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  • Saxofón - Tenor - Forasterito

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    THE MAURO'S BAND BANDA ORQUESTA
    2 views3 pages
    The document contains musical notation for a piece for tenor saxophone. It includes three sections labeled A, B, and C. Each section contains musical notes, rhythms, dynamics, and other markings across multiple lines of staff. The piece has an upbeat tempo and incorporates melodic motifs that are passed between the saxophone and other instruments or voices.

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    Original Title

    Saxofón_tenor - Forasterito

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    The document contains musical notation for a piece for tenor saxophone. It includes three sections labeled A, B, and C. Each section contains musical notes, rhythms, dynamics, and other markings across multiple lines of staff. The piece has an upbeat tempo and incorporates melodic motifs that are passed between the saxophone and other instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    2 views3 pages

    Saxofón - Tenor - Forasterito

    Uploaded by

    THE MAURO'S BAND BANDA ORQUESTA
    The document contains musical notation for a piece for tenor saxophone. It includes three sections labeled A, B, and C. Each section contains musical notes, rhythms, dynamics, and other markings across multiple lines of staff. The piece has an upbeat tempo and incorporates melodic motifs that are passed between the saxophone and other instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Saxofón

    tenor MOSAICO FORASTERITO

                   
     
    PASEITO
    A

     
     = 150

       
                             
      
    7

            
                   
    VOZ
    21

             
     
            
    31

                
                
    1. 2.
    45 3

              
    3 3

        

    57

                                    
          
    69

           
                     
         
    75
    B
    1.
    3.
    2. 2.

      
                             

      
    83 VOZ
            

              
            
    94

          
       
               
     
    103 1. 2. 

                   
          
    112
    al  y 

              

             
                
     
    1. 2. coro
    124

                

                    

    134

    
                           
    145
    C
    1. 2.

    2.  
               
     
           
              
    1.
    153

                       
              
    160


                               
        
    171

                 

             
    182

    2
     
            
                    

    191
    1. 2.

     

         
                       
      
    199

     
                          
          
      
    206

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