Professional Documents
Culture Documents
Sustainable Futures: Leave No One Behind
Sustainable Futures: Leave No One Behind
Womens Opportunity Center, Rwanda. Sharon Davis Design. Photo: Elisabeth Felicella
VISION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
FORMATS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Authors of accepted papers will be invited to present at the UIA World Congress 2023 Copenhagen
July 2-6, 2023 and accepted papers will be published in the peer-reviewed proceedings published
by Springer.
We ask how critically engaged design, policy SDGs and their targets. The call encourages sub-
making and a comprehensive understanding of missions from academics, independent scholars,
the SDGs can challenge the way architecture civil society organisations, practitioners and policy
conceives, forms and changes the social-environ- makers. To encourage exchanges and learnings
mental balances we live in. across different knowledge and practice silos,
we welcome submissions in diverse formats and
With this call for papers the UIA World Congress across disciplines.
2023 Copenhagen Science Track aims to bring
together knowledge across research, practice Together, we want to identify the most pertinent
and education to provoke new perspectives, new questions, practices, methods and modes of
alliances and concrete action. research and development that can inform the
urgently needed transformation of our societies
The call invites new research and knowledge that and enable a sustainable, equitable and inclusive
critically explore the diverse ways in which archi- future for all.
tecture and the built environment connect to the
Design for Climate Adaptation asks how high and low-tech
solutions to environmental and ecological design can create
regenerative, resilient and adaptive architecture.
Design for Rethinking Resource explores strategies for shifting
from an exploitative to a restorative, regenerative and circular
architectural design ideology.
Design for Resilient Communities asks how the way we design,
build and inhabit our communities can support equitable,
participatory and inclusive societies.
Design for Health investigates how architecture can critically
rethink the intersections between public health and living.
Hong Kong Wetland Park. Architectural Services Department. Photo: Architectural Services Department
PANEL CHAIRS
FOREGROUNDED SDGs
FOREGROUNDED SDGs
Cork House, United Kingdom. Architects: Matthew Barnett Howland with Dido Milne (CSK Architects) and Oliver Wilton (UCL). Photo: Magnus Dennis
PANEL CHAIRS
• P
rofessor at the Massachusetts Institute • Focusing on Digital Fabrication
of Technology • P
rofessor and Head of the Centre for Infor-
• Director of the MIT Senseable City Lab mation Technology and Architecture (CITA)
at the Royal Danish Academy of Fine Arts
FOREGROUNDED SDGs
The incorporation of design for Bio based materials present Circular principles ask us to
assembly modelling allows the a particular perspective on reconsider the waste streams of
articulation of how processes of circular thinking. As instances of production. How can models of
building construction impacts biomass they are renewable and recycling and cascade thinking
material choice. How can design potentially abundant, carbon reallocate material resource from
incorporate ideas of adaptability neutral and recyclable. How can waste to product?
and processes of disassembly new processes of growing and
What are the models of
to allow for more flexible and harvesting building materials
circularity that can allow us to
reconfigurable building stock? allow us to build for carbon
challenge production and how
neutrality?
How can these processes allow can design engage further waste
us to transform the way we How do we define emergent streams such as pollution, water
understand building programme practices of growing biohybrids, overuse and energy efficiency?
and occupation? employing mycelium as strategic
building materials or engaging
synthetic biology as a new
design space and what are the
central interactions with ethical
concerns for food security and
ecological sustainability?
FOREGROUNDED SDGs
Womens Opportunity Center, Rwanda. Sharon Davis Design. Photo: Elisabeth Felicella
PANEL CHAIRS
• R
esearch Scholar at the Center for • D
ean and Professor, The Faculty of
Sustainable Urban Development at Architecture, Landscape, and Design,
Columbia University’s Earth Institute The University of Toronto
• C
o-founder and editor of the journal • Director, Urban Ecologies Design Lab
Architectural Theory Review (1996-2010) • Principal, IDU architecture
FOREGROUNDED SDGs
FOREGROUNDED SDGs
PANEL CHAIRS
• C
o-founder of the African Design Centre • R
ecognized for his work focusing on sustainable
to empower leaders to design a more development solutions in informal settlements
sustainable future of Karachi to encourage better health and
• P
rincipal and Managing Director at MASS access to necessary facilities
Design Group, which researches and builds • Arts
architecture focusing on social justice issues
FOREGROUNDED SDG
FOREGROUNDED SDG
PANEL CHAIRS
FOREGROUNDED SDGs
FOREGROUNDED SDGs
The National Memorial for Peace and Justice, Rwanda. MASS Design Group. Photo: Alan Ricks of MASS Design Group
PANEL CHAIRS
FOREGROUNDED SDGs
How to reframe the How to understand The modernist assumptions The discursive and disciplinary
understanding of communities participation beyond the of public space and natural aspects of design sustain
beyond who is the care-giver and asymmetrical relationship habitat is about their design and a dominance of a unique
who is care-receiver, who is the between “organizers” and the management that eventually modernist universalism through
guest and who is the host, who is participating communities that allow them to exist without the skills acquired at school
the saviour and who needs to be are often reduced to “relief people and communities. and the knowledge produced
saved today? recipients”, who should gratefully The ethics of commons and in academia, which fail to
endorse the attempt of those commoning dismantle this respond to the needs and desires
How to re-frame the
who are there to help them? assumption. How to re-frame the across particular situations.
