ae aa ar a TL XR-800/XR-1200 Operating Guide WARNING JO PREVENT ELECTRICAL SHOCK MOISTURE. BEFORE USING THIS OR FIREHAZARD, DO NOTEXPOSE APPLIANCE, READ. THE "BACK SHIS "APPLIANCE TO RAIN OR COVER FOR FURTHER WARNINGS. GENERAL DESCRIPTION “Today's sound reinforcement requirements have evolved over the years as musical styles, sound pressure level requirements, and advencos in technology interalated. For years, PA systems were simple mixer/power amps until performers and audiences demanded ‘tate ofthe art performance that raquired separate mixe:/powor amps. Up untl very recently, extremely high cuality mixers wth integrated ‘power amps wore nat technically and/or economically feasible. Peavey, one of the world's foremost praducers of sound reinforcement Squipmont, has dovolopad a comprehensive range o! nw components, packaging techniques, special circultry. ranstormers, and connec- tors fe make the praduction ofan integrated state-of-the-art syatem technical and acoriomically feasible for the fist time. “The new XR-800/XR-1200 Powered Mixing Console offers the most flexibility to ever be featured in one compact package. The system Includes storeo {dual channel output Win dual Sub Master assignment capabil tol which allows for monaural operation. Aside from the normal stereo mixing situation, the XR-800/XR-1200 offers additional features such as two S-band graphic ‘Saualizers,ewo 200 wet powerampliiers, two separate monitormixes (A 8.8), PF [pre fage listen), narmal stereo headahonesystem, one btiects sysiem, builtin reverb, DDT™ compression on gach pawor amp, and pre send and return on each channel. The XR-1200 festures {welvelow impecance mic evel inputs and twelve high impedance inputs, ten-cogmant LED lov indicators for A &B mains and monitors A& Bandalso a complete patch panel al the back ofthe system for patching out to ather systems and tor bringing other signals nto the master ssetion ofthis eystam. The XR-€00 includes Idontical features listed above excep! there are only sight channels with eight mic inputs and fignt line level Inputs‘TYPICAL CHANNEL INPUT GAIN CONTROL “The input gain control wil allow input signals of tremendously varying sensitivities to be optimized for sound feipforeor ent oF recording. This contol should be adjusted withthe highest expactod input level fore particular chanel ‘nth the channal level slider opersteg near the center of ts range. The input gain contol is ertcal to the operation ofthe Inixer ancshgulé beset according tothe voleaor instrumant thal isteeding particlar channel so that the foDot mixing may De acoampilshed withthe properamounto! headroom andsignal-to-r ote being established with hist contol. Onde te inp gains propery adjusted. gain should be regulated atthe channel output sider. Sincetne monitor send and all other ‘chant functions are elected by the input gain conral, s1lz not wae o attempt gain regulation with this contol aurng a oneert performancs MONITOR SENDS “Ine twa monitor sand controle (A & B) may be used fortwo totally separate monitor moces. Turing up these controls ‘wil send signals to the A&B monitr master controls whlch wil establish the monion mixes fora stage oF S0Und ‘ainforcamant situation, Monitor sends A & B are pre fader and pre EQ and may to used for cueing whe recording, it necessary ‘THAEE-BAND EQUALIZATION “The threo bands of equalization on each channel are active controls and feature a0" indication atthe 12:00 o'clock “setting which indicates flat frequancy response, These contrelsare labeled "LOW.""MID,” and “FiGH" The low equalizer Yelos 