Professional Documents
Culture Documents
MAURITANIA
SENEGAL
The Gambia:
A Rising Voice
UNITY WITHOUT VERITY IS NO
BETTER THAN CONSPIRACY
www.africaispwa.com
CONTENTS
11 14 34
The Gambia: Madou Lamin Sima, Celebrity Spotlight:
A Rising Voice Ambassador-At-Large Business Meet Ms. Bodega
& Investment for Gambia
Story on p. 11 3
Editor's Note
4
AFRICA IS PWA
5
Building Equity Sustainability
Together
West Africa A Future By Design
8
The Role of the Public-Private
Partnership
23
Rebuilding A Better Gambia:
A Small Country With Large
Possibilities
26
Travel Reversing The Triangle
30
A Child From the Rock
31
Peace in the 21st Century?
18
The Future Development of Africa: All rights reserved.
Socio-Cultural Dynamics, Economic Realities Copyright, April 2021.
and Governance Within a Systemic Paradigm
AFRICA IS PWA | 1
PAGE 2 AFRICA IS PWA
AFRICA IS PWA | 2
EDITORS NOTES
“I am grateful for this opportunity to amplify the brilliant "Writing is something I do in solitude, the
voices that are often excluded from the dominant work takes me into another world. That’s true
narrative which seeks to permanently silence us and to ecstasy. That, and seeing the reaction from
address problems facing our global population". others. That’s extremely satisfying and
gratifying''
AFRICA IS PWA | 3
EDUCATION LIFESTYLE & INNOVATION
TRAVEL
By A.P
Africa Is PWA Magazine is also an online The Africa Is PWA Magazine is that DIGITAL
magazine created for West Africa and the MAGAZINE designed to highlight all the
African diaspora(s) at large. Created to cultural nuances that endeavors to position
examine, inspire, empower, and connect to West Africa one of the most popular tourist
the changing new and innovating Africa and destinations in the world.
the impact of the world around you.
African music and films have crept into the
A new avenue for the cutting-edge women mainstream consciousness via commercial
game changers, influencing a changing advertising, and can be integrated, further.
Africa today through exposes, personalized
on location, selection interviews with Africa Is PWA will further amplify this as
women-ought-leaders, best-selling authors, content on a regular basis. Multichannel
spiritual luminaries, health, and wellness marketing is easily assimilated onto a
experts. And "women" All designed to light programming platform that incorporates
up, guide audiences through their big music, travel, fashion, food and lifestyle.
questions about life, growth, and
sustainability that will help move them
closer to a better version of themselves.
AFRICA IS PWA | 4
BUILDING EQUITY SUSTAINABILITY TOGETHER
BY AP
espite the widespread adoption
D
of and progress towards the
Economic Growth
Sustainable Development Goals, the and Human
situation in Africa is not improving. Development Plan
The continent still has much to do to The sub-Saharan African region's growth rate has
catch up with the rest of the world. A been very low for many years. It's been even lower in
new report from the Sustainable the last two years, which means that the region is not
Development Goals Center for Africa keeping pace with its SDG goal. The region's growth
shows that most countries on the fell to approximately 1.4 percent in 2019, a bit above
continent are failing to achieve the the SDG target but below the region's long-term
goals set by the UN. Over 50% of the average.
global poor (those who earn less
than $1.90 per day) live in Africa.
Africa has experienced a series of shocks, such as the
Arab Spring, the impact of the eurozone crisis, and
Over one-third of Africans are at risk
the rise of China as a major trading partner. At the
of starvation. The SDG Center's
same time, globalization has slowed. Commodity
forecasts show that the majority of
prices have remained low, and economic growth
African regions are unlikely to meet
remains relatively sluggish. While climate conditions
the SDGs. The struggle is most
remain unfavorable, population growth continues to
pronounced for Central Africa across
outpace economic growth. The result is that twenty-
all the goals. There is a non-
eight African countries are categorized as low
governmental organization with a
income, and 37 are classified as low HDI countries.
mission to provide opportunities for
children in West Africa, are to Children in Africa today are still at risk of not receiving
empower and transform their lives. a full, high-quality education or decent health care.
Poor education services are contributing to a lack of
reading and writing skills among children in Africa.
Challenges To
Governance In
Achieving The
SDGs
The challenges inherent in the SDG framework
must be addressed now more than ever. Of
particular importance is the need for attention
to the governance framework for the SDGs.
There are still many hurdles in the path to its
full realization. A lack of clarity around the
issue of accountability persists, as well as the
lack of reporting on key elements such as
ratification, reporting mechanisms, and roles
and responsibilities. The existing reporting
mechanism is not comprehensive, encourages
selective reporting, and is not of the same
standard, thus compromising comparability.
