Lightfoot Protest

from Saliva - Back Into Your System
Raise Up
Lyrics by Josey Scott
Music by Chris Dabaldo and Josey Scott
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Moderately q = 92
µ
              
Whispered: Raise up! Ev - ’ry - bod - y raise
D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5
        
up!
Gtr. 1 (dist.)

Rhy. Fig. 1 End Rhy. Fig. 1
     
                         
f
 0
0
0
0
0
0
1
1
0
0
1
1
0
0
0
0
1
1
0
0
1
1
3
3
0
0
0
0
0
0
1
1
0
0
1
1
0
0
0
0
1
1
0
0
1
1
3
3
Gtr. 1: w/ Rhy. Fig. 1

  
     
         
Chorus
D5 F5 C5
  

Raise up, raise up,
Gtr. 1
        
Rhy. Fig. 2
        
           
7 7 7 7 7 7 7 5 5 5 5 5 5 5
0 0 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
0 0 3 3
Copyright © 2002 ALMO MUSIC CORP. and FIVE SUPERSTARS

All Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission 1
SheetMusicDirect.com Order 6467566 | 1 copy purchased by aaron muntean on May 03, 2021
     

G5 C5 F5 G5 Ab5 G5 F5
        

      


1. Straight out
raise up, raise up!
 
End Rhy. Fig. 2
                   
       
5 5 5 5 5 5 5
5 5 3 3 3 3 3 3 3 3 3 3 5 5 6 6 6 6 5 3
5 5 3 3 3 5 5 6 6 6 6 5 3
Verse
                           
the poor house, eat - in’ lob - ster with break - fast. Two new tour bus - es ’cause my voice is in - flec - tious. Now
Riff A
Gtr. 2 (dist.)
    End Riff A
    
mf
 Harm. 
Harm.
5 5 5 5
Pitch: G
Gtr. 1
  
Rhy. Fig. 3
                         
P.M.
0 0 0 1 0 1 0 0 1 0 1 3 0 0 0 1 0 1 0 0 1 0 1 3
0 0 0 1 0 1 0 0 1 0 1 3 0 0 0 1 0 1 0 0 1 0 1 3
Gtr. 2: w/ Riff A
 
                               
them su - per - mod - els nev - er call me a sex - ist. I got the new sty - le that is leav - ing them breath - less.
And I’m a
Gtr. 1
  
End Rhy. Fig. 3
                         
             
P.M. 
0 0 0 1 0 1 0 0 1 0 1 3 0 0 0 1 0 1 0 0 1 0 1 3
0 0 0 1 0 1 0 0 1 0 1 3 0 0 0 1 0 1 0 0 1 0 1 3
 Gtr. 1: w/ Rhy. Fig. 1 (2 times)
                             
born en - ter - tain - er com - in’ straight out - ta Mem - phis, and if El - vis was a - live e - ven he would ad - mit this. I’m
’Cause I’m back a - gain and I came to win and I came to move you, move you.

Gtr. 3

(dist.) Riff B
  
mf
10 11
X X
7 8
                           
all o - ver the world us - ing you as a wit - ness. Test my drive sweet - ie, cause my hun - ger’s re - lent - less.
So strike up the band and raise up your hands I wan- na feel it mov - in’ through you.
 
 
End Riff B

8 7
X X
5 4
Pre-Chorus
Gtr. 3 tacet
D5 F5 G5 D5 F5 G5 D5 F5 G5 D5 Ab5
  

                      
 


(Raise up!) What you wan - na do? What you wan - na do? What you wan - na do? Come on, come on!
Gtr. 1

Rhy. Fig. 4 End Rhy. Fig. 4
  
 


 
     
   
 


 
     
0 3 5 0 3 5 5 5 0 3 5 0 6 6 6 6
0 3 5 0 3 5 5 5 0 3 5 0 6 6 6 6

D5 F5 G5 D5 F5 G5 D5 F5 G5 D5 Ab5
  

   
                     
(Raise up!) What you wan - na do? What you wan - na do? What you wan - na do? What you wan - na do?
    
