B Amp B 2015 June

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B Amp B 2015 June

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New designs using classic techniques Make this radiant pendant and more! Explore a new twist on weet yendant extra Cellini stitch .. 9 @™"" Learn an easy way to start bead crochet ».:2 Discover tubular St. Petersburg chain p.cs tus! BONUS ONLINE Our guide to flexible beading wire p.n CONTENT P. 4 Meet bead entrepreneur Beki Haley p.46 Create structure with 2-hole beads p.62 www.BeadAndButton.comBU UCR Cee ETT 8560 Commerce Place Drive NE Selection! ET eet) - PRECIOSA Ripple" Bead Plus over 12,000 other styles and colors of Czech fire polished, pressed glass and seed beads! Primary Distributor of —_ 3 PRECIOSA Traditional Czech Beads shipwreckbeads.comVISIT OUR 6500+ SQFT IMA @ a ‘components trom www groengirstucios.com. “@ 1 Customize yourlook with alphabet charms onc message components fom traces F. ee. & o This and that ‘© Make wrap bracelets ond more wih eetton batik ribbons from wow. urbanaku com, The new kumihimo handle helps reduce hand fatigue. @ Double-density kuminimo cisks provide better tension with thinner cords and wie. Learn more at werwbeadsmith.com, + A ollowup to the Now That's cigs the Now That’ a Pliers! ‘which provides hancheld contol with interchangeable pegs. ° Find i at wwwriogrande.com. ‘sThis cup chain hes a hole in the side of the cup ° {or sewing through. From www.ezetfinclings.com, G6 te June 201513BEAD sOUP@ Design challenge This months challenge was to ereate something featuring Pontone’s 2015 Color of the Year — Marsala. Our supplies included a Czech glass button, fire-polished beads, pearls tiles, pinch beads, two-hole daggers, ‘drops. and assorled seed beads. Our editors and a B&B reader came up with a variety of designs to inspire you. (Sorry, instructions are not available {or these pieces.) Julia Hove how the bution in this selection kind Of looks ike it's already beaded so | chose it to be the focal point for my pendant. Because Connie | used frepolthed beads and pearls to make the base of my pendant, then embelshed it with two sizes of daggers and pinch beads. The sage green 15°s add just a little pop of contrasting color. Cassie, Ved he beods in thi chok ge Got sca ew ear vale ina es te er sig ip, Vistar oval Cou “sorumploussoolopeneciioce the button hes a lot of detail aready. | simply attached it fo beacing foundation, added edging and a floral drop. and stitched {ball for stinging. Connie Blank (6&8 reader) # As soon as | saw the bution in the supply of beads. | knew that wanted fo make a leather wrop bracelet. As it came together, the sections of the lorger beads just naturally 1ose above the seed beads, making it more dimensional in the June 2014 issue of Bead&Button. | could see that it had the potential to incorporate mos! of the beads in the chat- lenge so | modified it to make a Sweet bracelet. jove tne end result and owe a big shout-out 40 Carolyn for the inspiration. On the Web Gre L _ rn 2) B&B Extra 5% Dy au Nee aoe a Sot 509 sone ts eur a a sos ona weed Lig ) Marquise moxy bracelet | | 14 ww BeadAndButton.com bby Yosmin Sarfati Beads and chain bracelet bby Josie Fabre | CE | | | Sictereeern | ‘grenfirg ote gong one Sees “eetaiaeoy | | - aa | | | weraAue Buddha Boatiqua REATE YOUR OWN BEAUTY. Eerie) f B 9B} BiveBuddnaboutique.com (=SBeal Buek Keep beads in aa while re re lore nb eler=xg Peer enor Perfect imps in 1 Squeeze, Pee ea ee ee Available at bead and craft stores. beadbuddy.net ‘SWAROVSKI h | 4 7 9 es ® ne VY) * Va i OVERSEAS Crystal Bonus! son pt new cand rocoe | ‘Choose from these popular Beads of the Month™ Clubs "NEW" 2-Hote Beads ofthe Month™ ‘Swarovski Crystals of the Month™ 11/0 Seed Beads ofthe Month™ Rotating Cub ofthe Month™ Superdios of the Month™ Doticas ofthe Month™ ere For fl details, visit our website June 201518YOUR WORK @ 2015 Bead&Button Show commemorative bead designs very year, @ bead artis is commissioned fo make © commemorative bead for the Bead&Button Show (see more about the show on p. 12). This year, bead maker coxtraorinaire Andrea Guorino Simmons designed this fabulous