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A FUNDAMENTAL COURSE FOR INDIVIDUAL

OR LIKE-INSTRUMENT CLASS INSTRUCTION

PRICE
$1.00
RUBANK EDUCATIONAL LIBRARY No. 18

CORNETor
TRUMPET
A. F. ROBINSON

A FUNDAMENTAL COURSE FOR INDIVIDUAL

OR LIKE-INSTRUMENT CLASS INSTRUCTION
 FINGERING CHART
RUBANK ELEMENTARY METHOD FOR CORNET BY A. F. ROBINSON

TABLE OF HARMONICS

XT
1_
3

This table shows the seven finger combinations of

the cornet and the tones possible to obtain with each.
Many of the tones played in this manner, however, are
badly out of tune. The beginner must use only those
2 fingerings listed in th e“FINGER TNG CHART.”
3

Copyright MCMXXXIV, by Rubank Inc., Chicago, Ill.

Rubank Eiem Meth. Comet-47 International Copyright Secured Copyright Renewed
 LESSON 1
Whole Notes-Whole Rests

The student must not g-et in the habit of “forcings” or using- extreme pressure in playing- the hig-her notes.
If any of the tones in the succeeding- lessons are difficult to play, it is best to leave them out and practice long-
tones until the lips are developed more fully.

Rubank Elem. Meth. Cornet 3

LESSON 2
Whole Notes—Whole Bests (Continued)

RubanU Elem. Meth. Cornet 4

 LESSON 3
Half Notes—Half Rests

Rubank Elem. Meth. Cornet 5

LESSON 4
Half Notes-Half Rests (Continued)

Rubank Elem. Meth. Cornet 6

 LESSON 5
Quarter Notes

* In all following lessons the 1st exercise is devoted to tone studies. These studies develop the lip muscles, improve
tone quality, and increase lung capacity.

Rubank Elem.Meth. Cornet 7

LESSON 6 Quarter Notes-Quarter Rests

1 —6 > > ^
>► j > ►
- ? ►
> c - > > >
► 400^~

o Ccofjr

Count 12 3 (4)

f 11 j , i j 111111, i, 11 i11 r11 r i-'11 r

8
Rubank Elem.Meth. Cornet
 LESSON 7
Quarter Notes —Quarter Rests (Continued)

— ■—*-'*-■ 0 j . -J—1 4—*— —J --■5..-4 . —t

—*—*——
Count 1 (2) 3 4
-—V J f J —■ 0—-— :—0—

JCi*-i—w—i— --=—4-4~ } ■) —}-1~ —>->— — —J 4 4

—J f ■ | ■ »— 0—f—*—£—-—t-f—
*——9—— ^
-*
* J * 1 f * * -

Count 1 (2) 3 (4)

it .4 - r 4"
tfo f-*-*-
v
-0-
—4-4--— —4-\w-4-
f * f.-f- -4-£-0—
~4-4-*-
* * f
«
r. -
— —11

Use All Melody Band Folio by Davis for Unison Playing, for full band.
Rubank Elem Meth. Cornet
 LESSON 8
Key of F

i w IE 3E 3E TT 3E 3E 3E XE

|bRr-Nf r irrJrir J ir i XT

©— F)=j 5— ©-p
Abu ■f—H -©- -1
4 C ~rJ
^=M=
©-
4=^
. .. a.. .-©—
U —J— -o 1

J 33

^ p r~T~if= j j i j J*-j——
©—f— : g J■—e—
jF J-J——4*——4=%=A
©^ -1
T r ■ r-* < 11 1

i®—»—h"
© ■ ■J J
6 ©F=f^ r=33
—

l=H^ J -J e-

7 ^— a -—0- m g—tg —i
»
* rj i=4=J^=j—J-l5—^ JLL.1

*=?
a
|c r ^iJ-rrJ
* see footnote

rirrryiJ r i HI

3
8 wU
rnrrr^iJrJJirrJJij 'JrirJJj^^
* Naturals, flats, or sharps placed before any note are called “accidentals”. They effect all similar notes within the
measure in which they appear.
Rubank Elem. Meth. Cornet 10
 i~?<xc"Kc< q4i/ /

