You are on page 1of 26

RPM 94

GLOSSARY
MUSIC
EXPRESS FORMATS
01. PACK RIDE
02. PACE
03. HILLS
04. MIXED TERRAIN
05. INTERVALS
06. SPEED WORK
07. MOUNTAIN CLIMB
08. RIDE HOME / STRETCH
DECLARATION OF INTENT

Les Mills’ instructor resources are unique, valuable resources provided to you as a Les Mills’ certified instructor to enable you to learn each new release and
teach it in Les Mills’ licensed clubs only. Do not share these resources. Copying, uploading or sharing files on the internet or selling Les Mills’ instructor
resources to other people is illegal, and rips off Les Mills, it's distributors and other instructors. If you are engaging in any of these illegal activities, there may be
serious consequences for you personally including legal action and the suspension or permanent withdrawal of your Les Mills certification. Your cooperation is
much appreciated.

RPM 94 © Les Mills International Ltd 2022


GLOSSARY
KEY RPM RIDING POSITIONS RIDE EASY
Throughout the ride, we use different riding Layer 1
positions. These impose slightly different • Tip forward from the hips
demands on the body and the working muscles. • Sit back in the saddle
Changing positions brings maximum benefits,
• Hands shoulder-width apart
avoids over-stressing the body and brings variety
to the ride, which is an important factor in indoor • 90-degree angle at your upper arm and torso
cycling. • Lengthen the back of the neck and tuck in chin
Some positions are used at specific Paces or • Chest lifted
Resistances as they are designed for Speed, • Shoulders back
Climbing and Power recovery. Others are used
with all Paces and Resistance. Your goal is to ride • Soft elbows
both effectively and efficiently in each position • Upper body relaxed
and have your participants do the same. • Hips, knees, ankles in line
• Middle of kneecap in line with second toe

BIKE SETUP
• Eyes in front of the handlebars

Before you begin the class use the ‘on-the-bike


quick check’ to make sure you have a slight bend
in your knee at the bottom of your pedal stroke.

SEAT HEIGHT
Bring your feet to 12 o’clock and 6 o’clock. Take
out your bottom foot and place your heel over the
pedal. With a straight leg and hips level, your heel
should just touch the pedal – a good seat height
for great force production. If your heel easily
touches the pedal and the knee is bent, then
the seat is too low. If you cannot reach the pedal Layer 2
without losing your hip alignment, then your seat
is too high. Once you place your foot back in the • Shoulders away from ears
pedal/cage, check you have a slight bend in your • Relaxed upper body to help with recovery
knee – the optimal angle is 25 degrees. • Hands wide to help with your breathing
This is the basic riding position and can also be
SEAT FORE AND AFT used for recovery. It’s used with light to moderate
With the pedals at 3 o’clock and 9 o’clock, Climbing Resistance either at the start of the
position the saddle so the front knee is in line with track, to provide active recovery through the
the pedal axle or the top toe strap of the front track, or when we start to build intensity at the
pedal. If the knee is back of the pedal axle, the beginning of work phases.
seat needs to be moved forward. If the knee is
forward of the pedal axle, the seat needs to be
moved back.

HANDLEBAR HEIGHT
The handlebar height should be slightly lower or
level with the saddle. Beginners, or people with
lower back problems, should have the handlebars
slightly higher than the saddle.

HANDLEBAR FORWARD AND BACK


In Racing, you should have a 90-degree angle
between your upper arm and your torso. If you
feel like you need to slide forward in the saddle
to create the 90-degree angle, move your
handlebars a little closer.

RPM 94 © Les Mills International Ltd 2022


GLOSSARY
RACING RACING (FORWARD)
Layer 1 Layer 1
• Hinge forward from the hips • Reach arms forward
• Reach arms forward • Slide forward
• Slide the butt back • 90-degree angle at your
• 90-degree angle at your upper arm and torso
upper arm and torso • Chest lifted
• Chest lifted • Shoulders back and down
• Shoulders back and down • Bend through your elbows
• Bend through your elbows • Abs braced
• Abs in and braced • Lengthen the back of your neck and tuck chin
• Lengthen the back of your neck and tuck in in
chin • Eyes in front of the handlebars
• Eyes in front of the handlebars • Toes slightly down
• Hips, knees, ankles in line • Hips, knees, ankles in line
• Middle of kneecap in line with middle of foot
Layer 2 Layer 2
• Reach long into the dippers – keep your • Slide forward on the saddle to bring the knee
elbows bent over the Push Point
• Slide back on the saddle; feel the glutes and • Helps you recruit more quads
hamstrings
• Toes down, creating small, quick circles with
• Belly strong; keep your upper body still the feet
• Maintain good knee alignment, middle of • Keep your body still, hips and upper body;
kneecap in line with middle of foot brace your belly
This is a riding position, not a cue to automatically Used when we ride fast in Tracks 2, 4 and 6. Also
go faster. However, generally we move to a used occasionally in Track 5 to vary the muscle
period of increased intensity using slightly more activation. By sliding forward on the saddle and
Resistance and/or faster speed. dipping the toes slightly, we generate a faster leg
Don’t overreach in this position because we speed. We bring the knee over the Push Point
don’t want to compromise the lower back, the in the pedal, which means we create a quad-
shoulders or the neck. This position gives us a dominant action and decrease the length of the
wider Base of support and slightly changes the lever around, which the pedal must rotate.
hip angle, allowing a change in recruitment of the
gluteals and hamstrings; therefore, it puts you in
the best position to work harder. Used in Tracks 1,
2, 4, 5 and 6.

RPM 94 © Les Mills International Ltd 2022


GLOSSARY
AERO-RACING (FORWARD) SEATED RECOVERY
Layer 1 Layer 1
• Hands inside the ‘D’ • Sit up at the back of the
• Slide forward in the saddle saddle
• Elbows in and down • Shoulders back
• Shoulders come down • Lift chest
• Lower upper body • Hips, knees, ankles in line
• Eyes in front of the handlebars Layer 2
• Toes slightly down • Open chest, get your breath
back
Layer 2
• Let the arms hang loosely at your sides
• Drop your upper body down, like you’re
drafting off the rider in front • Take the air in, oxygen is energy
• Tuck under the wind, get aerodynamic This position is used for recovery, postural breaks
and stretches at the beginning, during or at the
The two most common uses for this position are
end of tracks.
during the work phases in Tracks 2, 4 and 6 and
sometimes in Track 5 for increased power output.