floral bead with @ siver cote and end caps a8 a trioute fo the show's 15th anniversary. We asked three ‘members of the Loose Bead Society of Greater Mitwaukse to design a special piece with the boad, and we'e happy fo shore their work with you here. Each piece will bo uetioned off during the Bead Social at the Bead&Button Show, with proceeds going to the Medical College of Wisconsin for breast cancer research. Go big or go home The large size of the bead demands @ substantial design 50 I chose to make a long mutistand, asymmetr- Cal necklace. in this design. the 2015, commemorative bead should be worn over the heat and the peyote ‘bead wom lower on the right side. Sara Jane Mariega simarlega@yohoo.com bbeod stitching, witework 16 www BeadAndButton.comKeep it simple My goal with this necklace (let) wos to showcase the bead and not overwhelm it.Clean, simple lines bursting with the bright blue of the flowers on the bead infuse the necklace with lfe.The crystal accents that dangle from the chain remind me of dew drops on flower petals, Katy Hess stinging, wirework “Business to Business” Gem, Jewelry & apidary Trade Shows @ & 2015 Asheville, NC...nnnonomanuary 6-7 From concept to reality I wanted fo create a vibrant piece representa tive of a plant. The stering siver armature and. ead represent the flower, the pieces that shoot Up ftom the flower represent the stem, and the 2A-gauge storing siver Viking knit neckpiece represents the roots. Finally the fne-sver fused Cchaiin links represent the bits of stone and earth in which tne plant is growing, Barto Schoenherr baraschoenhem@att net wirework, Viking knit Orlando, Fl.ssennenanuary 9-10-11 TUCSON, AZo nersnereondam. 31-Feb, 13 Mie Fee ERE Ta ray FeLi kd Minneapolis, MN.r.ononApil 12-13 Livonia (Detroit), Mi...April 17-18-19, West Springfield, MA.suApril 24-25 Orland, FLmmsnnnndlay 123 Franklin, NC nnnnnsonMay 89-10 Livonia (Detroit) ML...July 10-11-12 Franklin, NC nnnbty23-24-25-26 SprucePine, NC.n.July 30-31-Aug. 1-2 Tucson, AZ...September 10-11-12-13 Minneapolis, MN...September 27-28 Livonia (Detroit), M....October2-3-4 West Springfield, MAeuu.dct, 910 Asheville, NGonnonns October 20-21 Orlando, FL nmnn October 23-24-25 ‘Phone 60.879.8832| Fax 601 479.3282 ‘Email infoaghyshows.om Website giashows.com June 201517Fact: You don’t have to be Monet to create a masterpiece. Discover watercolor flat leather and so much more at GoodyBeads.com. Bead Happy. Save Always.” ess color selection online Ted Enjoy Instant Insptration! Access Bead&Button magazine anytime, anywhere with the convenience of our di: Get Yours At www.BeadanaButton.com/digitaleditions www:BeadAndButton.comMARCH 28 823 PRL as APL 24 8 25 (8 a) MAU to 10 MAY i687 NEB EH 4JUNE20 821 JUNE? 828 wy nar uy isa ie Uy 25826 uust1 42 SEPTEMBER 18 o 20 SEPTEMBER26 827 cocroneRs 84 (crore io 1 OCTOBER 178 18 (cToBER 2 25 NOVEMBER 50 8 NOVEMBER 0 2.15 NOVEMBER 21 &22 www. SQUATORIA wortd.com eee co ceo NIAGARA FALLS, NY EDISON, NJ GAMBRILLS, MD ROCHESTER NY MARLBOROUGH, HA Visibility » Opportunity » Credibility CHT Toawertse cat 888-858-1544 DOxLESTOWN, PA zg sn CE iy” ==. x54 or 618 ‘SEANDIA HY mammal | C7ECHRTES }CZECHMATES CONCORD, Nit QUADRATILE MARLBOROUGH, A FREDERICKSBURG, VA ROCHESTER NY EDISON, NJ CLARKSVILLE, MD ALBANY, NY MARLBOROUGH, A ISLANDIA, NY READING, PA 15% discount on entie purchase with code 72015 www.EarthTreasuresGems.com dune 201519Jewelry Making 1-2-3 is the ideal project and practice book for anyone who's ever wanted to give jewelry making a try and just needed a place to start! It’s as easy as Master the Basics 2EQPRECIOSA aitionai czech beads PRECIOSA Ripple™ JORE ABOUT ditional Czech Beads™Ribbons ‘and vl Spe a _—MAKE A THREE-RIBBON STRAND i hes syd. (9) length of ribbon, and thread a twisted wire needle on oneend. string 5 07 crystals (rounds, mini rounds, of mini oval beads), and ‘enter them on the ribbon, Remove thencedle. Zante mice crystal in the center, and side the other crystals to the right and left of it by 3-4 i. (7-10 em). Tiean overhand knot (Basics, p. 79) on the left side of the center crystal, and use your fingers to snug it lose to the crystal Repeat fon