Professional Documents
Culture Documents
COP26
What COP?
(for Climate Justice & Social Change?)
SUITING UP FOR CLIMATE CHANGE!
Sew Unique in Preparation for COP26
The C—19 pandemic and the resulting global lockdowns
during 2020/21 have served as an aperture through ReMode on Paisley’s High Street turns waste
which many people in many places have glimpsed into cool clothing and offer sewing, film
new possibilities. The restrictions that were making and sound production workshops for young
imposed necessitated — not only hypothesis but — an people. With COP-26 starting on Oct 31st we
actualisation of new ways of working and living. were interested in the action and people behind
Promissory notes from social movements of the past resurfaced the scenes. From the outside it looked busy and
about work patterns, shop local and make and mend. we wanted to know more about their mission. We
spoke first with Creative Volunteer Coordinator
Building on a huge growth of interest and engagement in craft Carolyn Edmondson who told explained this, and
in the last decade — of which knit, sew and repair workshops why it’s important to tell people how fashion can hurt the planet.
featured heavily — the idea of doing stuff for yourself with
your hands found currency during lockdown. Mainly emerging “We’re a Community Interest Company who teach our communities about
from a ‘get creative’ and mental health angle while — at the environmental impact of fashion textile industries — how bad it is
least initially – anti consumerism and the environment for the planet. We come up with ways that help people to minimise that
weren’t a big part of the conversation. In fact — the but still look great and wear cool clothes. We do what we do so that
contrary — as the craft scene became a massive people know they can make better choices — I think many aren’t aware
section within consumerism. Shops and on— their actions are part of a bigger effect. People tend to think ‘I
line suppliers of specialist materials am just one person, so what
who previously stacked their shelves can I do? — I’m not going to
with basic stuff like dods of charcoal, change anything’, but small
putty rubbers and paper expanded to stock things you do have a bigger
expensive and extraneously pre—packaged kits, impact — especially that
alongside a lot of ditsy stuff for whole craft room set ups. ripple effect when you tell
This was targeted at people who had a little money to spend on this your friends.” The volunteer
along with a craving to do something creative with the even littler programme is Carolyn’s
‘leisure’ time they had. Unfortunately, they had a whole lot less by responsibility and it’s a
the time they were done online/virtual shopping for craft supplies. job that means a lot as she
Taking an extensive supply of discards as our starting point, ReMode was herself a volunteer.
have set out to fold the craft thing into a movement that values
discard as rich resource. One with a social aspect and practical
strategies to generate agency rather than another opportunity to Nuala Forde is a volunteer maker/mender and active ReMotivator at ReMode, currently working as
payroll coordinator, doughnut delivery driver, and studying for a degree in Data Science. Mohammed
consume/generate capital — perhaps even social change. (check out our Kunaid is a school pupil with a keen interest in the arts, activist filmmaking and stitch too!
alternative Make Packs from discards at https://remodeyouth.org/diy—
makes/). “I volunteered with Remode specifically because I wanted a job in
ethical fashion, and it seemed like a way to get my foot in the door.
We hope this edition of Clout! embodies these ‘do with, what you have, I was volunteering in various places and did that for about a year
in the time, you have to do it’ aspirations. For the work involved alongside freelance work. When a job came up with ReMode I applied.”
in this COP26 edition we offer thanks to facilitators; Artist Keng
Keng Watt, Journalist Jennifer Jones and Designer Niki Taylor. Also, The isolation of the pandemic has been hard on young people and
our contributors who have worked collectively amidst; work, study and Carolyn’s programme of lockdown on-line sessions has provided
other projects/events they are organising to pull this edition out connection to others.15-yr-old Eve told us “I started sewing with
of the hat in 2 weeks. Some are presenting here their first foray Carolyn during lockdown — then when things re-opened I started coming
into journalism. It is amazing what can be achieved in a very short in to ReMode” Clearly it’s a space that they are comfortable in to
time when energy, faith and cooperation are thrown whole heartedly socialise and make friends while skilling up. Working on an embroidery
into the process. And so, we send our good wishes and hopes to those for a ‘remoded’ hoodie, 14-yr-old Loki added “I came here with my
representatives of global nations gathering this month — all be it on friend then, slowly began making more friends”
a grander scale — that they might do likewise for us all.
