Professional Documents
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Independence Andhra
Before we go into the aspects of cinema and its evolution in Andhra Pradesh, it is
that really propelled cinema as a culture, and as an industry, to come into existence.
Unlike other cinemas elsewhere in the world, cinema in South India is inevitably linked
with the sociological and the political situations and depicts the social and political
history of the region. Southern cinema industries have strong nexus with political,
sociological and economical developments of the region along with the democratization
that cinema in this region has been structured and operated in terms of caste at various
layers. Though this tendency cannot be traced to the beginning of Telugu cinema, it is
understand how modern technology like cinema is so part of traditionally rooted social
structure, one needs to analyze the political, sociological and economical conditions of
Andhra Pradesh. This brief overview would immensely help in understanding the issues
that really propelled and shaped the present Telugu film industry for the primary
British rule in India witnessed several revolutionary changes in the fields of economy,
considered and accepted most of the times that ‘modernity’ and ‘development’ are
by invoking new structures. So the new structure or framework is possibly formed with
both the old and new and ready to be part of the modern democratic society. As Rajani
society is neither modern nor traditional. It simply moves from one threshold of
integration and performance to another, in the process transforming both the indigenous
structures and attitudes and the newly introduced institutions and ideas” (3). Hence, it
has to be understood that Indian society has a social system that is flexible and capable
of absorbing new ideologies, systems and technologies and transform them to more
Indianized version. This is the point that needs to be emphasized while looking at the
question, how a modern or a western technology like cinema has been received and
absorbed into its social system in certain regions of India. Traditional social system in
India was organized in and around caste structures and caste identities. So the questions
have to be asked: what would be the role of the caste while receiving cinema as a
western invention. Many of us would be surprised and uncomfortable to see the strong
relationship between caste and Telugu cinema. There are several articles and papers
that have discussed the role of region, language and culture of particular dominant
region on Telugu cinema. However, looking at the caste angle and the dominant social
structures that shaped the Telugu cinema industry will pave an easy way ahead to
explore the nexus between cinema and politics in Telugu cinema. To trace the
relationship between film stars and politics, one needs to look at the post-Independence
assimilated. But the change is not as radical as it appears at first sight. It is slow and
incremental as it was section of Brahmins who responded to English education and
obviously was first to benefit from political and administrative power, and with the
expansion multiple party system, slowly others came in. However it is not a pan-Indian
agricultural upper castes exerted social power and established social structure aided
vertical inter-caste ties for ongoing structure of political recruitment in which upper
castes mobilized the whole structure and put up a strong formation of horizontal
solidarities. This trend has been phenomenal in post Independent India. Though there
are instances where new religion sects like Jains wielded economic power, by and large,
it is the upper castes or ‘dominant castes’8 who snatched the power from Brahmins in
councils and village arbitrations procedures) and the political aspect (within caste and
inter-caste and status alignments), religion, occupation and territory provided the bases
for secular mobility. This phase is not radical as it appears but experienced gradual
involvement. Most entrenched castes come in this phase. New solidarities in the upper-
middle castes and middle castes are evident in all regions and agrarian economy has got
prominence under these castes. Second one is the integration aspect. This aspect is quite
important while understanding the structural importance of nation building. For the
competitive style of democratic politics involves not just distributive and conflictual
aspects but also aspects of group action and cohesion. Here comes the actual operation
8 The term is used by M. N. Srinivas and distinguished from entrenched caste, According to this
criterion; ‘dominant castes’ are primarily land owning communities and holds enormous social,
economic and political power. And usually they are numerically strong in the village.
of caste affiliations and concept of jati that creates powerful symbolism and mythology
of its own.