STANDING CLIMB
NOTE: If your bike doesn’t allow you to place the
hands inside the ‘D’, stay in Racing position.
Layer 1
• Hands placed at end of the
STANDING ATTACK handlebars with relaxed grip
• Butt just over the front
Layer 1
of your seat
• Hands to the end of the
handlebars • Abs braced
• Bring your body weight • Chest lifted
slightly forward • Shoulders back and down
• Abs braced • Elbows soft and in
• Chest lifted • Body weight moves side to side
• Eyes in front of the • Eyes in front of the handlebars
handlebars Layer 2
Layer 2 • A strong core for a strong climb
• Shift your hips slightly forward, feel your quads • Feel your butt tap the nose of the saddle
• Strong core for strong legs • Push down through the pedal, generating as
• Front body focus, quads are in! much force as you can
• Lean in, quads kick in! • Pull up on the handlebars to counteract the
downward push
We use this position in Track 5, and at the top of • Keep your body weight in your legs, not in the
climbs to change muscle recruitment for quick handlebars
efforts of intensity and power. Bringing the hips
forward increases recruitment in the quads. Before you stand, make sure you have established
enough Resistance. You’re much stronger when
you stand because you’re applying your full body
weight to drive the pedals. You should have
enough Resistance to counterbalance your body
weight.

RPM 94 © Les Mills International Ltd 2022


GLOSSARY CONTINUED
POWER CLIMB PULLBACK CLIMB
Layer 1 Layer 1
• Hinge forward from the hips • Small shift back of your hips,
• Reach arms forward upper body stays upright
• Slide the butt back • Abs braced
• Chest lifted • Chest lifted
• Shoulders back and down • Shoulders back and down
• Bend through your elbows • Eyes in front of the
handlebars
• Abs braced
Layer 2
• Push and Pull
• Steady your hips and feel the
• Lengthen the back of your neck and tuck in
back of your legs light up
your chin
• A small shift back to fire up your glutes
• Eyes in front of the handlebars
• Hips, knees, ankles in line
This position is a subtle shift back of the hips.
• Middle of kneecap in line with middle of foot
Make sure you coach a lifted chest and brace
Layer 2
through the core.
• Hands wide – gives you a stronger Base of
support to push from
• Push with your quads and Pull back using your
hamstrings STANDING RECOVERY
• Go for big circles with the feet Layer 1
• Push and Pull • Standing tall on the bike
• Sit back in the saddle – this lengthens the • Chest lifted and open
lever, creating more force production • Long back
• Extend your legs a little more
We use the Power Climb position to drive heavy • Heels down
Resistance at Slow Pace and work on leg strength Layer 2
or power. The positioning is the same one we use
• Rise and recover
with Racing (butt back). The wide Base of support,
the sliding of the butt back and the position of • Feel the release in the legs and back
the hips place the body in the best position to • Take a moment to recharge
produce optimal power.
This position is used for recovery and postural
NOTE: Correct pedaling Technique is essential breaks as we slow down to a walk on the pedals.
to drive the pedals under increased Resistance.
‘Push and Pull’ your legs simultaneously to ride
efficiently and avoid pedaling in 'squares.' SPEED COACHING CUES
1. Slide forward in the saddle
2. Toes slightly down – fixed ankle
3. Prevent bouncing in the saddle: Push and Pull,
draw in the abs and add Resistance
4. Relax the upper body
5. Chin tucked in, eyes down
6. Help people feel success by saying “if your legs
are starting to slow, it’s OK, just do your best”

RPM 94 © Les Mills International Ltd 2022


MUSIC
Money Money (5:28)
Purple Disco Machine & Pink Flamingo
01 Rhythm Revue
2021 Sweat It Out! Distributed by Warner Music
Australia Pty Ltd.
Written by: Schmidt, Mendelsohn, Jerome, Deidre Muro,
Abramson, Derek Muro, Sidney

Milkumana (5:15)
King Stingray
02 2021 King Stingray. Under exclusive license to Cooking
Vinyl Australia.
Written by: Kellaway, Yunupingu

Gangsta's Paradise (5:37)

03 Coolio feat. L.V.


Courtesy of the Universal Music Group.
Written by: Wonder, Ivey, Rasheed, Sanders

Someone To You (3:30)

04 BANNERS
Courtesy of the Universal Music Group.
Written by: Hollander, Nelson, Michaels

Someone To You (2:04)


BANNERS
Courtesy of the Universal Music Group.
Written by: Hollander, Nelson, Michaels

The Bass (5:58)

05 EZ
Courtesy of Les Mills Music Licensing Ltd.
Written by: Martins

Superhuman (Extended Mix) (6:58)

06 Tritonal & Codeko


2021 Enhanced Recordings / Enhanced Music.
Written by: Cisneros, Reed, Clark, Truitt, Douville

Raindrops (Avao Remix) (6:11)


Ben Nicky feat. Stunt
07 2020 Central Station Records, under exclusive license
from Xploded Music Limited. Licensed courtesy of Central
Station Records.
Written by: Valler, Downes, Lappessen, Alisson, Kappmeier

How Will I Know (3:33)

08 Di-Horned
2022 Les Mills Music Licensing Ltd.
Written by: Walden, Merrill, Rubican

Because The Night (3:36)

OUTRO The Midnight feat. Nikki Flores


2021 Counter Records.
Written by: Springsteen, Smith

RPM 94 © Les Mills International Ltd 2022


RPM 94
We are on the road with RPM 94, "Sit up tall,
shake your arms, hinge forward from the hips to
ride easy. We are rolling team."

A cool disco feel takes us back in time as we hit


the road in the Warm-up with Base Resistance.
We create light muscle tension to connect us to
the road and to the workout.

The Pace track lifts our intensity before we find an


old-school pure paradise classic among the Hills.
The combination of fast and slow climbs tax the
muscles and peak the heart rate.

An emotional and physical Mixed Terrain high is


next, where we chase the beat on a rolling road,
building our fitness with longer cardiovascular
efforts – perfect!
L–R: Otto Prodan, Mandi Jones, Glen Ostergaard, Tommi Wong

Three powerful Intervals come next to improve


PRESENTERS our minds and bodies before we face our
superhuman selves with Speed Work. Long
Racing efforts drop us onto the beat, leaving us
Glen Ostergaard (New Zealand) is Program feeling calm and centered before the Mountain
Director for RPM, BODYPUMP™ and Climb.
LES MILLS SPRINT™. He lives in Auckland and
is a father to three children, an avid runner,
cyclist and weight lifter. Retro beats bring the rain as the road steepens
with Heavy Climbs finishing at the peak.