understanding of the concept
understanding of the commons The references of expertise that
of ‘communities’ in their role of How to re-frame participation
as spaces near and far, created inform the roles of designers
political subjects able to create not only as a performative tool
by the interaction of people, within the communities and
alliances and contribute actively that makes organisers feel good
where commons can exist environments diminish the
in more inclusive and open but in its ability to challenge
only if people and more-than- potential and impact of design
collective domains? dominant power structures and
human agencies of habitat are both as intervention and as
to find new balances between
constantly producing them? critical imagination.
existing structures and how
not to hesitate to understand How to re-frame design in its
participation as a tool of role of challenging dominant
operation to negotiate conflict? structures by strengthening and
amplifying alliance building and
people-centered space making?
How to set the architectural
language free from a unique
universalism, towards a language
of plurality?
6.5 6.6
RE-FRAMING: RE-THINKING:
AGENCY LAND
FOREGROUNDED SDGs
ċ C
ase studies, which could be comparative
A Narrative Essay must be contextualised by a
studies, design as a product, context studies,
relevant problematisation in regards of which it
and more
can drive a point/ challenge/ inform.
ċ Methodologies
ċ D
esign as Scholarship where the process of Narrative Essay submissions can include:
design is the research method
ċ O
ral History.
ord count (including references in accordance
W Transcribed interviews collecting memories
with Style Guide) and images: and personal commentaries of historical
significance as told by individuals
ċ Full paper: 4-6000 words (oral presentation)
www.oralhistory.org/about/do-oral-history
ċ W
ork in Progress paper (Short paper):
ċ S
torytelling.
2000 words (oral or poster presentation)
Experimental or narrative pieces that can
critically inform or contextualise architec-
VISUAL ESSAY tural practices. This could include subjective
A Visual Essay is a research presentation where experiences that convey an event, relation,
images contribute with knowledge, analyses and situation, place, or phenomenon that produc-
conclusions which cannot be expressed with words. es knowledge or unveils perspectives relevant
on broader scales.
The Visual Essay can be an entirely visual piece
or it can include writing, such as an introductory ċ Dialogue format.
text. Visual Essay submissions can use deep A practice or a piece of work in another type
captioning where appropriate. of practice than architectural, i.e. film, litera-
ture, etc is discussed by the creator and the
paper author in context of architectural prac-
A Visual Essay is not a research paper with
tices and the 17 SDGs, revealing new critical
images serving only as example, illustration or
perspectives.
additional documentation.
ord count (including references in accordance
W
Visual Essay submissions can include: with Style Guide):
ċ D
esign as methodology for architectural ċ 4000 words and 2 images (oral presentation)
scholarship
ARGUMENTATIVE ESSAY
ċ D
esign as scholarship, where the process of
An Argumentative Essay contributes with provoc-
design is the research method
ative critiques, ideas, considerations that inspire/
ċ Artistic processes challenge/ inform new analytical angles, connec-
ord count (including references, in accordance
W tivities, blind spots, etc. based upon substantial
with Style Guide): research references and well developed and
ċ L
ong paper: 30 images and 3000 words, in- reasoned arguments.
cluding deep captioning (oral presentation)
Argumentative Essay submissions can include:
ċ S
hort paper: 15-20 images and 1200 - 1500
words, including deep captioning ċ Position paper
(oral or poster presentation) ċ Provocation
ċ Critical commentary
Word count (including references in accordance
with Style Guide):
ċ 4000 words and 2 images (oral presentation)
KEY DATES
October 3, 2022 Deadline for Full Paper submission (abstract submission not required)
July 2 – 6, 2023 Presentation of Paper at the UIA World Congress 2023 Copenhagen
Game Street Mekka, Denmark. Design studio: EFFEKT. Photo: Rasmus Hjortshøj