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  • Libre Version Fuego Saxo 2

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    Abraham Castro
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    This document is the musical score for "Libre Version Fuego" composed by Juan Carlos Alvarado. It contains musical notation symbols across 16 pages detailing the song structure, melody, harmony, and other musical elements. The score is divided into multiple sections and uses typical musical notation for elements such as tempo, time signature, key signature, dynamics, and other performance instructions.

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    This document is the musical score for "Libre Version Fuego" composed by Juan Carlos Alvarado. It contains musical notation symbols across 16 pages detailing the song structure, melody, harmony, and other musical elements. The score is divided into multiple sections and uses typical musical notation for elements such as tempo, time signature, key signature, dynamics, and other performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    30 views2 pages

    Libre Version Fuego Saxo 2

    Uploaded by

    Abraham Castro
    This document is the musical score for "Libre Version Fuego" composed by Juan Carlos Alvarado. It contains musical notation symbols across 16 pages detailing the song structure, melody, harmony, and other musical elements. The score is divided into multiple sections and uses typical musical notation for elements such as tempo, time signature, key signature, dynamics, and other performance instructions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    LIBRE

    VERSION FUEGO
    (Juan Carlos Alvarado)

                                       
    MINISTERIO VIDA ABUNDANTE SAXO ALTO

           


                 
         
             
      
    2 COMPASES


    7

                           
              
    1. 2.


    16


    3COMPASES

                         


         
    25
    1.

                           

                
    34 2.

                
    RESPLANDECE

     
                        

    40 2 COMPASES

               
                           
    48

     1.                        
                     
    57

     
                              

    65 2 COMPASES

          
     
         
        
           
    74
                                 
    2

      
    80

              
           
     
          

    89 2 COMPASES

         
                          
      

      
     D.C. al Coda

     
    100

                               
         

    109

          3 COMPASES        
              
            
    116

                  3 COMPASES        
                  
    124

                   
            
    133

       
                   

          
    1.
    140 6 COMPASES
    2.

      
        
                                
    1.

       
    148 2 COMPASES


                      
            
    156

           

         
    163

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