-Saharan Africa alone hosts more than 1 billion people. And yet, in sub-
Financing The Saharan Africa, one in three people is unable to raise the basic means of
Sustainable living. Notable, national development banks (NDBs) are the main source of
Development long Sub-term credit in many middle-income countries and developing
Goals In Africa Is economies. Though, Africa has 140 NDBs. They are still constrained by
Getting Harder regulation, governance, and financing. Because of this, the size of most
NDBs is small compared to the size of the economy in their respective
Globally, there is still financing needed for the countries.
Sustainable Development Goals (SDGs). It's
also true for Africa. Despite an annual total Some other sources of financing are also unreliable, such as official
financing mix of $640 billion ($500 billion in development assistance. It's failing on a per capita basis, and the wealthier
domestic revenue, $50 billion from OECD nations are not meeting their SDG commitments of 1.4 percent of
development assistance, slightly less than $45 GDP. While the world's population continues to grow, most countries are
billion in foreign direct investment, and not experiencing faster economic growth. The world's poorest are also
approximately $60 billion in remittances. those who do not see any gain in income from global growth. The majority
According to an estimate, additional annual
6
of developing economies are struggling to meet their most basic needs,
financing required is between $500 billion and while wealthy developed nations face challenges of slowing economic
MARCH 2022 | ISSUE 01
$1.2 trillion. Over half of the world's population growth, a shrinking middle class, a low birth rate, and an aging society.
now lives in developing countries.
AFRICA IS PWA | 7
BY NIAS AUHK
Quality education doesn't reduce poverty, but if ·The government is working to establish Public-Private
accompanied by progressive taxation, it will close the Partnerships (PPPs) as a means of developing local and private
inequality gap. It is important to remember that sector capabilities. Through joint ventures with some large
raising taxes is not necessarily a bad thing since it international firms, as well as subcontracting opportunities for
generates more money for social spending. Countries local firms in areas such as infrastructure, electricity, health,
have to focus on growth patterns instead of growth security, cleaning, and maintenance.
rates. When growth is in labor-intensive sectors, such ·Governments should use public-private partnerships as a way to
as agriculture, manufacturing, and construction, gradually expose state-owned enterprises and government to
inequality falls. African governments are currently increased levels of private sector participation (especially
facing difficult budgetary constraints due to foreign) and ensure that PPPs are structured in a way that
corruption, mismanagement, and IFFs. They've also allows for the transfer of skills to lead to national champions
not allocated significant enough portions of their that can run their operations professionally and eventually
AFRICA IS PWA | 9
How Can Africa Develop
One way to do this is by giving preferential access to ·It will not be long before ECOWAS/WAEMU can provide a
leading world markets to the African Growth model for African neighborhoods to shift from the
Opportunity Act (AGOA) and Everything But Arms development paradigm of aid dependency to a contract with
(EBA), two preferential agreements extended by the African neighbors that involves leading and lagging countries
United States and the European Union, respectively, of the neighborhoods. In this model, the donor community
since 2001. However, not all African countries benefit would provide the right incentives for regional cooperation
from these preferential trade agreements. Some of the initiatives to ensure developmental progress for the
Recently, Gambian President The National People's Party, led by President Adama
Adama Barrow has pledged to Barrow, which was formed at the end of 2019
work to jumpstart the country’s allowed Barrow to seek a second term in the 2021
economy when he was sworn in for
elections. When a new Constitution was drafted in
a second five-year term in office
2019, it was introduced to the National Assembly for
near the capital, Banjul.
a two-term limit for the presidency but was then
of the African continent’s smallest leaders from three sectors of specific needs of women and men in the Upper
country. society to discuss different River Region, Gambia. The program trains
modern approaches on how to facilitators to implement a comprehensive range of
improve female representation community development programs in The Gambia.
in positions of authority, in
addition to ways how to make
governance more inclusive of
underprivileged groups.