And the third one is the aspect of consciousness in which constant contest for positions
between jatis and varna. While varna has clear logical structure, jati on the other hand
is ambiguous. Hence, there is constant shift between asserting identities through varna
and jati. It thus, enables people to draw themselves and others at safe orders of
and at the same time they ascertain a different identity of peasant caste.9 There are
and associational-federal (political)” (11). All these three phases show the significant
westernization. And the dominant castes reestablished and reinterpreted its traditional
status and identity to suit contemporary aspirations. Examples for this are to found
Rajasthan and Reddis and Kammas in Andhra Pradesh. In these regions, Brahmins did
not dominate the political and economical spheres but led by powerful peasant castes
that were closely associated vertically with the other castes due to their farming
profession. Because these were the castes that are holding land at the village level.
Despite the truth that these castes do not have the ritual status in varna status,
agricultural benefits propelled them to get into economical and political arena. In fact,
9
The Peasant caste is widely discussed and referred in Balagopal works and SV Srinivas’s work on Early
Telugu cinema. Peasant caste is generally attributed to middle and intermediate castes who have not only
been cultivators but also kings, feudatories, barons, overlords and revenue intermediaries.
10
Sanskritization is a particular form of social change found in India. It denotes the process by which
castes placed lower in the caste hierarchy seek upward mobility by emulating the rituals and practices of
the upper or dominant castes. The concept of Sanskritization is defined and developed by noted
sociologist, M N Srinivas.
being aloof from the ritual status helped these castes to get in touch with the rest of the
castes and interacted closely on various issues at the village level. This phenomenon
helped these dominant castes to attain power status while overtaking the dominance of
the Brahmins. Due to ‘secularization’11 (Rajani Kothari’s word) of these castes, various
caste groups got into factional networks of politics which provided best ways for social
mobility not only for the own castes but also for the other castes who show loyalties to
dominant castes. Andhra Pradesh and Bihar are the best example for this competitive
economy and politics in Andhra Pradesh. Though these competitive politics were never
As discussed above, these peasant or land owning communities were the first people
benefited from education, green revolution and technology. The actual process of
industries and other technological inventions like cinema) was restricted and exclusive.
It entrenched more strongly on certain castes than on the others. The first to be drawn
into modernisation stream was the power structure of the caste system. Ritual status of
the Brahmins kept them aloof from the democratic and secular politics and power.
Though they could hold the power in some regions, but lost to other secular castes in
other regions by and large. These secular castes had the acceptance both from ritual
class as well as peasant and lower castes because of the “vertical inter-caste ties by the
11
Refer to Rajani Kothari’s work, Caste in Indian Politics (Orient Longman, 1970)
The second benefit was distribution of economic benefits. This power structure and
economic benefits are closely inter-related. In the case of Andhra, green revolution12
boosted certain sections of the coastal Andhra and made them economically strong later
that resulted in seeking political power. And the third factor is caste consciousness and
perceptions which played vital role in bringing political aspirations possible. New caste
solidarities, associations and councils have been started. Mass caste gatherings and
Rajani Kothari also discusses the primary features of these ‘dominant castes’. While
castes were less modern than the elites they super ceded; they were often
less educated and more rural based and operated through an idiom that
12The introduction of high-yielding varieties of seeds after 1965 and the increased use of fertilizers and
irrigation are known collectively as the Green Revolution, which provided the increase in production
needed to make India self-sufficient in food grains, thus improving agriculture in India.
