Professional Documents
Culture Documents
www.beadmagazine.co.uk
macramé owl
pendant
Seasonal
Inspiration
Light up your
wrists with this
loomed cuff
Exclusive
British Bead
Award Winners’
Gallery
35
pages of
inspiring
projects Edgy Bangle
Fabric flowers &
easy metalwork
Geometric Beadwork
Create this stunning pendant
with Diane Fitzgerald Issue 43 Dec/Jan 2012/2012
You supply
the creativity,
we supply
everything
else!
Heather Masters, NJ
Finalist, Seed Bead
Jewelry-Making
contest
Chloe
Chloe Menage, Editor
chloe@beadmagazine.co.uk
www.beadmagazine.co.uk
76
Bead
MAKE BEAUTIFUL BEARS: TWO PATTERNS INSIDE
teddytimes
bear SO
The World’s No. 1 MagaziNe for ColleCTors of all sTripes
Maria Fitzgerald +44 (0) 1903 884988 Sara Vix 507 634 3143 teddybeartimes.com
teddybearamerica.com
Knit a
www.tOy-sOLDIER.cOM MODEL FIGURE
FIRST EDITIONS
Sillly Bears competition
9 771359 742033
Ashdown.co.uk, Unit 5E, Park Farm Park Farm, Chichester Road, Arundel
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Catworld dollshouse
Europe £49 (Sterling); ROW £58; BRITAIN’S FAVOURITE CAT MAGAZINE FILLED WITH SPARKLING FESTIVE PROJECTS
only
£2.95
Free
for life
Tel: +44 (0) 1903 884988 2 Years: UK £69; Europe £92 (Sterling);
festive
THE ENERGETIC, cutouts
Email: support@ashdown.co.uk
Christmas
Make beautiful bags&
in our new
parcels
project for Christmas
Gallery
CAT WORLD: DECEMBER 393
9 770961 092055
Gift ideas
Book reviews The lynx effect
Email: chloe@beadmagazine.co.uk
Show reports Be captivated by these
12
Printed in the UK. ISSN 1750-1636. IMAG SUBSCRIPTION RATES: 01 Cover CW417.indd 1 30/10/2012 16:57
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Postmaster: Send address corrections to Ashdown Inc., 68132 250th Ave., Kasson, MN 55944 USA. Canada Post International Publications. All rights reserved. Reproduction in whole or part without the written
permission of the publisher is prohibited. The written instructions, photographs, designs, patterns and projects in this magazine are intended for the personal use of the reader and may be reproduced for that
purpose only. Any other use, especially commercial use is forbidden under law without permission of the copyright holder. All editorial contributions in the form of articles, letters and photographs (b/w or
colour print or transparencies) are welcomed by Bead but cannot be returned unless accompanied by a stamped addressed envelope. In any event the publisher can accept no responsibility for loss or
damage to contributions. Material is accepted solely on the basis that the author accepts the assessment of the publisher as to its commercial value. All material submitted to the magazine is accepted on
the basis that copyright of will be vested in the Publisher who assumes all rights worldwide, in all forms and media© Copyright ashdown.co.uk
38 30
What’s inside...
8 Bead Stash 72 Bead Soup 89 Suppliers
18 Shopping Same beads, different style 89 Competition!
Festive beading kits 76 The British Bead Awards 90 Noticeboard
28 The Big Bead Show See all the stunning winning designs Listings for bead groups and events
Fun at the October Show in the eight page gallery
91 Bead Groups
36 Shop Profile 85 Readers' Workspaces Introducing Auld Reekie Beaders
Meet Beadworks UK We take a nosy around Jennifer Airs'
98 Next Issue
bead room
42 Dear Bead
Readers’ letters and pictures 86 Workshop Review
Beading Retreats in France
44 Designer's Profile
Bead meets Diane Fitzgerald
48 Readers’ Challenge
The theme was 'Festive Fun'
50
30
56 12
Projects 66
12 Geometric Chevrons 46 Trim the Tree Earrings
Create a dramatic stitched pendant Decorating a Christmas tree has
using Delica beads and buttons never been so easy or stylish
16 Forgotten Treasure 50 Yule Tangled Up
This simple stringing project has an Festoon your loomwork with twinkling
opulent Egyptian feel lights in this fabulous cuff
20 Aluminium Cuff Corsage 56 Mostly Monochrome Lacy Collar
Use aluminium and a handmade Combine two colours of Twin beads
fabric flower for this modern corsage for this clever necklace
26 Hearts of Gold Necklace 61 Macramé Owl Pendant
Gold wire and garnets combine for an With retro style being so popular right
elegant party necklace now why not re-visit 1970s macramé
30 Waterfall Disc Pendant 66 Winter Memories Ornament
Crystals and pearls cascade out of a Use Delica beads, crystals and peals
semi-precious stone for a easy beaded ornament cover
38 St Petersburg Party Piece 97 Emerald Hoops
Combine a Tila bead collar with St Combine silver spacers with luscious
Petersburg swags for flattering style Emerald beads for on-trend earrings
Oh What Fun!
Jingle bells, jingle bells, jingle all the way! Add some
festive sounds to your creations with these cute little
bells from Beads Unlimited. Attach to decorations and
jewellery to complete your merry makes. Your pockets will
still be jangling too as prices start off at just 5p each with
big discounts for small wholesale quantities.
To get festive flair with bells on, and to see a whole lot
more Christmassy fun visit www.beadsunlimited.co.uk
Courses in Clay
Cookson Gold are offering a series of classes that will teach budding jewellery
designers how to create beautiful pieces of precious metal jewellery. The courses,
held in Birmingham, Oxford, Woking and Chesham, will focus on Precious Metal
Clay and Art Clay, two of Cookson Gold’s most popular jewellery making products.
Classes will cover topics such as making textured pendants, creating decorated
band rings and bracelet charms. All skill levels will be catered for, so everyone from
beginners to experienced crafters can learn new tricks and techniques.
Participants can choose from a 2.5 hour taster workshop, perfect for those who
are just getting started with Art Clay, or an all-day masterclass, which covers more
advanced techniques.
For more details and for booking visit www.cooksongold.co.uk or call
0845 100 1122.
WI N!
ling
A park f beads
s
ba g o
goody 80 see
worth £ 89.
pag e
Make It!
Make it, the traditional Farnborough event, will offer three fun-filled
shopping days with the very best exhibitors the craft industry has to offer.
Throughout the day, visitors will be greeted with an array of traditional
crafts including paper craft, decoupage, card making and design,
Take a Make Break!
scrapbooking, beading, jewellery making, silk printing, stamping and Beads Direct are encouraging beaders
more! everywhere to take ten minutes from
Crafters can ‘pick and mix’ from selections of beautiful beads and their day to 'Take a Make Break'. It's
jewellery supplies, browse through endless selections of paper, stamps the perfect excuse to grab a coffee
and stencils, and try out the latest craft tools and workstations. and a biscuit and get creating. Each
Make it takes places on Friday 1st and Saturday 2nd March from Sunday Beads Direct email subscribers
10am-5pm and Sunday 3rd 10am-4pm (Disabled access from with new on-trend jewellery making
9.30am each morning). deas which can be easily completed in
Ticket hotline 08444 771000, Group bookings (12 tickets for the just ten minutes.
price of 10) telephone 01784 880894. For more details To sign up to the free newsletter visit
visit www.make-it.org.uk www.beadsdirect.co.uk
Vintage Sparkle
Take a look at these dazzling vintage cabochons! Each
one measures approx. 18mm x 12mm and is 5mm thick.
Available in a range of colours and finishes, the brown,
amethyst and red cabochons are 75p each. The foil back
cabochons are £1.00 each and are available in blue/
purple/silver, blue/purple and blue/green.
To buy these and for other fabulous vintage finds visit
www.oldbicycleshop.co.uk Postage is just £1 to a
UK address.
Say it in Neon
Swarovski Elements has identified globalisation as this season’s mega
trend, signalled by the disappearance of cultural diversity and national
identity. But according to trend setters at Swarovski HQ a counter-trend of
‘glocalisation’ is emerging – a move to embrace national heritage and
local traditions. For Fall/Winter 2013/14, Austria, with its folkloric charm,
snowcapped peaks and picturesque scenery, has provided a rich source
of design inspiration that reflects these values.
New Swarovski Elements on the market include bright new colours in the
Crystal Pearl range with the Neon Green and Neon Red Pearls. Plus
there's a fab new colour of crystal 'Light Turquoise'.
Look out for new Swarovski Elements in your local Bead Shop.
Visit www.create-your-style.com to see all the colours and styles
in the Swarovski Elements range.
Visit cooksongold.com/beads
or call 0845 100 1122 today!
Everythingyou’lleverbead!
Geometric
Chevron Pendant
by Diane Fitzgerald
Chevrons
Create a dramatic stitched pendant using Delica
Fig. 1
Fig. 2
2
Chevron
Chevron Pendant
Pendant 22
by Diane
beads
The Chevron Pendant is aand
Fitzgerald
by Diane
buttons,
hollow
Fitzgerald
beaded use boldFig.
colours
11
Fig. for best effect.
Fig. 22
Fig.
bead about 1.5” (3.8 cm) in diameter which is
made with peyote stitch. Pass back through last bead strung (Fig. 2).
The Chevron The Chevron ThePendant
Pendant Chevron is
is aPendant a hollow
hollow is abeaded beaded
hollow beadedOrient bead about your work 4. so Rowyou 2: *Add are1 working
A and 1 B and pass through the next
counter-
bead store
bead
Supplies :
bead
about about
1.5” 1.5”
(3.8 (3.8
cm) cm)
in in
diameterdiameter
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clockwise (leftiesA. Repeat
workfrom the * two more times. Step up through
clockwise).
• 3g3x gr made
size made
with
11 cylinder with peyote
peyote stitch. stitch. PassPassback back through last last bead strung (Fig. 2).
size 11 cylinder beads
stitch. Beginin theeach bead by of two
making a single triangle. Then, through the first A. Thesebead beadsstrung
form the(Fig. 2). of the
three corners
beads in each of two Orient
Orient your
your work
work so
so you
you are
are working
working counter-
counter-
colors: colors: A Colors: as
Colors Supplies A each(shown in gray)
new triangle and B it is added
is completed, Row to the2: *Add(lefties
clockwise 1 A work
triangle. Be sure Fig.the
3 pairs of beads at each corner sit
clockwise).
(shownSupplies
(shown
in gray)3and in: white)
B previous triangle
gr size 11 cylinder beads in each of two until six triangles are and
joined clockwise
to1Bform anda (lefties
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circle. A second circle in gray)almost
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• 22x 1cmshank colors:
(3/8”) shank Colors
buttons,
(shown3/8” A(1(shown
in white) cm)the connector in gray) and B Repeat and Row 1B2:and
from *Add
thepass *1 two A Fig. 3
buttons (shown in white) but without beads on the outer edge.
1 round 4mm crystalNymo D thread and 1B and pass
• 1 round Nymo 4mm crystal Finally, the two circles are zipped togethermore around times.
throughthe the Step
the next up.A .
Tassel, 2Dshank
1.5” thread
(3.8 buttons,
cm) 3/8” (1 cm) These through
Repeatbeads from next
form thethe *Atwo .
• Tassel23.8cm shank (1.5”)
1 buttons,
round 4mm outer
3/8” edge
crystal(1 with
cm) felt padding between them. Repeat from the * two Diagram 3.
Optional:
• Purchased neck Purchased
cord neck cord with bail threemore corners times. of Step
the up.
1 round
Microcrystalline
with bail (optional)
4mm1.5”
Tassel, crystal
wax (3.8
(thecm) kind in a cup) more
triangle. These times.