LESSON 9
Dotted Half Notes*

A
1 =< £n«—cl|- ]
A j i i _cz_ _cZ.=ff 1 1 1 • 1~-1
-J—^—=Jb s ^ = =zt==n=l
> > > => '£ > i > > > > > >

>JU P |-p» * "O'. >

2 3r f f-fJ i —«W- -—
i r i r f w 14.

u-jip. j i j i t-i-^-i p— - ^-p7—r-l

«--« -S • —6--*- g" —? < 1
-J—

j 1 i f 1 J 4r 1 J- |— :U+ :u
3o ■"==*=- - T~
-/ f m j
^Sr y 5^--
-T—^ ^ U. -J - rr|;J- r-^4 rJ|-
J /2.J S 1 *y i z 5 H 1 2-p v

2i=f=--- li-l . ■+T.r r i*—p7- i j F,i i -1

11 r-^j=*= J~ ^4=J=ttr-J i * LI_1

. i P /* ST. " P 1» r J-=N= *r- —

—0
-1-
--—fk
—-—L-sU---
J
4 tr-r:--Hr =^#= f-J-J 1J-

-2_K ^ , ►-7-d-y i j
=#=iF=tr. > -p-5--
-?-J—d—m" w — —r-l
-■44 11 ■ -— * 1

/<S> .. -rs-
5 3T —J—(J-5-*■=4=F
cLi -o-J-si-5— Iff -H-
J

7^= f f | r~-5> V ' pr -“I

-J-
-*-—<5*-*- ii =1
4M ^ ^ U j

£ /« 1 m ~ u,j
b ^r * r r1 ^-J-»-
^ I «J' Lh-j-l « »i* rJ J ^ J

J p o |
=*=r
-M >
— — J J*—t-i-o-i
> 4— 9—•
=f=
-1

*) J J equals J. A dot placed after any note adds one-half of the original value.

Rubank Elem. Meth. Cornet

11
LESSON 10
The Slur*

2 TT J-,-1 -i J J i J
T~ ^ T ^ r jr T ^ 7

a . B\> Scale-Memorize “gl?”

—42 ■
9 -w- i
a a^ i
d 2 J o

★
The slur differs from the tie in that the notes effected appear on different lines or spaces.

Rubank Elem. Meth- Cornet 12

 U Me LESSON 11
Key of Bb

Rubank Elem. Meth. Cornet

13
 c~<i i c &4c. 'f—
Lx# 44m/.
Old Hundred
Moderato r\ 5 rs >

7W^*(Medium loud)
p
£=m
i=i p p¥ p

Lightly Row

P # g*
PP 4 4 I ^ J J J J PP 3E

Abide With Me
n f c /""> A/
<9> /: ■* WM. H. MONK

flip (Medium soft)

PXTTP
)
3£
rrir Mr JJ>r 4>_
JO

^>4 J P r r rJ p IE

Duke Street
Moderato
Jir JJ 3 i
4
i
3P ♦—0
TT

> r\
ill, 1 IJ 1 ;jJ=j.:
1 V J J J i^. ? | |=
-&--H-J-
-1
^—f-jj—^Li-> g-T-1 ,j. 0
J-J- ——J

>
/f \)> 1* “f9-jl-= ->3 ■ -S>— Ip p p 1'
(fop c_.r—*_j— J-
4=4-1 i r n = =^=B « i f r r-f- eL* II
^(Soft)" vf

^ rTr i J 4 4 i rTn j ~r
pp(Very soft) f
p Jj If-H
Rubank Elem. Meth. Cornet
14
 LESSON 12
Eighth Notes

>
—J-3--r-—I->-r -3»»-r-—1—>>-r-—-2*--
/L/* J
0
>?•
y *2 - _ *2 * ■ j-jf—l :u
-1
*M=*= i M