characteristics and early socialization in prevailing life styles than from
Hence, these castes have assimilated and utilized modern institutions and technology
to establish themselves in various fields and affirmed their domination through this
medium. To examine any modern institution and its impact on existing social structures,
the role of the caste should be taken into consideration. Cinema as a modern technology
is received differently across India. Initially films narratives are based on Indian
mythological stories across India, especially in southern Indian films. Film making is
taken up initially by the elites of that particular region then spread to the other
communities. Each region has its own social and cultural and political background that
determines the domination on any industry. However, Telugu cinema proved that the
domination doesn’t limit at the trade and political level but even in artistic and creative
fields as well. When it comes to Telugu cinema, role caste in building particular cinema
Andhra has ever executed democratically and clutched in the hands of dominant castes,
particularly in the hands of Kammas. Dominant caste(s) have taken over the Telugu
cinema and made it a caste profession. Modern technology like cinema has been
literally in the hands of one community through which it acted promoting particular
culture that is exclusive to their region and community. Unlike the trends in other
regions in India, where Brahmins and other elites who are western educated dominated
film making, Telugu cinema always dominated by the rural based, less western
background are highly benefited from agrarian revolution in coastal Andhra region. As
a result, Telugu cinema has slipped into the hands of post-colonial or post-feudal elite13
To understand this phenomenon, one needs to examine the social and political issues
deeply that really shaped this tendency in Andhra region. Due to the changes in social
relationships and universal adult franchise in a fairly open and competitive electoral
system, the nature of caste identities and inter-caste relations have been undergoing
dominant castes have come to occupy an important place in politics and the means they
have adopted to retain political control. Noted political scientist K C Suri looks at
Andhra Pradesh phenomenon closely in his articles “Democratic Process and Electoral
Politics in Andhra Pradesh, India” (2002) and “Andhra Pradesh: From Populism to
Pragmatism, 1983-2003” (2003) and argues that the caste structure in Andhra Pradesh
social hierarchy in which people are functionally dependent on one another but
separated as distinct groups, stratified as high and low. Nonetheless, the nature of the
caste system has been undergoing tremendous changes over the years, with different
patterns in various regions and as such, caste should not be viewed as a fixed and rigid
social relation. The distinct character of Andhra Pradesh State politics can be largely
attributed to this feature. There is also some difficulty in speaking of a uniform caste
13The concept of post-feudal elite is discussed by S V Srinivas in his article, “Making of Peasant
Industry: Telugu Cinema in the 1930s-1950s” in which he termed Telugu film industry is primarily a
peasant industry. He examined how the industry came under the control of entrepreneurs of peasant origin
by becoming a destination of surpluses generated by agriculture and related activities. During this period,
an industry model that facilitated the absorption of large infusions of capital at the production center in
Madras, as also relatively small retail investments at the local level, was assembled. The model,
predicated on syndicated investments and distribution of risk, fell into place at a time when peasants
began to migrate out of the village for a variety of reasons and were expanding their activities from
agriculture, commodity speculation, and rural money lending.
For example, the three north coastal districts differ greatly from those of the central and
south coastal region.14 There are also variations between the three regions Coastal
Andhra, Rayalaseema and Telangana. As such, only the broad outlines of caste structure
in the State can be determined. Another problem is that credible data on the population
The non-Brahmin caste groups, such as the Reddy, Kamma, Kapu and Velama, whose
main occupation has been cultivation, are the most dominant social groups in the State
in terms of land control and access to political power. The term ‘dominant caste’ suits
them very well and during medieval times and the early British period, they enjoyed
power and prestige analogous to the Kshatriyas in the north India. Some of these
peasant communities consider themselves as the local variants of the ruler caste, while
all of them have experienced a continuous ascendancy in Andhra society and politics
since the 1920s. The huge irrigation systems constructed in the mid-19th century
agrarian surpluses and use the economic resources to lead a better lifestyle and have
English education. A class of rich peasantry began to emerge among these castes in the
20th century pre-Independence period due to, among other factors, a rise in the price of
agricultural produce, money lending and trade in commercial crops. Their economic
and educational advancement enabled them to challenge and dilute the Brahmin
dominance in the cultural and political spheres. Their participation in the anti-colonial
14In the three north coastal districts of Srikakulam, Vizianagaram and Visakhapatnam, the most
politically influential communities are the Turpu Kapus, Kalingis and Koppula Velamas, who are not
found in other coastal districts. They are the middle-level peasant castes, which have backward status for
the purposes of reservation in educational institutions and government employment. Similarly, the Reddis
and the Kammas, the two dominant castes in State politics, are absent in these districts.
and anti-feudal struggles politicized them a great deal and produced a rich crop of
leadership.