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the the
Tassel, Optional:
1.5” (3.8 Make
Purchased
cm) the neck Firstcord Triangle with bail three
These corners
beads of
form the the
Size 10 beading needles pairs of beads at each corner sit almost paral-
tool box
Optional:
Disposable
Microcrystalline
Purchased
lighter 1. Withwax neck140cm (the cord kind
(1.5 yd)inofabail
with cup) in your needle,
thread lel three
triangle.
to each corners
bring Be5.sure
other. ofRow
Adjustthethe
3: *Addthem2 A.ifPass through the next B. Add 1 B
necessary
• Felt, 4” x 4”
Microcrystalline Size
Microcrystalline
wax 10 beadingwax
the ends needles
(the kind
together, in
wax a cup)
well, then knot. Clip the pairs
triangle.
tails of beads
Be sure
and, at each
the
skipping corner
one bead sit
in almost
the paral-
previous row, pass
Disposable lighter
(Fig.lel 3).to each other. Adjust them if necessary
Size
(the kind 10
in a cup) beading1mm needlesfrom the knot and melt the ends slightly with the pairs of beads at each corner sit almost paral-
through the next A. Repeat from the * two more times.
• Size 10Disposable
beading Felt, 4”lighterx 4” (Fig. 3). other. Adjust them if necessary
General Instructions: disposable lighter. In the diagrams below, lel to
Row 3: *AddStep
new beads each 2 A. up.
needles
Felt,
Begin lighter 4”
the x 4”
bead by making
are shown with a single a bold triangle.
outline. (Fig. 3). Fig. 4
• Disposable General Instructions: Passthrough Row 3: *Add the next 2 A.
• 4”Then,
x 4” Felt asBegin eachthe new bead triangle
by making is completed,a single triangle. it is B. Add Pass 1 Bthrough
and, skip- the next Fig. 4
General Instructions: Row 3: *Add 2 A.
added
• Nymo D thread to the
Then, previous
as 2. Row 1: String on 3 A beads. Push theping
each triangle
new triangle until issix tri-
completed, it isbeadsB.
one Add
close bead1 B in and, theskip-
anglesBegin are thejoined
added bead
to the tobyform making
previous a Separate a single
circle.
triangle Athesecondtriangle.
until sixbetween
tri- previous Passpingthrough the in next
Fig. 4 Diagram 4.
to the knot. strands the beads row,bead
one pass the
supply Then, shop
circle is made almostas
angles each are new
joined
and the
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thePass is
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A second
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through Add
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Pull next
and,
row, passA, . skip-
• Buttons added
without the
and tassel to connector
circle the previous
is made almost
beads trianglelike
on the
theuntil firstsixone
outer tri-but pingthrough one bead
the next in the A, .
tight soform
that beads form a the
ring. Do not allow Repeat the knot fromto the * two
angles
from local are the
without
haberdasher joined
thetwo tocircle
connector abeads
circle. onA second
to-outer more previous
Repeat row,
from pass
the
Chevron Pendant edge. Finally,
slip the
into like
a bead
are
(See
zipped
Diagram 1). times. Step 6. up. 4:two
Row
*
• Delicas
gethercircle
from The edge.
is made
around Finally,
the almost
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edge circle
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the Step
next up.*Add
A, . 12A and 1 B and pass through the next
Spellbound Bead Co. around the outerFig.
gether edge
1
with felt padding Fig. 2 A. Work one peyote stitch with A and one with B. Repeat
by Diane Fitzgerald withoutthem. the connector beads on the outer Repeat from 1the
• Seebetween
page 89 between them. Row 4: *Add A * two Fig.Fig. 5
5
edge. Finally, the two circle are zipped to- Row from
4: *Add the A* two more times. Step up. See Diagram 5.
1 up.
andmore times. Step
Diagram 1.
1B
and
and
1B
pass
and pass
Step gether
is 1: Makearound the outer edge with felt padding
The Chevron Pendant a hollow
Stepthem. 1:the
beaded
Make First theTriangle:
First Triangle: through the next A.A.
between
bead about 1.5” (3.8 cm) in diameter which is Work through
Row
one 4: the
*Add
peyote
next 1A Fig. 5
With 1.5With yd (1.4 m)3.(1.4
ofPassthread in your needle, Work one peyote
made with peyote stitch. 1.5 yd m)back through
of thread
Pass last
in
back bead
your needle,
through lastand
strung (Diagram
stitch bead
with
stitch
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2). and
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with and pass
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oneone 2).
bring Step the1: endsMake
bring the ends the
together, First wax
Orienttogether,
your workTriangle:
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then
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counter-clockwise the next A .
Orient your work sowith you are
B. Repeat
with working
B. Repeat fromcounter-
from
ant clip the tails 1 mm from the knot theand knotmelt the
Supplies :
endstime money
&
With
3 gr size 11 cylinder beads in each of two
clip the
1.5
Fig.
tails(lefties
1 mm work from
1 yd (1.4 m) of thread in your needle,
slightly
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with the
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2
and
In
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Diagram 5.
beadstore
• 360 x Size 11 Miyuki
Forgotten
Galvanised Gold Seed
Beads
• 186 x Size 11 Miyuki ma
Dyed Bright Turquoise For he kers metho
Seed Beads this prlp with the m d
Treasure
o
Swarovski Elements: guide ject see our ethods used
at bea
dmagaonline Basic in
• 12 x 10mm Coral Pearls zine.co s
.uk
• 6 x 12mm Bright Gold
Pearls
• 12 x 8mm Bright Gold
Pearls
• 18 x 4mm Powder The opulent gold, striking coral and cool turquoise give this
Green Pearls simple stringing project an Egyptian feel. Strung on flexible
• 12 x 6mm Astral Pink
Xilions beading wire, it’s easy to make and perfect for parties.
• 12 x 6.5mm Gold
plated spacer beads
• 24 x Gold plated 1. Cut the Beadalon into 3 strands; strand 1 - 5. Thread on a hard crimp, feed the wire around the
filigree bead caps measuring 63.5cm (25”), strand 2 - 59cm (23.5”) and wire guardian and back through the hard crimp. Pull the
• 12 x Flat gold plated strand 3 - 56cm (22”) with a finished length 42cm or wire to tighten around the wire guardian, but allow
spacers
• 3 x 26mm x 3.2mm (16”) for the shorter strand. Begin with strand 1. Thread a 3/5mm slack to allow room for the crimp cover and so
Gold plated curved hard crimp onto one end of the wire and keep near the that the necklace doesn’t become rigid.
tubes
top. Feed the wire around a wire guardian and then back
• Large oval gold plated
clasp with jump rings through the hard crimp, leaving a short tail. Pull the short 6. Squash the crimp firmly and trim any excess wire
6 x Gold plated wire end to keep the wire taught around the wire guardian using your side cutters. Position the crimp cover in the
guardians and squash the crimp firmly with your snipe nose pliers. snipe nose pliers and place over the crimp. Close
• 6 x Gold plated hard carefully, so that the edges meet as you did before.
crimps
• 6 x 4mm or 5mm Gold 2. Trim any excess wire from the short end and cover
plated crimp covers the crimp with a crimp cover. Take care when closing 7. Using the 59cm piece of wire, repeat steps 1, 2 and
crimp covers. If they don’t appear to be lining up, change 3 once more, but where it states repeat from * to * a
toolbox the position of the snipe nose pliers, so that you bring further 6 times, only repeat a further 4 times. Then
• Approx 1.8 meters of 7
Strand Beadalon 0.018” each side inwards rather than just squashing down. repeat steps 4, 5 and 6.
(Satin Gold or Copper)
• Wire cutters 3. Begin by stringing *6 x gold size 11s, 3 x turquoise 8. Using the 56cm piece of wire, repeat Steps 1, 2
Snipe nose pliers
size 11s*, repeat from * to * a further 6 times. String 6 and 3 but this time where it states repeat from * to * a
• Flat nose pliers
x gold size 11s, ** 1x 4mm Powder Green Pearl, 3 x further 6 times, only repeat twice more. Repeat steps 4,
supplyshop turquoise size 11s, 1 x 10mm Coral Pearl, 6 x gold size 5 and 6.
• All supplies from 11s, 1 x 6mm Astral Pink, 3 x turquoise size 11s, a
Shiney Company gold bead cap, 1 x 8mm Bright Gold Pearl, a gold bead 9. Using the flat nose and snipe nose pliers, carefully
• Also available as a kit
cap, 6 x gold size 11s, **. Repeat from ** to **. grip the oval jump rings attached to the clasp on each
• See page 89
side, so that the opening is at the top. Using a twisting
4. String a 4mm Power Green Pearl, 3 x turquoise size motion, open the ring and attach each strand in order
time&money 11s, 6.5mm gold plated spacer bead, flat gold spacer,
12mm Bright Gold Pearl, flat gold spacer, 6.5mm gold
of length. Reverse the twist motion to close the jump
ring securely. Repeat for the other side.
Make in under
two hours and plated spacer bead and a curved tube. Mirror the
for under £30. pattern to complete the other side.
toptip
• Three necklaces in
one! Remove one or
more strands from the
jump rings and wear
the strands individually
for a different look.
• There is no need to
try and pick up the
seed beads with your
fingers. Use the end
of the Beadalon wire
like a needle!
Santa Baby
Create this cute beaded Santa over a
3cm bauble. Available as a Bling Baubles
downloadable PDF Pattern for £5.50 This popular swags and tails
www.threadabead.com design is now available in
new colours. Kit costs £7.95.
www.spellboundbead.co.uk
Festive
glass and wire. Measures 8cm tall
and costs £2.75.
www.jillybeads.co.uk
Bead Trends
Want something special and handmade for your tree
this year? Take a look at these beaded ornaments.
Vintage Style
Vintage Bauble Kit available in a
range of colours for £9.95. Starry Eyed
www.spellboundbead.co.uk Small Snowflakes Kit pack of 2
£10.00 and Seed Bead Starburst
Decoration Kit - £6.50.
www.the-beadshop.co.uk
Perfect Angels
Pack of 3 Angel Tree
Decorations - £2.50.
www.the-beadshop.co.uk
Aluminium
beadstore
• 20cm long x 6cm wide
piece of 1.2mm thick
aluminium sheet
• 1/4m metre of
Cuff Corsage
Get the shine of silver without the hefty price tag using
synthetic lining material
• Tiny square of felt to aluminium and add a handmade fabric flower for a modern
match your material
• Sewing thread and
version of the prom wrist corsage.
needle
• 3 x 4mm pearls
toolbox
• Piercing saw
• Large half round file
and flat file
• Needle files
• Various grades of
sandpaper from coarse
to fine
• Chasing hammer
• Bangle mandrel
• Rawhide or rubber 1. On a piece of aluminium at least 20cm by 6cm, 2. File all the straight edges with a large flat file and
mallet
trace the template with a permanent marker. (See over the curved edges with a large half round file until
• Tea light candle
• 2 part epoxy glue page.) Carefully cut out the shape with a piercing saw. smooth. Use needle files to finish off. Remember to
The more accurately you cut the shape, the less filing round off all the sharp corners. Use sandpaper to
supplyshop you’ll have to do. You will find aluminium a very easy remove any sharp edges left by the files or scratches
• Aluminium from metal to cut. on the surface of the metal.
Metal Offcuts
• Tools from
Palmer Metals
• Crystal pearls from
The Bead Shop
(Nottingham) Ltd
• Sandpaper, files and
glue can be found in
most hardware shops
• Material, felt and thread
from haberdashers
• See page 89
3. Using the ball end of a chasing hammer, texture the 4. Shape the metal into a cuff shape using a mandrel
time&money surface of the metal until you get the result you like.
Alternatively you could just hammer the edges as I’ve
and a rubber or rawhide mallet. Hold the metal against
the bangle mandrel and hammer it carefully a bit at a
Make in over
two hours and done in my copper cuff or use sandpaper or a multi-tool time until the cuff is curved around the mandrel and the
for under £10.
to create your own texture. ends meet. continued over
te
gnno wers
desifabulous floorated
e rp
Thes be inco ferent
co u ld o if cts!
f d
lots
into ing proje
bead
toptip
• Use separate tools
for cutting and filing
aluminium if you also
work with silver as the
aluminium particles
may contaminate your
silver designs.
