Näher

Mein Gott Zu Dir

         
Mas cerca o Dios de Ti

                
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

     
   
               
Violin I

 

        
     
Violin II

             
        
 
   
0 3 2 2 0 0 3 2 0 3 0 3 2 2 0 0

 
Violín III

                     
     
           
Viola

        
 
     
Violoncello

                    

  Dm B♭     Dm B♭
Contrabass

                 
C7 C7

   
F F C F

Contrabajo

LR
   
               
 
        
 
3 4 3 3 3 3 4 3 3
13 1 1 2

      
                
Vln. I

        
    
Vln. II

                       
 
3 2 1 3 2 2 3 2 2 0 2 3 2 2 0 3 0

     
Vln.III

                       
      
          
Vla.

     
  

    
Vc.

              
     

 F F B♭ F  B♭ F C F C F
Cb.

                 
F

  
C7

Cb.

2 LR
    
            
 
26

   
Vln. I

     
      
   
Vln. II

             
3 2 2 0 0 3 2 1 3 2

   
Vln.III

            
   
 
Vla.

         


   
Vc.

    
       
 C  F
Cb.

      
C7

    
F
C7 Dm B♭

Cb.

LR 3
 Violin I Näher Mein Gott Zu Dir


Mas cerca o Dios de Ti

    
        
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

  
 

    
          
  
9

 
           

3 4 3 3 3 3 4 3 3
17 1 1 2

        
    
   
 
25

LR
 Violin II Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
           
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)


   

   
     
         
9

 
             

17

    
       
        
25

LR
 Violín III Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)


               

0 3 2 2 0 0 3 2 0 3

   
              

9
0 3 2 2 0 0 3 2 1 3 2

 
          
     
17
2 3 2 2 0 2 3 2 2 0 3

    
             
  
25
0 3 2 2 0 0 3 2 1 3 2

LR
 Viola Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

                 

   
              
9

  
              
17

    
              
25

LR
 Violoncello Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
        
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

    






   

     
    
9

   
          

17

    
             

25

LR
Contrabass Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

      
   

   
      
  
    
9

 
           
 
17

    
      
  
    
25

LR
Contrabajo Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   C
   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

     
C7

    
F F
Dm B♭

   F
    
  
C7 F

      
F Dm B♭ C7
9

F 
          
  
17 B♭ F B♭ F C F C

    F
     
  
C7

     
F F C
25 C7 Dm B♭

LR
 Violin I Näher Mein Gott Zu Dir


Mas cerca o Dios de Ti

    
        
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

  
 

    
          
  
9

 
           

3 4 3 3 3 3 4 3 3
17 1 1 2

        
    
   
 
25

LR
 Violin II Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
           
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)


   

   
     
         
9

 
             

17

    
       
        
25

LR
 Violín III Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)


               

0 3 2 2 0 0 3 2 0 3

   
              

9
0 3 2 2 0 0 3 2 1 3 2

 
          
     
17
2 3 2 2 0 2 3 2 2 0 3

    
             
  
25
0 3 2 2 0 0 3 2 1 3 2

LR
 Viola Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

                 

   
              
9

  
              
17

    
              
25

LR
 Violoncello Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
        
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

    






   

     
    
9

   
          

17

    
             

25

LR
Contrabass Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   
   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

      
   

   
      
  
    
9

 
           
 
17

    
      
  
    
25

LR
Contrabajo Näher Mein Gott Zu Dir
Mas cerca o Dios de Ti

   C
   
Sarah F. Adams (1805–1848) Lowell Mason (1792–1872)

     
C7

    
F F
Dm B♭

   F
    
  
C7 F

      
F Dm B♭ C7
9

F 
          
  
17 B♭ F B♭ F C F C

    F
     
  
C7

     
F F C
25 C7 Dm B♭

LR