Repeat from Repeat from

beginning- double bar

I" LT
Count 1 and
LT LT LE
2 and 3 and 4 and
xs:
* r errr
1 2 and 3 4
3E

I i:cj* r r r
/ and 2 3 4
3E
Brrr u i*r r C-f f
1 2 3 4 and 1 2 3 and 4
IE

<3-—<S>-G-
S2I

0 £
1^ 3H I ^ S W \ v
4
EE

g-r-trr-f"tr^
J J~3 J J
g-g 000 g——
j jjj j u ~ ij i i
EE
i=i
i g g 0-#-#-0

BE
rr u-ij r r ir ^
6

^ r rrr [j-i-1
.1.r~cH"^

t
♦—# a « ^ «—■ «—# J J-J-J- -JIj

#-J D ) -01 J. * 'j J3 j il i

in
J J~J IJ J Jl-I J «T3 p 0-1 ^•••^ |* ^*3-if j -Jl
Rubank Elem. Meth. Cornet
15
 f'a S * - Oc+Cj <? yz
-5?
LESSON 13
vJ uf i& Eighth Notes (Continued) . /
'pf&y Uj\fK <Xj- .

4 V o
1
The Lip Slur (Use 1st and 3rd valves)

e
C7 TT IT TT
1
3'

ta cj /V 3LV
/
t

P £
i J i | 'i^6 J i 1 J0J§P^ ip
%
t
♦~'r" 3 *>—*—#
£ £

-©-

*lr r^r-irr-'TTi^g I 0

“G”
JQ
H 3E
3T Q
S
$ fc>
open

e> 0

j i-oxu^ 3E

'JJJJJ « -0—J - 0
0 "■■0 .0 " 0
i 0
0~~~0
0
'• 0 =f

i
i £
3E

*
3 #--■# T—# i PiiiPpi n
* The lip slur is made entirely through the use of the lips and without the aid of valve changes. It is most important
in the development of the lip muscles and must be practiced daily.
Rubank Elem . Meth. Cornet
16
 ^ —p
LESSON 14
Eighth Notes—Eighth Rests
~j /\zcff^ r~* S'
> > ^
IE IE TT IE IE □DE
1

-0-- --r-
TTi ^
1 l- r-i i- - sA .. —1~h~~
1 I) %/ rTT
4 ~
-7-^ K
V * . ) %4 ™ P^ \ 4/
■m'
T%/ — ^ fW
N 7 r IT
S^^TT^TS h i
1- • * ■ • ma 4 7 . J'7 l 7 ^ 1 7

:|
1

1
^

»
p§j
f .QyjgJ * »
£
/own/ (/) + ^ + (&) + 4 +

4 'fJU \'ITM JT3 rifl | y

!> r [j»iJ r r 1
k
J ^ «Q IE i j w^m OU <fi lo/Ucz ‘^<70
6

$ k
12 1?LZM
£
3
i P 4
s
J JH-t-J-I l /

*
41, r e r i ^ i r ^ i ^ i r * i
r\ ir2 1 n
- n i n—rrr i 4=^=B=p --rr —<-=-1
y-f -• *4 J * J~-A l^Z 1 “—*~d" ■ jjf Ha J_E 7 j 1
Fine *n
* D. 8. (Dal Segno) - Back to sign (80
Al Fine - To finish (*C\)

Rubank Elem. Meth. Cornet

17
——--^1 I '"l i R ^ '■ p- ,-_q —„ ara-|I
f/HP 1 rr • J + r • • J l 1 i r* J -J————
\ l.
* *» j- ij i| j if -r.-
1■

~mr i
Et» Scale-Memorize

6 fc; IP
Rubank Elem. Meth. Cornet 18
i) e yt lesso-y
<ct ^'0o LESSON 16
)
Ju;(sse Key of Eb

^'1/ C j*l J J J J
l?J> KT/ • I
k
-Jfr,—-—*(? M « i- »w --P---P m —- 0 m f f a-■
w r ■ 9i r i [T~9~w—m—
W
fin" y P i ;1 r p _w L
a.. i
I
^ ^ 'T“ L 1 ' —J
h^k e *>

5
w •wi a1■
- —n 5 - - p-i — P--
»—
f/tl ™ ^ j11
-fair m~.

g= • •—oJ-•—1i.w ~ . [j ^=g= LJ—J—J— - F i-U»R

■ ^. - ■ --
-—-
r j -J—t-i 9 m ~a
1
2

=4=^ -IT1 rJ j 1

g -M. g.—r~g—i—f-n | rr
:l

= -m
p r > i
•ii
>

ipr P———-■ « • * * r
7 a r"1 g --— — --=t^-f f r>/]i^ ^
'
-fhk
j*1 J* U L J ^ 1 J. j J H