To this end, Africa is PWA Magazine in its debut Thus, to amicably achieve any meaningful development, there was first
edition has placed its focus on The Gambia’s a need for national reconciliation through transitional justice. The
leadership ingenuity and imagination in its attempt Gambia Government embarked on a rapid transformational process by
to scale up associated socioeconomically by way of instituting transitional justice processes and procedures. This
elevating the practice of branding and upskill culminated in the introduction of the following:
education, health, and business development
services internally, met with Ambassador Lamin ·Truth, Reconciliation and Reparations Commission (TRRC)
Sima. ·Establishing a Commission of Inquiry (Janneh Commission) to
unearth the corruption, extrajudicial killings, and misappropriation
PWA: of funds managed by the previous government
Ambassador Sima, what can you tell us about how ·Establishment of a Constitutional Review Commission to repel all
The Gambia’s leadership is scaling up ways of draconian laws introduced by the previous government
elevating the practice of branding and upskill ·National Human Rights Commission to upscale the rights of
education, health, and business development citizens and people living in the Gambia
Ambassador Sima:
The new administration (government) also embarked on a massive
Following the 2016 presidential elections in The
transformation of infrastructural developments in road construction i.e.,
Gambia, a new political dispensation was heralded
through our Chinese intervention and other international partners to
with the introduction of a new president and a new
construct up to 600km of roads within 5 years. Currently, additional
cabinet that spearheaded the political
50km dual lane roads are being constructed by the organization of
transformation of The Gambia using responsible
Islamic Countries (OIC) project. This project is ongoing.
democracy. This meant the subsequent 5 years to
follow will be justified by rule of law, human rights,
Up to 3,850 classroom blocks have been constructed over 5 years. These
and good governance which will be guided by the
are modern buildings with state-of-the-art facilities which are
tenets of democracy.
conducive for learning both for students and teachers at the primary,
secondary and tertiary levels, all over the Gambia.
PWA: PWA:
How do you see the Gambian Do you see The Gambia working as a
government working conduit in promoting West Africa,
alongside our publication? enlightening, inspiring, and
empowering the region?
Ambassador Sima:
The Gambia is a party to many international conventions and therefore
stands as a proxy in delivering all its expectations as a sovereign state.
The Gambia has managed to return to the Commonwealth of nations
which it reoccupies its full status after a brief absence during the
previous administration.
The AU, ECOWAS, World Bank, NATO, COP26, and a host of other
international bodies fully recognizes the Gambia as a strong
stakeholder and contributor.
Most recently the president of the republic has bloc ECOWAS to facilitate peace and bring normalcy.
was highly welcomed by the media fraternity and a which is a strategic orientation mindset that is geared towards
boost to a long-awaited bill. regaining trust and confidence in the democratic processes and
procedures being implemented.
PWA: PWA:
Also, do you see your country Finally, how do you see The Gambia’s future
playing a role in the support within the next five years?
of adapting the magazine’s
campaign to meet the big Ambassador Sima:
challenges, that includes, but
is not limited to, the change We envisage a highly developed country with robust and action-
in the mentality of the oriented performance measures that will drive our growth. The
Gambian people which is government is now putting the square peds in round holes i.e., fighting
supported by the many social
systems – even superstitions – endemic corruption and malpractices in all sectors of the public
as well as apparent improper domain. The Gambia is hoping to emulate the Singaporean model and
beliefs? by so doing we can only grow from being good to being great.
Part I
This world was not created piecemeal. Africa was born no later and no earlier than any
other geographical area on this globe. Africans, no more and no less than other men,
possess all human attributes, talents and deficiencies, virtues and faults. Thousands of
years ago civilizations flourished in Africa which suffer not at all by comparison with those
of other continents. In those centuries, Africans were politically free and economically
independent. Their social patterns were their own and their cultures were truly indigenous.
The obscurity which enshrouds the centuries which elapsed between those earliest days
and the rediscovery of Africans being gradually dispersed. What is certain is that during
those long years Africans were born, lived, and died. Men on other parts of this earth
occupied themselves with their own concerns and, in their conceit, proclaimed that the
world began and ended at their horizons. All unknown to them, Africa developed in its
own pattern, growing in its own life and, in the nineteenth century, finally re-emerged into
the world's consciousness. The events of the past I50 years require no extended recitation
from us. The period of colonialism into which we were plunged culminated with our
continent fettered and bound; with our once proud and free peoples reduced to
humiliation and slavery; with Africa's terrain cross-hatched and chequer-boarded by
artificial and arbitrary boundaries. Many of us, during those bitter years, were overwhelmed
in battle, and those who escaped conquest did so at the cost of desperate resistance and
bloodshed. Others were sold into bondage as the price extracted by the colonialists for the
'protection' which they extended and the possessions of which they disposed of.
Africa was a physical resource to be exploited and Africans were chattels to be purchased
bodily or, at best, peoples to be reduced to vassalage and lackey-hood. Africa was the
market for the produce of other nations and the source of the raw materials with which
their factories were fed. Today, Africa has emerged from this dark passage. Our
Armageddon is past. Africa has been reborn as a free continent and Africans have been
reborn as free men. The blood that was shed and the sufferings that were endured are
today Africa's advocates for freedom and unity. Those men who refused to accept the
judgment passed upon them by the colonisers, who held unswervingly through the
darkest hours to a vision of an Africa emancipated from political, economic, and spiritual
domination, will be remembered and revered wherever Africans meet. Many of them never
set foot on this continent. Others were born and died here. What we may utter today can
add little to the heroic struggle of those who, by their example, have shown us how
precious are freedom and human dignity and of how little value is life without them. Their
deeds are written in history.
