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SON G ANALYSIS AS
AN EFFECTIVE
STRATEGY IN
LITERATURE
H P O P U LA R CU LT U R E AN D A V AR IE TY
O U R ST U DE N TS AR E IN U N DA TE D W IT E O F W HI CH IS M U SI C.
EI R DA IL Y LI V ES ; O N
O F P O P CU LT U R E TE XT S IN TH T AN D IN SP IR E U S. SO
CA N CO N N EC
M U SI C IS SO M ET HI N G U N IV ER SA L TH AT O P CU LT U R E TE XT S TO
R S U SE TH ES E P
TH E Q U ES TI O N IS , HO W CA N TE AC HE CR IT IC AL R EA DE R S O F
HO W CA N W E CR EA TE
HE LP O U R ST U DE N TS LE AR N ? TH AT AB IL IT Y B EY O N D
D TR AN SF ER
AL L TE XT S TH AT TH EY EN CO U N TE R AN
TH E CL AS SR O O M ?
SI C O F YO U R ST U DE N TS EN JO Y AN D SO M E O F
TH E AN SW ER : TA KE TH E M U TH EM IN TO YO U R
ES AN D IN FU SE
TH EI R O W N P ER SO N AL FA V O R IT U R E TE XT S AN D
G AP B ET W EE N P O P CU LT
CU R R IC U LU M , B R ID G IN G TH E IN G LE SS O N FO R
P R O V ID IN G A M O R E EN G AG
CL AS SR O O M TE XT S AN D DE D FO R CR IT IC AL
IN G TH E SK IL LS N EE
LE AR N ER S W HI LE ST IL L DE V EL O P D O U T O F SC HO O L
N B E U SE D B O TH IN AN
LI TE R AR Y AN AL YS IS TH AT CA
oduction
intr
Music, as the ancients knew, is a balm that soothes the heart. Through the
power of suggestion, certain melodies and rhythms offer an antidote for
human passions.
For his students, Pythagoras developed and adapted what are referred to
as apparatus or devices, which are divinely created mixtures of certain
diatonic, chromatic and enharmonic melodies. Through these, he
postulated, it was easy to transfer or redirect the soul’s passions---
sadness, anger, pity, craving, pride, sloth and vehemence—provided they
had taken shape recently or in secret.
He righted each passion according to the rules of virtue, tempering them
with appropriate melodies, which could be likened to beneficial medicines.
Each night when his students went to sleep, Pythagoras performed
specific odes and songs to rid them of the diurnal disruptions and
turmoil. Purifying their intellect of the fluctuations of bodily nature,
he thus ensured for them a calm night’s sleep with pleasant, sometimes,
even prophetic dreams.
In ancient times, chanting or repetitive
renditions of mantras and shlokas was
a ubiquitous culture among the sages
and their disciples. In fact, ancient
Gurukul system was acculturated by
one of the only system -- rendering of
the “richayein” (Sholkas and mantras
converted into musical pieces are
‘richa’) present in the four Vedas and
Puran to learn them by hard and
transfer it to their students too.
There seemed to be an intense and
inevitable memorization through
rendering that they would grasp it for
their lifetime.
In the Vedic era, the priests composed hymns in praise
of the nature gods, which had to be sung or chanted
at religious sacrifices. This tradition led to the
composition of a sizable body of the religious
poetry, which we call Shruti Literature. The Vedic
hymns or Richās were not committed to written texts
but the hymns and the method of chanting them, was
handed down by word of mouth from one generation
to generation. So, the richās of the Vedas are
arranged as per the priestly families, who composed
and chanted them. The composition of Yajurveda and
Samveda followed the Rig-Veda.
Ideas about song, and actual songs, inform literary
works in ways that go back to classical and to
biblical antiquity. Set apart from non-musical
language, song can indicate proximity to the divine,
intense emotion, or distance from the everyday. At
least from the early modern period, actual songs
compete with idealized songs in a body of lyric poetry
where song is sometimes scheme and sometimes trope.
Songs and singers in novels can do the work of plot
and of character, sometimes isolating songwriter or
singer, and sometimes linking them to a milieu beyond
what readers are shown. Accounts of song as poetry’s
inferior, as its other, or as its unreachable ideal—
while historically prominent—do not consider the
variety of literary uses in English that songs—
historically attested and fictional; popular,
vernacular, and “classical”— continue to find.
Major Developments
while Studying Subjects
(Literature) with Music
1. Better Memorization:
Musical training boost memory and the power of
retention in a large manner. Your child memorizes
more effectively through rhythm and rhyme. Chants
and raps improve memory of details and help the
retrieval of information later, says Brewer.
Encourage her to take a favorite song and change
the words to fit information she is learning. If she
has a lesson on ecosystems, for example, change the
tune of “Twinkle, Twinkle, Little Star,” to
“Mountains, Oceans, Forests, Plains.” She can sing this
version before her test to retain facts.
Major Developments
while Studying Subjects
(Literature) with Music
Major Developments
while Studying Subjects
(Literature) with Music
Major Developments
while Studying Subjects
(Literature) with Music
Major Developments
while Studying Subjects
(Literature) with Music
.
12. Music develops relaxation and calmness among STUDENTS :
According to R.R Konrad, “With music instruction in schools,
teachers found that students were less aggressive.” Quality
learning and maximum participation occur when children are
permitted to experience the joy of play and studies. Music is
highest tool for relaxation as the relaxed and pacified mind
works better for accomplishing in studies.
Major Developments
while Studying Subjects
(Literature) with Music
F AM O U S S O N G S
I N S P I R E D B Y
L I T ER A T U R E
Popular Lyric: “‘All I wanna do is have a little fun before I die,’ Says the
man next to me out of nowhere It’s apropos Of nothing”
Projects and presentations which require students to create playlists for whatever you
happen to be reading in class will allow kids to fit literary content into the context of
something they understand and relate to.
These projects can be individual assignments or group projects. Also, consider assigning an
accompanying paper or annotations for each song, explaining how contents of the playlist
correspond to the book. Because the literary themes and character analysis will be seen
(or perhaps, heard) through the lens of music, this will provide students with an
opportunity to write about a subject they are no doubt eager to discuss.
Most importantly, it will spawn work that students will enjoy doing and a finished
product that they will be proud of.
examples
A Soundtrack
One way to teach narrative structure is to have students create a soundtrack for
your novel as if it were a film. If you’re looking for an involved group project
for the end of the semester, this one is for you! This project would involve
students mapping out the book’s story arc, from exposition to resolution, and
deciding which chapters fall into which unit of the arc. From there, each student
should take responsibility for one section of the plot, and then choose one song
for each chapter or pivotal scene in their section. This assignment can have as
much or as little detail as you want, but evaluation should be dependent on
whether or not the students have sufficiently accounted for their choices about
the book’s plot and themes.
examples
https://files.eric.ed.gov/fulltext/ED606278.pdf
https://literarydevices.net/examples-of-figurative-
language-in-popular-songs/
https://oxfordre.com/literature/view/10.1093/acrefore/9
780190201098.001.0001/acrefore-9780190201098-e-1093