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Tucker Max
What Are Literary Devices?
Literary devices, also known as literary elements, are techniques that writers
use to convey their message more powerfully or to enhance their writing.
Many Authors use literary devices without even realizing it. For example, if
you exaggerate and say, “This method has the potential to revolutionize the
world,” that’s hyperbole. Your method may be impactful, but it probably
isn’t really going to upend the way every single country does things.
More complicated literary devices are a common feature in fiction, but most
nonfiction books don’t need them. A nonfiction Author’s job is to deliver
information in an engaging way. “Engaging” doesn’t necessarily mean
“literary.”
Still, literary devices can add a lot to a text when they’re used correctly.
For example, in The Great Gatsby, Fitzgerald uses the following metaphor to
describe human struggle: “So we beat on, boats against the current…”
The image of boats fighting against the current is a powerful way to express
the simple idea that “life is hard.”
Literary devices are especially effective when they’re used sparingly. Don’t
overdo it.
If your entire book is written in metaphors, it’s not only going to be an overkill
of flowery language, but it’s probably going to be confusing too.
If you can incorporate literary devices in a way that makes sense and adds
something to the readers’ experience, great. But don’t force it.
30 Common Literary Devices
1. Alliteration
Alliteration is the repetition of initial consonant sounds within a group of
words. For example, “Peter Piper picked a peck of pickled peppers.”
Be careful not to overuse alliteration, or your book will start to sound like a
nursery rhyme.
2. Onomatopoeia
An onomatopoeia is a word that imitates, suggests, or resembles the sound
it’s describing. Common onomatopoeias include “gurgle,” “hiss,” “boom,”
“whir,” and “whizz.”
3. Foreshadowing
Foreshadowing is an advance warning about something that’s going to
happen in the future.
4. Hyperbole
Hyperbole is an exaggeration that’s not meant to be taken literally. For
example, if my friend surprised me by eating a lot of pizza, I might say, “Hey
man, remember that time you ate, like, fifteen pizzas in one night?”
Good nonfiction Authors often use hyperbole to emphasize the power of their
statements. For example, “We all know how miserable it can be to work 24/7.”
Do we really all know that? And it’s impossible to literally work 24 hours a
day, 7 days a week.
5. Oxymoron
An oxymoron is a figure of speech where seemingly contradictory terms
appear together. For example, “the dumbest genius I know.”
6. Flashback
A flashback is a scene set in an earlier time than the main story. They’re often
used to provide important context or backstory for an event you’re discussing.
For example, “My boss congratulated me for landing the largest account our
company had ever seen. It was hard to believe that only seven months earlier,
I was struggling to keep the few clients I already had.”
7. Point of View
Point of view is the perspective you use to tell your story.
It’s much rarer, although possible, to write nonfiction from the third-person
perspective. For example, “They saw how powerful their methods could be.”
Sometimes co-authors choose this method to avoid first-person confusion.
8. Euphemism
A euphemism is a polite way of describing something indirectly.
Many Authors use euphemisms to vary their language or soften the blow of a
difficult concept. For example, “passed away” is a euphemism for “died.”
Some Authors use euphemisms to keep their texts more palatable for a
general audience.
9. Colloquialism
A colloquialism is a word or phrase that’s not formal or literary. It tends to be
used in ordinary or familiar conversation instead. For example, it’s more
colloquial to say, “How’s it going?” instead of “How are you doing?”
No matter how professional your audience is, some colloquialism can make
your book feel more relatable. Readers like to feel as if they’re talking with the
Author. Colloquialism can help you create that personal, one-on-one feeling.
10. Anthropomorphism
Anthropomorphism is when you give human traits, emotions, or intentions to
non-human creatures or things.
11. Anaphora
Anaphora is a rhetorical device where you repeat a word or phrase at the
beginning of successive clauses. This is a great way to draw emphasis to a
certain portion of text.
For example, Charles Dickens uses anaphora in the opening of A Tale of Two
Cities: “It was the best of times, it was the worst of times, it was the age of
wisdom, it was the age of foolishness, it was the epoch of belief…”
PRO TIP: In grammar, anaphora has a different meaning. It occurs when you
replace a word with another word to avoid repetition. For example, “I broke my
phone, so I have to buy a new one,” instead of “I broke my phone, so I have to
buy a new phone.” This kind of anaphora is helpful when you don’t want to
sound redundant or repetitive.
12. Anachronism
An anachronism is a chronological inconsistency where you juxtapose people,
things, or sayings from different time periods. If you were reading a book
about colonial America where characters talk about cars, that would be
anachronistic.
For example, if you’re writing about the history of the banking industry, you
might refer to certain individuals as “influencers” or talk about ideas that were
“trending.”
13. Malapropism
A malapropism is the mistaken use of a word in place of a similar-sounding
one. This usually creates some kind of humorous effect. Imagine a person
saying, “I know how to dance the flamingo,” instead of, “I know how to dance
flamenco.”
There aren’t a lot of good reasons to use malapropism in nonfiction, but you
could do this if you’re trying to amuse or delight your reader in an unexpected
way. It’s a lot like using a pun.
For example, if you’re writing a book about sports, you might say, “The client
and I saw things so eye-to-eye, it was almost like we had ESPN” (instead of
“ESP”).
For example, “She was chained to her desk for sixty hours a week.” Let’s
hope not.
Still, it conjures a vivid image that’s more exciting for readers than, “She
worked a lot.”
Let’s say you’re telling a story about an interaction with a client that didn’t go
the way you expected. You might write, “Things seemed to be going well, but
little did I know, she had already hired someone else.”
