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NETFLIX MARKETING
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Netflix Marketing 2
Netflix Marketing
Netflix is a world leader in instant television and movie streaming services worldwide.
The company was established in 1997 as a DVD rental service provider but gradually migrated
its services to the online platform. While most businesses use the term streamlining operations to
increase efficiency and quality production, Netflix adopted the term streaming to make content
readily available to its client base. The business promised its clients to make movie viewership
an enjoyable experience by making it easy to access a wide variety of content. Netflix brands
itself as a streaming service provider, offering T.V. and movie viewers an unrivaled experience
Brand Identity
Companies must establish themselves based on the products and services offered to their
clients. According to Nandan (2005), the term brand identity reflects a company-originated
profile that involves a firm producing products with unique features. Netflix differentiates itself
in the market by providing a platform where customers can view their preferred television
programs and movies. The company identifies itself as a unique story-telling arena that lets its
Branding tells a story about the relationship between company products and client
relationship. Under the positioning model, a company tells its story through positioning,
personality, aspirations, client benefits, and emotional connection (DeLane, 2020; First Round
Capital, 2015). Netflix prides itself as a company providing clients with hundreds of thousands
of product choices to explore and experience. Clients benefit through value-added content that
are advertisement-free. First Round Capital (2015) asserts, “All human aspirations are
Netflix Marketing 3
opportunities for brands to build relationships” (para. 6). Furthermore, Netflix perceives all
humans as potential clients. Therefore, the firm develops and hosts a range of products suitable
for individuals of all ages. Children can enjoy cartoons and other associated programs suitable
for general family viewing. Older generation individuals can also benefit from content befitting
their age categories. Therefore, Netflix uses branding to establish and maintain a strong
Product attributes help clients to develop an attachment to the company. First Round
Capital (2015) asserts that Netflix’s product attribute involves allowing its customers to escape
from reality. The stresses that people experience daily require a mechanism of overcoming them.
At other times, people require entertainment to forget challenges and other issues in life. As a
result, Netflix’s product attribute helps its customers to escape reality for the duration they use
them.
Furthermore, products should benefit clients for them to be viable in the market. Netflix’s
merchandise range offers satisfaction and delight to clients of various ages (DeLane, 2020). The
television programs and movies on offer on the Netflix platform are suitable for all ages.
Children find satisfaction through the cartoon and other children-age related programming.
Likewise, teenagers and young adults have appropriate entertainment programs appealing to their
taste. Older adults also find a range of educational and entertainment products that meet their
Emotional benefits are another vital aspect needed in branding a product. Netflix prides
itself as a company offering many products that are easy to access using multiple platforms (First
Round Capital, 2015). Netflix can be accessed by most Internet-connected devices, making it one
Netflix Marketing 4
of the most convenient services. The platform also offers a wide selection of programs and
movies for a monthly fee. Customers find value in the high definition (H.D.) programming
inherent in the platform. Therefore, Netflix’s products offer clients strong emotional benefits.
Netflix offers customers bigger benefits. Netflix streams television shows and has old and
new movie programs released on its channels (First Round Capital, 2015). Moreover, the
company has been investing heavily in acquiring and developing original content, edifying the
product offered to customers. Thus, customers continue to benefit from the many offers received
from Netflix.
Brand Image
The Brand image focuses on customer perception of a company or its brands. Nandan
(2005) defines brand image as a consumer perception that focuses on the benefits that clients
acquire from the products and services. Netflix enjoys a positive brand image because its clients
benefit through personal experiences. The exceptional teamwork between the production and the
marketing team is evident in Netflix’s unique brand. Clients have a positive experience because
they easily locate the right content through various search engines. Netflix’s brand retains an
The Brand image also captures the emotional connection that the client establishes with
the company products. Brakus, Schmitt, and Zarantonello (2009) argue that a positive brand
image involves building sensory, intellectual, and affective experiences for clients. It also helps
transform behavior, brand involvement, passion, and consumer delight (Brakus, Schmitt and
brand because it creates services that capture each of the previously mentioned factors,
enhancing the client experience. Mainly, Netflix invests more in its product development and
Netflix Marketing 5
marketing to improve clients’ relationships with the company products. Clients aspire to become
heroes as they see in Netflix’s programming. Some build a personality and a strong emotional
connection with various programs on the Netflix platform. Netflix succeeds in capturing and
sustaining an emotional connection with its clients, improving its brand image.
Netflix’s unique brand element involves creating hard-to-copy technologies that make
them stand out above the rest. Bastos and Levy (2012) highlight the company’s sign and symbol
unique to the firm. The company logo stands out above the rest, partly because it has invested a
considerable amount of time marketing it across multiple platforms. The company also invests
time on social media to interact with its customers and build relations with potential clients.
Netflix is responsive to client inquiries and quickly points out misleading statements to protect
its clients.
