Professional Documents
Culture Documents
Instructor Information
Email: ggaither@mail.csuchico.edu
This month-long unit aims to familiarize students with the basics of creative writing and
literary analysis. This course draws from various forms of art utilizing the English language,
such as poetry, short stories, and music, to provide students with experience with the
fundamentals of writing creatively and interpreting and analyzing such writing effectively.
This class has no required texts and no anchor text, and almost all reading will be done
in-class as a group. Students will be expected to write every day for varying times and amounts
but will be given a workshop class period to work on their writing assignments and discuss this
Throughout this unit, students will be assigned 3 major writing assignments, all which
will be assigned on the Wednesday of each week and turned in on the following Monday when
class starts again (except for the third assignment, which is due on Friday, April 1) On top of
this, students will write in their commonplace book 4 times weekly at the beginning of class.
Graded Assignments: Weighting and Criteria
a. 4 days a week, students will be given a writing prompt at the beginning of class.
Students will spend approximately 5-10 minutes working on this assignment each
time. This is mostly a participation grade and will not be graded based on the
a. Prompt:
i. Write your own short story. Use one of the short stories or myths we have
least one page, but feel free to experiment, as long as it is appropriate for
a. Prompt:
i. Using what we have covered this week, write your own poem or song.
expected (i.e., if your piece is one line long, be prepared to explain why it
is that length, and the meaning contained within it). You will each spend a
few minutes presenting your piece in your workshop groups. You can use
make your own. Experimentation and creativity are key for this
2. Does your poem have verse or rhyme? If so, how do you use it?
4. Consider your language. What diction are you using, and why? Are
language?
a. Prompt:
i. For the last assignment in the unit, you have two choices:
ii. Create a third piece of writing related to what we have covered in class so
far (i.e., poem, short story, song, or anything else). Consider the previous
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Unit Calendar
storytelling, why?
writing, and
recitation
o Heroes and
characters
• Class discussion
morals in storytelling
• Class discussion
o What makes a
makes a good
story?
o Class discussion
Thursday, 3/3 • Form workshop groups • Commonplace book
welcome too.
o Why should
heroes struggle?
• Class discussion
• Collect commonplace
books
stories
o Class discussion
about short
stories
stories?
• Reading tomorrow
• Class discussion
• Class discussion
o Story elements?
o Morals? Themes?
o Struggle?
o Read as a class
• Class discussion
o Themes and
hidden meanings?
about?
Thursday, 3/10 • Writing assignment (due • Writing Assignment 1
o See websites,
slides, or syllabus
for prompt
o On paper or in
Google Drive
(not physical
commonplace
book)
o What is
happening
o Is this a short
story, or a poem?
• Collect commonplace
books
returned
• Commonplace books
language
o “Beowulf”
o “Caedmon’s
Hymn”
o Music as a poetic
tradition
o Poetic forms of
Old English
• Class discussion
o “Sonnet 65” by
William
Shakespeare
o “Ozymandias” by
Percy Shelley
• Class discussion
o Similarities?
o Rhyme and
rhythm? (Music?)
o Meaning and
imagery
Wednesday, 3/16 • Commonplace books • Commonplace book
Here” by Jamaal
May
o “Eagle Poem” by
Joy Harjo
• Class discussion
o How do newer
poems compare
to older ones?
What has
changed?
o Rhyme and/or
rhythm?
o Meaning and
imagery
o See websites,
slides, or syllabus
for prompt
o On paper or in
Google Drive
(not physical
commonplace
book)
poetry versa?
Fittest” and
“DNA.”
o Do they work as
poetry on their
own?
• Class discussion
o Other examples?
• Collect commonplace
books
• Workshopping o On paper or in
Google Drive
o Or commonplace
book
• Workshopping
• Workshopping
• Workshopping
Due Due
• Class discussion
Works Cited
www.poetryfoundation.org/poems/50114/beowulf-modern-english-translation
www.poetryfoundation.org/poems/43521/beowulf-old-english-version
tyger
www.poetryfoundation.org/poems/47296/caedmons-hymn-56d227a3b602f
www.poetryfoundation.org/poems/53086/home-burial
www.poetryfoundation.org/poems/46545/eagle-poem
open.spotify.com/track/6HZILIRieu8S0iqY8kIKhj?si=8171b69721f442a7
build-a-fire.pdf
www.poetryfoundation.org/poetrymagazine/poems/56764/there-are-birds-here
Mobb Deep. “Survival of the Fittest.” The Infamous, RCA Records, 1995.
open.spotify.com/track/7N1Vjtzr1lmmCW9iasQ8YO?si=5111052571fa49ff
www.poetryfoundation.org/poems/50646/sonnet-65-since-brass-nor-stone-nor-earth-nor-
boundless-sea
www.poetryfoundation.org/poems/46565/ozymandias
www.nlm.nih.gov/exhibition/theliteratureofprescription/exhibitionAssets/digitalDocs/The-
Yellow-Wall-Paper.pdf