15 dB co He (shelving). Themis equalleeryielda 1566 @G00 Hz (peakiroten), The high equalizer yi +15, 88 @ 8 KH (shoving) EFFECTS SEND CONTROL “The elects sene controls post EQ and post lacer ands used to set the amountof internal reverberation thats Gesired tor exch enanne! This contol = algo utod tos signal fom each channel by wey of theettecte output (on terear pan) torexternal effects devices wnicn may be patched info the systom PAN CONTROL “The pan control's post fader and gives the option of sending the channel output to main A or main B or both. This antl can be used ae a Sypical pan orto for stereo imaging of as a "channel assignment” contol for doing sound feinforcament. By running tne main system In rrono witn Ihe sum master cutput for ihe houta, A and B mains a¢ submastors.tne operator nas much rrorallxibilty for handling various types of program materal. "tis generally not 90a practice to operate the Sound reinforcement sysiam in storeo unless the operator isan accomplished mix engineer who {inderstancs tna starea to ne audience ls complicaled business which may dagrade the overall periormance. ‘CHANNEL LEVEL SLIDER “The chan level slider isthe output control which feeds thraugh the pan control and ino the main summing busses ‘This oontcol determines tha overall love ofthe ix establishos at each channel tet will appear atotthermain Aor mains or both inthe master section. Winenever aoesible, ini contol shoulo be operated near tre mid point of traval for maximum headzoom and optimum signal-to-noise performance, MASTER SECTION ‘the name implies, the master section cf the XR-600"/XR-1200" contains all masta control functions which contr thefinal mix ofa channel send controls andregulate ihe ina lavels tothe graphic equallzersanc internal power ampiters ‘These macter control allow the operator complete flexibly forall lunctions and should alow almost any ming uation {ote hancled. As win any reasonably comples system, experience and operator knowledge at the equipment are essantil {or satistoctory performance. The mixer IME @ musician 3 Instrument, anoula be practiead an and learnac. To properly ‘operate e mixer curing 8 pertormanco requires thorough knowledge and Waining of reflexes to alow proper responses Une the siress of demancing and sometimes sudden situations. SUM “The sum contr isthe combination (summing) of signals rom both A & B maine ancis designed to give the operator ‘monaural cxpabilty. tn tre ease of charine! assighment being accomplished by the pan eontals on each charnel And {erisin Instruments grouped tothe A master andetner instruments or vocals grouped tothe B master, thesumcontral would {hen be your house level eontrok Patch faciliies on the rer panel ofthe XF-800™/xR-1200" wil allow the Sum Oulput ODE patched back into either graphic or internal power amplifier when accomplishing a monaural system with two submesters {Seo patch diagrams for Nookup) NOTE: For stereo or when tworchannel output is desired, the sum slider is normally nat used, EFFECTS TO MONITOR A CONTROL ‘This control enables the elfects return from external elfects devices to be blandae into the Mon. A. mix. (utp orn delay units. Hangers, hasors, ot. that may ba patched into effets oop] EFFECTS LEVEL CONTROL ‘The affeets level control regulates the amount of signal rom the ettect return input thal fees the effects pan control EFFECTS PAN CONTROL “The effects pan contro post the etfects ive! control andallows bonding of theeftecta return into or 8 mainsor both MONITOR Aa 8 The monitor A& B master controls are retary types