In part two I will outline the proposals made by HIM in the paper, see which ones were
implemented, their effectiveness, and whether they tend to establish a systemic approach
to the development of Africa. In part three I will look at the major economic development
in Africa in Nigeria (West Africa), Ethiopia ( North Africa), Kenya ( East Africa) and Southern
Africa. Our conclusion, part four, will present a systemic approach to the development
questions, applicable to all nations emerging from colonial plunder.
[2] Haile Selassie I; Towards African Unity, The Journal of Modern African Studies, Sep., 1963, Vol. 1, No. 3 (Sep. 1963)
This importance he sees as the intertwined nature of finances in society. The trader seeks out the bankers for the money
needed for the venture, seeks out the producers for products to buy/trade, these manufacturers seek out the bank for
money to obtain labor and /or raw material needed in the production cycle and the retailers seeks out the bank to finance
the purchase of the produced goods and or services and individual consumers seek out the bank for money to buy these
manufactured goods when their labor is an inadequate trade. Plunder has self-transformed (autopoiesis), in large part, into
a complex sub-system of society, from which the modern financial system has emerged. Africa, an enduring symbol and
victim of plunder, has seen the adaptation of the philosophy of plunder lead to endemic financial corruption and internal
plunder of the national resources by governmental leaders.
Should Africa flow its future through this paradigm, is this the one and only paradigm that supports moving man into a
modern/post-modern society, is Africa so integrated into the Roman financial system that it lacks the ability to observe
itself objectively and is thus trapped therein like a million-year-old lizard in amber.
We have always heard how Europe raped the resources from Africa during colonial times. The post-World- War II world
saw African nations exercising autonomy over substantial portion of their societies, and that has led many into
metamorphoses in their society. Africa has experienced countries identified as democracies, dictatorship, communist,
socialist, monarchic and Islamist. Perceived and real corruption runs common through their failure to move large swath of
their population out of material poverty. Fundamentally Africa’s leaders adopted themselves into the Roman financial
system but lacks the critical step that allow consumers to be able to afford the goods, produced and traded to their
markets.
In conclusion, for Africa to succeed in its absorption into the Roman financial system it must develop and expand its
consumer class, or it will need to develop a parallel system moving in tandem with Roman Financial system but seeing
separate event horizons How that can be accomplished might not be explicitly stated in the next three parts but will never
the less become clear at the conclusion of this four-part paper.
2 Haile Selassie I ; Towards African Unity, The Journal of Modern African Studies , Sep., 1963, Vol. 1, No. 3 (Sep., 1963)
What comes to mind when you think of Gambia? Most people would probably say “small
country.” What might surprise you is that the Gambia is rich in natural resources and has
a lot of potential for economic growth. In this post, we’ll discuss how to rebuild the
Gambia and why it’s a good investment opportunity. The Gambia is a small, landlocked
country in West Africa. It has a population of about 1.3 million people and an estimated
GDP of $3.5 billion.
The country has a very long history of instability and poverty, and it has been ranked as
one of the corrupt countries in the world. The economy in the Gambia is dominated by
agriculture and fishing. The main crops are coffee, cocoa, and cotton. The country also
has a significant mineral resources base, including iron ore, copper, gold, and uranium.
However, due to endemic corruption and mismanagement, it is still a poor country.
It is necessary to remember that the Gambia has a vast and varied mineral resources
base, including iron ore, copper, gold, and uranium. However, due to endemic corruption
and mismanagement, very little of this potential has been realized to date. It is in spite
of the fact that the country has one of the world’s largest untapped iron ore reserves. A
strong and effective regulatory framework is important for rebuilding the Gambia. This
will help the country to make the most of its natural resources and opportunities.
Final Thoughts:
The Gambia needs to have a stable government, and its economy needs to grow
through increased tourism and investment. The Gambia also needs to have a strong
infrastructure, and overall its people need to be more educated to effect the rebuilding
of the Gambia. There is so much potential in various sectors, and we can easily rebuild a
better Gambia by following the mentioned methods. In this post, we’ve only scratched
the surface. We hope you’ll continue to explore this fascinating country and its potential
for the growth and rebuilding of Gambia.
https://www.africaispwa.com
TRAVEL
REVERSING
THE
TRIANGLE
There's something about Africa that makes you want
to explore more of it. Maybe it's the endless variety of
landscapes and cultures, or the feeling that you're
discovering something new with every visit. Africa is a
continent known for its diversity of natural
landscapes and its rich cultural heritage. It's no
wonder that many people are fascinated by Africa
and want to explore it further.