the right side ofthe center crystal making sure to move the knot close to the bead before tightening (photos a and). quence Dyin. (6A em) 0 the right of the center crystal and tie an overhand knot. Side the closest crystal next to the knot, and tie an ‘ovethand knot on the other side. Repeat with all of the crystals to the right of the center crystal. precast all of the crystals to the left ofthe center crystal oe jpleces of ribbon the some iength asthe finished beaded strand. Group all three ribbons together, and te an overhand knot atthe very end of the strands. Cut the ‘ends right against the knot (photo ¢). Tee, ‘glue to the inside of the clamshell end cap, and position it ‘over the knot. Squeeze the clamshell Closed with flatnose piers (photo d). Letthe glue dry. ar the ribbons so they are all the same lenath. Secure the available ends ofthe ribbon asin steps 6 and 7, Attach ajump ing (Basics) 10 each clamshell ing. girs 1-Basmany times as desired (1 made a total of five three-tibbon strands). ASSEMBLY ‘Attach a lobster claw clasp to one rmultistrand connector using 4mm Jump ring. Attach a4 mm jump ring tO the other connector. String the desired ‘number of tee-ribbon strands on the ‘multistrand connectors. MATERIALS (5 STRANDS) ‘Swarovski Elements 25-35 assorted beads inthe following styles: ‘amm crystal round beads, (amie 5000) ‘Bmmcrystal mini round beads (stile 5052) 1038 mmeystal mint oval beads (Article 5051) 15 6. (387 m)%e catherrbbon aja, suk, or 107 mm clamshell end caps with spitrings, 2 per strand (wwwalacartecaspscom) «= pair of mutstrand Fonnectorswithjumpsngs (rw artbeads. com) lobster claw clasp = 24 mmjump rings 4 G-SHypo Cement orjewelry hue TOOLS «twisted wire beading neesle ss sharp seisors or cutters = fatnose pliers ED make 2 couple of ribbon-only strands to mix ‘with the crystal strands fora more casual look—0F add additional crystals for ‘even more sparkle! June 2015SECOND LOOK e Balancing act Our design expert explores the power of proportion. by Margie Deeb Original piece A peyotestilcned medation featuring 2 z2bra foce forms the fecal area of his necklace by Deborah Fleming (below). Seec:beac:wropped wooden bat form the fingo, and the strap compres ator nating 11" Wory seed beads and 8 Sted loss orbeset beads Seared fod cre cr net Tomy warsebe 7 bein eden ines ¥ | tenbening ms (eos, aded donging bale or hy ot our fomary in the many cultures that inter- pret cnimais in their art? Design wise. the prevailing issue here Is lack of proportional bal- ‘ance. But I have some ideas that wll transfor Deborah's necklace into strong, balanced piece (right) Second look ‘The piece would have had a smoother overall lock ifivory-colored thread had been used instead of black thread, which can be seen between the beads in some areas, disrupting the visual fow. {As for the design, the sttap and fringe Compete with the medallion — which should be the focal point — for atten- tion. Here's what | suggest fo put the focus squarely on the medalion: + Fringe: Positioning the two dangling balls so far apart creates an odd gap at the bottom, pulling the viewer’ focus in opposite directions, ond giving a sense: of incompletion I chose to add two 24 wwwBeadAndButton.com mote dangles to fin that gop. initially considered adding three dangles because an odd number of embellish ‘ments is usualy more elegant than an ‘even number. However, it made more sonso thematically, because the four dangles represent the logs of « 2070. Now. the animal motif extends through ut the piece, with ears (the two black beads at the top) and legs! + Strap: The strap presents two problems: Fist, tis t00 thin fo cary the visual weight of the medallion and fringe. Second, the allernating bead sizes and colors create textural activily that distracts from the ‘medallion. Our eye naturally wants to folow a line, When that line is busy with, {an abundance of texture and activity youve all but guaranteed the eye wl follow the line. To reduce the activity in the strand, | removed ail the seed beads, leaving the tortolseshell striped beads — quite busy themselves — fo make their (wn statement, | doubled the strand 10 make the