and arelocated|ustabave the main A 8B slides. These cantrols are the master eutput levels for both monitor buses (4 & 3} with 2ach buss being totally indegendentof theatner The monitor A #8 feature of tne XR-800"/XR-1200™ allowe Tor two totally azparate monitor mixes for stage or sound reinforcement Purposes. These controle are convantional operation ang should present naprobiem tothe operator For optimumsignal- {oxnoise and and neauroom performance, ance again, these controls should be operated nest the midpoint of tel ange The signal trom monitor A'& B masier controls appears atthe moniter A & B cutputs on tne rear patch panel. MAIN FADERS A & 8 “The main faders A & Bare the main oulputsliders ane control theaverallsignal levels rom each channel suppiedto me ‘main (A & 8) output aces on ie rar panel and ultimately to teqraphic equalizers and ne ntarnal powar amplters, Again, Grater normal usage, these controls should be operatod near Ine bent’ rage to allow optimum performance, (Settings above center increase.) REVERB TO MONITOR A CONTROL “The XR 800"/XR-1200™'s unique circuitry allowsblendingof reverberation back nto the monitor A mixing bustor those wno do not prefer a cry moniter sound. Cautton should be exercised when using this control because too much ‘everberation added to the monitor mx coulé cause Undesirable feedbackREVERB LEVEL CONTROL, ‘The reverb level control determines the amount of delayed (reverb) signel which feeds the reverb pan contol REVERB PAN CONTROL ‘The reverb pan control is post the rever level control and allows blending ofthe delayed (reverb) signal into A oF B mains or both. REVERB TO MONITOR B CONTROL ‘This control works exactly like the reverb to monitor A” controlexcap thatit blends reverberation into monitorB,Plesserote that both effects land revere may be blended into monitor A while only rever® may bo blended into monitor B. NOTE: Wher mixing reverb into moaitorA oF monitor & the operator must be eware thatthe etfects send control oneach channels post fader and wilt rot send revere signal unless channel Tader is activated EFFECTS MASTER CONTROL ‘The lfects master contolis the inal contol element determining the output eve rom the effects send on each channelto the ttectsoutput Jacks on the rear panels. Atthe same time, this contr also determings the amount of signal that is delivered tthe internal reverberation system. Please note thal no reverberation eect may be achieved uness the lnvigual channel effects sand controls, etfcts master level control, cnannel id. anc the reverb master are adjusted properly. PFL LEVEL CONTROL ‘The PFL level control determines the overall signel which fs surwmed from all PFL channel sources and overrides thenormalheadphone level ‘This control should be adjusted for the amount of pre fade listen that fe necessary for each situation depending on sound pressure level that fs ‘ing proclced for given concert situation and qualtyetficioney ofthe headphones employed, HEADPHONE LEVEL ‘This control deteimines the headphone evel andis completely independent of the PFL evel contro. When anormal headphones emnoloyed in tne neaspnone jack on tne ront panel a he system, and noPFL outtons are depressed, theelecronicsiogiecicultalowsmentoring of monitors A&E. From thissiuation, the A & main busses or indhidual channels may be monitored tough theheadphonesby use! thePFL level cortrel nd PFL channel functions NOTE: PFL functions override normal heedphone listening capability HEADPHONE JACK Headphone jack isa ster type (rng, tip. and sleeve) which Is standard on