• Make sure the
material you use for
your flower is synthetic
as pure fabrics like
cotton won’t melt in the 5. Trace any circular items you can find onto your 6. Light a small tea light candle and hold the edge of
candle. The best I’ve chosen fabric. You need 8 or 9 circles of varying sizes each circle close to the flame but not in it! You should
found is the thin cheap
material used for lining
for your flower. I used a mug, an egg cup, a bottle top see the edge of the circle melt and curl a little. Keep
clothes and bags. and other items of various sizes. Cut out all your petals. moving the circle around until you have singed around
• If you need to make Don’t worry about cutting exact circles as the edges will the whole edge. Do this with all your circles. Remember
a smaller or larger cuff, be melted in step 6. never to leave a burning candle unattended.
you can reduce the size
of the template on a
scanner or photocopier
to save you drawing a
new one.
beadnerd
Aluminium is a great metal
to try if you’re new to
metalwork. It’s lightweight
and easy to cut as well as
being inexpensive. It is
100% recyclable and 7. Cut a small square of matching felt and stack this, Copper Variation
doesn’t rust!
then the largest petals through to the smallest on the Use copper sheet metal instead of aluminium for an
top and sew all the layers together through the middle warmer coloured cuff. The copper will need annealing
with a couple of small stitches. Glue a few beads onto before step 3 to shape it around the mandrel. To do this
the centre with 2 part epoxy glue to hide the stitches. heat it with a cook's torch until it glows orange, quench
Wear plastic gloves or be very careful not to get glue on in water and clean in homemade pickle solution.
your fingers. Find the middle of the cuff and put a dot To make the pickle just put three tablespoons of any
with permanent marker. Apply the same glue to the vinegar in an old plastic tub and heat in the microwave
back of the flower on the felt square and stick it onto until bubbling. Remove from the microwave and add a
the middle of your metal cuff. tablespoon of salt. Place the cuff in the solution for a
few minutes and then rinse with cold water. You can
treat your cuff with a few drops of Liver of Sulphur in
18.9 cm hot water to get a nice warm tone of brown.
18.9cm
0.5cm 0.5 cm
0.5 cm
0.5cm 0.5 cm
0.5 cm
2.7cm 2.7cm 2.7cm 2.7cm 2.7cm 2.7cm 2.7cm
2.7 cm 2.7 cm 2.7 cm 2.7 cm 2.7 cm 2.7 cm 2.7 cm
quarter o
ra
Sin
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Ove
198 ce
century
n
6
of b
ad
ing bliss!
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The popular
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Here is another present you might like to give. A three month subscription to
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Hearts of
Gold Necklace
Use gold wire and faceted garnet for an elegant necklace
perfect for adding glamour during the party season.
beadstore
• 1 reel of 0.6mm (22
gauge) gold plated wire
• 1 reel of 0.4mm (26
gauge) gold plated wire
• 29 x 6mm faceted
Garnet rounds
• 15 x gold plated ball
headpins
toolbox
• Round nose pliers 1. Cut 11cm of 0.6mm wire and fold in half. Nip the 2. Take a round pencil or similar object. Place the pencil
• Chain nose pliers end slightly with your fingers. Cross the wire in opposite three-quarters of the way down on the inside of one of
• Cutters
direction to form a loop at the bottom centre. the wires and wrap the wire round the pencil. Repeat on
• Round pencil or similar
object opposite side. Turn a loop at each end of the wire.
supplyshop
• Faceted Garnet beads,
0.6mm wire and ball
headpins from
The Bead Store
• 0.4mm wire from The
Spellbound Bead Co.
• See page 89
3. Using 6cm of 0.4mm wire, wrap the two circles 4. Cut a 6cm piece of 0.6mm wire and turn a half wrap
time&money together. Trim any surplus wire and squash the wire end loop. Attach this to a heart and complete the wrap.
Make in over
two hours and with chain nose pliers. The first heart is now complete.
for under £20. Repeat steps 1 to 3 another fourteen times. continued over
5. Thread on a garnet, turn another half wrap loop and 6. Thread a garnet onto a ball headpin, turn a half wrap
attach to another heart. Complete the wrap. Continue
with this step until all but two hearts are linked together.
loop and attach to the bottom loop of the heart. Complete
the wrap. Repeat this step with all remaining hearts. toptip
You will need these for attaching the clasp. • Be careful when
wrapping with the
0.4mm wire as it
easily breaks.
• If you prefer you
could connect the
bottom garnet beads
before linking the
hearts together.
7. To make the S link cut a 3cm piece of 0.6mm wire. 8. To make the clasp cut a 4cm piece of 0.6mm wire.
Turn a loop at one end. Repeat at other end but turn the Taking your round nose pliers bend the wire half way
loop in the opposite direction. Attach this to one end of down the pliers making sure one end of wire is longer
a heart by opening the loop and then close securely. than the other. Turn a loop at each end of the wire and
attach to the heart at the other end of the chain, in the
same way as the S link was attached.
The
Best Big Bead Show
Ever!
Heralded by traders and visitors alike as the 'Best Big Bead
Show Ever' - the October instalment of the UK's biggest all
beading event truly rocked beaders' socks off!
W
ith workshops, demos, beads, arriving as early as 8.30 to get their in the upstairs foyer. It's open to
meet ups, exhibitions, more place in the queue, meet up with friends everyone and is a great chamce to meet
workshops, oh and did I or grab a pre-show coffee. First on my up with online beading buddies, put
mention the beads, Sandown Park in agenda for the day was presenting the names to faces, compare purchases and
Esher was certainly the place to be on British Bead Awards and putting all our put your feet up for a bit.
Saturday October 20th. Beaders finalists out of their misery by finally I had to rush off early to prepare for my
travelled from near and far, with one announcing who the winners were. Turn own workshop which was taking place
reader I met coming all the way from to page 76 to see the lovely photos of all in the afternoon. It was lovely to teach a
Italy just for the show, and another, a the winners. After a small glass of whole bunch of brand new beaders
British Bead Awards finalist coming champagne and talking to various happy before sending them back out into the
from California! winners it was time for a quick whizz hordes of bead shoppers armed with
The show kicked off, as always at around the show and also a sneaky peek new confidence!
10am with many beaders into some of the fantastic workshops The rest of the afternoon whizzed by,
taking place. This year the Bead Show and far too quickly it was 5pm and the
took over even more of Sandown Park doors were closing. But as always there's
to accomodate for the twenty-odd taster cheer in the fact that the next Big Bead
classes taking place. Show is only a few months away!
The workshops were a roaring
success, everyone I spoke to had really COMINGsoon
The next Big Bead Show is on
enjoyed themselves, and as the classes Saturday April 6th at Sandown Park,
are only an hour there's plenty of time Esher, Surrey.
om
Martin fr s to pick up tips, and still have time to For early bird tickets, group discounts
las
Tuffnell G tes enjoy the show. and more info call 01903 885988 or
tra
demons ork visit www.thebigbeadshow.co.uk
lampw Next it was suddenly time for the Bead Look out for info on next year's
king.
beadma Meet Up which happens at every show workshops coming soon!
Waterfall
Disc Pendant
Crystals and pearls cascade out of a semi-precious stone
beadstore mimicking a wintry waterfall, in this beautiful necklace.
• One donut or shell ring
The base The branched fringe waterfall
• Size 11 seed beads
• Size 15 seed beads 1. Using size 11 seed beads, pick up six beads and 4. Secure a new thread in your work (unless you still
• A selection of 3mm, work in peyote stitch until you have a strip that is long have enough of the old one to continue working with)
4mm and 5mm glass enough to wrap around your donut. bringing it out at the bottom of the two-bead peyote
or freshwater pearls
and Swarovski bicones,
section on the outer edge of the donut.
about 60 in total. 2. When the strip is long enough, wrap it around your
• Chain for hanging the donut and zip the ends together by taking your needle 5. Make the first branch. This will be the main stem of
pendant
alternately through beads from each end of the strip. your branch. Pick up 18 x size 15 beads, one 5mm
toolbox Tie a secure knot at the edge of the work but do not cut bicone, then one size 15. Missing out the last 15, take
• Needle your thread. Take your needle through your work to exit your needle back through the bicone and on through
• Thread (6lb or 8lb between the second and third beads from the edge. three or four size 15s.
Fireline works best)
• Scissors
supplyshop
• Seed beads and
Swarovski crystals
from The Southampton
Bead Shop
• Freshwater pearls and
a good selection of
donuts available from
Kernowcraft
• See page 89
3. Working from the two centre beads of the six bead 6. Pick up 5 x 15s, 1 x 4mm bicone or 1 pearl (these will
wide section, continue in peyote stitch until the strip is now be referred to as ‘accent beads’), then 1 x 15. Miss
toptip long enough to reach across the centre hole of your
donut and to wrap around the far side of it. Wrap your
out the last 15 and go back through the accent bead, the
5 x 15s, then on through the next 3 x 15s of the stem.
I used a dyed Howlite
donut and a dyed work around the far side of the donut and join it to itself. Repeat until you get to the top of the branch. Take your
shell ring for these needle through the last few beads of the stem, then
pendant, but any
donut-shaped piece
through the next size 11 seed bead to exit in the middle of
with a centre hole of the two-bead peyote strip, ready to begin the next branch.
about 18mm (3/4 of
an inch) would work. I
have used not only
semi-precious donut
shapes but also shell
and glass in the past.
time&money
Make in over
two hours and
for under £20.
continued over
7. Using a random selection of bicones and pearls, 10. (Optional) If you wish, you can add three-bead
create seven or eight more branches along the length of picots along the edges of the six-bead peyote strip,
your two-bead wide strip at two-bead intervals until you working in size 15 seed beads.
reach the six-bead section around the top of your donut.
Working in the same manner, and still one bead in from
the edge, make two more branches at each side of the
six-bead section.
toptip 11. Work through to the top of the donut with your
In order for the thread exiting between the second and third bead of
branched fringe to the peyote strip. Using size 15 seed beads, work a
stand out rather than
hang limply a fairly
short length of peyote stitch two beads wide. When it’s
stiff thread needs to 8. Work your needle through to somewhere around the long enough, fold it over towards the back of your work
be used, so 6lb or mid-point of your six-bead section on the front of the and stitch it down to the donut, creating a bail through
8lb Fireline is ideal.
The fringing needs to donut (precise positioning isn’t absolutely essential, which to thread your chain.
be worked at a fairly somewhere close will do).
tight tension.
www.littlecraftybeaders.co.uk
Beads - Pendants - Threads - Tools - Jewellery Findings
Telephone:
01489 481416
ne
db
e si g
el ry d
J ew
Make an
Impression “Bedazzled Slinky Bracelet”
M
by Rings & Things Designer,
ake your own jewelry and make an Impression Sondra Barrington
with new Beadalon Satin Antique Brass
colored 7, 19, and 49 strand beading wire. Use this
new wire with antique brass chain and German Style Visit our Design Gallery for
wire to create mixed media jewelry. Learn how to
make your own earrings, bracelets, and necklaces by Sparkly Inspirations!
visiting our website where you’ll find hundreds of design
ideas, step-by-step instructions, and product videos.
www.beadalon.com/carouselnecklace.asp • Beads • Chain
To find a Beadalon retailer near you, please visit
• Findings • Gemstones
www.beadalon.com/locatewheretobuy.asp • Supplies • Tools • Pearls
®
www.beadalon.com
1 (800) 366-2156
www.facebook.com/beadalon www.rings-things.com
Meet
Beadworks UK
Heralded as the original London bead shop, Beadworks UK are into
their fifth decade now and still going strong. By Stephanie Stevens.
N
estled on a street corner in the The flagship store first opened it’s Spread over two floors, the ground
heart of London’s Covent doors in 1967 and the company have floor offers a massive range of bead
Garden, Beadworks The come a long way since then. Thanks to supplies, with tempting displays of
Original London Bead Shop is a warm a thriving online business, a Berkshire beads and crystals strung on the
and inviting haven for any craft lover. based customer service centre became a wooden frames between the trays and
Shoppers can escape the busy streets necessary addition to the company's along the walls. Downstairs the
and indulge in over 1800 square feet of enterprise, enabling Beadworks to basement area includes more beads,
diverse beading fabulousness! From supply to people all over the country. sold in quantities and caters for
Swarovski Elements and semi-precious The beauty of beading lies in the wholesale customers. Here you can also
beads, to pearls and glass, Beadworks creativity and diversity of the hobby find dazzling semi-precious strings of
has everything a beader could dream of ! and the team have shaped their beads and stones.
business around this. Their speciality is Recent refurbishment has made the
everything! The company work hard to shop the perfect place to gain
ensure every single beading need can inspiration! A sleek and modern
be met, providing one of the largest interior, complete with brand new eco-
ranges in the whole of Europe. Their friendly lights, set off jewellery displays
website plays a vital role in this beautifully and allows beads to sparkle
impressive achievement. It provides and shine! Dedicated to introducing
over 6,000 products to the beading new products, ideas and trends, there
world, as well as offering free jewellery are even more plans for the future,
making tips and tricks for the best with further refurbishment planned
beading practices and tools to use. over the next few months that will
enhance the shopping experience.