The Reddis, who represent about 8-10% of the State’s population, can be found in all
three regions of the State, particularly in the five Telangana districts of Karimnagar,
Prakasam and Nellore and the four districts of Rayalaseema. In the past, they were
rulers in some parts of Andhra Pradesh. Several factors have given the Reddis pre-
eminence among the peasant castes in Andhra Pradesh: their state-wide spread and their
high proportion among the peasant proprietor castes in Andhra Pradesh; their traditional
power in many districts and villages and glorious antecedents of local rule in many parts
of the State; their political initiative and involvement in the Congress and communist
politics before and after Independence; the availability of better caste leadership from
village, mandal, district and state levels; and above all, their firm base in agricultural
wealth (K.C.Suri, 2002). The Kammas,15 who make up about 4-5% of the state’s
population, are mostly concentrated in the Krishna and Godavari delta and are
of the analysis of state politics has hinged upon the Kamma-Reddy rivalry although it
is often exaggerated and distorted. The Velamas constitute another 1-2% of the
population. They are concentrated mainly in the two Telangana districts of Karimnagar
and Khammam and in the northern coastal district of Visakhapatnam. They are
Krishna, Guntur and Nellore. Reddis and Velamas were traditionally landlords and
15The Kammas consider themselves as Kshatriyas in the Varna hierarchy and recall their privileged
position in the reign of the Kakatiya dynasty (13-14th centuries). The Kammas of coastal Andhra
carried out a non-Brahman movement in the 1920s and later.
constituted the bedrock of the feudal social and political order in the pre-Independence
period. The Kapu category amounts to 10-12% of the population. There are various
sub-castes within the Kapu category, such as Telaga, Balija, Kapu, Munnuru Kapu,
As part of my research, I focus only upon the caste structures and caste politics of
coastal Andhra region precisely because of the strong dominance of the region on
Telugu film industry. With above analysis of social structures in Andhra region, one
Telugu cinema.
At the time of Independence, the Congress Party in Andhra was rife with factional
rivalries, which often made use of caste identities. There were two prominent Bramhin
factions in the APCC (Andhra Provincial Congress Committee). One was led by the
legendary figure, Tanguturi Prakasam, known as Andhra Kesari, the ‘Lion of Andhra’.
The other group was led by Pattabhi Sitharamayya, another senior Brahmin Congress
leader, and later all-India Congress President (K.C.Suri, 2002). The elections to the
offices of Madras Congress Legislature Party Leader and APCC President provided the
occasions for a trial of strength between these rival groups. In a keen contest for the
APCC presidency in April 1951, Sanjiva Reddy, sponsored by the Pattabhi group,
struggle between Ranga and Sanjiva Reddy was seen as a turning point in the Kamma-
Reddy rivalry that was emerging in Andhra Pradesh in the post–Independence period.
So this is the beginning of shift of political power to ‘dominant castes’ from ‘ritual
castes’.16
This rise of a dynamic entrepreneurial class in coastal Andhra is explained above with
reference to the convergence of several historical and political processes that resulted
nineteenth century and the emergence of a ‘rich peasant’ class emergence of the rural
elite, the politicization of caste identity, and, later, the green revolution and land
reforms. High productivity and profit rates in agriculture have contributed to the
capitalist farmers are accumulated surpluses which they seek to invest in even more
agricultural profits have flown into film making by the capitalist farmers.
16
My distinction of dominant castes and ritual castes is made based on the Rajani Kothari’s work, Caste
in Indian Politics (Orient Longman, 1970). I refer Brahmins as a ritual caste, since they were in charge
of various ritual activities in Hindu society. And I refer dominant castes those which are non-Brahmin
castes but hold social, economic and political power in their respective regions.
Work Cited
Kothari, Rajani. Caste in Indian Politics. New Delhi: Orient Longman, 1970.