Ruhank Elem. Meth. Cornet *■ 19

 ^p, ^vs J * Iy l /O-oo
LESSON 17
Dotted Quarter Notes

-yit?. K | i K-i— j -"I-[-1-(-

J .-I
, «^ i
r»
i
—•
p«
i
rr
^ p grn
•• W1 / M®*i m r w• 1
-
■ j
*
r w 1s
~€

LJ \ i
LT\.l.TLi
(* \J a) J J ^• Jn) m p^—1
m' a
6 ie ^* • m- mm* 9 r • • * r f m
w *m •^
tJ 9 1 1 r
Count 1 2 3+4

7/) 1
W A^ •
■r-m Iw a* — ” if — m• ^ k k k
” m -™ ME /L /* ,r: m •.. J ii
yy u
n /
)
VlI/ /) /J i n
i) * • *mV »— -W-
iJ i
Count 1 2+34 +

V— \ 1 . > 1
1 X 1 1 • J \ 1 |
a .
*—1f=^= J) J. - d] ■«*
• i> 1 ‘ --d- +* -i
^LA-t JI

-5h>-K-1—n-r-1- » ■ — »—p— p *—p— p. ^ p—

TnT^—m 4-m~^~ I1 <p-r Tr • 11
-i—p—y-a—v r u. H-1—

J |, ,9M . r | — L •
rL 9 m ^p ^ ^ “1-1- /L ■■ . » j*
tn ?- r m m w r 4 iri^ ~ nr j: m •l
W- y- . ,..-.t^= M Lf -*l =^==P=a-^ a ~ a m—
V LF

t
tk £#
£ -o

Rubank Elem. Meth. Cornet 20

 Gr&get 'Riv'i

F ft C £ -sf’a.r^s LESSON 18
Dotted Quarter Notes (Continued)
7
'" ^ Ju If I ^rt~
> ^:So
$
■&-
3 ■fr*-
3 ■&*-

Jri 1* < «4f- S III JU-UU IP JJJJ

mV'-7 n ) I j •«■ ’»m
-W-1-K-Ud-UaJ-L <1-#-d--L o

- "~- — K ^
>

iu —rrn i wr — - » • a — • i i^i
rrT%? 1 n • m J fe “ i L£ r r
1 V * g=j -P-4—=— L 1 1 | ^ • Wl
-H--F—1f-^-

0*~m
r/nP
V O ^ Vrm
I
J J
• * J
-t-
V • ^
p •
1 ^ ^ ^
•

rr —
-&—
r
-
*
;'■■■ T ».
w m m
1 r
l»* V
T/ * V
n r
i
I
-¥—1- [1 P U 1 1.-.1.L LLT1—^■4—\U-+-U

Ah it — -n—n n-si\f^TT-F-=-«- » . ~ : = f -pn+^] .1

■ d w d
-d-L-i 4^4 bUl
±=N=

Rubank Elem. Meth. Cornet 21

LESSON 19
Key of Ab

3 C j .fffll J - |j
-I “Db”
An m r 1~T ,z----5T--P—== -m— R 1—-1-
j.r cpjjji^^
*■■-■

*--
2
AnP- - f-. n rrr
W -" i ---n~'p["i~"r ii
—if if -a

. A? > a-— JJJ JJ 1JJ J J l«LAl£A-F-c i*-- “f1; tfAr: ^ 1

4 y ^4 ti p
5 Anti—.-n J j 1-.^
, g > ,»Tp —1—y-|

6 i n r r -i“=jF=— —rr (f~r

“ -I^ZT
—i fl '■ -a=*=£i IJ4P -t-a*8
-“^Tzm tr » =sr
J UJ ^ CJ L/ ^ J-
A;- . -——p—1g=->' «:v -11 r-1 n 1 J*l r==i
11 §>b ^ 5 -jk-1 CJ ■■ ll„;3