Mandi Jones (New Zealand) is a


We Ride Home clapping every heart beat, and
BODYATTACK™, BODYPUMP and RPM thank you everyone for a great ride!
Trainer/Presenter/Instructor, a LES MILLS
TONE™ Trainer and a LES MILLS CORE™,
LES MILLS SPRINT and LES MILLS THE TRIP Glen
Instructor. She lives in Wellington.

Otto Prodan (Brazil) is an RPM, LES MILLS


CORE, LES MILLS THE TRIP, LES MILLS
GRIT™, LES MILLS TONE and a BODYSTEP™
Instructor. He lives in Auckland.

Tommi Wong (New Zealand) is an RPM,


LES MILLS SPRINT and a LES MILLS THE TRIP
Instructor. She lives in Auckland.

CREDITS
Program Director – Glen Ostergaard
Chief Creative Officer – Dr. Jackie Mills
Creative Director – Diana Archer Mills
Technical Consultants – Bryce Hastings and
Andrew Newmarch
Production Coordinator – Juliet Mora

RPM 94 © Les Mills International Ltd 2022


EXPRESS FORMATS KEY
Please note: This format is customized to this B up Build up Br Bridge (non-
release only. If time allows, you may include Track chorus)
8 Ride Home/Stretch; alternatively, tell your class C Chorus Cts Musical counts
to do their own stretches once they have left the
Intro Introduction Mins Minutes
room.
Outro Last few bars of music PC Pre-chorus

RPM 94 30-MINUTE FORMAT QC Quiet Chorus Ref Refrain (recurring


phrase or number
Track 01 Pack Ride of song lines)
Track 02 Pace Synth Synthesizer Tempo Normal pace of
the music
Track 03 Hills
V Verse
Track 04 Mixed Terrain

Track 05 Intervals

Track 08 Ride Home/ Stretch


Pace
Total Time 31:25 with Track 08
27:52 without Track 08
rpm Revolutions per 1/4 Riding on the
minute 1/4 beat
Mix and Match Formats: Should you wish to mix 1/2 SLOW – Riding on 3/4 MEDIUM – Riding
and match using different releases, please use the the 1/2 beat on the 3/4 beat
standardized 30-minute and 60-minute formats. 3/4+ BUILDING – Chasing 3/4++ Fast Pace
Be sure to check the length of your playlist! and/or riding just
under the beat

60-MINUTE FORMAT 30-MINUTE FORMAT 1/1+ A little faster than 1/1 ON THE BEAT
rpm
Track 01 Pack Ride Track 01 Pack Ride
Track 02 Pace Track 03 Hills Resistance
Track 03 Hills Track 04 Mixed Terrain
Track 04 Mixed Terrain Track 05 Intervals A Attack Resistance B Base Resistance

Track 05 Intervals Track 07 Mountain Climb C Climbing Resistance R Racing Resistance


Track 06 Speed Work Track 08 Ride Home/  Increase Resistance  Maintain Resistance
Stretch
Track 03 Hills (if time allows)  Decrease Resistance
Track 06 Speed Work

Track 07

Track 08
Mountain Climb

Ride Home/
HEY INSTRUCTORS
Stretch
When it comes to mixing up past releases, please
(if time allows)
try to select tracks from the most recent material
to reflect current music and training principles.
If you are teaching older releases, be sure to
mix with modern tracks and do not change the
Choreography; teach the tracks as they were
created, but apply more modern Coaching
language, terminology, and reworked sentence
structure/language – use this for future releases as
well please.

If you are using a Track 8 (Ride Home/Stretch)


from Release 63 onwards, there is no need to
teach a Track 9 (Stretch) from releases prior to
RPM 63.

RELEASE FEEDBACK
Tell us what you think of this release.
Visit lesmills.com/release-feedback

RPM 94 © Les Mills International Ltd 2022


01. PACK RIDE
1/1 = 120rpm
TRACK FOCUS TRACK PROFILE
• Connect with your participants by being warm 3 blocks of gradual accelerations onto the beat
and welcoming with your body language and using Racing Resistance. Blocks 2 & 3 finish
voice; get them ready for the workout ahead. with 30 seconds on a slower Pace using heavier
Resistance.
• Clearly coach the different Positions,
Resistances and Paces throughout the track to
make sure everyone is warm and ready to lift
the intensity by the end of the track.

Music Sequence/Exercise Resistance Pace PI


0:05 Intro / Money, money 4x8 Seated Recovery  ½ E
0:21 Instr / (Beat) 4x8 Ride Easy B ¾

1 0:37 V1 / I gotta let the


1:09 C / Money, money
8x8
4x8
Ride Easy
Ride Easy


¾
¾+
1:25 Whoa, just a bit 4x8 Racing R 1/1

1:41 V2 / Roll up the the 8x8 Ride Easy  ¾


2:13 PC / See a dark pair 4x8 Ride Easy  ¾+
2 2:29 C / Money, money 8x8 Racing R 1/1

3:01 Money, money 8x8 Ride Easy  ½

BLOCK 2
3
3:33 V3 / Roll up to the 28x8
 to B

RPM 94 © Les Mills International Ltd 2022


01. MONEY MONEY 5:28mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
Use Layer 1 cues to set up the Position, Bring the energy and excitement to your voice
Resistance and Pace in this first block. Be and body language as we move through this
conversational and upbeat with your voice to last block of work, getting ready for the rest of
match the feel of the song and to help connect the workout. Layer 3 cues will help to Motivate
with your class. everyone for the workout ahead.