At the moment you were meeting with the client, you didn’t have that
information. But now, the reader does. So, they get to follow along with the
rest of the story, knowing more than you did at the time.
Depending on the tone of your book, verbal irony can help create humor or
make you more relatable.
For example, it’s a figure of speech to say that it was “raining cats and dogs”
or that something stands “an ice cube’s chance in Hell” of happening.
A lot of the devices we’ve already discussed (e.g., alliteration, oxymoron, and
metaphors) also fall into the category of figures of speech.
18. Metaphor
A metaphor is a figure of speech that compares two different things in an
interesting way. It often highlights the similarities between two different ideas.
Take, for example, “The classroom was a zoo.” It wasn’t literally a zoo, but
this metaphor expresses the wild energy of a room full of children.
Or, “the curtain of night fell.” Night doesn’t have a curtain, but we can all
imagine darkness falling like one.
If you use a metaphor, though, make sure it’s intelligible. There are a lot of
bad ones out there. The point of a metaphor is to make a scene clearer, not to
confuse your reader.
19. Simile
A simile is also a figure of speech that compares two different things in an
interesting way. But unlike a metaphor, a simile uses comparison words like
“like” or “as.”
Using similes can make your writing more interesting. The comparisons can
spark your readers’ imagination while still getting your information across
clearly.
20. Metonymy
Metonymy is a figure of speech in which a thing or concept is referred to by
the name of something closely associated with that thing or concept.
People use metonymy all the time without being conscious of it. For example,
if you get in a car wreck, you’re likely to say, “That car hit me,” instead of,
“That car hit my car.”
If you’re writing in relatable, colloquial language, your book will probably have
metonymy in it.
21. Synecdoche
Synecdoche is a figure of speech in which a part of something stands in for
the whole or vice versa. It’s a subset of metonymy.
For example, if you have “hungry mouths to feed,” you actually need to feed
people. Their mouths are just a stand-in for the whole person.
Or, you might say, “All of society was at the gala,” when you really mean, “All
of high society was there.”
Typically, synecdoche will come out in your writing naturally. When you force
synecdoche, it can sound strange.
For example, what do you think I mean when I say, “I sat on the legs?” I’m
guessing a chair didn’t come to mind, even though “legs” is a part of the
whole “chair.”
22. Aphorism
An aphorism is a concise statement of a general truth or principle. For
example, “If it ain’t broke, don’t fix it.”
Most aphorisms are handed down over time, so chances are, you won’t coin
your own. Think of these as the tried-and-true statements people already
know.
For example, if you’re describing toxic leadership, you could quickly say,
“After all, power corrupts,” and your audience would immediately know what
you mean.
Aphorisms are great for emphasis because they’re quick, clear, and to the
point. They aren’t flowery, and their simplicity makes them memorable.
“Do you want to make money? Do you want to sleep better at night? Do you
want to run a successful company?”
Be careful not to overuse rhetorical questions because too many can get
tedious. But used sparingly, they’re a great way to invite your reader into the
conversation and highlight the benefits of your knowledge.
24. Polysyndeton
Polysyndeton comes from the Ancient Greek for “many” and “bound together.”
As its name implies, it’s a literary technique in which conjunctions (e.g., and,
but, or) are used repeatedly in quick succession.
One common way to use polysyndeton is, “You’ll find everything in this book,
from billing and buying to marketing and sales.”
25. Consonance
Consonance occurs when you repeat consonant sounds throughout a
particular word or phrase. Unlike alliteration, the repeated consonant doesn’t
have to come at the beginning of the word.
“Do you like blue?” and “I wish I had a cushion to squash” are examples of
consonance.
Consonance can help you build sentences and passages that have a nice
rhythm. When a text flows smoothly, it can subconsciously propel readers
forward and keep them reading.
26. Assonance
Assonance is similar to consonance, except it involves repeating vowel
sounds. This is usually a subtler kind of echo. For example, the words
“penitence” and “reticence” are assonant.
27. Chiasmus
Chiasmus is a rhetorical device where grammatical constructions or concepts
are repeated in reverse order.
For example, “Never let a kiss fool you or a fool kiss you.” Or, “The happiest
and best moments go to the best and happiest employees.”
28. Litotes
Litotes is a figure of speech closely related to verbal irony. With litotes, you
use understatement to emphasize your point. They often incorporate double
negatives for effect.
For example, “You won’t be sorry” is the litotes way of saying, “You will be
glad.”
If I say, “He wasn’t a bad singer,” you can probably assume that he was
actually a good singer. But the negative construction conveys a different tone.
Take this statement, for example: “He wasn’t the worst lawyer I had ever
seen, but he could have been more organized.” You aren’t completely bashing
the lawyer, but you’re still showing there’s room for improvement.
Still, I recommend using litotes sparingly if you don’t want people to think
you’re constantly damning with faint praise.
29. Epigraph
An epigraph is a short quotation or saying at the beginning of a book or
chapter, intended to suggest its theme.
But don’t rely too heavily on epigraphs. The point of writing a book is to show
that you are an expert. You don’t want to constantly defer to other Authors to
contextualize your ideas.
Also, epigraphs are only effective when they are truly relevant to your book.
Don’t just pick a person that you think readers will recognize. Pick a quotation
that really adds something to your book.
30. Epistrophe
Epistrophe is the repetition of the same word or words at the end of
successive phrases, clauses, or sentences. It’s sometimes called epiphora or
antistrophe.
Epistrophe can be very dramatic, and it’s a great way to draw attention to
crucial concepts or words in your book. But because it’s so impactful, it should
be used in moderation.