—i r hp==f• - i, ——r’:~7llir;-f r- A-—ae—1—

3=£aUA ^ J U^eJ 1 Ur a J V ** H-T i ^ -JH

- *——--iTi—Jhi-- =j
pf=^=if -iA Hr bJ—1 1 —f*=^} p =F=I
-fl
l¥ J ^

AH;’ ~ Ai A —p—|-p---j-J—:|
7 *J3£N#- JUJ3- «Qj S^-J^
Rubank Elem. Meth. Cornet 22
 Ct Is /w v
7^

LESSON 20
Y Three-Four Time

77 ♦

A1, a - F=j=F
& a• i* n 1 ^
-* r * J J. ^ r
v-=— .
i » i -J-J
"1— —
w* -
- u*

-fcp—=■—p=1-r- n—1—r
-i——p-r , ■
-frTK?—- r m ■■r a . .K A 8
W—F—1 - ■ LT-^ \ cJ •
-H-—

J-J--2 •«"* • ' * -Lf. —*-

8 g= 4 if.j i

Abb-eh—i Jl"-=
|»-
r ip- • ■
=f=
— ■«T3 ^ Jcjir .r nu * *
i-n i
-■= 1-i—*-
* 1
An interesting Solo at this stage is, The Dancer by Endresen for Bb Cornet and Piano. Price 50 cents.
Rubank Elem Meth Cornet 23
 Nearer, My God, to Thee
LOWELL MASON

IE 5
$ mp
F—<S*
m P P
• ^ ^ •
f*--~ g
I £ fr+f-p-r ir-rppii
$

In the Gloaming
English Air
Andante

mk^ £ m £
m
v mf
1

-ii.
1-

-F-®—0~ • V - =F=|=f= v • ^=4 — w~

1

-SW-7—— -i=4t —0— A M • . F. p •'

" -0T

r\
k&
:.f. ' 1 f p m
£

'1 2 -P5-= -3= = ~P"~ _

~Aiy> P. - .1 V- -0— rn-
: ■ a — a

1
• | *^-0
#=*=F -1-0-0 1- 3=^ Zf~i 1

Onward, Christian Soldiers A. S. SULLIVAN

: 1 : •—r-p— p—
^■4 p p p p. F r; 1 -p-iF—- * jm tr
ii p w « *
-J i—0 * — 44
3=3^

_ 0—
=#f=] 4=^ -O--P- P - P F m p "F 0
—J- m 9 p -0-
44

y~ar
Im nr 0 0 -0 -d IE
P
Auld Lang Syne
Moderato Scotch Folk Song-

4 2SEE
El
5
F-- --F
5 5 P
J*(loud)

5 =5 P
=5
S
P
5=5
5 ^3
Rubank Elem. Meth. Cornet 24
 Sixteenth Notes LESSON 21
(See footnote on counting-)

i > >• > > > >

hPtMi — T? 7T~> rj • -K;. rj 1
A A- ^7 t* 1 1
i kj 9 m II I
a 1

a ‘Fit”
/ 1
,/!L tl 1_io- - JQ- —n-VD- *J
v. jm w it i_" ,i ii , l. j-l , * I
IO 3» 33 HI ii 1 I1
Ld. t tl I
1- T* ^ L- 1 ^ n;

-j—
i*
— r

— : 0 9' " P 0 w r u fl a1 a fl m . " "I 3> .|

i*—1®—
m 1
B 1

“j
fl
wr ;•7* 1
5— —r 1 1 1-* T fl
Ai Ttr^' j- ~ ~a~a~a~a~a~m~a~a =* f w fl1 V #
^ AvA 1- a a 9999 .j 73 1