strap more substantial, thus balancing the visual weight in relation to the medation, + Medallion: Inthe original medallion, ound the zebra's face dificult to dis- ‘oem. By changing the color of just a few of the seed beods around the e765 and the nose. those features are ow emphasized. so it doesn't fake long for the zebra’s face to emerge trom the geomettic pattern. When taking a second look at your ‘own pieces, do so from a distance. Think about where your eye lands fist, where it travels, and why. Look for areas that ‘appear lighter or heavier Then deter mine if they need more or less emphasis. ‘A welkbalanced piece of jewelry is an enjoyable visual journey. @ Margie Deeb ison arts, designer color expert, and ‘uth She has writen The Bead’ Guide fo Jewelry Design, he cward-winning book The Beaders Color Polete, and The Beader’s Guide to Color, plus numerous ortces and publeations. Contact her at wirwsmergiedeed.com 's your latest creation just not clicking? Ask our expert Margie Deeb fo take a Second Look! mol highest ast 1,$00x2.100 pels 7x5 in. ond 300 dp) mage of your pee fo shotosemargieded.com.” ‘Jewel must be infocus and wel and shot ono sald book or while background: aid shadows or rections onthe piece. Based on he volume of submissions, we may be unable fo review lentes.a TDI ner: i by, SL NN AR) NAN CZEC {: The Building Blocks of Modern Beading QUADRATILE CZECHWATES Dimensional Beading System ne YOUR LOCAL BEAD STORE FOR CZECHMATES?® OR ORDER FRO! Ces en ee) Manan) Or Ta wm Cats oes mare Eclectica ® QUADRALENTIL PR oer Rime er . Eee ra , Consistenthole spacing ensures RU Cee ch c no warping oF bunching BEAD STORES -Register-asa reseller: 888-683-BEAD [2323] - www.Starmanlne.com « Sales@Starmaninc.comThe JeWEIl a: WE TN AYU Nisconsin - W th Camps, Preludes: Fundamentals 4 in Techniques & Workshops Master Classes Moonlight Madness Meet the Teachers Reception General Education Classes Lampworking Madness Bead Social and Auction Night e Classes Enc Aaah . of ime is Running Out — RCiacle Now!New Beads Every Week See the latest components from around the world—every Thursday at Lima. LimaBeads.com/FreshCOVER STORY PEYOTE STITCH LAYERED Create a layered look with SuperDuos and SuperUnos around a bezeled rivoli. designed by Wendy Speare 28 www BeadAndButton.comFIGURE | Bezel 1.0n § ft.(1.6 my of thread, pick up 36 111° cylinder beads, and sew though the {ist titee beads again to form « ring. leaving a 3 ft. (.9 m) tall These beads vil shift fo form rounds 1 and 2 as the Next round is added. Wrap the tail on, @ thread bobbin or piece of cardboard. 2 Work rounds of tubular peyote stitch for the back of the bezel as follows, and step up at the end of each round: Round 3: Work « round using evlinders. Rounds 4-5: Work both rounds using 18" seed beads. Round 6: Work @ round using 18° Charlotte beads. using a tight tension, ‘and sew through the beacwork to exit cylinder in round 1 3 Filp the beadwork ovet and place the rvoll face up into the beadwork. Sitching off the cylinders in round 1 ‘work a round of 15? seed beads and @ round of 15° Charottes for the front of the bezel, using a tight tension. 44 Sew through the beadwork fo exit 2 cylinder in round 2 This is the center round of cylinders in the bezel poure 2 Upper layer of embellishment Work rounds of circular peyote stitch «as folows: Round 1: Working off the center round of the bezel, stitch round using 11 seed beads. and step up at the end of the round (figure 1, a-b). Only round 2 of the cylinders in the bezel is shown for Clarity in the ilustration. Round 2: Working off the 114s just ‘added, stitch a round using Supertnos (b-€), and retrace the thread path. End the thread, Lower layer of embellishment 1 Unwind the tail from the thread bobbin. and attach needle. With the back of the bezel facing up. sew through the beadwork to exit a round 1 cylinder in the bezel. 