Chorus
      
D5 F5 C5


  

Raise up, raise up,
Gtr. 1 Rhy. Fig. 5
 














        
           
 
7 7 7 7 7 7 7 5 5 5 5 5 5 5
0 0 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3
0 0 3 3
  
G5 C5 F5 C5 D5
              
 
 
Ev - ’ry - bod - y get to - geth - er, take your hands and raise up.
End Rhy. Fig. 5
                       
   
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7
5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5
5 5 3 3
      
F5 C5
      

 

  


raise up,
Raise up,
T o Coda 
G5 C5 F5 G5 Ab5 G5 F5
           
       
 
Ev - ’ry - bod - y get to - geth - er, don’t be a - fraid to raise up.
Verse
Gtr. 2: w/ Riff A (2 times)


                           

2. To all the fans sit - tin’ up in the stands, we got some mad love but we come to see you a - gain. What?
D.S. al Coda
                             
We’re com - in’ now and we’re bring - in’ some friends so get your ass up to the stage and we can let the damn thing be - gin!
 Coda
Interlude
  
  
    
Raise up,
Riff C
     
Gtr. 2
     
          
Harm.  1/2 Harm.  1/2
w/ Rotovibe
6 6 6 6
5 5 5 5
Pitch: G
  
   
Gtr. 4 (dist.)
  
    
mf
w/ Rotovibe
10 8 10
X 8 6 6 6
7 5 7

Gtr. 3

  
10 11
X X
7 8
  
 

   
   
raise up,
 
     
 
End Riff C
        
Harm.  1/2
Harm.  1/2
6 6 6 6
5 5 5 5
  
      
    
10 8 10
X 8 6 6 6
7 5 7
 
  
8 10
X X
5 7
Gtr. 1: w/ Rhy. Fig. 1 (2 times)

Gtrs. 2 & 3: w/ Riffs C & B
  
 

   
  
raise up.
      
Gtr. 4
    
10 8 10
X 8 6 6 6
7 5 7

   
     
       
10 8 10 15 14 14
X
7 5 7
Bridge
Gtr. 4 tacet
D5
                       
3 3
 
There comes a time in ev - ’ry - one’s life when we got - ta stand up and fight.
Gtr. 1
    
   
P.M.  P.M. 
0 0 0 0
0 0 0 0
                        
It does - n’t mean that it’s wrong or right, just let it go ’cause it’s on to - night.
    
   
P.M.  P.M. 
0 0 0 0
0 0 0 0
                   

’Round and ’round and ’round we go, where we stop no - bod - y knows.

               
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
F5 G5 Ab5 Bb5
                         


We’ll stand to - geth - er and we’ll let ’em know. Mess with the bull, get the horns that’s the way it goes!
      
                
         
P.M. 
0 0 0 0 0 0 0 0 3 5 5 5 X 5 6 6 6 6 8 8 8
0 0 0 0 0 0 0 0 3 5 5 5 X 5 6 6 6 0 6 8 8 8
Chorus
            
  
D5 F5 C5
    
*

Raise up, raise up,
*2nd time, tied note is sung through beat 1.
  

          
G5 C5 F5 C5 D5
   
 
Ev - ’ry - bod - y get to - geth - er, take your hands and raise up.

2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.)
       
F5 C5
   
 
   
   


  

Ev - ’ry - bod - y get to - geth -

Raise up, raise up,
1.
 
G5
 
C5
       
F5
   
G5 Ab5 G5 F5

      

- er, ev - ’ry - bod - y get to - geth - er, don’t be a - fraid to raise up.
Begin fade Fade out

2.

Gtrs. 1 & 3 tacet
 G5
 F5
  Ab5
   
Bb5
 
 
   

- er, don’t be a - fraid to raise up.
Gtrs. 1 & 3

    
         
       
3 5 5 5 X 5 6 6 6 6 8 8 8
3 5 5 5 X 5 6 6 6 0 6 8 8 8

Lightfoot Protest

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Lightfoot Protest

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from Saliva - Back Into Your System

D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5

Gtr. 1: w/ Rhy. Fig. 1

Raise up, raise up,

Copyright © 2002 ALMO MUSIC CORP. and FIVE SUPERSTARS

D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5

Gtr. 1: w/ Rhy. Fig. 4

Gtr. 1 Rhy. Fig. 5

End Rhy. Fig. 5

Gtr. 1: w/ Rhy. Fig. 2

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 F5

Gtr. 1: w/ Rhy. Fig. 2

Ev - ’ry - bod - y get to - geth -

Begin fade Fade out

- er, don’t be a - fraid to raise up.

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