• Let's warm up the muscles and lift our heart • Reduce the Resistance, back down under
rate to get ready for the workout ahead Racing Resistance
• Ride Easy: Hips back in the seat, nice and • Last set! Rolling at a Medium Pace
relaxed on the handlebars • Racing Resistance feels like it's starting to push
• Light muscle pressure, Base Resistance rolling, back at you. When you want to, you can go
Medium Pace near or on the beat
• Hands soft on the handlebars, chest is • 30 seconds, Racing!
lifted, hips back in the saddle, a little core • Nice and relaxed, nice smooth circles
tension to stabilize the hips in the seat
• We're going to head back to that heavier
• Light gear change, start to build pressure at the end of this Warm-up to really
• We're going to find our Racing Resistance, fire up the muscles in the legs
good muscle pressure that allows us to ride • Slow down, half Pace, heavy turn – 1 or 2 gears
near or on the beat past Racing Resistance
• Reach out, 15 seconds in Racing • Fire up the leg muscles a lot quicker so we
• A little bit of Money! head into Track 2 with a lot more warmth in the
legs
BLOCK 2
Use Layer 2 cues to build on your Layer 1 cues PERFORMANCE
and begin to Manipulate Intensity by helping your This is a super cool, smooth song to get your class
class get warmer as we move further into this Pack warm and ready to ride. Try to match the vibe of
Ride. When we add a gear past Racing Resistance the song with your voice and body language to
and slow to the half beat, explain how it should bring the cool beats alive.
feel and why, so that everyone can feel those leg
muscles firing up!
TRACK TIP
Be warm and open with your Coaching to help
• Back to Ride Easy, light reduction back towards all your riders feel welcome and excited to ride
Base Resistance today. This will help you get the most out of them
• Cycle SET – hands shoulder-width apart, throughout the class and set everyone up for a
chest lifted, soft elbows, hips back great workout ahead.
• This is our home base for riding – safe, smooth
and efficient
• This time, we're going to go for 30 seconds
near or on the beat, whatever feels good to
you right now
• Racing, reach out, easy beat
• Nice and relaxed as you reach out those arms;
hips are still back in the saddle
• Slow down to half Pace, add a couple of
turns to what feels a little heavier than Racing
Resistance. This allows us to warm up the
muscles a lot quicker

RPM 94 © Les Mills International Ltd 2022


02. PACE
1/1 = 135rpm
TRACK FOCUS TRACK PROFILE
• Coach the fast transitions by using clear PRP 4 fast flats of varied lengths with short climbs in
cues. between.
• Challenge your class to ride on or close to the
beat in the Racing phases to get the heart rate
up.

Music Sequence/Exercise Resistance Pace PI


0:00 C / Milkumana 4x8 Ride Easy B ¾ E

1 0:15 V1 / Gu bukmak yolngu 4x8 Ride Easy  ½


0:30 C / Milkumana! 4x8 Ride Easy  ¾ M

0:44 V2 / I've got a 8x8 Ride Easy  ½ E


1:12 C / Milkumana! 7x8 Racing  to R ¾+–1/1 H
1:37 Instr / (Didgeridoo) 3x8 Ride Easy  to C ½ M
2 1:48 Rep / I don't know where 8x8 Standing Climb  ½
Accelerate on last 8cts
2:17 / I don't know where 12x8 Racing (Forward)  to R ¾+–1/1 H

3 2:59 V3 / I've got a 37x8 BLOCK 2


 to B

RPM 94 © Les Mills International Ltd 2022


02. MILKUMANA 5:15mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
The first block is short; use it to coach the basics This block is exactly the same as the last so let
and profile the track. A chance for your class to your class know this to get them ready to go
roll the legs. again. Focus on coaching the quick transitions
between Racing and Standing Climb but now
bring in Layer 3 cues to help Motivate everyone
• Light on the handlebars, chest is lifted and
to the end of the track. Glen did this by being
core is braced
energetic with his voice and body language and
• Find Ride Easy: rolling through Medium Pace matching the energy of the music so he could
• Longer Racing efforts to build our cardio keep everyone engaged to the last beat.
fitness
• Slow Pace, half Pace, enough Resistance to • The half Pace gives us the Recovery
slow the legs and so you can feel the beat
• We're going to do that all over again – 30 on
• Same Resistance, start to roll the legs, Medium the flat, 30 on the climb, 45 on the flat
Pace
• Slide forward, 30 on the beat!
• Now that we're warm you can be on the beat
BLOCK 2 or just chasing the beat
Block 2 has Racing phases with a climb in • Here comes the climb – heavy turn, remain
between and it's the first chance in this workout seated, light turn, Standing Climb
for a proper spike in heart rate. Use Layer 1 cues
• Firm up the grip, elbows nice and soft, keep
to set up great Position, Resistance and Pace in
your chest lifted
the first Racing phase. Then focus on cueing the
transition into and out of Standing Climb with • We're going to roll off the top of this last
plenty of warning. Use Layer 2 cues during those Climb. 45 seconds of Racing and that's us
longer 45-second Racing phases to Improve done!
Technique and to help your class find and stay on • Last 15 seconds, stay on it!
or close to the beat.
PERFORMANCE
• Eyes on Resistance, reduce back, rolling Match the upbeat energy of this track with your
through, half Pace voice and body language. Watch how Glen does
• Hips are back in the saddle, hands are this on the Masterclass.
relaxed on the handlebars
• We're going to speed it up, Racing Resistance, TRACK TIP
slide forward and Race!
The transitions in this track are quick so make
• 30 seconds on the beat sure you know the choreography and music well.
• Slide the hips forward slightly and dip the By doing so, you can pre-cue the changes in the
toes choreography so that your participants know
• On or near the beat exactly what they are going to do and so they can
get the most out of each block of work.
• Starting to use open-mouth breathing now!
• Slow down, half Pace, add just under Climbing
Resistance
• We're going to come off the top of this climb
and go straight into Racing phase
• Lean in, a little acceleration, sit, back off to
Racing Resistance. Let's go!
• Good muscle pressure – I can feel it!
• Heart rate is starting to peak now!
• First true effort of the class!

RPM 94 © Les Mills International Ltd 2022


03. HILLS
1/1 = 80rpm
TRACK FOCUS TRACK PROFILE
• Clearly coach the Pace changes in the 4 progressive climbs using Climbing Resistance
Standing Climb combinations. and different Paces to improve our stength and
• Give options to add or reduce Resistance endurance.
as needed to empower your participants to
maximize their strength in the Power Climb
phases.

