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  • Pantomime KV 446 (1783/1975) : 1. Pantalone and Colombine

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    slatan
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    1. The document contains musical notation for a piece titled "Pantomime KV 446" composed by Mozart and reconstructed by Schnittke. 2. The notation includes tempo markings, notes, dynamics, and instructions for the violins in 6 different sections depicting characters from commedia dell'arte such as Pantalone, Colombine, and Pierrot. 3. The sections vary in tempo from allegro to adagio and feature interactions between the characters through the musical cues notated.

    Original Description:

    Original Title

    Violino II

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    1. The document contains musical notation for a piece titled "Pantomime KV 446" composed by Mozart and reconstructed by Schnittke. 2. The notation includes tempo markings, notes, dynamics, and instructions for the violins in 6 different sections depicting characters from commedia dell'arte such as Pantalone, Colombine, and Pierrot. 3. The sections vary in tempo from allegro to adagio and feature interactions between the characters through the musical cues notated.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views4 pages

    Pantomime KV 446 (1783/1975) : 1. Pantalone and Colombine

    Uploaded by

    slatan
    1. The document contains musical notation for a piece titled "Pantomime KV 446" composed by Mozart and reconstructed by Schnittke. 2. The notation includes tempo markings, notes, dynamics, and instructions for the violins in 6 different sections depicting characters from commedia dell'arte such as Pantalone, Colombine, and Pierrot. 3. The sections vary in tempo from allegro to adagio and feature interactions between the characters through the musical cues notated.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    Violino II

    Pantomime KV 446 (1783/1975)


    1. Pantalone and Colombine
    W. A. Mozart (1756-1791)
    Free reconstruction A. Schnittke (1934-1998)


    Allegro
        
                   
    pizz.

     

    8
             arco 
                   
            

                 
            
    16

             
     
                   
              
    1. 2.


    24

        

    2. The Dottore

    Maestoso
     
                   
           
    3

     

                     
           
        
              
     

    
       
                    
     
        
                
    

              
     
            
      sub.
     
    

                                     
      
                                  
    

            
    3

        
     
                 
    

                     
     
    
      
    Adagio

                
    
     
     attacca

    3. Pierrot
                                
    Allegro

      
    


       
                         

    
    
            
                    
                
       

          
         
         
              
                  
             
    



                     1.
    
               
           
      
      
    
       
        
         
     

    4. The Dottore and Colombina


    5. A Table is Brought in
    Andante molto

                                   
     

                        
     
               
              
     

    

                                 
    1. 2.

    6. Pierrot is Frightened


    Adagio

                    
         
           
           


               
       

      

        
            
            
                 

                  

       
    7. Finale

           
    pizz.

          
          

                   
         
     
              
    

                            

    arco

             


      
    
              
                           


           
          
     

       
    
     
        
       

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