. ~ 1 'twm-
K
U l/Tliy
AM/ 1-— - - V
^ - - -& ara-a a ®
9 0 0 0 &

/L
■ m m in
P 9 J 9 9 9 9
r r rr
4- h- t— 1 F
p 9 i I
_ 1-r-■
cJ 1 1

Vi
r* ri- 7* t* _ 0 m
~fl~a~a
* * J
fi Tr^ \J 9 a~ A -fl*
fl A-
^ .xv jjjj .—_a J * 0 ---- Lj- * 'a1 • --

i—i—— —=m — it =T=Lr- 1

. ■ ar.A.® ep W~~ W~ W~ W- 1
C3 fl r^n ^ fl F * a i 33 1
_ fl w - fl w II 1

L -—-I r*~\
A ■.« - J 0
dp I k /
< VU 4 i a a^ *N 4
P —
— 9 ^

-0-J,-
%4 ' A- - p
Tnv^ r ■ a a1 i1 a 1 L. 7 F
Vv 9_i i< L n i
cJ 1 U» —

fl L - ,-ri—-^
1/ W
” A ~~ A fl — */ 1
d \ r i F 9 0 M a F . ^ 7 1
~ * 4 --L-J-J- Ll -K-— Ja

down beat up beat

l J Jt
one and

J J J J
one - da an - da
RubanVt Elem. Meth. Cornet 25
LESSON 22
Sixteenth Notes (Continued)
(See footnote on counting-)

HI XEZ iEC Q HE Cl 33= 3E

1
$

IE ci
I ¥

j. ..mj- Lj--ir~p ) JT11 n j»

J J JI ^^T H
g. • —p—0 000 — [g J 1 —- —eU- V EZP w a-»-
4 !f J 1 i r 1
tS*-5-

£ r r iJ-

Rubank Elem. Meth. Cornet 26

 Sixteenth Notes (Continued) LESSON 23

4 ^ IJ~3"i 'i wt±

f j wn i j hQ m i

p |»
~J j 1 i -i-JJ JI j I I*1" IJ ^
* *

Repeat
preceding-
measure

>* $t7J73<tt?3

$
:zz

Z Z B: p f C-T EJLg-f-l / 1 / I J HI
#- -*■
Z^^Z
I z z zz:

G Scale-Memorize «Fjt>
r\
7 fe' ^.— ^ -
§m sp -e-

* These exercises should also be slurred but only after they are tongued evenly.

Rubank Elem. Meth. Cornet 27

LESSON 24
Key of G

^1 > > > , > > > > >

/I J/ f..t_
~ V_
~pz- ..... fit. . [... P‘—-21
=T^-
-—
-
i J
..+3^=n=l
ir i J 1

O
^
-i-^^^—
0 0
Yim.i*!- - - 0 —0-1—0— —0-H
-(to*-7- ---0 — --O--4—^—4—-o-4-4--e-4-4-e—-1
-
3-
nnn
“ F# ”
n‘° — Ml = pi T1 |
3 -(folk-—--
2
^ N l i =J-«

0- TJ n M.r |
§ r ij * | rr-L-^
*- | |
—jnj. jJTT
^
—• “- Jlf * li*
l.J JJ [^d

H ’z==^-=3= f...m-g .—.—- n r r r r i f - ii1

§ 1 i--±- * LSJJ l1 ^^—J
* See footnote
if~ 9~ 9 0
y-J |J CSlIlf'f uLC-m~±—4 r W~4~Cm W f
- ■-- ■■ m 9m.
4 -fe—k—J— 0
■LHJ- -V-{SrJjS\

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Rubank Elem. Meth. Cornet 28

 LESSON 25
Dotted Eighth Notes

3E CL d: 11 d: ja jcj: ir

zz:
zz:
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HE IZZZ HE zzz USE E3E

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An interesting Solo at this stage is Lyra by Vander Cook for Bb Cornet and Piano. Price 50 cents.
Rubank Elem. Meth. Cornet
29
LESSON 26
Dotted Eighth Notes (Continued)

Rubank Elem. Meth. Cornet 30

 LESSON 27
Key of D

Rubank Elem. Meth. Cornet 31

 Rock of Ages

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My Maryland

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£
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Lead, Kindly Light
JOHN B. DYKES
Moderato
3
p
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m #-1#-

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La iJ r p

Tramp! Tramp! Tramp!