·Rwanda
·Congo
·Masai Mara
·Egypt
·Mali
·Namibia
·South Africa
·Kenya
·Nigeria
·Tanzania
·South Africa
·Egypt
·Nigeria
·Senegal
·Mali
·African Pyramids
·The ancient city of Timbuktu
·Tomb of Askia the Great
·Mopti Manuscripts
·Soccer
·Association football
·Basketball
·Football
·Athletics
·Golf
·Rugby
Cricket
The continent of Africa is the homeland of very rich history and culture that you can find in the
different sports that Africa has to offer. There are many different spots to visit in Africa that can be
great for different types of sports. People who love to play sports will probably enjoy visiting some of
these places. The following countries have more places to visit regarding sports in African countries:
·Kenya
·Ethiopia
·South Africa
·Egypt
It's no wonder that so many people are fascinated by Africa and want to explore it further. With a fascinating
history stretching back almost 4 million years and an ever-changing landscape, there is much to love in this
diverse continent. We have discussed various places to visit in African countries regarding culture, heritage,
entertainment, and sports. For more related blog posts, please keep visiting our website.
References:
https://en.unesco.org/courier/news-views-online/world-heritage-africa
https://www.schooldrillers.com/best-film-industry-in-africa/
https://africawanderlust.com/destinations/best-countries-to-visit-in-africa/
https://en.unesco.org/courier/news-views-online/world-heritage-africa
That epigraph is an excerpt from the song “War” by the late reggae superstar, Bob
Marley. In actuality, the lyrics to that song was actually culled from a speech presented
before the United Nations by the late HIM Emperor Haile Selassie I of Ethiopia on
October 6, 1963.
Here is my contention or thesis, if you will: If a country is not engaged in a war, does that
mean that the people are living in peace?
Indeed, the issue of the 21st century is now in redefining social ethics.
Peace is a word that is also used as an exclamation, salutation or greeting, and to the
point of almost overuse or abuse. And, in my estimation, it loses its full effect from its
original meaning.
From my standpoint, in this current period of the 21st century, the word “peace”, the idea
and meaning of its etymology needs to be re-examined and quite possibly, redefined
and/or looked at quite differently.
In an age that, according to science fiction literature and film, we should have advances
beyond such things as war and poverty. However, there are millions of people around the
world who live in abject poverty and there are countries that are still existing at odds with
each other and threatening to obliterate the entire planet with dangerous puerile threats.
Peace, as we know it, can only be permanent if it is based on two basic principles:
democracy and social justice.
How, therefore, can we hope to establish worldwide peace when 75 per cent of the
wealth of the world is in the hands of one-percent of the world’s population?
History has proven that in societies where large gaps between the rich and the
poor exists, peace is nonexistent.
Then again, what many meant by freedom was the freedom to buy and sell black
people. Freedom today is a thing. What is freedom? Freedom is as freedom was,
what it is not, is freedom. For some, their interpretation of freedom means a
license not only to kill people of color but with impunity!
In part of his sermon on Christmas Eve 1967 – 50 years ago – Dr. Martin Luther King, Jr.
said these most profound words:
“I would like to suggest that modern man really go all out to study
the meaning of non-violence, its philosophy and its strategy.
“Now let me suggest first that if we are to have peace on earth, our
loyalties must become ecumenical rather than sectional. Our
loyalties a must transcend our race, our tribe, our class, and our
nation; and this means we must develop a perspective. No individual
can live alone; no nation can live alone, and as long as we try, the
more we are going to have war in this world. Now the judgment of
God is upon us, and we must either learn to live together as brothers
or we are all going to perish together as fools.”
She was born and raised on New York’s Manhattan Upper West
Side with an ethnic background consisting of a unique mixture of
an Israeli father is of Spanish-Moroccan-Yemenite heritage and
mother Dutch and Spanish. While she was growing up, she and her
family would spend summer months in Israel where she learned to
speak Hebrew. She eventually learned to speak fluent Spanish,
French and Portuguese.
Since then Ms. Bodega has released song collaborations with such
Nigerian Afrobeat stars as MC Galaxy with her song “Fire”, “Watta”
featuring Nigerian Afrobeat Dancehall King, Timaya and Super
Producer, Young.
Her songs and music videos have been on high rotation on radio
and MTV, Trace TV and many more stations throughout Africa and
worldwide.
She collaborated with five top African and Jamaican stars with her
song “Live Your Life” that included Jamaican reggae dancehall star
Gyptian, Nigerian MC Galaxy, Rwandan-Canadian Young D and
Israel-American Neil Bajayo.