most stereo headphones. The intemal headphone amplter wi ‘rive most nermal dynamic iow a medium impedance neadphones and should work with most ceramic or crystal units aswell Please note that his ‘tout [ack fs stereo withthe two output ferminels connected for mono operation trough stereo phones, an-4opz. GRAPHIC EQUALIZERS: “The XR-600"/XR-1200™ includes two S-band equalizers ‘which are active and exhibit top quality performance comparable to that found in tho firest profesional aquipment. One graphic ‘equalizer te provided Yor each main (A & 8) and appear the age Sucio chain immediately aftr tho mastorA& Bslldere anc before a the power amps A & 8. Graphic inputs and outputs for each aG }e system are provided on the back panel. (See hook-up diagrams Mase for additional patenting eapabilty) These ®-bané_ graphic fo ‘equalizers. are excellent units for tone. coloration, room REV Level equaieaton, and elective Toedback control. However, Is Important to note that S-bands of EQ will only etfectively ssoppress two or three feeback problems. If feedback Ie a rea Problem in'a given room i is wise to aad more equalization, osslbly in the form of 21/3 octave equalizer DOT~ COMPRESSION PrLLEV, The XR-800/XR-1200 ig equipped with our DOT™ (aistortion| Detection Technique) Compression Circuitry (U.S. Patent '4318.059) that senae® conditions whisn might overioae on activates comprassion whan clipping isimminent. nether words omprossion takes pinge whenever signal condtigne exist mich prevent the amplifiers from fathlly tepreducing the input sig hal The threshold of tne compressor the clipping lave tee Sand no specitie threshold control provided. Ths techniave ‘llectvely utilzos every precious watt avalable com the poser Smpe. Because of the dynamics of music and vocal program ‘materia sis que common to activate the Gompreseion eculty ‘tually censtaniy urngtheperlormancesince this wnat tis [Sesignesto.do Thissystem wilmaximizetne dynamice available Irom the ampiiior within their power output eapabiites rege lteter sopiyinemeinvolagevar sons andiondpe Nore: ‘THE XR-1200 ONLY INCLUDES TOGGLE SWITCHES TO DEFEAT THE COMPRESSION CIRCUIT. THE SWITCHES. Norn SHOULD BE PLAGED AT THE IN POSITION FOR MOST CIRCUMSTANCES OF NORMAL OPERATION. LED INDICATION WILL FLASH WHEN COMPRESSION ‘TAKES PLACE. THE XR-800 D0ES NOT INCLUDE TOG: GLE SWITCHES AND COMPRESSION IS EMPLOYED FULL TIME, Lor Led “The Plot LED indicates when the alectrical supply ie ewitched on ands actualy deivering power to the ampli.REAR PANEL © Neu TVPICAL cuanne © ¢ tach cnanne ofthe X-800"XR-1200" elutes bath balanced (symmetrical ow impedence 6 ohms (as wea hah imoedaree 90 chma] unbalanced np. €apro! hese Inputs eatureetrarmey wcoynamic ange and are ay ancien Base protected to insura durapisty for foad conditions. Eaen channel algo features a send and rolum jack which prowdes a = Etiets loop for each channel The send jeck s useato patch outof tne system eng presents nesingleoutoul rom the put © preamp, The signa that a available a: this paints approximately 1 volt IMS at an output impedarie of approximately 500 Chins end is pre ECan immediataly attr io input gan contal. The return jack presente a relatively Nigh impedance {61000 ohms! 19 minimize loading with external devices anc should work well wit any ceviee capable of delverng single [Gels of least wll fo this impedence This ack sof me suitening type ane allows he return signal tobe patened back Inte the system immediately after the input gain cantral ana pre tne EG, The return jack provides tne complstion ol the tetfects