Le

Regret
Valse-étude mélancolique op. 332
Charles Mayer

 
                   
misattributed to Chopin as Valse mélancolique A1/7

     
          
     
      
    
    




     


       
 
    
 

                    

9

      
      
       
poco cresc.

 

 
                   
              
17

   
       
  
   


      
poco rit.




         
   
24

                                         
 


     

          
      
31

                        

      
 



cresc.


             
  
38

       
             
      
dim. 

     

    
      
45


                                      
cresc.

   

     
          

51

       
                               
 

 

              
  
                    
 
57

           
           

più vivo

                    
        
   
63

   
        

     
   
 
 

2
        
               
       
 
69

  
      
  

  
poco rit.

 

                   
        
         
74

          
       
  


          
                      
 
81
8

       
   
       
cresc.

         
  
             

87

           
      
  



dim.

                  
               
 marcato    
94

                      
 


3
 
            
  
            
         
100


        
                  

       
                       
      
106

  
              
               

            
            


    
     
112


           
    
     

              
                 


       
118

         
     
   

    
    
        
          
124

     
     
 
poco rit.


 