The Store
The shop itself has everything you’d Trials and Triumphs
need to get you started in jewellery Success hasn’t come without it’s
making or to add to your collection. obstacles. The nature of business and
St Petersburg
BeAdstore
• Approx. 6g x Miyuki Tila
beads – matte metallic
dark bronze (2006)
Miyuki size 11 seed
Party Piece
beads: Combine a Tila bead collar with St Petersburg swags
• 5g x matte opaque
light denim (2038)
to make a neat and flattering choker.
– A bead
• 3g x silver lined dyed Foundation Row 3. Decorate the second, and following Tila beads, as
denim blue (648)
– B bead 1. Pick up 1 Tila bead, then 1 x A, 1 x B and 1 x A. follows: **Pick up 1 x A, 1 x B and 1 x A. Pass down
• 5g x matte metallic Pass down through the second hole in the Tila bead through second hole in the Tila bead and pick up 1 x A,
dark bronze (2006) and pick up 1 x A, 1 x crystal, and 1 x A. Pass up and 1 crystal and pass up through the third link bead on
– C bead
through first hole in the Tila bead again and through the lower edge of previous Tila. Pass up through the first hole
• 3g x Miyuki size 15
seed bead – Montana 1st and 3rd beads on top (skip the centre one to make of current Tila bead, through the 3 beads on top edge
blue gold lustre (305) a picot effect). Pass down through the second hole in (skipping the centre bead) and down through the second
– D bead
the Tila bead again and the first A on the lower edge. hole and third bead on lower edge. Repeat from ** until
• 157 x Swarovski 3mm
bicones – Montana blue This decorates the Tila bead. See Diagram 1. foundation row is appropriate length, e.g. 57 Tila beads.
Work an uneven number of Tila beads. See Diagram 3.
TOOLbox
• 1 reel KO thread in Diagram 1.
denim blue, or Fireline,
4lb weight in crystal
• Sharp pointed scissors
• Size 13 beading Diagram 3.
needles
sUPPLYshop
• All supplies from 2. Link to the next Tila bead as follows. Pick up 2 x A
Stitchncraft Beads and a second Tila bead, then 1 x A and pass down St Petersburg Swags
• See page 89 through second hole of first Tila bead again, and Make 9 of these, one with 11 crystals, and two with 10,
through 3 x A linking it to second Tila bead and pass up 9, 8, and 7 crystals each. The tension needs to be
through the first hole of the second Tila bead again. See firmer when making the swags.
Diagram 2. Repeat the thread path for each Tila added,
but when passing through the 3 beads at the top of 4. Fasten a stop bead in the centre of a length of
toptip each Tila bead again, skip the centre one to make a
picot effect.
thread. Pick up 5 x A and pass through the 2nd and 3rd
again. Snug the beads up to the stop bead. See
Tila beads have a
‘right’ and ‘wrong’ Diagram 4. ** Pick up 1 x C and pass back through the
side, so check when 3 beads below it. Pick up 1 crystal and pass up through
picking up.
the 2 beads in the next column. See Diagram 5. Pick up
Diagram 2. 4 x A and pass through the 3rd and 4th again. Repeat
from ** until all but one of the crystals have been used.
5. Remove the stop bead and pick up 1 x A, 1 crystal 6. Pick up 1 x C and pass back through the 3 beads
and 6 x A. Pass through the 3rd and 4th beads again, below. Pass through the first crystal attached in Step 4 design
see Diagram 6. and the 5th and 6th beads just picked up. Continue in The in note
structi
St Petersburg stitch until you have attached all the sound ons
compli much more
crystals. Make all 9 swags in the same way. Leave cated
actuall than th
y are, ey
about 18cm of thread at each end of every swag to so don
be afra 't
id!
attach them to the collar. See Diagram 7.
Diagram 6.
Diagram 7.
continued over
note
desuingdantion row and
central bead as follows. Pass through the A bead at the
lower edge of the left hand hole and then follow the
The fo make a Diagram 10.
g edge thread path until the thread is secure. Attach the other
scrollin ple necklace
im The Clasp
lovely s the swags. thread from the swag to the right hand hole of the Tila
t
withou bead to the left of the central bead. Keep your tension 11. Attach a new thread to one end Tila bead. Pick up
relaxed for this step. See Diagram 8. 6 x C and pass back through the Tila again. Pass
through the 1st, 2nd, 3rd and 4th C beads picked up
on the first pass. Pick up 3 x C and a new Tila bead,
Central and 3 more C. Pass through the 3rd, 4th, 5th and 6th C
Tila
Bead beads picked up on the first pass, and through the new
Tila again. See Diagram 11.
Diagram 8.
Diagram 11.
Dear Bead
We love to hear from you! Send us your
letters and pictures by emailing
chloe@beadmagazine.co.uk or write to
us at Bead, Unit 5E, Park Farm, Arundel,
West Sussex, BN18 0AG
Please include a telephone number or email
address as this makes it easier to respond.
For help with submitting pictures please
see page 89.
Editor Responds
˜ anks for sending in your colourful
creations Wendy, they always brighten up
our day.
Left 'Citrus' and
below 'Untamed',
Wendy's chainmaille
creations.
New Beader
My name is Louise I am 30 years old and have always loved
arts and crafts from a young age. I have been making
jewellery for about 6 months now and it really has become
an addiction! Reading magazines such as Bead Magazine
and surfing online has really helped to provide inspiration
and motivation to have a go at my own designs. I have
attached some photos of my recent projects and hope you
enjoy. I am obviously still a novice jewellery maker and have
so much to learn but would love it if my photos were able to
be used in Bead Magazine.
Louise Burman
Editor Responds
˜ ese designs are really fantastic, it's great that you have the conÿ dence to
create your own designs. Well done!
Diane Fitzgerald
Bead Meets
Diane Fitzgerald
Renowned for her beautiful beadwork designs and author of countless books,
projects and magazine articles, Diane Fitzgerald has been responsible for raising
the profile of beading internationally. By Chloe Menage.
D
iane Fitzgerald is a household author of the classic book, ‘Indian display a colourful array of African
name in the beading world; Bead-Weaving Patterns’. Diane learnt baskets, ethnic artwork and some of
author of twelve books, and many off-loom techniques from Diane’s books. A central table allows
more than 100 magazines and beading Horace, but felt that rather than Diane to spread out her works in
projects, she is most known as a leading sticking with traditional Native progress and provides the perfect
geometric beadwork artist and also for American designs she wanted to meeting place for her group the
her exploration of natural forms, such as develop her own contemporary style. ‘BeadHeads’. Diane said: “I spend my
the stunning and realistic flowers in her days working at the computer (like many
book ‘The Beaded Garden’. However Studio Life office workers) writing instructions,
Diane is also a wealth of knowledge on Much of Diane’s life revolves around her books, magazine articles, correspondence,
beading across cultures around the world studio or travelling. Diane teaches etc and assembling kits and holding
and a keen bead historian. Residing in regularly at bead stores and groups classes occasionally.”
Minneapolis, Minnesota, her beautiful locally, and once a month she teaches In and amongst this Diane fits in
studio space is packed to the rafters elsewhere in the US. Once a year she plenty of time for beading: “Before I go
with her life’s work, with many teaches internationally; most recently at to work in the morning I usually bead
recognisable designs peeking from the Anita’s Beads and Zebra Beaders in the for two to three hours, and
display cases. Chloe Menage caught up UK. She said: “I began teaching in 1989 after dinner bead
with this inspiring lady to find out more because people asked me to show them some more. For my
about her accomplishments, inspirations how to do beadwork. It’s fun to see what constant efforts I
and beading habits. people are up to, how they change my am doing well if I
designs and to get new ideas.” earn minimum wage
Diane’s formal training began at The rest of the time Diane is happy but I do have fun
University in her thirties, where she beading in her studio space which she doing it. Beading is
studied colour and design theory; these shares with her husband. The couple live my life.”
principles have been invaluable to her in in a high rise condominium in the
her beadwork. She said: “I highly warehouse district of Minneapolis, and New Challenges
recommend them, especially colour her beautiful studio is situated at the base. Although most known for her work
theory. Learning the elements and She said: “It has floor-to-ceiling with seed beads, Diane also has a love
principles of design enables me to windows that are 11 feet tall and look for mixed media and enjoys finding fun
analyse my designs and decide whether out on a grassy area, with a busy street and unique ways to incorporate unusual
they work or need to be changed.” beyond. I love being here any day objects into jewellery; whether it’s zips
Along side this Diane trained in whether sunny or rainy. It is quiet and I into necklaces, or paperclips into stylish
communications; learning writing skills am undisturbed.” earrings, she is always on the look out for
that have helped her greatly in her career Diane’s part of the studio is filled something new. She said: “Sometimes I
writing bead related articles and patterns. with bags and boxes of beading projects, take a break from beadwork and string
Many years ago she took her first display cases packed with her works from beads, I find this to be as challenging as
beadwork classes with Horace Goodhue, her books and projects, and the walls any other type of beading.”
However Diane is a seedbeader at woman wearing a black and white striped which incorporates an eye cabochon and
heart and works mainly with Miyuki blouse and it reminded me that I wanted spike beads.”
Delicas for their versatility and Swarovski to make a piece with freeform black and Diane’s humour and love of fun can be
crystals for their sparkle. She said: “I love white designs.” really seen in this piece, as in many of her
the rhythm of doing beadwork, watching works. Her humour is a key part of her
the pattern grow and working with all Success personality, and carries across into her
the beautiful colours that are available.” Diane has just completed work on teaching style and many of her designs.
her twelfth book; 'More Shaped When asked for her some words of
Bead Collector Beadwork', will be published by Lark wisdom Diane said: “One needs good
Her friends and family have accused Books in 2013. When asked about the beads to do good work, so buy as many as
her of being beading obsessed, a difficult process of putting a book you can afford and don’t worry if they begin
statement I’m sure many of us can relate together Diane said: “When I write a to overtake your life. Pursue your beading
to! She said: “While travelling one time, book, I complete the instructions and with all the passion you can muster and
my sister commented to me that I can’t samples before I propose it to my give it all the time it requires, forget the
go more than five minutes without publisher, this way I don’t have to feel the housecleaning. Work on whatever you are
changing the conversation back to beads.” pressure to produce on a deadline.” inclined to work on at the moment and
A keen antique hunter and collector Despite her mounds of success in the don’t feel you need to complete something
of old and rare beads, collecting mostly beading world, her stack of published if it doesn’t feel right.”
20th century European glass beads and books, and the international recognition;
American art glass beads, her favourite Diane’s would say that her biggest SEEmore
being vintage Peacock glass beads. Diane personal accomplishment is raising her Visit Diane’s website
appreciates the quality of beads both old two children. Her son lives close by with www.dianefitzgerald.com
and new, and often it is the beads her four grandchildren, and her daughter
themselves which bring her inspiration: lives in California, but she joked:
“I just received some of the some new “Although I am not sure how they turned May basket
‘spike beads’ which are a real challenge to out so good!” brooch.
work with. I don’t limit myself to a set Jokes aside Diane is proud of the
style but instead comb through books for body of work, books and magazine
inspiration for jewellery designs from articles she as accumulated, and hopes to
ancient, to modern, to far-out.” continue on in the same vane. She said:
For Diane, inspiration can strike “Currently, I am working on a
anytime: “Ideas come to me constantly manuscript for my next book, preparing
from everywhere. I can’t keep up with for upcoming shows and teaching
them. Sometimes I wake up in the opportunities, and working on the
morning and there is a new idea in my mound of beads that are beside me on
mind and I can’t wait to do it. Yesterday, the couch. I have just finished a weird
walking along the street I noticed a piece called ‘Seeing James Cameron’,
Trim the
Tree Earrings
Decorating a Christmas tree has never been so easy - or stylish!
beadstore
• Various dichroic glass Follow these six simple steps to create your own festive earrings.
pieces
• Bullseye glass Spring
Green
• Bullseye glass Red
• 1mm stringer
toolbox
• Cutting matt
• Glass cutter
• Steel rule
• Running pliers
• Thin fire paper
• Glasstac
• Kiln 1. Choose some bright-coloured dichroic glass which 2. Arrange the 'micro dichros' on a ceramic kiln shelf
• Pencil is 2mm thick with a black background. Using a glass- lined with thin fire paper so the glass doesn’t stick to
• Graph paper cutting tool cut a 5mm strip, then cut the strip into the shelf. Fire in the kiln at full fuse 804°C for 15
• Scissors 5mm squares. Place running pliers along the score and minutes, allowing the cabs to cool completely.
