The document discusses the Super Locrian scale, also known as the Dominant Altered scale. It is built on the Locrian mode and used in modern jazz and fusion, typically with altered dominant seventh chords. The scale has five of its seven notes altered compared to the major scale. It includes a minor seventh and both diminished and augmented fifths. Formulas and the notes for each variation of the Super Locrian scale from C to B are provided.
The document discusses the Super Locrian scale, also known as the Dominant Altered scale. It is built on the Locrian mode and used in modern jazz and fusion, typically with altered dominant seventh chords. The scale has five of its seven notes altered compared to the major scale. It includes a minor seventh and both diminished and augmented fifths. Formulas and the notes for each variation of the Super Locrian scale from C to B are provided.
The document discusses the Super Locrian scale, also known as the Dominant Altered scale. It is built on the Locrian mode and used in modern jazz and fusion, typically with altered dominant seventh chords. The scale has five of its seven notes altered compared to the major scale. It includes a minor seventh and both diminished and augmented fifths. Formulas and the notes for each variation of the Super Locrian scale from C to B are provided.
Altered Scale, is built on the Locrian Mode and is particularly used in modern jazz and fusion. The scale is typically used together with altered dominant seventh chords, such as 7b9 and 7#9. Yet another name for this scale is Diminished Whole Tone. The scale is also identical to the seventh mode of the Melodic Minor (e.g. G Altered is identical to the 7th mode of Ab Melodic).
Super Locrian is sometimes just called Altered
Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. The scale includes a minor seventh, which is characteristic for seventh dominant chords. It also has both diminished and augmented fifths, which are typical ingredients in altered seventh chords (the scale consists of tones that can be found in every possible altered dominant 7th chord).
Notes: C, Db, D#, E, Gb, G#, Bb, C
C# / Db
Notes: C#, D, E, F, G, A, B, C#
D Notes: D, Eb, F, Gb, Ab, Bb, C, D
D# /Eb
Notes: D#, E, F#, G, A, B, C#, D#
Notes: E, F, G, Ab, Bb, C, D, E
Notes: F, Gb, G#, A, B, C#, D#, F
F# / Gb
Notes: F#, G, A, A#, C, D, E, F#
Notes: G, Ab, A#, B, Db, D#, F, G
G# / Ab
Notes: G#, A, B, C, D, E, F#, G#
A Notes: A, Bb, C, Db, Eb, F, G, A
A# / Bb
Notes: A#, B, C#, D, E, F#, G#, A#
Notes: B, C, D, Eb, F, G, A, B
Super Locrian Scales overview
C: C, Db, D#, E, Gb, Ab, Bb (C, Db, Eb, Fb, Gb, Ab, Bb, C) C#/Db: C#, D, E, F, G, A, B, C# / Db, D, E, F, G, A, B, Db D: D, Eb, F, Gb, Ab, Bb, C, D D#/Eb: D#, E, F#, G, A, B, C#, D# / Eb, E, Gb, G, A, B, Db, Eb (Eb, Fb, Gb, Abb, Bbb, Cb, Db, Eb) E: E, F, G, Ab, Bb, C, D, E F: F, Gb, G#, A, B, C#, D#, F (F, Gb, Ab, Bbb, Cb, Db, Eb, F) F#/Gb: F#, G, A, A#, C, D, E, F# (F#, G, A, Bb, C, D, E, F#) / Gb, G, A, Bb, C, D, E, Gb G: G, Ab, A#, B, Db, D#, F, G (G, Ab, Bb, Cb, Db, Eb, F, G) G#/Ab: G#, A, B, C, D, E, F#, G# / Ab, A, B, C, D, E, Gb, Ab (Ab, Bbb, Cb, Dbb, Ebb, Fb, Gb, Ab) A: A, Bb, C, Db, Eb, F, G, A A#/Bb: A#, B, C#, D, E, F#, G#, A# / Bb, B, Db, D, E, Gb, Ab, Bb (Bb, Cb, Db, Ebb, Fb, Gb, Ab, Bb) B: B, C, D, Eb, F, G, A, B