Music Sequence/Exercise Resistance Pace PI


0:00 Instr / (Violins) 4x8 Seated Recovery B ½ E
0:12 V1 / As I walk through 8x8 Ride Easy R 1/1 M

C
1 0:36 I really hate to 4x8 Ride Easy 1/1

0:48 C / Been spendin' 8x8 4x COMBINATION H


1x8 Standing Climb  or opt  1/1
1x8 Standing Climb  ½

1:12 V2 / Look at the 12x8 Ride Easy  ½


1:48 Ref / Tell me why are 4x8 Power Climb  or opt  ½

2 2:00 C / Been spendin' 12x8 6x COMBINATION


1x8 Standing Climb  or opt  1/1
1x8 Standing Climb  ½

3 BLOCK 2
2:36 V2 / Look at the 28x8  ½

4:00 V3 / Power and the 8x8 Ride Easy  ½


4:24 C / Been spendin' 16x8 8x COMBINATION
1x Standing Climb  or opt  1/1

4 1x Standing Climb 

½
5:12 Outro / 8x8 Power Climb ½
 to B

RPM 94 © Les Mills International Ltd 2022


03. GANGSTA'S PARADISE 5:37mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCKS 2 AND 3
Use this first block to set up Position, Resistance Continue to use Layer 1 cues but now, build
and Pace by using Layer 1 cues. Be clear in on them by using Layer 2 cues to Manipulate
coaching the profile ahead so when you get to Intensity and Improve Technique. What does
the 4x Combination, your participants can feel Climbing Resistance feel like in the legs? How
confident with the quick Pace changes. would you be breathing if you were working at
the correct level of Intensity?
• Time to give some love and appreciation to
the Hills • We're going to slow things down in the saddle
• Hinge forward from the hips, Ride Easy, on the • Hips back, core tight
beat – 1, 2, 1, 2 • Check in to what Heavy Resistance feels like,
• Ride Easy, chest up, butt back, hands it's that heavy muscle pressure that pushes
shoulder width apart strong on the pedal
• Racing Resistance on the dial, turn until you've • Now each climb is going to get a little steeper
got some good pressure on the legs and a little longer
• Up ahead, 4 climbs, moving from this Pace • Take a turn clockwise, Power Climb, hands
here to a slow, steady beat wide
• The one coming up is short • So that push back got a little stronger
• Start to build a Heavy Climbing Resistance in • We're up, Standing Climb, quickly!
the legs • Slow, slow –1, 2
• First climb. Stand quickly – 1, 2, 1, 2 • Let the Resistance slow us to the beat
• Standing Climb: lift your chest, butt over • That's 4 down – we have 2 more to go!
saddle
• Use your strength to pull the bars
• Slow – 1, 2
• Pull from the knees up, bring in the quads,
• Chest lifted, abs braced bring in the push
• Now we're breathing heavily!
• As we sit in the saddle, the legs are primed
for strength. When the hips are back, we get
leverage for full potential from our legs
• You know what strength loves the most?
Progression! We're going to take a little turn, if
we can!
• Power Climb
• We're going to close our eyes on this one –
let's open our hearts to it
• As we surge, we accelerate under the load and
increase our power output

RPM 94 © Les Mills International Ltd 2022


03. GANGSTA'S PARADISE 5:37mins
TECHNIQUE AND COACHING
BLOCK 4
Use Layer 3 cues to Motivate your class to finish
strong. It's a big block of work so make sure you
role-model the physical Intensity and encourage
your class to help them get to the end.

• Fourth and final Hill ahead!


• So what are we willing to commit to? If we can,
one more gear!
• We're going longer, 8 times, surge and slow!
• Let the music take you!
• As we take on these next four, we're going to
honor our effort, every turn we've made
• With the legs burning, the heart rate
pounding, we are products of fitness, of
strength!
• Let's hold this, sit, Power Climb
• Just when you think it's done, every RPM rider
knows we've got a little more on the horizon,
15 seconds!

TRACK TIP
The mix of Pace with progressively lengthening
blocks of work makes this a really challenging
Hills track. To help your class feel successful,
focus on clearly coaching the differences in Pace
within the combination efforts. Once they are
riding confidently, then layer in coaching that will
encourage them to manage the Resistance and
Intensity.

RPM 94 © Les Mills International Ltd 2022


04. MIXED TERRAIN
1/1 = 150rpm
TRACK FOCUS TRACK PROFILE
• This Mixed Terrain track has a lot of fast 3 energetic rounds of Mixed Terrain with a
transitions so focus on coaching the basics by combination of short climbs and longer fast flats.
using clear Layer 1 PRP cues. That way, your
class knows exactly where they are going.

Music Sequence/Exercise Resistance Pace PI


0:00 Instr (Swirl) 1x8 Seated Recovery B ¾ E
0:03 / (Beat) 4x8 Ride Easy  ¾

1 0:16 V1 / I don't wanna 8x8 Ride Easy R ½


0:42 B up / and if you feel 8x8 Ride Easy  ¾ M
1:07 C / And if the suns 8x8 Racing (Forward) R ¾++ H
1:33 V2 / I don't even need 8x8 Ride Easy  ½ E
1:59 PC / I just wanna 4x8 Standing Climb C ½ M
2:11 C / And if the sun's 8x8 Racing (Forward)  to R ¾++ H
2 2:37 Br / The kingdom 4x8 Standing Climb  to C ½
2:50 C / I just wanna be 8x8 Racing (Forward)  to R ¾++
3:15 Rep / someone to you 4x8 Aero-Racing (Forward)  ¾++

3:28 Instr / (Low) ½x8 Transition ½

3 3:31 V3 / I don't even 36x8 BLOCK 2


 to B

Acknowledge your new participants and let them


know they can leave now if they choose to.