2 Work rounds of circular peyote stitch «as follows: Round 1: Working off the round 1 cylinders, stitch @ round using 18° seed beads, and step up at the end of the round (figure 2, a-b). Only round 1 of the cylinders in the bezel is shown for Clatiy in the ilustation. Difficulty rating e@eeoo Materials purple/gold pendant 1% in. (4.1 em)" + 1/14 mm fal (Sworesk, volcan) + 3.92.55 mm SuperUno beads (ol laser) + 2545 mm Supedv0 beads 34g color (pastel Bordeaut) +4: coloB (a color similar othe Supertnos; gold lusts) + 3g 1x38 mm O-beods (metalic mi) + 1.911® seed beads (Toho PF4BS, rose copper mie permanent gohanized) +19 11° oyinder beads (Miyuk DB323, mote ‘metic purple is) + 11g 15* seed beods (Miyuki 4208, Duracoat golvnized bery) +119 15° Chatote beads (purple is) + Foie, 6b test + beoding needs. #11 o #12 + thread bobbin or pie of cordboord “tts ond materials are avaiable ot ‘wwe webstore poppybeods com, green/brown pendant + 14 mm tivol (Sworovsti verde) + 2.5.5 mm SuperUno beads (chalk ‘azure blue) + 25x 51mm SuperDvo beads - eolorA (mate metalic fax) - color B (a color to match SuperUnos: luster opoque green) + 13.8 mm O-beads Get bronze) ‘+ 112 seed beads (oho 512. gavanized blue haze) + 11! oyinder beads (Miyuki DB1834F Duracoat ‘golanized matte champogne) + 15® seed beats (Toho 222, dark bronze) + 15® Charlotte beads (84, green iris/brown) Basics, p. 79 * peyote stitch: tubular crear + ending and adang theod * attaching 0 stop bead Wendy Speare stared stich ing in 2012, Once a sofware developer she now has the ‘perfect job at Poppyfeld Bead (Company. in Albuquerque, New Mexico She ‘hans Julia Hecht, Poppytel’s owner for her encouragement and inspiration. Confoct Wendy at beadtingers3@gmai.com June 2015 29Round 2: Working off the 15%s just added, stitch @ round using color A SuperDuos (b-c), and retrace the thread path (not shown in the ilustration). Sew through the fist A added, {and continue through the open hole of the same A (ed). Round 3: Sewing through the open holes of the As, work another round Using As (de), and retrace the thread path (not shown in the lustration), Sew through the fist A added in this round, ond continue through the open hole of the same A (@-f. Round 4: Pick up an O-bead. a SupetUno, and an O-bead, and sew 30 wwwBeadAndButton.com une 4 through the next A. Repeat this stitch 16 times, leaving one space open (figure 3, a-b), Pick up an O-bead.c olor B SuperDuo, and an O-bead, and sew through the next A (b-e). Retrace the thread path. and end the thread. Bail 1.0n2 ft. (61 cm) of thread, attach a stop bead leaving a 64n. (15 cm) tal. With the front of the pendant facing Up, sew through the open hole of the ‘SuperDuo added in the last round Cligure 4, point a), 2 Pick up an O-bead and an 11" seed bead three times, and then pick up {an O-bead and a 8 Continue by pick- ing up an O-bead and an 11" seed bead three times, and then pick up {an O-bead. Sew though the hole in the B your thread exited at the start of the step to form a ring (@-b). Retrace the thread path (not shown in the ilustration). and sew through the fist eight beads added (b-¢). Continue through the open hole of the B your thread is, exiting (e-4), © Print ail the materials for the projects in this issue ct www BeadAndButton.com/resources. Ficure s GB roytinder bead @ Wr seed bess QZ isms ted © 15° seed bead QD 25x5 mm Superd00 bead, color A S 138mm >2s:5mnsp0u 04 ct 3 Repeat step 2 two more times. 4 Tum the beadwork over so the back ‘of he pendant is facing up, and remove the stop bead. Pick up an O-bead and ‘an 11" seed bead thvee times, and then pick up an O-bead. Sew through the bottom hole of the B in the outer round of the pendant (figure 5, a-b). Pick up ‘an O-bead ond an 11" seed bead three times. and then pick up an O-bead. ‘Sew through the hole in the B your thread exited at the start of the step (@-c).Rettace the thvead path, and ‘end the working thvead ond tail. @BIG CATALOG. MAXIMUM SERVICE. ee) te) ts oT EVERYTHING YOU'LL NEED IS AT NE Nel ct) oaks Baa ee Sec) ee oar stein ia ocala Get 118 issues — 14,000+ pages in all — of gorgeous projects, how-to tips, expert advice, and creative inspiration on one DVD-ROM! This all-in-one resource is: Fully searchable: Save time looking for your favorite projects. Packed with projects: Find the perfect piece for every skill level. Easy to use: Bookmark your favorite projects. Best ofall, it contains every single project