oop that snormally wed tr patching in various ually devices such as alfecis units, pnasers.o.inlinewitheach ‘ndivgual channel preamp. Be carefl wnen tempting o patch in vices tc this systern and esureurtsthatarecepable of line levels are used for this feature ‘OUTPUT SECTION Preamp outputs ar featured en the back pane! or mains A & B, monitors A & B, and the cum, Two phons jacks are laws provided at each one ! these autouts or carvenience and are fully transient angshort rout protected for maximum eld Fiaily when patching systems togather. Th output level prosented by these jacks I contiollse by the settings of the 12 ‘elated master level controls on the front panel and are capable of more than 8 volts ANS output into 2 50,000 ohm load Impedance. EFFECTS OUTPUT “The effects output presents he signal trom the fects mixing buss. This ees a unique twopostion ype thf tis postion be a ow level Sutput and tne secand postion being the nigh level output. This Unique arrangement enables uae of this mixer with ether the ine leva! oF inetroment level sioete devices, copending on which cick of the jacks {ed ‘The overall eatput level from the fists jeok te deverine oy the $Seting of the masir effects lve! contol on he ont panel GRAPHIC INPUTS AND OUTPUTS Each graphic of the XR-000"/XA-1200" has been eaulpped with patching ks bt al the: ng an the output fo aon pa eter Iinpacancs type (80.000 ahs) and air iS ‘nominal level Te graphic outouts are low in imped, type 600 ohn Graphic inputs are of the sentching type and allow the graphic to be ‘Snitchee away from its normal connection with A or 8 mains in o*cer to Accept an extemal sighal thet needs To be aqualzed. Typical use of this Graphic mput, for instance, would be f a grapiie ve Used To tqualze Me Rrohitor system. (See patch siagrame for Rosk-ups ) POWER AMP INPUTS Each power amg in the XR-800/4R-1200" features an Input jack to faciate fatching it other signals The power amp inal jacks ave oN witzhind Spa that hreak the ireut which normally sonnseted fo the ‘Output of the graphio equalizers Whenover plugs are inserted into the ower amp inpurs, all connections to previous eicuity inthe Uni are Broken andine power amp nut jacks effectively became tne inaut fr the Inlemal power amplifier This ungue feature allowe either of the power mpitiets to be patched separately ze needed within the systom. (S00 palgh diagrams for hook-ups) REVERS FOOTSWITCH “To facilitate remote control ofthe reverberation unction, we have included a remote contro! foctsuiteh jack. Any standard single pole {octemich may ba Ug fo roteydeleat hs ‘ever Turco. Plnae note tet ths swish lable the rever system Grr ane hea nook whatooever Ov the etfacts system EFFECT RETURN “The eects return inputon tne rear panel may be consideres an auxilary input fr theefects system Theefect eturniscapableofhandling a ‘wide range of mput signas and she normal npLt which isusec for comeleting the afecs loop thal may be patched into cnet effects output Jeske 1" ctteet raturn eyatom feeds through the effects pan eantsol mioAor 8 maine, or both, andie imeededor Use when returning external ‘Govices that should be mixes ito tha man mixing Busses. ‘SUM INPUT, “Te sunt input ae |s the Input othe sur main slider ands ofthe switching type which fs normally connected to aeum mix of the two main ‘channels. Any sighal which s patched into tne sum input wil totaly Bypass mains A & Wand the master section and go directly tothe sum fader, fouztod en tho rant panel AUXILIARY INPUTS ‘Ausilary inputs ste provided at line Ives for access ntoall