• Fine marker pen
break each piece. Make the cuts on the black side of
supplyshop the glass as is easier to cut plain glass.
• Glass from
Warm Glass
• All other supplies from
Messam's
• See page 89
toptip
Kiln temperatures may
vary from the ones I
have used, so do
some test pieces first.
3. Draw a template on graph paper of your tree shape 4. Wash the glass in soapy water making sure you
or trace the one provided (see page 89). Cut the shape remove any marker pen or grease. Dry the pieces out
out and place on a piece of Spring Green Bullseye glass. with a kitchen towel and then place them on the kiln
time&money Draw around the template and cut out the shape using a
glass cutting tool. Repeat to make a matching pair. Do
shelf on a ceramic shelf lined with thin fire paper. Make
sure the red buckets are butted up next to the tree.
Make in over
two hours and the same in Red Bullseye glass for the bucket that the
for under £5. tree sits in.
variation
To make a wall
hanging or tree
decoration, use the
large template
provided and follow
steps 1 to 5. At this
point, cut a strip in
Spring Green to
support the back of
the tree and the
bucket, then place a
5. Choose some 1mm stringers and snap to make a 6. Allow the earrings to cool completely, then remove piece of copper wire
in between the extra
pattern across the trees. Attach each piece with a very and wash the dust from the back of the glass in water. strip at the back of
small drop of Glasstac, then do the same with the micro Dry completely. Mix two parts epoxy resin and attach the tree top for
hanging. Continue to
dichros to look like baubles in the tree. Once you are glass earring bails, then hang from a pair of fish hooks. step 5.
happy with your design, place in the kiln making
absolutely sure that the red buckets are touching the
tree. Fire on a tack fuse at 749°C for 15 minutes.
n
BELOW:
alle
Midlands "For this Readers'
Ch
Challenge I have made some 'Festive
Fun' Earrings using wire."
Be creative!
Feel free to be as creative as
you like with your interpretation
of the themes. We love to see
what you come up with!
any
The Spellbound Bead Comp
ted has won
This issue each reader prin
e sno wfl ake kit from
this elegant crystallin
ad Co. 47 Tamworth
The Spellbound Be
Sta ffordsh ire WS13 6JW.
Street, Lichfield,
undbead.co.uk
01543 417650 www.spellbo
SUBMITTINGitems
You can email photos to chloe@beadmagazine.co.uk.
Please add 'Challenge' in the subject line.
See page 89 of this issue for more information on submitting photos. Please
note deadlines and themes are subject to change occasionally.
CHALLENGEthemes
ISSUE THEME DEADLINE
44 Sing a Rainbow Dec 3 2012
45 Spring Flower Power Feb 4 2013
46 Inspired By Nature Mar 10 2013
Gaynor Armitage,
LEFT:
Essex "Hope you like my
lampworked Christmas Gremlins!
I had great fun making them!"
Tangled Up
Festoon your loomwork with twinking 'lights' and create a
cuff perfect for illuminating your wrist in the festive season.
beadstore
1.8mm Cube Beads:
• 20g x Black Matt 1. I begin by warping my loom using Black Fireline, for 4. Starting the pattern ‘centre of the loom/centre of the
SB18-401F the warps running centre of the cuff. Then I warped a pattern’ will also help to recreate the perfect wrist size.
• 3g x Metallic Silver Red Tex 400 on one side and a Green Tex 400 cord on To calculate the needed loomed length, measure the
SB18-961
the other. This will create the total number of warps length of a ‘comfortable wrap’ around. Now add another
• 2g x Silver Lined Red
SB18-10 needed; 24 warps to handle the 23 cube wide cuff. 15mm, to that measurement. This will give you the total
• 2g x Silver Lined completed length of your cuff. Subtract the ‘clasp splay
Green SB18-16 2. Notice I am using my 'Double Warp Method', which measurement’ from that total figure, and this will give
• 2g x Matt Khaki Iris includes using two needles, one on each end of a weft. you the total measurement of how long to loom this
SB18-2035
• 2g x Silver Lined Gold This way, I won’t need to change my weft thread as cuff. Therefore, the total loomed length, plus the clasp
SB18-3 often. Begin with stringing your first row of cubes, splay, will equal the total measurement needed. 'Clasp
• 2g x Silver Lined Blue centre of the loom, centre of the pattern. While holding Splay' is the distance between the ends of your cuff
SB18-19
this row up against the warps, using the first needle, which is created by the clasp.
• 2g x Silver Lined Clear
SB18-1 with one cube in between each warp, I run the opposite
• Approx. 1g x size 15 needle back through the same row. Now my first row is 5. You may even make it longer than the pattern
seed Beads Matt secured, using the 'Double Weft Method'. denotes, by including extra rows of black cubes beyond
Green 15-F411B
the graphed design. If you do loom a longer length then
Size 11 Silver Lined seed
beads: be sure to carry on the silver edging design along the
• 0.5g x Ruby Red additional solid matt black cubes. Below is a picture of
• 1 x Green the cuff, ending where the design is completed. Use
• 20 x 9mm x 6mm Diagram 1 to loom your cuff.
Swarovski Crystal Tear
Drops 5500 in Crystal,
Emerald, Sapphire,
Lt Colorado and Siam
toolbox
• 20lb/.20mm Dandyline
for centre warps 3. To recreate the look of these lights actually being
• 6lb Crystal Fireline turned on, I chose the black matt finish background and
for weft
silver lined colours for each of the glass bulbs. Notice in
• 12lb/.20mm Black
Wildfire for the the picture below how they seem to ‘glow’ as the light
Garland Wrap bounces off, when the cuff is moved.
• C-Lon Tex 400 Cord in Adding the double clasp sections
Green and Red
At this stage the cuff is not complete, I am now going
• Size 10 English
Beading Needles to loom two sections at each end, to create the ‘double
clasp’ design. Remember to include these sections into
your total cuff measurement, so you are not looming a
time&money cuff too long. This is how I add these sections without
having to ‘reweave’ any warps.
Make in over
two hours and continued over
for under £20.
16. Work the other half, as you did the first, using the
weft tail left over from where you started, in the centre. Be
13. Now use the red silver lined seed beads to weave sure to also stop short two rows of cubes, so the crunchy
one row of beads, along the edge of the previously clasp will fit perfectly.
completed cuff. Beginning in the centre, work your way
towards the one end.
3D Wiring
17. This will connect the tree lights together, giving a
14. I prefer to make my crystals wide enough apart so realistic feel to this design. Following the graph,
they do not touch. They can be placed even wider apart, calculate how many size 15 seed beads will create the
if you want a less bulky look. Here I am weaving 4 length needed. Start at one end, closest to the edge of
beads between each jump ring, holding the crystals. where the crunchy clasp will close, exit a cube. Count
on some size 15 beads, double check this number of
beads will meet the point it needs to stretch to.
continued over
19. Make sure this ‘half way point’ will exit close to a
warp, so you can secure this thread in the same manner
you did originally, i.e. picking up another warp. To finalise
this stretch of size 15 beads, run the needle back through
them, exiting out where you originally started, and where
you picked up your first warp. Now this particular section of
bead 'wire' is secured to the top of the cuff.
www.jencel.co.uk
0114 2509565
R
RY READE SEE PAGE
57
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ert,
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e Lipp
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Patterns fromnie de Mig
10:46
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28/06/2012
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09:56
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magazine
herrin Untitled-3
1
o.uk
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for earr t
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57
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Take insp and gam Create clay
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2012
Special
Winter
Issue 42
11:04
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09:59
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1
Untitled-3
2
r42.indd
Bead_cove
georgeweil
traditional craft supplies from
MostlyMonochrome
Lacy Twin Collar
Combine two colours of Twin beads for this clever two-tone
beadstore
• 1 x 40mm Glass
necklace perfect for parties at this time of year!
cabochon
• 15g x Twin Beads Bezelling the cabochon 5. Pass your needle through the beads diagonally so
Crystal 00050 (D
beads) 1. On a comfortable length of Fireline, add a bead stopper that it comes out of one size 11 seed bead from the first
• 15g x Twin Beads Jet leaving a 25cm tail. String 82 size 11 seed beads for a round. Fit your glass cabochon inside the circle with the
Matte 23980M (E
40mm glass cabochon. Match your bead count in the front end facing the same way as the snug front rim of
beads)
• 36 x Swarovski 4mm colours A and B to fit the pattern on the glass cabochon. the beaded circle. Now you will make the back rim, fitting
Bicone Montana AB For my cab I used 37 Crystal seed beads (A beads) and 45 the glass cabochon with a bezelled frame.
(C beads) Matte Black seed beads (B beads).
Size 11 Miyuki Seed
Beads:
6. Holding your work firmly, pick up 1 x size 15 seed
• 3g x Crystal 131 2. Pass the needle through all the beads to form a bead in your matching colour pattern. Skip one bead,
(A beads) loop, fitting the outer rim of the glass cabochon. Make a go through the next and continue adding size 15 seed
• 3g x Matte Black knot if you like, then pass through the next bead. Pick beads with Peyote.
401F (B beads)
up 1 x size 11, skip one bead and pass the needle
Size 15 Miyuki Seed
beads: through the next bead. Continue working in Peyote 7. Step up through the first size 15 added. Make two
• 1g x Crystal 131 stitch matching your colour pattern, until you reach the or three additional rows of Peyote with size 15 seed
• 1g x Matte Black end of the circle. You have now completed three rows beads, keeping the thread tight so that the beads snug
401F
of Peyote. up to the back of the cabochon. See Diagram 1. When
Size 11 Miyuki Delica
Beads you feel content that your beaded rim stays on the
• 1g x Crystal 141 cabochon, move on to the next step.
• 1g x Matte Black 310
Diagram 1.
8. Pass through beads in the beaded rim until you
toolbox come out through the first A bead on row 4 (if you
• Size 12 needle
count bead rows from the front rim, it’s row 5). The
• Fireline 4lb / size B
Crystal 3. Step up through the first bead added in the previous needle should point towards the A bead section so that
• Bead stopper row. Work Peyote for row 4 and 5 with size 11 seed you continue the embellished stitch you will do next on
beads in your colour pattern. Remember to step up that half. See Diagram 2.
supplyshop after every completed row. Keep the circle as ‘tyre like’
• Glass Cabochon from
Cessy Ståhle as possible. Diagram 2.
• Beads from GJ Beads
• See page 89 4. For rows 6 and 7, change to size 11 Delicas in your
colour pattern. For row 8, change to size 15 seed
beads. The change in bead size causes the circle to
time&money bend inwards, creating a snug front rim for your glass
cabochon. Keep the thread tight throughout this step to
Make in around make the circle bend.
15 hours and for
under £25.