Marcia GEO. F. ROOT
i=5=
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P.— 'M n\pqj n jtjiji

"p ~"^5
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* » 0~i P~ |g^> ^
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w ^ - r * - ■ * « : gJ
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sp
nijuni i r-riiinj^#s
Rubank Elem. Meth. Cornet 32
 LESSON 28
Alla Breve (cut time)

Rubank Elem. Meth. Cornet 33

LESSON 29
Alla Breve (Continued)

Rubank Elem. Meth. Cornet 34

 LESSON 30
Alla Breve (Continued)

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a , i J , , 0* | J J1J «T3 >►
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fy %2iii i J i J V
I 0 • f 10X0 . a aK 1 a 1 a r r
r • ^ a Z F * F
r > 1

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Rubank Elem. Meth. Cornet

35
LESSON 31
Key of A

“Gff”
-
# '- r~ i rffr-
^-r M a i—T"1-T" *" ' W 1
W
♦ * ?
2
3

(0f± ft "— ”— ~ 1 ■ l 1 1 ..f 0 m

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i J • J • ^ ^ A a w — r L
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1
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Rubank Elem. Meth. Cornet 36

 LESSON 32
Six-Eight Time
After each lesson in six-eight time has been played with the student counting- six beats to the measure, they
should be reviewed counting- two beats to the measure, as fast six-eig-ht time such as six-eig-ht march time
is counted in this manner: 1 2 3 4 5 6
1 2

4
w WWW
& m ww *

m
mw m s 3=2£

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j j j at— y= Jrn
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11
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v r
Hr m
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a1
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7
1

Rubank Elem. Meth. Cornet 37

LESSON 33
Six-Eight Time ^Continued)

% -e- 3s £ -o—:

rtr r P MJ. J h 5

i U U Jv IJ
mht
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pS *=?
5
££ £

si i si
S £ £

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=#=F fTJ—f- 0 • ■'■■' ij hj jii
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41^ J ^ J p |» ^ | p 1 r p 11 J-v j

SfsJT3 -Tn |JT3 m |JT3 JT] |J,_^^|

Rubank Elem. Meth. Cornet 38
 LESSON 34
Six-Eight Time (Continued)

on
Ur.to *
m
m

* , u E Sea le-Me morize « D#”

ML ~M
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w j~T Jj
.
+ d
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a
r\
i
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2
An interesting Solo at this time is Romance by E. DeLamater for Bb Cornet and Piano. Price 50 cents.
Rubank Elem. Meth. Cornet 39
LESSON 35
Key of E

aC /* I «
• 0
J|£^=F
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1
ji

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3
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■-I .Pi 1 ^- ———^ -——^ ^ -p— n i 1-1

^ l-j =a=^ 3^23-W- sU

Rubank Elem. Meth. Cornet

40
 Sweet and Low J. BARNBY
Larghetto
, k.^
hV & f
V
m

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Drink to Me Only With Thine Eyes
Eng-lish Air
Andante moderato

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mf
£

$ mw % I -J- J> \ £ 0^0 0-~- —0—0

£
pm lc/lli £ ^—#

Silent Night, Holy Night

Moderato FRANZ GRUBER

Believe Me, If All Those Endearing Young Charms

Moderato ^ ^ MOORE
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Rubank Elem Meth Cornet 41

LESSON 36
Chromatic

4 il
i frJ J g* is- * T~sf

i £ i $
i

4~t t r f r fi^j n<p -^r- iy-r Br

*• s* j- itj ir T
iN 5
$ J tfJ J ly y ^

4 * *
i-ij-j y hp-f-ffp .p itfp l
Rubank Elem. Meth. Cornet
42
 LESSON 37
Chromatic (Continued)

*
4- —jm
-4 -k
-*- J 4r,
i 0— T W-U-
' w—
m Iw—-—

w i V •ii F r-f-’- ■ ■ * iP 5/ 57 '

a -** >*-44— j.
-*— 0 9 >9 0 * \M
•*

=2F=
fm i* "T “1 -K 77 ■
44* H* -< # m + t?9 W -J 0 l-i4Ji
•i|»J iJ-hi ^L>]
An interesting Solo at this time is Waltz Chromatic by Endresen for Bb Cornet and Piano. Price 50 cents.
Rubank Elem. Meth. Cornet 43
LESSON 38
Syncopation

J JJJ
"Zk
43) T*
u or~i*
or v F F F •
r r r
rrrr i
■F
f-j
M—
r if j ^j ^J4-J 1
=Fj=T 1