Consumer experience is central to Netflix’s business model. Cronin and Cocker (2019)
contend that connecting the product and consumer feelings improve client experience. Netflix is
getting smarter in its business strategies because its products can be accessed across multiple
devices. The company has a dedicated testing page for non-members, whose purpose is to
convert potential clients into customers. The page is always active, creating a sustainable
Brand Values
Netflix takes an active role in adding value to its customers. Clients can stream an
unlimited number of television shows and movies (DeLane, 2020). Customers can access Netflix
services from any part of the world if they have established firm roots. Clients are no longer
restricted by strict and rigid television programming. Instead, they can choose the time and place
Netflix Marketing 6
to view different content. They can pause, rewind, forward, and watch the same program
repeatedly at their will. Schau, Muniz, and Arnould (2009) argue that companies create value
through abilities, skills, emotional commitment, and culture. Netflix’s simple search function
across multiple platforms makes its products readily accessible to all subscribers. Alexander
(2009) believes that a company’s brands require modifying their objectives to create an
existential strategy for the future. Netflix’s adoption of a multi-platform approach helped the
firm improve its outlook. Moreover, the company is shifting its focus from merely streaming
content to making novel content for its customers. Netflix actively seeks value addition to
Brand Environment
consumers to view products within the confines of human terms. Netflix’s products are strongly
associated with human experience, increasing clients’ connection with the product. However,
most of the competitors focus more on music streaming, reducing competition significantly. In
contrast, Netflix is exclusively concerned with movies and television shows, etching a unique
edge over potential rivals. Whelan (2006) believes that enhancing brand communication
improves the client’s ‘lived’ experience. Families and individuals with internet access can enjoy
Closest Competition
Netflix Marketing 7
Netflix has two major competitors in the streaming business. The company’s closest
competitor in movie and television show streaming services is Amazon Prime, followed by Hulu
(Team Pay, 2019). Nevertheless, Netflix remains atop the rest of the streaming companies.
Brand Communities
with consumers. Brown (2004) argues that brand communities are instrumental in persuading
clients to subscribe to services, while social networking makes the product more appealing and
welcoming to consumer input (Muniz and O’Guinn, 2001). Netflix uses the social media
platform to improve the general impression of its products. The tools also help in understanding
clients better through product customization. According to Schau, Muniz, and Arnould (2009),
Netflix Marketing 8
increased community engagement improves a company’s understanding of its clients. Cova and
Pace (2006) also believe that community engagement is a precursor for consumer empowerment.
Therefore, Netflix’s social networking system improves its connection with various client bases.
Product Differentiation
Product differentiation is crucial for a firm focused on expanding and growing its reach.
Farhana (2012) premises that companies must differentiate or risk dying. Initially, Netflix was an
exclusively DVD rental services provider. However, the firm later differentiated its products by
offering streaming services, which helped it establish a stable market position. Greyser (2009)
adds that differentiation improves brand reputation, authenticity, and trustworthiness. The
availability of H.D. quality T.V. shows and movies through DVD and streaming services
Netflix experienced a brand crisis in 2011. The company faced many problems caused by
the global recession. Most of the customers had lost jobs, making it hard to continue with their
Netflix subscription. According to Johar, Birk, and Einwiller (2010), Netflix lost over 800,000
customers almost overnight. As a result, the share price also dropped by 80% of its previous
value, bringing it to the brink of extinction (Johar, Birk and Einwiller, 2010). However, the
company reevaluated its options and found it suitable to continue investing in its streaming
services. Specifically, Netflix differentiated its services by making its product available on
multiple platforms. Customers can view Netflix through smartphones, smart T.V., web browsers,
gaming platforms, and other smart devices with internet connections. The differentiation
guaranteed the survival of the company in the future. Moreover, the company expanded its client
coverage to over 130 countries globally. Netflix invests in content development and in research
Netflix Marketing 9
and development to keep improving its business stance. Netflix’s crisis helped the company
Emotional Capitalism
Emotional capital is also essential because clients need to develop a stronger bond with
the brand. Ritzer and Ryan (2002) define capitalism as a strategy that mandates a company to
continue expanding or risk dying. Netflix expands its content by developing products for all
ages. Bonsu, Darmody, and Parmentier (2010) explain that television programs must arrest
consumer emotions. Therefore, Netflix’s investment in emotional capital yields positive results
Netflix develops its brand through appropriate positioning. I have used the product for a
while, and it has a diverse range of programs and movies. Thus far, Netflix has not been
implicated in any major issue. Schmitt (1999) posits that sensory, affective, creative cognitive,
and behavioral aspects improve consumer engagement. I have had a positive relationship with
the brand. Its monogamy in the market has played a significant role in my preference because
Reference List
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Brakus, J.J., Schmitt, B.H. and Zarantonello, L., 2009. Brand experience: What is it? How is it
Brown, S., 2004. O customer, where art thou? Business Horizons, 47(4), pp.61-70.
Cova, B. and Pace, S., 2006. Brand community of convenience products: New forms of customer
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