9. Pick up 2 x A beads, 1 x 4mm (C beads) and 2 x A 11. Turn the direction you work in and pass through
beads. Skip two beads on the beaded rim and pass the the second hole of the bead you just passed through.
needle through the third A bead on the rim (shown in By turning on a bead from the first hole to the second,
pink see Diagram 3). This creates a beaded ridge. Make the thread wont show. This turn is used throughout the
sure you stay on the same row as you started from. pattern. See Diagram 4. toptip
Pick up another 2 x A beads, 1 x C bead, 2 x A beads, Diagram 4. Glass cabochons can
skip two beads on the rim and pass through the third A vary slightly in size, so
you may need to
bead. Repeat until you have added a total of 6 crystals adjust the pattern for
- you should reach the other side of the A bead section. the bezel depending
on the cabochon you
End the threads and put aside.
go for. If you need to
alter the amount of
beads, always stick to
an even total so that
12. Pick up 1 x E bead and pass through the second you can use even
hole of the bead from the previous round. Pick up 1 x E, count Peyote stitch.
Diagram 3. pass through the next bead, and continue until you have
added a total of 6 E beads and 4 D beads. Pass
through the first E bead in this round and turn as in
step 11.
The large circle
10. On a comfortable length of Fireline, add a bead 13. Pick up 2 x D and pass through the second hole of
stopper leaving a 25cm tail. Pick up 5 x D beads and the bead from the previous round. Pick up another 2 x D
5 x E beads. Pass through all the strung beads again beads, pass through the next bead, and continue until
to form a loop. If you like, make a knot and then pass you have added a total of 10 x D and 10 x E beads. Pass
through the first D bead strung again. through the first D bead in this round and turn. continued over
14. Pick up 1 x E, pass through 1 x E from the 18. Repeat steps 10-17 to make a second large circle
previous round. Pick up another E bead, pass through for the otherside of your bezelled cabochon. At step 16,
the next bead. Continue until you have added a total of make sure you use the same beads as on the opposite
11 x E and 9 x D. Pass through the first E bead in this side of the cabochon.
round and turn as in step 11.
The middle-sized circle
15. Pick up 1 x D and 1 x A. Pass through the D bead 18. Make the first rounds of the middle-sized circle by
from the previous round. Pick up 1 x 4mm bicone (C following steps 10-12.
bead), pass through the next bead. Pick up 1 x C, pass
through next bead, pick up 1 x D and pass through the 19. Pick up 2 x D beads and pass through the second
next bead. Repeat until you have added a total of 5 D hole of the bead from the previous round. Pick up
beads and passed through the E bead from the another 2 x D beads, pass through the next bead, and
previous round. See Diagram 5. repeat this pattern until you have added 8 D beads.
Pick up 1 x D bead and move on to the next step.
Diagram 6.
Diagram 9.
Diagram 8.
Diagram 10.
33. Pass through all the E beads again and through the
next D bead, then turn and pass the needle through the
outer hole of the same D bead, as well as the D bead
sticking out of the mini circle. See Diagram 10. Pick up
[1 x B, 1 x E] 4 times, then 1 x B and 2 x E. The last E
bead will be connecting this mini circle to the next. continued over
Macramé
Owl Pendant
With retro style being so popular just now, why not revisit
the macramé owls from the 70s in miniature form.
beadstore
• 1 x 19 x 41mm oval
Beadalon Quick Link
• 1x 9x6mm oval bead
(beak)
• 1 x 30x6mm wooden
bead (perch)
• 2 x 6mm round beads
(for the eyes)
• 19 x size 6 seed beads
1. Cut 10 lengths of soft cotton, 70cm long and attach 2. Using the first pair of cords as carriers, tie a half • 2 x 12mm jump rings
• 1 skein Anchor Soft
them to a Quick Link with lark’s head knots. Pin the Quick hitch over them with each of the next 8 cords. Make embroidery cotton
Link to a cork mat. Skipping the first and last pair of cords, sure these knots all slope in the same direction. Repeat
tie a row of 4 square knots. Repeat for the second row to on the other side but tie the knots sloping the other toolbox
create 3 knots (ignoring the first and last 4 cords). Repeat way, as a mirror image of the first side. • Cork mat
• Ball headed pins
in the same way to form a triangle shape, as shown.
• Scissors
• Sewing needle and
thread
supplyshop
• Quick Links and seed
beads from CJ Beaders
• All other beads from
Bead Exclusive
• Jump rings from
Sanctuary Beads
• Anchor cotton from
Sew and So
3. Use the centre 4 cords to tie a square knot. Thread 4. Thread on the eye beads, as shown. Take one cord • See page 89
the beak bead onto the 2 carrier cords, lift them up and from the beak and one from under the beak, and using
use the 2 knotting cords to tie 2 square knots under the
beak. Tie a column of 8 square knots down each side of
them as holding cords tie half hitches along them.
Repeat on the other side, again making the knots a time&money
the owl’s head. mirror image of the first side. Take care to keep the Make in over
two hours and
head symmetrical. continued over for under £10.
gnn ry ote
desi mbroide er
ee ov
As th omes in ould
o n c u c
cott ades yo ur you
0 s h c o lo
40 ny l.
se a r ow
choo for you
like
5. Tie a square knot in the centre, below the beak. Using 6. Thread on 3 x size 6s and tie square knots under
the 8 centre cords, thread on 2 x size 6 beads then tie them. Reserving the outside 4 cords on each side to be
square knots under them. You may need to sort through the wings, make a row with 4 x size 6s. The edge beads
your size 6 beads to find ones that will take 2 cords. are threaded on only 1 cord and not knotted in this row.
7. Continue adding beads and knots in an alternating 8. Skipping the first pair of cords, tie a half hitch
pattern of 3 and 4 to a row, until you have 6 rows of around the wooden bead with each of the next 3 cords.
beads. The owl’s body is now complete. Use these 12 Skip the centre pair and tie the next 3 cords around the
beadnerd cords to attach the owl to his perch! bead, making the knots a mirror image. Skip the last
The ancient Greeks
pair of cords.
attributed the owl to
Athena, goddess of wisdom
and foresight. This symbol
was used on Greek coins
and therefore also became
associated with wealth.
9. Use the first and last of the centre 8 cords to tie a 10. Using the working cords from the left wing, tie a
square knot around the other 6 cords, under the square knot around the carrier cords of the wing and
wooden bead. Now return to the outer cords from step the first pair of cords from step 8. Hide this knot behind
6 and tie a column of 8 square knots on each side to the wooden bead. Repeat on the other side.
make the wings. continued over
toptips
• To make it easier to
thread the beads, dip
the ends of the cords
in PVA glue, twist to a
point and leave to dry.
• When tying square 11. Take one of the outside cords and tie a couple of 12. Trim the tail straight across 4cm below the knot.
knots the cords that
actually make the knot Half Hitches around all the other cords. Pull the knots Use a blunt tapestry needle to carefully unravel the
are called working
tight to form the tail. Add a drop of glue to the knot and cords to make the tail nice and fluffy. Trim off any
cords and the cords
in the middle are allow to dry. Also glue the ‘feet’ to the perch. straggly ends.
called carrier cords or
lazy cords.
• You could use a clip
board to hold your
work instead of
pinning it to a mat.
13. For the eyes, cut 15 pieces of cord about 8cm 14. Centre the ring over one eye and stitch in place
long and attach to a jump ring with Lark’s Head knots. from the back using matching sewing cotton. Repeat
Place a £2 coin over the ring, draw round it and trim for the other eye. Trim and fluff up the eyes till you are
the cords. Fluff out the cords as in Step 12. happy with them. Macramé a matching cord or attach
to a chain to finish.
knottips
Flat/ Square Knot
1. 2. 3. 4.
Holding cord
beadprojects2go
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Be inspired!
mEtalclay
note
ign e sure
dEsure: Mak with
leaf
Text se a
ng to
you choo veini up
obviousit shows
colourwise ensu
re
finish
ed
beadnerd
‘id’ when referring to
jump rings stands for
internal diameter.
Moonlight Shadow
wirework, PMC and
we love it...
create modern elegance
with crystals and
more... at the click
of a button.
we love it... time&money semi-precious beads.
slinky and stylish Make in over
two hours and
for around £25
beadmagazine.co.uk 73
Memories
Ornament
Use Delica beads, crystals and pearls to
create an easy ornament cover, perfect for
adding elegance to your tree this year.
beadstore
1. Using even count peyote bead up the pattern shown 5. Skip the last 5 cream threaded on (see below) and go
Size 11 Delica beads:
in Diagram 1 (see over), leave a tail of thread around back through all beads in the fringe and into the base bead
• 1.7g x DB35 Silver 50cm for beading the top of the bauble. of the beadwork strip that the fringe is extending from.
• 2.5g x DB204 Beige
• 0.65g x DB200 White 2. Place the beadwork face down and bring the two
• 0.5g x DB755 Blue edges together into the centre of the beadwork. We will
• 0.3g x DB656 Green now sew (zip) these two edges together by going up the
Less than 0.1g of:
• DB794 Brown beadwork, picking up beads on each edge alternately.
• DB651 Yellow
• DB653 Pumpkin
Other components:
• 1 x 3cm Bauble
• 24 x 3mm Crystal AB
• 8 x 4mm Crystal AB
• 8 x 6mm Crystal AB 6. Pass the needle down through the next base bead
• 16 x 4mm Cream to the right of the bead the thread is exiting from in the
Pearls beadwork strip (see below).
toolbox
• Nymo White Size D
• Size 10 Needle 3. Go back down through the beadwork and reposition
• Scissors the needle and thread so it is exiting from the bead
marked with a pink dot in Diagram 1.
supplyshop
• All supplies from 4. We will now add the fringe-work to the bottom of the
Thread A Bead
• See page 89 bauble. Pick up 3 x cream, 1 x silver, 1 x 3mm clear, 1 x
4mm pearl, 1 x 3mm clear, 1 x silver, 3 x cream,
1 x silver, 1 x 3mm crystal, 1 silver, 1 x 4mm pearl,
1 x 4mm crystal, 1 x 6mm crystal, 5 x cream. 7. Pick up 3 x cream and pass the needle up through
toptip the next base bead to the right of the bead the thread is
When cutting thread exiting from in the beadwork strip (see below).
off pull the thread
tight and snip as
close to the
beadwork as possible
– this way the thread
will never show.
time&money
Make in over
two hours and
for under £5.
we love it...
snowy scenes
8. Repeat step 6-7 another 2 times, and step 6 once 9. Repeat steps 4-8 another 7 times and tie off thread,
again (see below). this will complete the bottom of the bauble. Add needle
designnote
onto tail of thread. Why not us
e the
pattern to m
ake a
10. Reposition the needle and thread so it is exiting matching br
acelet!?
from the bead marked with a blue dot in Diagram 1.
continued over
colourwise
Why not change the back colour of the design to
match your own Christmas scheme. Most colours
will work, but colours that work especially well are
reds, wines, greens, blues and even black
www.thebigbeadshow.co.uk
69_Bead 43.indd 69 06/11/2012 14:52
Bead
PROJECTS • MOVIES • GALLERIES
Collection: Volume 1
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Moroccan Tea Party
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WIN! A beady
Ivy earrings in
Cherry Blossoms
Festive flair
www.beadmagazine.co.uk
Sumemcial
metal clay shopping spree Create charming lanterns for
Sparkling Cuffs
ON 36
worth £80! this bracelet
LY
pages of Make this spectacular prize
amazing winning collar in beads & wire
Sp
Make dazzling crystal trees
for earrings and a necklace
projects Stitch these addictive crystal
and seed bead bracelets
Intricate Beadwork
£2.99
looming RAW PLUS Meet UK
wirework stringing Betkeyou can’t
bead artist Heather
Create this stunning necklace PMC lampwork ma just one Kingsley-Heath
15
21/12/2011 13:54
Create these antique effect
Missed past
31 issues of Bead?
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£4.50
designs projects on-trend Threads Review
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Create lovely around the world
15/02/2012 09:55
38
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We show you beautiful
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Get ready for the
Untitled-1 1
9 771750 163000
party season
BEAD: awards 26
Make these glittering projects Vibrant
from top handmade
library today.