RPM 94 © Les Mills International Ltd 2022


04. SOMEONE TO YOU 5:34mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
This first block is a great chance to set up Racing Let your class know that this block is a repeat
Resistance before the fast blocks 2 and 3 hit. Use of Block 2; this way they know what they are
Layer 1 cues to do this, focusing on Position and going into and you can focus on Motivating and
Pace. Inspiring them to the end of the track by using
Layer 3 cues. Don't forget to have fun with this
one! It's a great track!
• Ride easy, chest up, elbows soft
• Take Ride Easy, rolling through, slowing to a
• One more – boom! Climb, race, climb, race,
half Pace
done!
• Racing Resistance on the wheel plus two gears
• Climbing Resistance, Standing Climb, strong
• Back on gear, starting to roll, Medium Pace core
• You want to find your chasing Pace, this one is • A little side-to-side action with the hips, lean
fast so we are going to ride near the beat into the handlebars just a little
• First time out of the gates, 30 seconds! • 30 seconds! So good! Great conditioning
• Racing Resistance on the wheel, accelerate, everybody
chase • Hips forward, dip toes
• Chasing the beat: hips forward, chest up, dip • Last climb, heavy pressure, Standing Climb –
toes, abs braced let's go!
• Sit, reduce, Racing! 45 seconds!
BLOCK 2 • Open-mouth breathing!
Block 2 has a short 30-second Ride Easy before
we hit the working phase with not much rest. The
PERFORMANCE
transitions are quick so it's important to coach
the choreography clearly to make sure everyone The music of this track is such a great Pop song to
knows what they are doing. Once you've done sing along to. Match the fun and upbeat vibe of
that, think about what Layer 2 Speed cues you the song with your body language and voice and
could use to help your class chase the beat of this don't be afraid to have fun with the lyrics.
fast track.
TRACK TIP
• Slow half Pace, add one gear past Racing Blocks 2 and 3 of this track have fast transitions
Resistance. Slowing the legs gives us a bit of between Standing Climb and Racing and
Recovery there's not a lot of Recovery time. To help your
• A long effort coming up – we're going to class get the most out of this track, focus on
climb, race, climb and then race twice coaching simple Layer 1 PRP cues throughout
the two blocks. See how Glen does this on the
• Heavy turn clockwise, Climbing Resistance,
Masterclass footage.
Standing Climb, chest up, butt back and abs
braced
• 30 seconds, burn off at the top
• Sit, back off, Racing!
• Now we can feel it, right? Heart is beating fast,
legs are starting to burn! 15 seconds more!
• Second climb coming – slow, heavy, Standing
Climb
• 45 seconds this time, sit, reduce, chasing!
• We build our fitness today!
• Aero-Racing, last 15 seconds!

RPM 94 © Les Mills International Ltd 2022


05. INTERVALS
1/1 = 87rpm
TRACK FOCUS TRACK PROFILE
• Emphasize what Attack Resistance should feel 3 identical 60-second Intervals to challenge our
like to get the maximum Intensity and effort fitness.
out of your class for each 60-second Interval.

Music Sequence/Exercise Resistance Pace PI


0:00 Instr / (Eerie) 8x8 Seated Recovery B ½ E
0:22 / (Beat) 8x8 Ride Easy R 1/1

0:44 Build / (Vocals) 8x8 Ride Easy  1/1

1:06 Instr / (Synth drop) 4x8 Standing Attack A 1/1 H

1 1:17 4x8 Racing  1/1

1:28 / (Distorted vocals) 4x8 Standing Attack  1/1

1:39 4x8 Racing  1/1

1:50 (Vocals) 8x8 Racing  1/1

2:13 Instr / 8x8 Seated Recovery  ½ E

2:35 Build (Vocals) 8x8 Ride Easy  1/1

2:57 Instr / (Synth drop) 4x8 Standing Attack A 1/1 H

2 3:08
3:19 / (Distorted vocals)
4x8
4x8
Racing
Standing Attack


1/1

1/1

3:30 4x8 Racing  1/1

3:41 (Vocals) 8x8 Racing  1/1

4:03 Outro / 40x8 BLOCK 2


3  to B

RPM 94 © Les Mills International Ltd 2022


05. THE BASS 5:58mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
Describe the feeling of Attack Resistance as soon Final 60-second push to the end! This is the third
as possible to get your class moving with the time your class has done this so by now they
correct Resistance. Follow this by setting up great should know what's ahead of them. Focus on
Position and Pace by using Layer 1 cues. This will getting your riders to push to the very end and
help your class to ride with the right Intensity for to work their hardest by using Layer 3 cues to
the first 60-second Interval. Motivate and Inspire.

• Intervals – High Intensity training. It's about • The last set is the one that the body
sustaining Pace with strong muscle pressure so remembers
you can max out! • What are you going to do? You have one more
• 3 rounds, 60 seconds each. Are you in? chance
• Ride Easy: start rolling on the beat • Ride Easy. Rolling on pace
• Add Racing Resistance, good muscle pressure, • We are absolutely going to 'go for it'. I hope
so it takes effort to stay on the beat you are coming with us!
• We're going to go above Racing Resistance • Put your Attack gear on!
with our next gear; it's going to take more • You are responsible for the effort, commit to it!
effort • The bigger the effort, the bigger the fitness
• We want to make it feel like wet cement gains!
• Attack Resistance – strong muscle pressure, • Stay seated, 20 seconds, Racing!
big pedal drive, should be hard to push • This is what it takes to level up your fitness.
• Standing Attack: Hips forward, chest lifted • 10 more seconds. Your final push!
• Racing: Butt back in the saddle, hands wide
on the handlebars, concrete legs
PERFORMANCE
• Standing Attack: Lean in, push up
Show your love for riding hard by physically role-
• Racing: Brace core, grip bars tightly, stomp modeling the Intensity of this track. This will help
the pedals to Inspire your riders to work hard with you!
• Legs should be burning and it should be hard
to breathe!
TRACK TIP
The first block has the most amount of time to set
BLOCK 2 up Attack Resistance. Focus on achieving this as
A short Recovery before another 60-second soon as possible so that your riders are riding with
Interval. Use the Recovery to reinforce what great PRP straight away and to ensure they can
Attack Resistance should feel like and then get the most out of this awesome Interval Track.
focus on Layer 2 cues to Improve Technique and
Manipulate Intensity.

• Slow, reduce the gear, Seated Recovery


• It should be hard to breathe
• Ride Easy: Go above Racing Resistance
straight away
• Let's commit to the training effort. This is High
Intensity training!
• Attack Resistance – big pedal drive!
• Standing Attack: Feel the burn in the quads
• Racing: Feel the big Hamstring burn, the
glutes
• Hold pace, it's hard to breathe!
• Hold pace, your legs are burning!
• Stay seated, 20 seconds of Racing!
• Push with the legs, pulls with the arms! All the
muscles are under tension

RPM 94 © Les Mills International Ltd 2022


06. SPEED WORK
1/1 = 132rpm
TRACK FOCUS TRACK PROFILE
• Coach your class to feel and understand the Each block has a gradual build before we ride
important of Racing Resistance when we ride on the beat – Block 1 is 60 seconds on the beat,
fast and the training benefits from achieving Block 2 is 30 seconds, and then Block 3 has a 30
this. second and 60 second phase on the beat.