To find out about volunteering opportunities at ReMode visit
Gillian Steel Creative Director at ReMode https://remodeyouth.org/
MENODGES — MERGING THE PRIVATE / start of a new year, say a tenner a week and it goes no bad until you
get to March and the washing machine breaks down. You feel you need
But I was also shocked at the often very wasteful practices of the film
industry - huge amounts of effort and material were needed to make just
one short scene. And so I began to think about the environmental and
social impacts of my work. Who was actually benefitting from all this
work?
ten weeks she could take her £50 to Kirkwoods in the West-end and buy
herself a wee two piece for that wedding in August or whatever… it These worries about the environmental effects of my work drew me to the
was a really exciting thing for her because it was one of the very climate action movement. I eventually became the Arts Coordinator for
few times she got to go shopping for herself — what with 3 kids. I Extinction Rebellion and was able to use my skills to help in the fight
know that if mum hadn’t been in that Menodge she probably wouldn’t for environmental justice! Through my connection to these networks I
ever have got any new clothes because there would always have been met many other activists involved in a range of campaigns, and began
some kind-of-crisis, or household emergency popping up — it was a way to see the power of community based arts activism. I began to run all
of guaranteeing that she at least got one new outfit a year. Also, sorts of workshops - banner-making, block printing, clothes mending -
nowadays parents are under such immense pressure — teenagers out and found that these hands-on experiences were an approachable way for
there pressurising their parents into buying expensive clothing is a people to express their political and social identities. A more gentle
reality... form of activism.
A.C yes absolutely! I’ve seen it working in TKMaxx — kids come in and
they want the brand name, luckily my kids have always been happy with After two years of community arts activism I moved
what they get but I’m beginning to notice with my son — who is nearly from London to Glasgow, and very quickly became
18 — his friends are all wearing these £90 trainers so he wants them involved with number of community arts projects -
too! community gardens, women’s organisations, migrant
G.S Would you spend £90 on a pair of trainers for yourself? justice campaigns. With the current project at
Remode, ‘Cross stitch for Action’, I use cross-
A.C No! (laughing)
stitch as a traditional needlework method to bring together climate-
GS On that note lets wrap this up — thanks everyone — lots to think action messaging with up-cycling and sustainable fashion approaches.
about in there on the power of the hyper-local and the mighty Menodge!
Cross-stitch is a basic embroidery technique found across the world and
Gillian Steel is an artist, researcher and Creative Director at is often used as a way for various cultural groups to express their
ReMode. identities and as a method of expressing social injustice. It can be
a powerful
visual means CHARITY SHOPPING; THE DO’S AND THE DON’TS
of recording Jack Patton
historical
struggle and
resilience. Second hand. Pre-loved.
Vintage. Whatever you
In the lead up call it, slow fashion and
to COP26 we sustainability is extremely
have held six important nowadays. However,
‘cross stitch with people struggling
for action’ financially during the global
sessions, pandemic, fast, cheap and
discussing as throwaway fashion companies
a group how to have been polluting, the
Buying second hand can be
bring powerful market, and the planet, like
lots of fun, but it should
messages to never before. Could the humble
also be rewarding, in many
the street high street charity shop be a
ways. Every time you buy
in an eye- key player in reimagining our
clothing second hand you
catching way, relationship with clothing and
save it from being thrown
while at the the environment before it’s
away and ending up in
same time too late?
landfills. Every year in the
using this as
UK, 350,000 tonnes of used
an opportunity
but still wearable clothing
to engage with
ends up in a landfill.
new stitching
and up-cycling
skills. By What’s more, a report from
the end of the Waste & Resources Action
the project Plan found that extending
each of the the average life of your
participants clothes can help cut the
will have UK Carbon, water and waste
created a footprints by 20-30%. Think
reimagined about it, wouldn’t you
garment with rather look amazing in a
their cross- brand-new outfit that you
stitch message have bought ethically than
or design. spend three times more money
These garments buying clothes from a fast-
will act as fashion website?
a material
record of
the voices,
hopes, and demands of young people in the run-up Second-hand shops are also key to communities. They
to COP26, a crucial moment in securing a liveable often are non-profit, with the money going towards
future for all generations. charities. They are usually staffed by volunteers,
creating community links and allowing opportunities
Keng Keng Watt is an experimental milliner and for people to get involved meaningfully within their
community art activist. community.
https://www.kengkengwatt.com/hats-masks
Remode
43b High Street,
Paisley PA1 2AH
www.remodeyouth.org
0141 258 1625
remodeyouth
@ReModeIt
remode_youth