five internal mixing busses. (Main A, main B, monitor A, monitor 8, and faci.) They tate ecium odange ype (000 ahr and re proved to allow parang mixers, or fore oer purpoaes at feu arek signal injeotion into_a mixing BuSees. POWER AMP OUTPUT (SPEAKERS) Ths power amp output jacks are provided asa mearecconnactingpeakor system to he ntemalZ00-wattpower anes, Eaon powocamphas ‘wo cup ueks which gre wired marae. The inleme! ampiiiere ave designad for four oh fetal load andwllypaty maximum power tosis Impedance. Diferns impedances nay be usoe with tho Wrst ampiiors wih some sacttice 1 output power, Caution should be obseived in Luning lower than 4 ohm fal oad, singe this tends to increase ha heat Eula up, ss wel as anhancing paccbiity of enargizng he power ampiniors internal anor circuit and/or thermal overload protection system, cauTiON: TO INSURE MAXIMUM POWER, INTERFACE SPEAKER CABLING SHOULD BE KEPT AS SHORT AS POSSIBLE AND THE LARGEST PRACTICAL WIRE sIZz SHOULD ALWAYS BE USED. HIGH LEVEL AMPLIFIERS GENERATE EXTREMELY HIGH CURRENTS WHICH ARE GREATLY AFFECTED BY THE RESISTANCE OF THE SPEAKER CONNECTION WIRING. IT 1g VITAL HAT THE WIRE GAUGE OF THE SPEAKER CONNECTION WIRES BE AS LARGE AS PRACTICAL AND THE LENGTH OF THE CONNECTING CABLES BE REASONABLY SHORT, SIGNIFICANT SACRIFICES IN PERFORMANCE WILL RESULT WITH SMALLER WIRES AND/OR LONG SPEAKER CABLE AUNS.cauTion: UNDER No CIRCUMSTANCES Is IT RECOMMENDED THAT THE POWER AMPLIFIERS IN THIS POWERED MIXING SYSTEM BE ruse USED WITH EXTREMELY LONG SPEAKER CABLES, OR WITH SNAKE INFUT/OUTPUT MULTI-CABLES, “The Fuseis locatedwithin the cap othe usenolger. Is necessary tha the Fuse be replaced with tho propertype and rating #0 thatit should ail to avoid damage tothe equipment and to prevent voiding the warranty. H your unit repeatedly blows uses. should be taken toa qualified service ‘center for ropat. owen switch “On domestic units the power switches are ofthe thrae-position type ith the center position being ol. This switch has two On positions. one ot whichis usedto ground he empltier properiy. Ong! the On positions willyletdthe lowest amauntof residual humor popping when the instrument touchoc and thas the postion tnatsneuld be Used, On export modelewe utilize asimpie Or ‘Of sch that doesnot have multiple On positions, Since the grouncing consiions In most otter couririeg ate posilvely made through te standard tamper-proof plugin systems UNE CORD Foryoursatety we nave incorporated a throa-wire Line Maine Gable with propor grounding faites. isnot advisableto remove theground pin under ony conditions Itt is necessary 19 Ure the amp ina two-pia plug system without proper grounding facilis, suitable grounding adeptors Shouldbeuses Much lossnotseand greatly reduced shockhezardexietewnen aurilis operated withthe proper grounded receptacles. WARNING. ‘To prevent electical shack or fire hazard Go not expose this appliance to ain oF Moisture, SET UP PROCEDURE: 1. MAIN SYSTEM ‘A With al Input Gain Controls at 0 oF fully counterclockwise, adjust Channel and Master Siders to approximate mid point of travel 8, Adjust Equalizer Controls on each channel for 0 position or tat response until room accouetics Nave been sampled. Then adjust EO for personal tastes, tone coloration, and/or feedback Suppression. CC Adjust input Gain for each voice or instrument as decribed inthis manual (see the Input Gain Control section). D. If reverberation i desired, adjust Channa Effects Sands, Master Effects ana Revarb Master Level for amount of reverb to sat'sty personal tastes, NOTE: See hookup diagrams