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planes I' and II' are drawn where the images of the planes
French progress.
fall upon the central figures of Amenre and Rameses, which are
his argument with great force, but enters into more general
in Gal. ii. 9 f. and Acts xv. 20 f., are not at all the
that this act has attained the object for which it was drawn
Delphi, and not far from the Thessalian Larissa. During the