=S=I1 K 1 i -1—h - L- -1--t—

i i 11 Ym r-w
im 7 n * r■ ^ F L.
——W—a—^i. J
F F F - J
w a Jft-Y-y-•
-p—1

O A -—m—
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/k ,J ■» M 1\ l ^ 1 1 M riv m m ■' . m m 9 \
JffV '
i rfft
VHf v 4 v. I; J
F •
d# F
11 W- - 7- *' r f
7T L p J---
-f—1—1

—&--—mr—ff—r ■- m F—ft_i jw—F-ft-ff P • r“f—■ ^ i

) T1
rm p n r J— c V i
1 —T— ^ r
C Fmz.rd F« s
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k
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1) r »m j*a^ . ^ x' .—
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Rubank Elem. Meth. Cornet 44

 L’Elisire D’Amore
DONIZETTI

f w"■ ■
Lento
^-—e
F J- Jl.i’j

0m—^ -J-* -J-0 —a. a . j *-J- ——J~ J

J
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—
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P 7 P
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1

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r<rv^ 7 a / ) ^ ^ m • a • ^ ^ ^ ^ ^
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J* J LJj--0—* -W W-W-
1

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azzc i
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JC

——” 0L--*L.F J
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L A
J 4J-1L-«

Duet from
IIIr* i n Hi Tiii.mm Ar»mr»nr»

Rubank Elem. Meth. Cornet

45
 March
Con energia DE GOUY

liWft J ,j~m ri irrJ- ff^ j*.*J J

— s*—*—-&—p—*■■■■/
—?—*—-f-
*•* ^|——*—
Q ^ ■ Jl l "h l Jl 11 i H l~H nJ I 1 rs riT^

rlrr^l7-IT# #*=- —-^=Rff -1^: ■*-»r»

W——-
■ »• J \--p* rwr’-n

=4e=N=
>
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iazJzJ: =*=*=, ?-f*J ^.
>n» > 1
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4 .. ■
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f:
JJL
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1^
—i
ban 1^5 tz
—

Minuet from Don Juan

MOZART

ifr j j j j j

J <<<<

Rubank Elem. Meth. Cornet 46

 Bolero
DE GOUY
Ll
w~m

cresc

f • • •
' \i i - 1 v • i .r • p 0 .. sa _a.
/ J L r g* ^ ^ • 1
rMIt
iT T—TT m
^ TT~ 1 l m m m A• m 1 i p 7 T m zr
"V -I • • • a r 1 * J_r
> Y ;>■ >
m
. 5
c mw - - 4 ;ras*e -
>- L
f cresc -
6
-
ft
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V" —h \ 1 ■ i— .—t——1-l«» .. 1 1; 1
M Vi
fr> "
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•
J
—» ---
• >
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1 1 - irr ^ ,'^r,
1 *
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m• a
/
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•

Air by Mozart
a u Allegrestto _ J
f# a .. Fb • rj m ^ N
m /
hi •*
p 7
^ %<
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hr-c lt 7 ft ..7-i^r

- j IEt-H —J-J-J--J—#- ^L r j---’'^j—«lj

-#——p—p— — —#—■#—#—— m m m m.* ■■ 9 J. J

V——*- ^ +• K
4 ■T %p • *r -~ :V- s tvi-1-p^n ^ >
JM |E pi
J 7 ) fr-TT^v-
7 )Z ) z ) ■ i a i
n w ' / n
p: r w
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•
vy 7 / rK 7 / .17. s . ii
•J L0 - --

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i i . L Py %y *
//H V .. p L / Tp
# # — P —'
wv v-
- E-J
p g p
J ~w—
—PIj- J- J 1

Rubank Elem. Meth. Cornet 47

 HUNTERS CHORUS FROM THE OPERA
Der Freischiitz
CARL M. von WEBER

ll» j ]-l 1 - — — m
•
m
•
m
• •

ff- r nr =a=2=t
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•

J »r~J ■- • • =, -r."-—0-J-J-
• • 1=,^ LJ—•J J J

m Sp 0—#

0 0

Rubank Elem . Meth. Cornet 48

 From fho RUBANK EDUCATIONAL LIBRARY

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