats in the key, Some sharps oceur during the plece. Sharp or flats not inthe key signature are calog nat. When Our Band Goes Marching By! March tempo namic sigh 1. When our band goes march ing y, mata (>) 2s "and you march - ing by, a Fi enaing (FT Frat sign (D) Fore f) 2 fal sep terval Harmonie in (ieomplete measure er taal Tas ai Mu - sie pls and col ors tht interval fee jue gand for tye ahd ey signature " Key Legato Major scale Melodie interval Mezzo fore (mf) Moderato ; Natural sign (2) Pro + ple tow thie fw an figh, Wn our and goes pase on om? ‘You _feii_sand_‘and rows Wye, Whenour bard Sos Pedal mark (1) Piano (p) Repeat signs SE is Ftarsando abbrovieted err) second endigg (t=— Sharp sign ($) i e Staccato io La, yt, march = oa Tempo Tetrachora Tine sinatures (2 J Whole step