Ms. Bodega:
I believe now is a time when so much information
is being exposed and coming to the surface
regarding true history and people are waking up
more than ever to the connectivity of African
culture in Africa and the African diaspora Afro-
Caribbean, Afro-Latinos, AfroAmericans, Afro-
Europeans – and more are connecting through
culture and music, and it’s growing daily.
https://www.africaispwa.com
Q: Since the Covid-19 has put
everything and everyone in lockdown
mode, how have you been functioning?
Ms. Bodega:
“There was a lot of unknown anxiety, everything was shutting down, us in
the entertainment industry, especially, we already knew that this was
going to take a while and that things were not going to be the same for a
while. All the events, the live performances, a lot of the production that
we do, a lot of the traveling that we do paused. At first, I was sort of in
this grey place but then after a few weeks I said to myself, ‘that’s not
going to get us anywhere’.
I kind of started getting very, very creative, and I picked myself up, and I
took myself out of that kind of darker thought, and I said let’s see what
we can do that’s more creative – in every negative and every situation
there’s always some growth that can happen differently, you just have to
find it.
So, I basically, started coming up with different things. I started using live
platforms, for example, like Instagram live to connect with fans from
around the world. I also got involved in a new streaming platform that
I’m partnered with now called “Day and Night Live”. So, I started working
a lot on that and produced one show with them, which had Jamaicans in
it as well, and it was an interesting event. We had live-streaming from
Jamaica and New York – I was hosting from New York with DJ Norie who
is a Panamanian-Jamaican, and we had Gyptian and Max [Priest] out in
Jamaica with their equipment, and we did a show. So, that was a lot of
work and something that helped me get creative.
We did some stuff for Africa. We did some giveaways and stuffs like that
on social media. But the truth is we’re all suffering here a well. And so
that was just another way to work positively with another stream of
income and yet also helping the community in a time that is so unknown
and unstable.
Ms. Bodega:
I would say it was gradual, from [about] mid-March – actually, right when
everything was announced I was shooting my first Nollywood movie where I had
the lead role, we were shooting out in Maryland and that’s when they announced
that the states were starting to shut down, so, literally, on the last day of the
shoot we all kind of rushed back home and went shopping to stock up the house
with food and everything like that, so, I would say about a few weeks after that
was when all these creative things started coming my way. It was like when I
made a mental switch that’s when all these things started opening up. And I
think that’s how life is, really. I would probably say since April is when those
things kind of came about.
Ms. Bodega:
I had a couple of radio shows. I had one in Israel for a few years and then I had
one in –I was a co-host on a radio show based out of New Jersey and the show
was an Afrobeat/Caribbean type of show. I was co-hosting with a deejay – a big
Afrobeat deejay names DJ ZMO – and I did that for about a year. And the reason I
stopped with him was because at that time I started traveling a lot to Africa. I
was in Nigeria a lot, Senegal – and I couldn’t make the weekly show. So, I hadn’t
done the show for a little while but I’m actually in talks for some other radio
shows coming up. I’m also working on hosting my own show – a kind of TV show
which is like radio but visual as well.
The last radio show I was doing was probably 2016, maybe. Before that, I had a
show out in Israel for a while, too. That was an amazing one too, it was actually
one of the first kind of online type of show that did pretty well. It actually
became international; we had a lot of viewership all over in places like Brazil – I
was actually one of the first people to start playing Afrobeat on radio back then
in Israel. And I did just different … Caribbean, Afrobeat, some Latin, some Old
School Hip Hop and stuff that I grew up with, that was the kind of vibe. And then
I would have artists call in from around the world – even from Jamaica – and we
would do interviews and stuff like that. So, that was cool as well.
Ms. Bodega:
Yes, I definitely used to get some of
that regarding Shakira, especially
when I was performing live with my
band during the years 2003-2008 – I
went by the name of Batsheva back
then – and my music was an organic
blend of R&B/Hip-Hop, Latin,
MiddleEastern. I am more
American-black-music-based while
she (Shakira) is more Rock-based,
but we come from similar
backgrounds and blends, being that
she is Lebanese and Colombian [and
Q: How did you get into reggae and
me with – the Middle Eastern- Dancehall and Afrobeat and those
Spanish blend. At the time I was different types of rhythms?
performing and touring live club Ms. Bodega:
venues and festivals a lot with Interestingly enough, I really grew up with a lot it, because growing up
musicians including keys, guitar and in New York City I was exposed to a lot and I always just felt very
Oud (a short-neck lute-type, pear- connected for some reason I was so connected to Jamaica and
shaped stringed instrument), bass, Jamaican music from a very young age. I always loved a lot of music
live drums, Latin percussion, Middle with flavor and ever since high school we used to even go to the reggae
Eastern percussion and more. clubs in New York, you know, the deep roots reggae clubs, I loved it.