from Bead&Button February 1994 to December 2013, all in one space-saving format! JUST $74.99! SHIPPING INCLUDED! BEAD JewelryandBeadingStore.com or call 800-533-6644 June 201531PEYOTE STITCH / HERRINGBONE STITCH / BRICK STITCH Make a high-fashion cuff with cylinder beads and adorable beaded buttons. designed by Eleanna Zegkinoglou 32 wwweadAndButton.comoURE 1 Cuff base 1.0n a comfortable lenglh of thread, pick up 47 color B 11° cylinder beads and one color A 11° oylinder bead, leaving a 6:n, (15 6m) tal These beads are cutined in red in the patter in figure 1 ‘ond will shit to form the first two rows of beadwork as the next row is added. 2.Working in fat even-count peyote and following the body section of the patiem in figure 1. work one row with an A and 23 Bs, and then work a row with 24 Bs Alternate these two rows Until he body of the band is bout Yin. (1.3 cm) short of the desired cutt length End ond add thread os needed. The 6léin. (15 om) sample bracelet has 185 rows in this section, 3 Toper the end of the band by working decreasing rows Taper row 1 (cutiined in corange): Work an A and 23 Bs, Taper row 2: Work an A 22.Bs, and an A. Make @ decrease tum’ sew under the nearest thread bridge ‘ond sew back through the last two AS, Taper row 3: Work an A and 22.85, Taper row 4: Work an A 21 Bs, ond an A. Make @ decrease tum. Taper row 5: Work an A and 21 8s, Taper row 6: Work an A 20 Bs, and an A. Make 2 decrease tum. Taper row 7: Work on A ond 208s, Taper row 8: Work an A 1985, ond an A. Make ce decrease tum. Taper row 9: Work an A and 198, Taper row 10: Work an A 18 Bs, and an A. Make @ decrease tur. Taper row 11: Work on A ana 18 Bs, Taper row 12: Work on A. 178s, and an A. Make a decrease turn Taper row 13: Work on A and 178s, Taper row 14: Work on A 16 8s, and an A. Make a decrease tum. Taper row 15: Work an A and 166s, Taper row 16: Work 17 As Make a decrease tun, Taper row 17: Work 16 As. 4 Add a new thread at the coher end of the body, and repeat step 3 to toper this lend. End all threads and tails FAGuRE2 Fold-over flap 1 On a comfortable length of thread, pick up the beads for the fist two rows of the flap body (these beads are out lined in red in figure 2, reod- ing right fo lft): on A 13 Bs, On A.B thvee As, 14 Bs. on A two Bs, two As. and 10 Bs. Leave @ én, (15 cm) tail June 2015332 Working in two-drop peyote, continue fo follow figure 2 to complete the body of the ‘ap. you prefer to work rom, word chart instead of a graphed pattern, go fo www. BeadAndButton.com/couture Yo download the chart. 3 oper the end as follows: notations pick up wo As or two Bs) ‘or a combination of the lot- {ets in the order they should, ‘be added. The stitches ore separated by commas. Taper row 1: 2A 28, 28,28, 28, 28,28, 28, AB, AB, 28, 28 Taper row 2: 28, 28, 28, 2A, BA, 28,28, AB, AB, 28, 2B, 2A, decrease fun Taper row 3: 2A, 28, 28, 2A, 28, 28, 2A, 2A, 28, 28, 28 Taper row 4: 28, 28, 2A. 28, ‘AB, 2A, 28, 2A, 2B, 28, 2A, decrease tun Taper row 5: 2A 28, 28, AB, BA, BA, 28, 2A, AB: 28 Taper row 6: 28, 28, 28.28, 28, 28, 28, 28, 28, 2A, decrease tum Taper row 7: 2A. 28, 28, AB, AB, 2A, BA, BA, 28 Taper row 8: 28, 28, 2A, BA, 2A, 2A, 28, 28, 2A. decrease turn Taper row 9: 2A 28, 24, 28.28. 28, 20,28 34 wwwBeadAndButton.com FIGURE? FIGURE ‘Taper row 10: 28, BA. 28,A8, ‘AB, 28, AB, 2A, decrease turn Taper row 11: 2A, 28, 28, 2, 28, 28, 28 ‘Taper row 12: 28, 28, AB, 2A, 28,28, 2A, decrease turn ‘Taper row 13: 2A, 28, 28, AB, 2A28 Taper row 14: 28. 2A. 28,28. 28, 2A, decrease tun ‘Taper row 15: 2A, 28, 28, AB, AB ‘Taper row 16: 28. 28, 28.28. 2A decrease tum ‘Taper row 17: 2A, 28, BA. BA Taper row 18: 28 2A. 28, 2A. decrease fun Taper row 19: 2A, 28.28 taper the other end as in step 3.End all the threads. Join 1 Add @ new thread to the: fap. and exit an end A on the wide side. Align this edge of the flap with the narrow ‘edge of the base.DWrepiner tea, ctr Bie cincer tea, nord Q imme O 15 seed bead 2 Fick up two As, and sow through them again to make «a two-bead ladder (figure 3), Snug thom up to the flap. 3 Pick up two Bs, and sew down through the adjacent ‘A (figure 4,0-b). Sow through the corresponding edge A on the base, ond then sew through the next edge B and back through the last B added (b-c), 4 Working in herringbone: stitch, pick up two Bs, sow down through the adjacent B (figure 5, a-b), and then sew through the next two ‘edge Bs in the flap and back though the tast B added (B-c). Repeat this stitch for the length of the edges. When you teach the other end, youll be exiting an end Join bead. Sew down through the adjacent join bead so your needle is heading back toward the spine of the join beads just added. 