Snowflake lampwork beads Flavour of the Orient
Untitled-3 1
designers paper beads
stunners Take your bead loom Get the vintage
Oh we do like to bead
Bead these charm-style Beaded washers work to the next level beside the seaside!
feel with this amazing Create polymer clay charms
beaded beads and chain are so on trend beadwork project
Issue 38 Summer 2012 £4.50
15
Beadmagazine.co.uk Get inspired by
Charming
our Readers’
Bauble Swirl necklace Challenge FREE
String a Flower
Bead Show
Netted
Get out your beads
earrings
Peridots
ticket
Raid your
and wire and
Carnival Chain maille necklace
is so easy to make! Glass and wooden
get swirling! SEE INSIDE
bead stash
exciting these beaded
bead earrings projects! Crystal
Have a
projects
for you
Combine beads and Wavy earrings pendants
Stylish storage solutions
Two fabulous festive
Create this chunky
Sparkling summer project charm necklace
10
ribbon in this dramatic Highlight your lampwork
12
heart! sparkling baubles to create
centrepiece collar just for you Mix those beads to
Herringbone with our wavy earrings
12
Make a chunky projects Flower
silver pendant for you
fabulous create your own
garden
beaded beads bracelet exciting projects
project stunning necklace Pop
projects for you! those
Freeform
Mix and match to create Create a
your own beads! full-bloomed for you Bubbles
Drop beads bracelet Quick & easy
bracelet Plus pods!
14
Enter the world of drops, Use memory wire
9 beaded cuff
to make this Mixed bead fun an advanced
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Daisy drops
easy cuff • Join the fun at our Big Bead Show
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Stunning
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Home & tied
COLLAR A beautiful idea Lotus Create a sparkling
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Collar
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Bracelet
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This necklace is
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44 circles
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Janet
“I have just started going to beading
When I received my pack of bead
soup I was a little apprehensive as I
don’t normally work with these colours,
were great for going round in circles, so
I went a little mad making lots of them
and the necklace came together gradually.
workshops, having recently retired, I was but I absolutely loved them as I began continued over
bored and looking for a new challenge. my projects. I started with the sparkly
At present I am enjoying making rivoli, I was going to make it into a
jewellery. I used my new found skills to choker but liked the idea of wearing it
Suzanne's
Above right:bugle
Gill's sparkling
choker.
bag charm.
Bottom right: beaded
Below: Jayne's
Fran's beadedand Twin bead
rivoli bracelet
card
circlesdesign.
necklce.
Janet's
matching set.
By annie Watkinson
Living with a
Beader
Lets face it, non-beaders just don’t get it.
Read on to see the humorous trials and
Spider Bracelet – I have made spiders tribulations of living with our addiction.
I
before using wire and large beads, so I
t’s been a difficult month here at Watkinson
thought I would give it a go. The spider
Manor. My brother-in-law died suddenly and my
then ended up in a charm bracelet, using
grandson William was very poorly and was
up some rondelles from my stash."
admitted to hospital. It is very difficult to concentrate
Fran
“I came to beading about four years ago.
and be creative in these circumstances, I find.
Faced with a weekend of not knowing what was happening with
William, I was at a loss to know what to do, apart from sitting
When I was asked to take part in a
and twiddling my thumbs. I then remembered a demonstration I
challenge, I thought it would be nice to
saw on Bead TV. So I opened a few packets of polymer clay, and
do something different other than
sat there kneading. I could answer the telephone kneading, and
jewellery. I hope you like my card”.
worry kneading. It was a bit like handling a set of worry beads.
Suzanne
“This choker necklace was inspired by
The day wore on, and information was sifting through as we all
sat and worried.
Finally, the good news came that William had turned a corner
Jamie Cloud Eakin’s ‘Bugle Bead Bonanza’
and was managing to hold down his medicine. We were so
book. I added seed beads that I purchased
relieved! And during the long waiting hours, I had produced
on one of my trips to India and bugle
some beautiful sheets of mokume gane, all ready to make into
beads I bought from Spellbound Beads."
beads and pendants. I was amazed at how simple it was to
achieve such a magical result, and it did not require huge levels
of skill or concentration.
Now when I wear my necklace, I think of my darling William
and smile, thankful of a good outcome. The following weekend,
all five grandchildren came over, and celebrated my birthday.
Boys and girls alike all had fun making memory wire bracelets.
Even my little two year old granddaughter Hollie was able to
Above: Jayne's thread on the larger beads without any help or assistance, and
spider charm.
Below: Suzanne's
they were so proud of what they had achieved! Their joy was
bugle bead choker. increased when their Uncle Ian produced some genuine Indian
outfits for all of them from his travels; even for the baby! So
now, they had saris, beads and Indian wind chimes. The house
had a real touch of Asia surrounding it!
After her husband’s death, my sister came to stay for a while, and
the necklace that her husband Bob had given to her broke. I was
so thankful that my jewellery skills were able to repair this
keepsake for her. Sometimes, jewellery making seems a frivolous
pastime, but I believe it is a valuable addition that adds colour
and joy to our life. This month has proved it.
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shopping spree Moroccan Tea Party Hot projects from
Sparkling Cuffs
Sumemcial
worth £80! Cherry Blossoms Create charming lanterns for
Let’s Get Funky Now
top designers!
Steampunk Style
36
this bracelet
pages of Make this spectacular prize Stitch these addictive crystal Stitch this fabulous peyote
Sp
amazing winning collar in beads & wire Loom this fantastical
32
bead artist Heather quirky flair
Create this stunning necklace
looming RAW
wirework stringing mak just one Kingsley-Heath pages of
PMC lampwork colourful Add seasonal inspired beads
projects for this fruity bracelet
31 38
with our pages of goody bag of PLUS wire,
beads
34
inspiring beading treats! clay, stringing
sparkling
designs projects Threads Review beadwork
15/02/2012 09:55
38
www.beadmagazine.co.uk
17
wirework stringing
Get ready for the projects crystal entrapment
Untitled-1 1
party season Make these glittering from top Fresh & feisty stitch these delicate
Vibrant
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beadawards
1s t
2012
British Bead Awards
The winners of the 2012 British Bead Awards were announced at the Big Bead Show on
October 20. Read on to see the amazing collection of winning designs from this year.
The standard of entries in 2012 was the highest we have ever seen, and judges Linda Jones, Jennifer Airs and Sarah Downton
had a tough time whittling down the entries. This year the Awards saw a new category; 'Polymer Clay' and makers everywhere
stepped up to the challenge. We had entrants from all over the globe and saw some truly wonderful techniques, workmanship
and talent; even an entry which actually lit up! Take a look here at the winning entries and those which the judges felt deserved a
Commendation as recognition of their fantastic work.
Metal Clay
Sponsored by The PMC Studio
2nd
76 beadmagazine.co.uk DEC/JAN 2012/2013 • ISSUE 43
1s t
1st Hazel Kimbrey ‘Tears of the Selkie’ 3rd Marie New ‘Jurassic Lace’
This large and dramatic statement necklace uses bezelled Paua The main fabric of this piece has a delicate feel, but is smattered
shell cabochons, with free form peyote and Russian leaves. with glass spike beads and uses a combination of stitches.
The judges said: “Exquisite, very well thought out and executed. The judges said: “Wonderful detail, love the rock like texture of the piece.”
Beautiful mix of subtle colours.”
Commendation Zeynep Guven ‘English Riviera'’
Commendation Zoya Gutina ‘Starburst’
2nd 3rd
DEC/JAN 2012/2013 • ISSUE 43 beadmagazine.co.uk 77
S
Commpecial
endat
io n
1s t
1st Catherine Sanger ‘Victoria's Bolero’ 3rd Katie Dean ‘The Gingerbread House’
An elegant and well thought out wearable piece which A self supporting fun piece, it uses a combination of different
combines netting and right angle weave. stitches. Only the outer edges of the grass are supported by wire.
The judges said: “Flattering design and great attention to detail. The judges said: “Lovely attention to detail and great use of colour.”
Love the sleeves.”
Commendation Sarah Longfield ‘The Magooty Bird’
3rd
2nd
78 beadmagazine.co.uk DEC/JAN 2012/2013 • ISSUE 43
1st Lynda Pearce ‘Turtle in the Waves’ 3rd Vanessa Walilko ‘Chainmaille Kimono’
An intricate upper armband incorporating bezelled crystal This large piece of chainmaille used Japanese 8-1 weave. A
rivolis and wirewrapped seed beads. contrasting obi was incorporated using 8-2 weave.
"The judges said: "Love the originality. Gloriously realised.” The judges said: “Lovely shaping, what a fantastic pattern.”
2nd 3rd
Photography: Megan Sontag
Best
In Sho
w
1s t
1st Helena Tang-Lim ‘Maharani’ 3rd Zoya Gutina ‘Starlight Reflection in the Ocean’
This stunning statement necklace uses bead embroidery and Swarovski Pearls combine beautifully with bicones and seed beads in
modified right angle weave to incorporate dazzling crystals. this elegant necklace.
The judges said: “Amazing - perfect for the Oscars. Stunning use The judges said: "Love the use of pearls and the shaping."
of bead embroidery.”
Best In Show Nicole Stanley ‘The Jewels of Viridia'’
Voted for by visitors to The Big Bead Show. Sponsored by Totally Beads.
80 beadmagazine.co.uk
2nd 3rd DEC/JAN 2012/2013 • ISSUE 43
1s t
S
Commpecial
endat
io n
1st Becky Fairclough ‘An Ode to Miss Haversham’ 3rd Stephanie Gough ‘Inner Depths - Into The Fire'
Using enamelling and silver leaf techniques these intricate Created using her own glass quilling technique these beads look
beads also have tiny cubic zirconas set in them. even more stunning up close.
The judges said: “Contemporary and gorgeous! Elegant with lots The judges said: "Neat and even with consistent shape and size. Lovely.”
of detail.”
Commendation Madeline Bunyan ‘Ivory Horse’
2nd 3rd
1s t
1st Aniko Kolesnikova ‘Blades of Power’ 3rd Michael Mitchell ‘Sunshine Flowers'
This large and unusual necklace was hand sculpted using A colourful brooch created using blending and caning techniques.
manual texturing techniques with a hint of crystal sparkle. The judges said: "Lovely caning, very neat.”
The judges said: “Love the Sculpting, amazing detail. Stunning
and imaginative work.”
2nd 3rd
3rd
2nd
DEC/JAN 2012/2013 • ISSUE 43 beadmagazine.co.uk 83
Workspace
make great gifts
M
y bead room is dominated by a beautiful workstation
which takes up most of one wall. When my dad died
seven years ago I used some of his money on a
bespoke and locally grown/made, piece of oak furniture. It
includes a desk area backed by apothecary drawers, six large
drawers, several bookshelves and a large cupboard. We recently
moved house and my Beaderie had to move with us. The bedroom it now
occupies is quite a bit smaller than the one it was in before so the cupboard
had to be uncoupled.
This photo is taken from the far corner by the window – light is so important
when beading and this window faces west so catches sunlight from about
midday until late evening. The wooden revolving chair and the laptop are new.
I frequently spend a morning hour or three writing up projects, keeping my
website up to date, or just answering correspondence (and drooling over beads
online). I often recall happy times with my Dad like his exuberant ‘Dad
dancing’ and endearingly laughable bad jokes as I sit here.
My stash was pruned before we moved and I had a sale at Betchworth
Beaders on my last day there. I sold/donated two drawers worth of
embroidery stuff, my Marudai (for Kumihimo) and associated equipment, a
craft light, several beading books, and loads of other stuff.
My apothecary drawers now hold all my size 11 seeds by colour, Miyuki
Duracoat beads, triangle beads, square beads, Tila beads and some decorative
threads. The large drawers are mostly used for projects waiting to be made, my
two bead looms and some non-beady stuff.
I use the bookshelves to hold the rest of my beads with separate boxes for
them by type (e.g. for size 15 seeds, lampworked beads) and four large boxes
of completed projects. My bookshelves also hold a large number of magazines
(including Bead magazine
since Issue 1, Beadworkers
Guild and Bead Society
Journals), and several beading modelrailway.tv
and inspirational books (e.g.
on artists such as Tiffany,
Fabergé, Klimt). I have a lot Give a gift subscription to
of information in folders one of our many hobby
including drafts of all my channels...and we'll send
published projects in Bead, you a great free gift.
Bead&Button, Beadwork,
BWG Journal and Bead Visit www.craft-club.com
Society Journal. It’s a to make your choice.
peaceful and inspirational
place to work.