for adaitional patching flexibly (operating system in mono, et) I. MONITOR SYSTEM: Iho Batch rom Monitor A Output at rea pane! to Input ofthe pawar amp/epeaker system designated for monitor, NOTE: It GraphicEQis desires for tne moritor mix this unit must be interfaces between the Monitor Quput and the Menitor Power Amp. All patch connections shouldbe made with shivldos cords, with Input Gain Controls already eet fr malin system, adlust Monitor Master Controls tothe approximate mid point of rotation Select amount of Monitor Send deairad fram each channel by adjusting Monitor Sends A or B . iftwo separate monitor mixes are desived, repeat steps A through C above with a second monitor amplification system using Monitor 8 Controls and Outputs. NOTE: [tis mportant thet he manitoraystem be nally adjusted withthe mains system adjusteciand activeas heres £2 dente intaraction bowveen ihe wo. os ‘STOCK SET-UP — NO PATCHING — STEREO MONO OPERATION WITH ONE GRAPHIC/PWR. AMP FOR MAINS AND ONE GRAPHIC/PWR. AMP FOR MONITOR Fee oe .- a} @ @ ao] : rete S mau = @-8 |= 7 7 , 0. main epecker = r & we tae Speakers Temontor ONO OPERATION WITH BOTH MAING FEEDING GRAPHIC | TWO MONITOR MIXERS WITH INTERNAL AMPS AND So'AND BOTH POWER AMPS Ghapiice SUM PATCHED TO ADDITIONAL POWER AMP FOR MAINS | ee a ate = on 1 mon. mic apis g “on i ape To external power ampBI-AMPLIFICATION WITH XR-1200/XR-800 AND ECM™ WITH PL-SP-1™ MODULE (al Low Pass to" o| ‘amp input i@ input ECM, Tron Pann @w power amp inpur Toba sek ‘Sum Output to| ~ @eeecm ALS wen MPLxX ang FHS fare employed) (other crossovers are available for Siterent speaker systems EFFECTS LOOP PATCH Nore: Etiects unit output ‘Eecte unit input Erfoote return ie Controlled by tects Tove in ‘master section on the front panel Shielded Cables | From Outputs OF ‘Auniiary Mixer Auxiliary inputs for all's busses ‘TAPE RECORDING ie To tape deck or stereo (A and 8 Mains) To tape deck for Graphic outputs may be used for equalized recording XR-200"/xR-1200" SPECS: ‘Summary of Functions: im (68-800), 12 in (XR-1200"), Storgo Main out, Sum out, 2 Prehorfor out Monot-eadphote (rox Ehectsout S-band EG and PPL each channel, Reverb, 2 patchable &-band Grapnic Eausizers, 100 wats (x7 300"), 200 watts {GxRe1200") por ehannel stereo power amp wih DDT. INPUTS, EACH OF 8 CHANNELS (XR-800") 12 CHANNELS (XR-1200")- 1 Low'z balanced mic, 1 High Z unbalanced line, and 1 High lnbalanced “stu ine INPUTS, MASTER: I Minbalaneed aux liary for Main A& B, Monitor A&B, Effects nd Sum, 1 unbelanced High 2 etlecis Return, 1 High 2 Unbalanced line for each graphic and each power amp. ‘OUTPUTS, EACH OF 8 CHANNELS (XR-000"), 12 CHANNELS (KR-1200™): Low Z unbalances send line ‘OUTPUTS, MASTER: Sow 2 unbalanced lines exch for Main A, Main 8, Monitor A. IMoaitor & ang Summ, 1 High/Low Lave Eifects, Low Z Unbalanead tne each Graphic Mone headphone wih ‘Storeo jack. Reverd footswitch ‘OUTPUTS, POWER AMPS: 2 paralleleach channel, 4 ohm minimum parallel load MIXER SECTION: CHANNEL MICROPHONE INPUTS: ‘Mic impedance: Low 2 (800 ohms) balanced Nominal Input Level -28 6BM 40 ray FMS. Minimum Input Level =42 dV, 6 mV AMS Maximum Inpt Level #8 JBV.2 volts AMS. (CHANNEL LINE ie Z Mic) INPUTS: Line impacance: High 2 SOK ats) unbalanced Nominal input Level -i4 GB. 200 mV RAS Minimum Input Lovet “30.8, 30 mV RMS Maximum Input Level #20-0BV, 10 volts RMS CHANNEL RETURNS, AUXILIARY AND GRAPHIC INPUTS: Line impedance: High 2 (3% ohma) ntelanced Designed Input Level. @.4BV, 1 volt AMS EFFECTS RETURN INPUT: Cine Impedance: High 2 (220K ohms) unbalanced Nominal