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  • TP N°2 - Completo: Invención A Dos Voces

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    Yaz Chandia
    12 views2 pages
    This document is a musical score for a two-voice invention composed by Yazmin Ailén Chandía. It contains musical notation across 18 lines showing the melodic lines and harmonies between two voices or instruments. Key elements include rhythms, pitches, dynamics, and other musical markings to guide expression and performance of the piece.

    Original Description:

    Contrapunto

    Original Title

    TP N° 2

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    This document is a musical score for a two-voice invention composed by Yazmin Ailén Chandía. It contains musical notation across 18 lines showing the melodic lines and harmonies between two voices or instruments. Key elements include rhythms, pitches, dynamics, and other musical markings to guide expression and performance of the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    12 views2 pages

    TP N°2 - Completo: Invención A Dos Voces

    Uploaded by

    Yaz Chandia
    This document is a musical score for a two-voice invention composed by Yazmin Ailén Chandía. It contains musical notation across 18 lines showing the melodic lines and harmonies between two voices or instruments. Key elements include rhythms, pitches, dynamics, and other musical markings to guide expression and performance of the piece.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    TP

    N°2 - completo
    Invención a dos voces

       
    Chandía, Yazmín Ailén


           
        
     
     = 50

               
            
     

                         
      
    4

               
                


     
                          
         
    6

        
               

             
       
                 
      
      
    8

                     
         

                               
        
    10

                
           

              
     
                   
    12

      
                            

               


               
    15

       
                   
            

      
           
    

      
    18

                 
      
    

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