Even my first time to Jamaica, I was 14 years old. I was lucky enough to
go because my father’s best friend from Israel moved there to do
agriculture in Jamaica and he just invited me and my brother and my
best friend to come for a few weeks, and that was my first exposure to
like the deeper culture. I loved Bob Marley already, I loved some other
reggae music but to actually be in Jamaica – I remember the first time I
woke up in Jamaica and heard the birds and everything in the morning I
felt like I was home. I felt such a deep connection to Jamaica and I just
loved every minute. We were spending time in some touristy in Montego
Bay and in Ocho Rios but we also spent time in Mandeville, which is
where he lived. They even took us to like the local nightclub and stuff
like that – I got the real deal from the beginning. And I just developed a
real love for Jamaica since then.
Ms. Bodega:
Around 2006 or 2007, or so. I got to meet some Reggae artists. I was always
going to events and CD release parties and live shows [where] I was invited. I
would show up really optimistic. Then, I eventually met artists like Gyptian for
instance, and we connected at one of those events. He saw what I was working
on, and I invited him to jump on a song I was doing with African artists and one
thing led to another everything went great. And, same with Maxi. I was actually
at the time getting very much involved in the Afrobeat scene and traveling
back and forth to Africa. They both got excited and wanted to be a part of what
I was doing, and so we decided to do some projects together.
Ms. Bodega: But then, what got me more into like the modern day
I would say so. I would say it’s a Afro beat music was when I was working in radio, and it
longstanding passionate relationship from, was first in Israel, I was introduced to a few of the songs
literally, decades in different forms. With that were coming out of Nigeria – Nigeria is like the hub
African music my first real deeper of what’s going on right now. So, I started playing that
connection with African music was when I music and as I was playing it, I was learning it, and I was
was in college at UCLA, I had a dance class kind of researching it and I learned more and more and
that was taught on Nigerian traditional some friends showed me some stuff. And then when I
dance, and I loved it. I felt so – I don’t know came back to New York and I got on the radio show – I
what it was – the drums, the rhythms, was invited on the radio show as an artist to present my
West African music which is so powerful So, they had me play all my music and stuff and by the
and so rich, and I didn’t just take one class, I end of the show they said, “We want you to stay with us.
ended up taking as much as I could, We want to give you your own show.” And I was, like,
basically. And they even invited me to join “Okay.” I said, “I don’t want my own show right now, but
them in their performance group outside of I’ll co-host.” So, that’s ow that happened. That happens to
class because I was so into it. So, I think that me sometimes. That DJ, DJ Zimo, really taught me a lot
gave me a lot. And that was back then. I did about music, he knew all the current artists and songs
a lot of World Music, so I used to listen to a and everything and so when he would play [the music] I
lot of Youssou N'Dour and Fela Kuti and the would say, “Okay, so, who’s that?” And he would teach me
Old School Afrobeat music. So, I knew that a every time who the artist was and what their names were
lot, and then I loved incorporating it into my and a lot of times, we had interviews with artists calling
original music. All my original music I used from Nigeria or from wherever they were touring, and I
to perform always had some elements of … would be interviewing them and I hardly knew who they
whether it was African-feel or Caribbean or were, and I was learning like that. And one of my bigger
Latin or Middle Eastern, it always had a little songs that came up on the radio, I was interviewing
something more than just American Pop. [Nigerian singer/songwriter] MC Galaxy and live on radio
And, so, I would take that with me into the he asked me to do a collaboration with him. I said, “Okay,
studio, I would take that with me into my let’s do it.” Within three days he jumped on one of my
live rehearsals … songs, we shot the music video and everything and that’s
what first brought me out to Nigeria. I was invited to
perform at a big carnival stadium event for New Year’s
Eve and that was my first experience [going] out to
Nigeria – I’ve been there about six times since then.
Ms. Bodega:
’15 to ’16 – the turn of 2016. Before that I had spent
some time between 2014 and 2016, I spent some time
in Senegal. So, that was my first real on-hands in Africa
touring – I was touring with some Senegalese big
artists out there, they took me on a tour with them –
they were kind of like Hip-Hop-Afrobeat groups that
were very well known, and we did some collaborations
and performed in different cities and stuff like that.
Ms. Bodega:
I’ve never been to Bahia, but I have a lot of friends from Bahia. I have a lot of Brazilian friends, and I’ve been invited
down to Brazil. I’ve been there only once. I really do want to make a longer trip to Brazil. My music has also sort of
took off there into the Zumba community, in certain areas. But I love Brazilian culture, I know it very well, I’ve
danced to Brazilian music, and I’ve listened to a lot of Brazilian music over the years. I have tons of close Brazilian
friends. I also speak Spanish and I speak some Portuguese.