5 For cddiional reinforce ment and to make the spine of the join stand out from the edges a bit, work one mote row of beads: Pick up a B, ‘and sew through the adjacent join bead in the next row (figure 6, -b). Repeat this stitch (b-e) for the entice length of the join. End the thread. Fold the flap so the lost row of beads added cre hidden within the fold Decorative buttons 1.0n 1 yd. (9m) of threo pick up a 4 mm pear, leaving a én. (15 em) toil Sew through the peat ‘again to make a threcd bridge around one side of the peat (figure 7). Sew through the pearl twice more for o total of three thread. bridges, and arrange them s0 two of the thread bridges ‘te opposite each other cond the remaining bridge is between the other two, 2 Pick up two As, sow under Cone of the side thread bridges (not the one in the mid), ‘ond back through the second A (tigure 8). Pick up an ‘A.and sew under the thread bldge and back through the A just added (figure 9, a-b). Repeat this stitch around the pearl until youve added @ total of five As (b=) Continue around, attaching AAs fo the opposite thread ‘bridge, until you have 10.As surtounding the peatt (c-d). Complete the ring by sewing Gown through the fist A, under the thread bridge, {and back up through the first A (a0). 3 Pick up three 16%, and sew up through the next A in the ring (figure 10). Make sure the center thread bridge Is rot facing up at this point. Repeat this stitch nine times ‘around the ring. Afler adding, the loops of 15%, there will be distinct front and back to the button, and the center thread bridge should be on the back 4 Sew down through the pre- vious A and under the center thread bridge. Working as in step 2, add three As to the center thread bridge. You will tach the button to the ‘bracelet using the mite A (on this center thread bridge. 55 Sew down through the center A on the back of the bouton, sew under the thread bridge. and sew back through the center A. End the tall but ot the working thread, and sat this bution aside, 6 Repect steps 1-Stomote —_Diifficulty rating © second button . 7 Identify the eight beads eeeeod on the cuff base marked with dos in igure 177s is where you will attach the Materials two buttons cuff 64 x 2% in. BWith the thread exiting the (15 x 6.4 em) center A on the back of a + 24 mm gloss pears (white) bouton, sew through two 11" Miyuki Deca cyinder codjacent base beads (figure beads 11, a+b) and the other two =34g colorA (080035, codjacent base beads, and ‘ganized siver) then sew back through tho =42 g color 8 (08C0006, center Aon the button (b-c). __her-cu bie is) Make sure you are atiaching + 11g 15* seed beads (Miyuk the button to the outer 161, gokanized ser) surface of the base. Sew + 2 snaps, sze V0 through an adjacent A + Feline 6 best cyst ‘on the back of the button, forbuttons ond smoke for under the corresponding remainder) thread bridge, and back + beoding needles, #12 thvough the same A (e-d). Sew down through the cere ter A.and retrace the thread Basics, p. 79 path ofthe connection.Bo + ~peyol sie a ever count not end the thread. ‘two-drop 9 Repeat step 8 1o attach + heringbone sich the other button fo the + ladder seh other set of tour marked + ending ond adng tieod base beads. Snap closure leanna 1th 0 working thread Zoghinoglow ines remaining fom a button. sew in Alhens Groce. ‘through fo the inner surface with her husband ofthe base, and work asin and young daugh- stop 8 of Decoraive butions’ fer andor as a plrist and to attach half of each snap ‘music educator. Contact her vig closure fo the marked beads email a leannregtnoglou@ in figure 11 yahoo com 2.Add a new thread to the ‘other end of