Input Level 0 dBV.1 volt MS. Minimum input Level -14 dV.0.2 volt RMS Maximum Input Levek +6 d8V,2 vole AMS MAIN A. MAIN B, MONITOR A, MONITOR B, SUM, (GHANNEL SEND, EFFECTS HIGH LEVEL AND GRAPHIC GNBALANGED OureuTs: Loud Impedance: 800 ohms or grester Nominal Output 08,1 vol AMS. Maximum Output: 18 dB, volts RMS into SOK ohm load Maximum Output +14 dM, 4 volts AMS into 600 oni loadEFFECTS LOW LEVEL UNBALANCED OUTPUT: oad Imeedsnee: 10K anms of gronter Nominal Output 12 dBV, 0.28 volt AMS Manimuet Output “6 aa. 2 volts RMS. HEADPHONES: (Mono amp with stereo jack) sas impeganee@ ohms © 50 ohms Maximurn Output Power. 100 ri? THE FOLLOWING SPECS MEASURED WITH A NOMINAL INPUT. GAIN SETTING OF "14 dB ALL CHANNELS, ALL SLIDERS SET -AT NORMAL, ALL EQ SEY FLAT, LOW Z INPUTS TERMINATED @ 600 OHMS, HIGH ZINPUTS AND ALL OUTPUTS TERMINATED AT 47K OHMS: FREQUENCY RESPONSE: {Amy inveut combination with 1 volt RMS output) some Be ad Pate So KH SIGNAL-TO-NOISE RATIO: (ll channels on) Bagw righ Z line Inputs £0 6B Low 2 mic inputs OVERALL DISTORTION: (any inaut combination. 20 He - 20 KHe @ 1 volt RNAS) Less than 05% THD, Typically below OF EQUALIZATION: (Giaphic) $515.8, bo He, 10 200 e400 He 600 He 15 Kt, a'kHE, 6s and 12 KHE, Peak/Noten, Average Q of 18 CROSSTALK: Greater than 60.68 @ + KHz MAXIMUM AVAILABLE GAIN: 'APGE Master Siar 332 48 Channel slider 253 ds Input Contr! $14 48 Balanced Input Amp Soda Tatar LED READOUT RAN "211016 dB; Man A 8B, Monitor A&B DDT DYNAMIC RANGE: Greater than 20 cB DOF, MAXMUM TOTAL HARMONIC DISTORTION: Below 0.5% THO for 6 4 overload ‘Below 19 THD Yor 20:65 overlaae xR-800" EQUALIZATION: (Each Chanel) F948 @ Gots ana8 Ke, Shelving dB @ 600 Ha, Beak Noch POWER AMPLIFIER SECTION: [24086 module with BOT. compression) FREQUENCY RESPONSE: Ort dE, 20 He 10.30 KHz @ 1 walt nto 4 obms RATED POWER AND LOAD: oo watts per charne! Into ¢ ohms POWER @ CLIPPING: [ee THD KH, 120 VAC line, Typical single channe!) ‘Te watts RIS nia 8 ons {2ewatts RMS into 4 ofms 2rohme net recommended ‘TOTAL HARMONIC DISTORTION: Tezetnan Ise 700 mi i 100 wats AMS, 20H2t0200KHz, 4 ‘ohms, Typically below 08% INTERMODULATION DISTORTION: des tmen 0100, S00 mo TooWwans AMS, 60 Hz and SKH2.4 ‘ohms, Typically below 08% HUM AND NOISE: ‘80.38 bow 100 watts, 20 He - 20 KHE ‘SLEW RATE: Sronter than 15 ViuSec DAMPING FACTOR: Greater than 100 @ 1 KHz, 4 ohms INPUT SENSITIVITY: volt AMS Tor 100 watts into 4 ohms INPUT IMPEDANCE: 22K ohms averioad protected POWER CONSUMPTION Sod watts, 120 VAC. 501 xR-1200" EQUALIZATION: (Each char) S53 dB @ G0 re sng 8 Kriz Showing 115 aB @ 600 Hz, Peak/Notch "37 a overall combining POWER AMPLIFIER SECTION: [Savor modula with DOT” compression) FREQUENCY RESPONSE: 19,1 0B, 10 He lo 30 Kr @ 1 watt into 4 ohme RATED POWER AND LOAD: oo watts par channel into 4 ohms POWER @ CLIPPING: (ae THO 1 Kz, 120 VAC line, Typical single channel) 0 watts RMS into 8 Some 240 waits RMS Into 4 95m {30 watts RMS into 2 ons ‘TOTAL HARMONIC DISTORTION: liege than 0.1%, 20 mw to 200 Walls FMS, 20 Hz to 20 KHz ohms, Typically below 05% HUM AND NOISE: 85 d8 below 200 wats, 20 He - 20 KHz SLEW RAN Greater than 20 V/uSec DAMPING FACTOR: Greater tran 100 @ 1 KHz, 4 ohms INPUT SENSITIVITY: Not AMS or 200 wats into 4 ohms INPUT IMPEDANCE: Sok ohms overload protected POWER CONSUMPTION: 800 watts, 120 VAC, 90/00 Hz He‘SIGNAL FLOW CHART FOR THE XR-800"/XR-1200" ue to our alors fr constant improvement features and speciation a ect to change without notice PEAVEY ELECTRONICS CORPORATION 7HTA Street / Meridian, MS 23001 /US.A. VU Printed in ‘usa