Beading Retreats
in France
A weekend in rural France learning new
jewellery making techniques, whilst staying
in a picturesque cottage - Allison Hudspith Allison's Dichroic
adjustable ring.
tells us about her stay with La Vidalerie.
I
couldn’t believe it when I opened the action the next day. support and encouragement for me to
email which said I had won the Bead Teaching began on the Saturday make this from scratch. By the end of
competition to win a weekend bead morning at 10am, with an explanation the day I could not believe just how
retreat at La Vidalerie in France - it about safety procedures and a discussion much I had learnt and made in two days.
came on the same day as the email to of what I wanted to get out of my visit. As my plane on the Monday was not
tell me I had passed my PGCE! We started by making a set of stacker until the afternoon, the morning was
I did a beading course at La Vidalerie rings, Karen took me through measuring spent finishing off and Tim gave me tips
three years ago and have always wanted the wire so the rings on how to photograph the
to go back, but having just gone self were the right size, WHERE: La Vidalerie, Aveyron, South jewellery I had made.
employed and studying, both money how to solder them West France. I have to say this
WHEN: Regular workshops for 2-4
and time had been tight. When I saw together and get a people run throughout the year.
weekend was definitely
the competition in the magazine I good join. The level of A variety of jewellery making what the doctor ordered,
entered it straight away and then forgot teaching is excellent workshops are available. it is so calm at La
COST: Allison chose Stone Setting -
all about it! I had done some very basic and Karen is very Vidalerie and I have
Bezel Settings for Absolute Beginners
silversmithing in the past but knowledgeable, which was a two day workshop / learnt so much, which will
desperately wanted to learn soldering patient and three nights, costing £295. be put into action as soon
and stone setting. supportive. After as possible. As well as
On arriving at Rodez on the Friday giving the rings different textures and coming home with some beautiful
afternoon I was met in arrivals by Tim showing me how to re-size them we jewellery, a disk with all the photos and
from La Vidalerie and enjoyed the short went on to make a stamped pendant some really useful info sheets, I know
car ride through beautiful countryside to with a stone set in a handmade bezel. that if I am stuck I can email Karen for
the cottage. The cottage is well equipped Karen explained all the way through how help. Also I get such a sense
and you have the choice of self catering and why we do things and the order to of satisfaction when someone comments
or having your evening meals with Karen do them in. This project took a lot of on my jewellery and I can say I made it
and Tim (for a small charge). time but I was really pleased with the all myself. I hope I to go back again
The location of the cottage is fabulous finished result, and there was still time to and do more courses, many thanks for
with views of the valley and total peace make a pair of domed textured earrings. this opportunity.
and quiet. After dinner and a catch up Everything I made was put in the
with Karen tumbler overnight to polish them up. more
SEE
and Tim, I The next morning I made a spiral Visit La Vidalerie's website
www.lavidalerie.com
immersed ring with dichroic glass. This was more
myself in the difficult, as the bezel was stand alone, as
fantastic opposed to being part of a bigger piece,
library of but I got great satisfaction knowing I
books they had made it from scratch and not just
have available bought a bezel. After a gorgeous lunch
in the cottage in the sunny garden this piece was
and chilled finished off and I drew the design for a
ready for pendant with a heart on. Karen offered
A year’s subscription to
the amazing digital iMag PS: Don’t forget
your
Gift price: Only £22 to put one on
Now available from the App store are these brand new unique
beading Apps for iPads brought to you by Bead magazine.
Including projects, interactive galleries, videos and even more
dazzling features, these Apps allow you to swipe through
projects, expand pictures and open up a whole new world
of beading.
Android users need not be disappointed as all these apps will
be available for other tablets and devices very soon!
Bead Groups
Suzen Millodot suzen.m@btinternet.com
WARWICKSHIRE
Beadelicious Beaders Last Saturday of month,
10am-2pm at Nuneaton Heritage Centre, Avenue Road,
CV11 4LP. Contact Louisa Moss on 07977 584778 or
email beadelicious@inbox.com
WILTSHIRE
The Wessex Beading Group 1st Monday of the month,
Joyce Johnston tells us about the group she helped
10am-3pm. Contact Pam Palmer on 01747 870270
or tisburybeading@yahoo.co.uk
found, Auld Reekie Beaders from Edinburgh.
Swindon Beaders 1st Tuesday of the month, 7–9pm
at Swindon College, Queens Drive, Swindon. With a title derived from the fond looking forward to participating in its
YORKSHIRE nickname for Edinburgh, this new annual challenges and charity projects,
Yeadon Beaders 2nd Friday of the month in Yeadon, group of beadweaving fanatics plans to as well as attending the Great British
West Yorkshire, 1.30–4pm. Contact Sandra Wallace on
0113 2507396, or email swallacebeadwork@aol.com develop the popularity of their much Bead Show in May 2013.
Castle Beaders has moved to the Swadford Centre, loved hobby in Scotland’s beautiful The group meets for the whole day
32 Swadford St., Skipton, N. Yorkshire, BD23 1RD. 2nd
Thursday of the month 7-10pm. New members of all capital city. Saturday once every two months, at a
abilities welcome. Call Harrie Lerman on 07768 050306.
Bandroom Beaders 1st Saturday of each month, the
Spreading the pleasures of beading to college venue in the west of
Bandroom in Farndale, 10am-4pm. Contact Avril on new members is one of the group’s Edinburgh. A workshop is usually held
01751 798155 or email Davidb1951@hotmail.com
The new beading group in Harrogate meets alternate
aims, but we are also about developing in the morning, with the afternoon
Mondays at The Youth Centre, Burley Bank Close, our own skills, and taking on ever- spent in ‘show and tell’ activity, and
Harrogate, HG3 2BY. Contact Margaret Scott
01423 526571 or Joanne Harrison 0113 2786871. more challenging projects. social beading. The photos show some
Seven Hills Beading Collective fortnightly on Thursdays To help with this, each meeting of of the members and their work on
6-8pm at Jam Jar Beads, Sheffield. Contact Sarah on 07713
324191 sarahtravis75@gmail.com or find them on Facebook. the group focuses on a particular stitch display at a recent meeting. The next
or technique, and while the morning meeting of Auld Reekie Beaders will
National Groups
The Beadworkers Guild www.beadworkersguild.org.uk workshop introduces beginners to this be on November 17 2012, and new
Bead Society of Great Britain www.beadsociety.org.uk stitch through a project, more members will be warmly welcomed.
experienced beaders are invited to talk
Events
17th November The Occasional Sheffield Bead Shop. about ways in which they have
Aston Hotel, Sheffield S60 5BD 10am - 4pm, with Jencel developed more advanced use of the reated
Beads and Silvar Designs. For more information, visit A collar c e
o f th
www.jencel.co.uk or phone Celia 0114 2509565. stitch in pieces which they show. In by one
erienced
this way we get inspiration from each more exp
.
members
The Big Bead Show other – and have fun doing it too!
Many in the group are members of
Dates for your diary! the Beadworkers Guild, and are
Saturday 6th April 2013
Want to join Auld Reekie Beaders?
Saturday October 19th 2013
Sandown Park, Esher, Surrey, KT10 9AJ WHERE: Stevenson College, Bankhead
Avenue, Edinburgh
Don't miss out on the UK's biggest all
WHEN: 10.00am to 4.00pm Saturday, once
beading events, book your tickets now!
every two months.
A massive array of exhibitors dedicated to COST: £4 for the day; £8-£10 for the
beading, plus workshops, free workshop.
demonstrations and free parking. WHO: Joyce Johnston can be contacted by
Call 01903 884988 or visit email at joycejohnston@blueyonder.co.uk or
www.thebigbeadshow.co.uk call 0131 317 8033.
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39 38
crealatemp pages of
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Issue 40 Aug/
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Issue 42 Winter
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Emerald chips
from Kernowcraft.
Luscious Emerald
cabochons from
Kernowcraft.
Emerald
The much prized green precious gemstone Emerald; ‘the stone of the
BEADnerd gods’ is held in great esteem throughout Latin America, and found at
The green colour in its best in Columbia. Bead's resident Gemmologist tells us more...
Emerald is produced by
E
trace amounts of
Chromium or Vanadium. merald is a grass green gemstone which is reduces the visibility of these cracks. This is
Hardness on the Moh always thought of as one of the ‘Big Four’; commonplace and an entirely acceptable practice.
Scale is 7½. Emerald Diamond, Emerald, Ruby, and Sapphire. It is not acceptable however to use coloured oil
commonly forms in
pegmatite where a pocket
These are precious gemstones which have been to enhance the gemstone. This oiling and the
of liquid rock is cut off revered throughout history for their clarity or cracks within the stones mean that the stones
from a magma intrusion vibrancy of colour. should not be submerged in water – take off
and cools slowly producing
Emerald is the green form of the mineral jewellery when washing your hands or doing the
large crystals.
Beryl; the other colours have different names as dishes – nor should it be cleaned in ‘dip’ or an
is common in the gem world. Aquamarine ultra-sonic cleaner. Should this have happened
(literally water of the sea) is the blue form, the cracks become more visible and the clarity is
Heliodor (From Helios – the sun god) is the reduced, the stone becoming dull. A reputable
yellow form, Goshenite (from Goshen in the jeweller who handles gemstones should be able
USA) is the colourless form and Morganite is to remedy this. Treat Emerald beads in the same
the pale pink form (named after the wealthy manner as they are slightly softer than quartz
banker and gem collector JP Morgan). A rare and should be strung carefully to avoid damage
red Beryl - Bixbite comes from Utah, but only by rubbing against harder stones.
forms tiny crystals. Lots of green minerals and glass are offered
Emeralds are found worldwide but of for sale as ‘Emerald’ but it is never going to be a
differing qualities. The very best come from cheap stone and if the price seems too good to
Columbia from the Chivor, Vasquez, Muso and be true then be very wary of buying a simulent.
Pita mines. Indian and Brazilian Emeralds do Gemstones would cost at least £40/carat
Above and below: not have quite the same clarity, although (200mg) as a guide. To keep Emeralds at their
Columbian
emeralds courtesy emeralds are rarely completely ‘clean’, for best store beads and jewellery in a soft bag so
of Boced’s example it is normal to have cracks and that they won’t become scratched by harder
Precious Pieces.
inclusions within the stones which stones or other jewellery, nor dry out or get too
are visible with a hand lens and hot which can cause loss of oil.
sometimes with the naked eye.
Emeralds are ‘oiled’; this means PROPERTIES
usually they are soaked or rubbed
This green stone works on the heart chakra, bringing
over with inert colourless oil which love, loyalty and empathy. Emerald brings harmony
and eliminates negativity, it is commonly used
to cleanse the aura. While an excellent stone for
meditation it is particularly cleansing and reduces
fear and anxiety. Emerald is known as a master
healing stone. It is the gemstone for both May,
Taurus and Mondays.
BEADstore
• 2 x fishhook earwires
sterling silver
• 8 x 4mm sterling silver
daisy spacers
• 6 x 6mm sterling silver
daisy spacers
• 4 x size 11 seed
beads silver
• 2 x 2mm tube crimp
sterling silver
• 8 x Emerald rondelles in
graduating sizes
TOOLbox
• Chain nose pliers
• Cutters
• Beadalon 7 strand
Satin Silver
SUPPLYshop
• Findings and Emerald
beads from
Cut a 20cm length of Beadalon
1 and thread on 1 seed bead,
Kernowcraft
• Daisy spacers from
1 small spacer, 1 smaller Emerald Bead Addict
rondelle, 1 small spacer, 1 large spacer, • See page 89
1 larger Emerald, 1 larger spacer.
Repeat to mirror.
Emerald
Hoops
Combine silver spacers with luscious
Emerald beads for a quick and easy time&money
Make in half an
on-trend pair of earrings. hour and for
under £10.
beadmagazine.co.uk
ff earrings 43.indd 97 04/11/2012 19:38
n s ale
O a ry
n
Ja 6 u
1 * 3D Beadwork
* Chainmaille
* Macramé
* Wirework
* Peyote spirals
and more!
Don't Miss
Next
Issue
Colourful lampwork
and polymer clay
PLUS
Projects from award
winning designers
98 beadmagazine.co.uk 2011/2012 • ISSUE 43
DEC/JAN 2012/2013 35