the cuff base, {and attach the other halt of the snap closures to the outer surface of this end of the base, attaching them to the cone- sponding sets of beads as those marked in figure Vena the threads. ©BEAD WEAVING Half Tilas all the fun Outer strands 1 Open a 4 mm jump ring. and attach ito the toggle bar loop. Open another 4.mm jump ting and attach ito the pre- vious fing and the soldered jump fing. 2.On 28 in. (71 cm) of thread. pick up @ color A Halla bead ("Tia from now fn) and two color A 15" seed beads, leaving a 64n. (1 cm) fal. Sew through the soldered jump ring twice, ana back through the last 15? just added (figure 1. {@-b). Pick up an A 15°, and sew through the open hole of the Tia (b-e). 3 Pick up « repeating patter of an A15%,an 11° seed bead, an A 15%, and two A Tilas 20 times. Pick up the pattern once more, ending with a single Tic. This will make o 7% in. (19.1 om) brocelet. Snug up the beeds so that no thread shows 4 Pick up two A 15%, sew through the 36 wwwBeadAndButton.com This easy-to-make multistrand bracelet boosts the hues with three color schemes. designed by Miyuki Bead lo0p of the toggle ring twice. and sew bback though the last 15? just added (figure 2, a-b), Pick up an A 15", and sew through the open hole of the next two Tias (b-€), 5 Pick up an A 15*,an 11", and an A151, and sew through the open hole of the next two A Tis (e-d), Repeat this sitch for the length of the bracelet. For the final siteh, sew through the remaining Tila, Snug up the beads strand plan Order the Ta strand colors ike this. oft fo right: A. B,C, 8. (igure 9) Push the threads ftom each strand Upto the top ofthe jump ring or loop of the toggle ring 1o leave tenough space for the midcle strand, which will be added last. 6 Sew through the following two 18's. the soldered jump ring, and back through the end A 15" End the working thread and toil 7 Repeat steps 2-6 for the second outer strand,ouRe 2 strands (A) Hina) midge Me. strand cy Sand) runes 15 ted bead, color A 15% seed bead, color 8 see bead 10" onder bead 1 onder tad HB iti, cara Half Ta, colorB EB iti core Inner strands Using color B Tas, color B 15%s, and 11” seed beads, repeat steps 2-6 of Outer strands” fo make two inner strands, Middle strand With color C Tis, 11° cylinders in place of 15%, and 10° cylinders in place of 11%, repeat steps 2-6 of ‘Outer strands" fo make the middle strand. © Difficulty rating eeoc0o0 Materials bracelet 7% in. (19:1 em) + 9x23 1.9 mm Hal Ti beads" = 64g color (Mik 301, ronsperent ‘ose god lute) ~6 g color (Miyl 59, ght corome! Ceylon) + 3 g color C (Miyul 2035, ontque bronze metalic mate rinbow) 2.9 11° seed beods(Miyut 003, sivertned gold) 15 seed beads <2, color (Min 313, ol ister burn) 2 g color (juli 593, light coramel Cylon) 119 10* oyinder beads {iy Detics, 084331 24k mate metalic bight gold) 1.911" oinder beods (Wiyus Datics. 08380, mate ‘metalic kot is) Jump rings =14 mm soldered =2.4 mm open + toggle cusp + Feline, 6b eto ize D nylon beading thread + beoding nodes, #11 or #12 + 2 pars of cainnose loinose, andor bentnase pes * Available from www redpandabeads.com. Basics, p.79 + ending ond oding fend + hathien oct + opening and losing oops and jump ngs ‘Miyuki Bead iso Jopanese manufacturer of lass beads. Visit the company’ website at ra miyut-deods.cojofengish BES SHOPPING: Cuasses! Miaw' var. 8024 m1 — Ave, an 1s a EAD New York: Aarze3 68 sti “ hie Tucs0 + Sept 1013 & Feb 16 Kin Veterans Memorial Community Cente 12805 E Ajo Way, Tucson, AZ 85713 [Anson Tuso/ NY: Fau'~Muts Wasan0 vs eecasecmoy, eect 10813-12300) petalSaerd Teo ox can ogatid Ry Mi mak Ws sé Fun rend 110-6005 [83 w/ Reorsrearion® —Sar10-680xc10-4 [ancn 7 88ir8ex Prrnsnvno, PA: May2-3 SirSex Loisvitat, KY: Mav 30-31 8irsex Ontaxpo Marr.ano,FLJOx13- M8inSex Pr, Lavnennata, FJ AFL SOND. 28 Sire Rata, NC AvO 12 Seesox aowsosvine, FL: Fat 15 TBA OntaNnoMarrtaxo, FI: Ocr 10-11 sir8c Prrvsncnatt, PA: Oct B1-Nov SurSex Fr, Lavpenpats, FL: Dr 12-13 Sirser ena Te eer Por Oren Daris & CouPonst TS eg a [FiberAndBeads@ Yahoo.com 610.241.8329] Wie US! Today! 988-558-1544 ext.648 June 2015.37

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