Music Sequence/Exercise Resistance Pace PI


0:00 Instr / (Pulse) 4x8 Seated Recovery  ½ E
0:15 / (Melodic beat) 8x8 Ride Easy B ½
1 0:44 / (Pulsing low synth) 4x8 Ride Easy  ¾
0:59 / (Synth drop) 16x8 Racing (Forward)  or opt 1/1 H

1:57 Instr / (Low) 4x8 Seated Recovery  ½ E
2:12 V1 / _ Daylight 8x8 Ride Easy  ½
2:41 PC / _ Always looking 8x8 Ride Easy R ½–¾ M
2 (Gradually build Pace)
3:10 Instr / (Clap + guitar strum) 4x8 Ride Easy  ¾+
3:24 / (Synth drop) 8x8 Racing (Forward)  1/1 H

3:53 Instr / (Low) 1x8 Transition  1/1–½ E

3:57 V2 / _ Quiet 8x8 Ride Easy  ½


4:26 PC / _ Always looking 8x8 Ride Easy R ½–¾ M
(Gradually build Pace)

3 4:55 Instr / (Clap + guitar strum)


5:10 / (Synth drop)
4x8
8x8
Ride Easy
Racing (Forward)


¾+
1/1 H
5:39 Low / (Beat) 4x8 Recovery  ½ E
5:53 Outro / (Heavy synth) 16x8 Racing (Forward)  1/1 H
 to B

RPM 94 © Les Mills International Ltd 2022


06. SUPERHUMAN (EXTENDED MIX) 6:58mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
Use basic Layer 1 PRP cues in this first block to set Last block and we finish with a 60-second block
up and describe what Racing Resistance feels like. of Speed! Use Layer 3 Coaching here to Motivate
Once your class is using the correct Resistance, and Inspire your class but don't forget to let the
use Layer 1 cues to set up Position and Pace so amazing piece of music shine too!
everyone can get riding with great Technqiue.
• Start to turn to Racing Resistance
• When you're ready, hinge forward from the • Up ahead we're going to try something a little
hips, come down, Ride Easy, hips back in the different – we know how to move to Pace;
saddle we're now going to internalize what it is to feel
• Half Pace, Base Resistance on your dial the muscles
• Speed Intervals ahead • Come with us, take your eyes down and close
them
• Let's reset – hips back, hands shoulder-width
apart, relax the elbows, light brace in the • Turn right until you feel that good pressure.
belly The muscles are going to pull; they're going
to react. That's when we know we're having a
• First Interval is for 1 minute and we're going to
quality ride
move just above Base Resistance
• What we've done there is created awareness;
• Turn clockwise, Medium Pace
awareness gives us power
• Let the legs take you where they need to go
• We have nothing to lose on this next
• This is feeling good! 30 seconds! 30 seconds!
• We're going to finish how we started!
BLOCK 2 1 minute!
This block has a long build up into the 30-second • It's going to get challenging; if the legs slow,
Racing phase. It's a great opportunity to use let them
Layer 1 PRP cues and to use Layer 2 cues to • Maintain pressure because that's how we get
Improve Technique and Manipulate Intensity. the training effect
See how Mandi did this by describing what the
• Your desire isn't going to slow down – you and
right Resistance and Pace feels like and why it is
us, 15 seconds!
important when riding on the beat.

TRACK TIP
• Next 3 Intervals – 2 short, 1 long
This track has an incredible sound. Use the
• To move on the beat, we need Racing
building Speed phases to front load your
Resistance and good pressure
coaching for the Racing phases, so that when
• Turn clockwise on the dial, start to build that the beat drops and we're riding on the beat our
light pressure back on the pedal participants can feel the power of this song.
• We're searching for a little push back in the
pedal
• Now, before we build up the the beat, we're
going to take the time to build our Pace
• Get our bodies set in a great Position to ride
well on Speed
• Dip the toes, relax the upper body
• As we get right up onto the beat, the pressure
allows the muscles to react, to lift the heart
rate, to give an excellent training effect

RPM 94 © Les Mills International Ltd 2022


07. MOUNTAIN CLIMB
1/1 = 69rpm
TRACK FOCUS TRACK PROFILE
• Motivate your class to work hard in this final A short 15-second Standing Climb in Block 1,
track by matching the energy of the music with followed by 90 seconds of mixed climbing in
your body language and voice. This will help Block 2, and 60 second climbs in Blocks 3 & 4.
drive everyone home.

Music Sequence/Exercise Resistance Pace PI


0:00 Instr / (Distorted vocals) 4x8 Seated Recovery B 1/1 E

1 
0:14 Beat (Heavy) 4x8 Ride Easy 1/1

0:28 Instr / (Heavy + sirens) 4x8 Standing Climb C 1/1 H

0:42 V1 / Hold my hand 4x8 Standing Recovery  ½ E


0:56 Shining star 4x8 Ride Easy  1/1

1:10 Br / You bring me to 1x8 Transition C 1/1–½

1:13 PC / Feels so lonely 4x8 Standing Climb  ½ M


1:27 QC / Feels like the 5x8 Standing Climb  1/1

2 1:44 Instr / (Synth) 8x8 Power Climb  1/1

2:12 / (Heavy synth) 4x8 Standing Climb  1/1 H


2:26 / (Heavy beat) 4x8 Power Climb  1/1

2:40 / (Heavy synth) 4x8 Standing Climb  1/1

2:54 / (Heavy beat) 4x8 Power Climb  1/1

3:08 Instr / (Low whirl) 1x8 Transition  ½ E


3:11 PC / Feels so lonely 4x8 Seated Recovery or  ½
Ride Easy
3:25 C / Feels like the 4x8 Ride Easy  1/1 M
3:39 Instr / (Pulse) ½/8 Transition C 1/1

