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  • Ánimo Pues Popurri Tromp1

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    Alejandro Paz Urrutia
    24 views2 pages
    The document is a musical score containing lyrics and notes. It consists of multiple verses set to music, each separated by lines. The verses describe various musical themes and instruments coming together in a popurri or medley.

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    Original Title

    ÁNIMO PUES POPURRI TROMP1

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    The document is a musical score containing lyrics and notes. It consists of multiple verses set to music, each separated by lines. The verses describe various musical themes and instruments coming together in a popurri or medley.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    24 views2 pages

    Ánimo Pues Popurri Tromp1

    Uploaded by

    Alejandro Paz Urrutia
    The document is a musical score containing lyrics and notes. It consists of multiple verses set to music, each separated by lines. The verses describe various musical themes and instruments coming together in a popurri or medley.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    ANIMO

    PUES POPURRI
       
                                                
     
    TODAS

     2.
         
                      
               
         
      
    9 1. 2. 4 REPES
    1.

    1.  2.     
              
                             
     
    22 2ª VUELTA

                                   
      
    32

                                         
    3 3 3 3

            
    44 2ª VUELTA

     2.
                          
                    
    3

    52 2ª VUELTA
    1.

                                               
      
    62 TODAS

                                  
           
    74

                                

     
    89

                                         
      
    103

     
      
                                
     
    117
        
                        
      
     
    132 2ª VUELTA

                 
        
     
       
    147
    1.

    3 3

                                  


           
    162
    2. 2ª VUELTA

               
                              
    173 TODAS

            
                                 
    TODAS
    187 1. 2. 2ª VUELTA

      
                     
                         
     
    200 TODAS

            
          
                           
    2ª VUELTA
    212

    3 3

                        
          
          3
    226 2ª VUELTA

                      
     
    239

    3 3

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