TRUMPET in C

JEFF MANOOKIAN

THE MYSTIC TRUMPETER

for Trumpet and Piano

Windsor Editions
TRUMPET in C
to Leonel Silva

THE MYSTIC TRUMPETER

I hear thee trumpeter, listening alert I catch thy notes,
Now pouring, whirling like a tempest round me,
Now low, subdued, now in the distance lost.
- Walt Whitman

JEFF MANOOKIAN


Andante 

            
lontano

 


    
7
          
    


  
14
        
           

 
     
19
                       
3 3 3

 

    
24
      
3 3

      


                            
31 Vivo 


     
 


                       
        
35
          


Copytight © 2019 by Windsor Editions

all rights reserved
 3

   
              
39
                

             
         
            
43

    
  
47
      
   

         
  
     


               
51
  
     
      
  

                
          
55
            


  

                
59
      
    
  


           
   
    
63
     
            
    

             
                     
66

      


               
70
      

     
4

            
  
76
                
cantabile

 
     
   

                
           
                 
80

   


        
             
83
     
cantabile

     
      

                  
88

 
   
  
       
    

                      
      
91
    
       
 cresc.

  
         
 
                 
94

    
     
  
   
        
98
      
 5

   
 
             
106

  



  
          
112
   
  


           
121
                  
  
    
  
 
                 
    
124

         
    

  

     
   
                 
128

            


           
            
131
   
      
6

 
      
138
             
 tranquillo


Andante 
    
143 rallantando
     
       


   
149
  
   
 
 

 
156
       
3

     


       
                         
161

lontano

   
165
                 
3 3 3

 

169
     

             
3

      
 
smorz.
TRUMPET in B 

JEFF MANOOKIAN

THE MYSTIC TRUMPETER

for Trumpet and Piano

Windsor Editions
TRUMPET in B 
to Leonel Silva

THE MYSTIC TRUMPETER

I hear thee trumpeter, listening alert I catch thy notes,
Now pouring, whirling like a tempest round me,
Now low, subdued, now in the distance lost.
- Walt Whitman

JEFF MANOOKIAN


Andante 

                
lontano

 


                 
7

      


  
14
        
        
    

  
     
19
                   
3 3 3

  

   
24
       
3 3

          


                                  
31 Vivo 

      
  

              
            
          
35
 


Copytight © 2019 by Windsor Editions

all rights reserved
 3

     
  
                
39
            

     
            
43
        
      
  
  

        
    
             
47
 

                 
51
     
    
  
 

        
 
                    
55
 
 


59
                     
         


                  
                    
63
        
         

       
    
             
           
67

  
   

  
               
72
    
cantabile

   

4

      
                              
78

 

           
 
                            
81
 
    


           
       
85
  
cantabile

  
     
  
     

   
             
89
   
    
      
    

            
92
     
                    
  
 cresc.

95 
    
          
   
            

 
   
        
        
99
 

 5

107
       
   

 
           
115
    
 


121
     
 
    
                
       
    
 

             
  
124
                  
   

 
128       
                         
  
         


 
   
   
                 
131
  
       
6

 
                 
138

     
 tranquillo


Andante 
    
143 rallantando
               

    

149
  
   

 

   
156
     
3

     


           
            
161
         
lontano

  
165
                   
3 3 3

 

 

              
169
    
3

      
smorz.