3 3:41 / (Heavy synth) 4x8 Standing Climb  1/1 H

3:55 / (Heavy synth) 4x8 Standing Attack  1/1

4:09 / (Heavy synth) 4x8 Standing Climb  1/1

4:23 / (Heavy synth) 4x8 Standing Attack  1/1

Opt 1/1+ on last 2x8

4:37 Br / 25½x8 BLOCK 3


4  to B

RPM 94 © Les Mills International Ltd 2022


07. RAINDROPS (AVAO REMIX) 6:11mins
TECHNIQUE AND COACHING
BLOCK 1 BLOCK 3
This first block is short with just a 15-second A short Recovery and then we're straight back
Standing Climb. Use simple Layer 1 PRP cues into another 60-second climb but this time we
to get everyone riding with the correct Position, don't sit into Power climb; instead, we find
Resistance and Pace straight away. Standing Attack. Make sure you cue this change
early on into the choreography. Now that your
• Mountain Climb – we've got three heavy peaks
class has the basics of climbing, this a great time
and an epic tune to take us home
to use Layer 2 cues to Manipulate Intensity and
• Hinge forward from the hips, add a heavy gear, Improve Technique. See how Tommi does this by
find the beat – 1, 2, 1, 2 talking about what muscles she is using in each
• Relax the shoulders, brace the belly Position.
• Add a gear, Climbing Resistance, short
Standing Climb • Hands back on top of the handlebars, Ride
• Standing Climb: chest up, butt back Easy, slight reduction
• We're going to focus on the Intensity
BLOCK 2 • We're going to stay Standing for 60 seconds!
The first big climb of the mountain and a bit more Alternating Standing Climb and Standing
time to reinforce great PRP with Layer 1 cues. Attack!
Pre-cue the transitions between Standing Climb • Standing Climb – core tight, knees up!
and Power Climb so that your class knows what • Lean into Attack, we're going to use our quads
they're doing.
• Halfway through, back to Standing Climb
• Chest up, hips back. We're really working
• Bring your butt back, drop down, slight gear those hamstrings and glutes!
off, on the beat, Ride Easy
• Let's go back to your quads – lean in, let's go!
• Slow your legs down, but first, add a Heavy
• If you've got it, run!
Resistance
• Easy Standing Climb
BLOCK 3
• Hold the gear, bring your butt back, Power
Climb The last climb of the track and it's identical to
Block 3. By now your class should know what to
• Brace your core, drive your pedals away nice
feel and do, so focus on Layer 3 Coaching here
and strong, good pressure in your legs
to Motivate and Inspire them to the end. A great
• Stay right here for another 15 seconds way to do this is to be a physical role-model and
• Coming up, we have our first Power gear work just as hard as them!
alternating between Standing and Power
Climbs
• One more to go, and this one is going to be
• Chest up, core braced, drive your knees up our toughest! Our steepest!
• Eyes open, ears open, pull back, Power Climb • We're going to turn all of those intentions into
• Standing Climb, shift from side-to-side, use actions!
your body weight to help you • Our final effort, we're here with you!
• Lean in, use those quads to help you drive!
• Our final 30 seconds! What are you going to
do?
• Final 15! Are you ready to run? Lean in, Attack,
go!

PERFORMANCE
A 'retro' RPM track throwback to take us home!
Try to pre-cue some of your coaching in this track
to avoid overpowering the song. Instead, let the
music do the work!

RPM 94 © Les Mills International Ltd 2022


08. RIDE HOME / STRETCH
1/1 = 119rpm
TRACK FOCUS TRACK PROFILE
• Let the legs recover and bring the heart rate Easy Ride Home to assist Recovery and reduce
down while celebrating a great ride with your the heart rate.
class.

Music Sequence/Exercise Resistance Pace PI


0:00 Intro / How will I know 2x8 Seated Recovery  ½ E
0:08 V1 / There's a boy 8x8 Ride Easy B ¾
1 0:40 PC / Ooh, tell me 4x8 Ride Easy  ¾
0:57 C / How will I know 6x8 Racing  1/1

1:21 V2 / Oh, wake me 4x8 Ride Easy  ¾



2
1:37 PC / Ooh, tell me 4x8 Ride Easy ¾
1:53 C / How will I know 8x8 Racing  1/1

2:25 Br / If he loves me 5x8 Seated Recovery, roll shoulders


then transition off the bike,
shake out legs
2:45 QC / If he loves me not 3x8 Standing Quadricep Stretch L
3 2:58 C / How will I know 3x8 Standing Glute Stretch L
3:10 QC / I'm asking you 3x8 Standing Quadricep Stretch R
3:22 How will I know 2x8 Standing Glute Stretch R

RPM 94 © Les Mills International Ltd 2022


08. HOW WILL I KNOW 3:33mins
TECHNIQUE AND COACHING
BLOCKS 1 AND 2
Coach your class to ride at a comfortable Pace
with at least Base Resistance to help bring the
heart rate down and to flush out the legs.

• We're just going to relax now, we've done all


of the hard work!
• A little tension in our legs
• Reach out on the beat

BLOCK 3
Take your time transitioning off the bike and then
coach your class through each stretch.

• When you're ready, dismount off the bike


• Standing Quadricep Stretch – bring your
heel to your butt, keeping the knee in line,
stretching out those quads we used to attack
in the mountains
• Standing Glute Stretch – place the leg you're
holding over your thigh

CONNECTION
Use this upbeat, fun track to reconnect with your
class and to congratulate them on their ride
today.

RPM 94 © Les Mills International Ltd 2022


WE ARE ONE GLOBAL FAMILY
We are one global family of leaders, passionately Millions of us bind together every day to unite
devoted to creating a fitter planet. through sweat. Music is in our soul. We are
We fearlessly inspire others to discover their true passionate about it. It gives us drive and focus.
potential by falling in love with exercise. While honouring our heritage, we set course for
Exercise is our global movement. the future looking to inspire, innovate and create
as much as humanly possible.
Our movement shakes the world. We remove the
boundaries of judgment and empower all people We are ludicrous enough to believe that we can
to enjoy the unique benefit's of movement. change the world.
We are United.

OUR DECLARATION OF INTENT


The Les Mills family is made up of fitness clubs, Choosing, licensing and matching Choreography
Instructors and millions of participants from to the right music is a huge challenge! We
around the globe. screen all music and try to avoid any language or
We may differ in location, religion, Race, colour references that may cause offense. Sometimes
and language, but we unite in our love of there will be an alternative track (at the bottom of
movement, music and the pursuit of healthy the track list) for you to use instead.
living, for every single person on our planet. We embrace open communication with our
At Les Mills, we believe in the dignity of each global family so that differences of opinion can be
individual within our community, and we strive expressed, and education will always continue.
towards equality for all. We are here, doors open, ready to listen and
We celebrate and showcase all cultures through learn.
our choice of role models, music and movements, Above all, we are passionate about delivering
with the aim of broadening cultural awareness. life-changing fitness experiences, every time,
We know that what is considered appropriate everywhere, for everybody.
in some contexts can be seen as inappropriate
in others, and we aim to traverse these delicate
situations with the utmost respect to everyone.

RPM 94 © Les Mills International Ltd 2022

You might also like