When you go down to Puerto Rico or you go down to Cuba, where I’ve been to, or Haiti, and you just see something
so similar – it’s the same people. It’s something you can’t hide, and you can’t deny. I think it’s so, so important to
give that power back, the deep-rooted culture that connects between all people of African descent.
And I think that the world would not be the same – I mean, there’s so much culture out of [Africa] and we have to
celebrate it as much as possible, and refocus the view that has come out of, like, the victimized, slavery times and
colonialism; to let’s celebrate this amazing continent and the culture that comes out of it and that has spread
around the world, and has influenced so much and still continues to influence – and leads so much around the
world. I think it’s so significant.
I’ve actually been to Marcus Garvey’s house in Jamaica when I went there – one of the last times I went. We went
with Gyptian. We shot a scene for the music video that we were working with him, a very powerful song, and we
shot the scene in front of Marcus Garvey’s house – we have pictures and everything. Because, you know, I really am a
true believer in that and I think it’s really, really important to help spread that and spotlight all of that.
Ms. Bodega:
It’s hard to know what happens to a song when you release
it to the world and if it will actually become a hit. But there
is definitely a certain feeling you get when creating a song
or hearing a song to know that it can potentially be a hit. It’s
a certain magical vibration where all the pieces come
together. When you hear it, and you keep wanting to press
replay, that’s certainly a sign.
Ms. Bodega:
I got nicknamed Bodega – like the Spanish New York City
corner stores – when I was in the studio one night, recording
with a great Hip-Hop producer I used to work with a lot
named D Moet, out of New Jersey. It was a bunch of us at
the studio and someone asked for a piece of gum so I said,
“Oh yea, I have one, hold on a sec” and went to get one from
my bag.
Ms. Bodega:
I also am a co-producer of the African Entertainment It’s very powerful, it already has followers from so many
Awards USA – AEAUSA – and it’s based out of New different countries and so many different countries and so
Jersey, it’s been around for five years. I’ve been many deep connections in different parts of Africa, the
involved every year either as an artist performing or as social media influence and online influence is extremely
a co-producer, a sponsor – I have booked artists like big with all the top artists from all the big African countries
Gyptian; I brought one year, Yemi Alade, from Nigeria, are involved, have received awards – they’re very highly
the top female artist out of Africa, I was able to book. celebrated when they come back home from the award
[show]. They fly in from Africa for the event every year from
So, the concept of AEAUSA and why I love it so much different regions. And I am a very big supporter [who]
and why I believe in it – it’s a nonprofit organization – continues to co-produce the show, and now we’re taking it
it’s an award show … like our Grammys – and the to be streamed online.
reason I say that is because it has that Pan-African
motive in it. So, before that I was involved in the Those kinds of things, to me, are really the crux of the
Nigerian Entertainment Awards – NEAs, which was the future of what needs to happen and the focus of what
biggest awards show in the US at the time. needs to happen with African entertainment – or, Pan-
African entertainment, let’s call it – and the celebration of
I was invited to perform there for a few years and it, the richness of it, shedding the light on all these regions
sometimes I was invited just to give out an award or to that are actually the root of so much of what we know
do something and I love it I because I love Nigerian today and giving the voice of the different languages, the
culture and Nigerian culture has such a big influence styles, the harmonies, the melodies, the beats, so much
but the difference is the AEAUSA covers all of Africa. music came out of that sound, from Salsa to R&B to Blues.
East Africa which has a lot of incredible music coming There are so many things and so it’s about exposing and
out of there, South Africa, North Africa, West Africa, celebrating all of that.
Central Africa and, also, the Caribbean and Latin
America and anything that’s Afro-influenced and That, along with projects that I do [with] my record label,
connected to Africa, and even the Middle East, where my company, is all about that. If you just look at it, it’s really
we brought in artists from different regions. just a blend of all of these cultures in a way that sometimes
maybe the artist might not go out of their comfort zone to
So, there’s something way more vast about it, and it’s go find another artist from another continent and, so,
not just for music, it’s also for entertainment, it’s for people like us come in because we facilitate that, we come
actors, comedians, anything that has to do with up with those ideas, we help produce those things. And it’s
entertainment … it’s like a celebration of all Afro- what expands and creates the markets to open up and
influenced culture. actually enjoy each other, the audience grows.
That’s really like the vision, the mission and what I intend to
continue to do both as an artist, myself, and as a producer
or whatever you want to call me.
https://www.africaispwa.com