smut peddler! ye ae Paperback Rock & Roll Hardcover Independents Sex-Mex Film Fodder Go Go Gorilla Amorous Apes Jim Harmon: Hollywood Hemingway x VOL. 1 a NO. 2 the bizarre world of paperback exoticaell, here we are again, manymoons later and still sludging our way through the steamy swampland of sleaze paper- backs and assorted ephem- era, that naughty nether- world known simplyassmut. Mucho mail was received here at HQ from sleaze en- thusiasts worldwide, and to all the ladies & germs who provided info and encour- agement, we offer a whack on the bean with a high heeled boot or a windblown. smooch, depending on indi- vidual bent and desire. Big, super thanks to everyone for dealing with delays in get- ting this second issue out, hopefully it's worth the wait. «Inthe Small World depart- ment, let it be known that those Xmas tree shaped car air fresheners with Betty Brosmer in the ads are still being hawked in hardware stores, at least here on the East Coast. Locally, there'sa hard working mideast immi- grant guy selling cards of the dangling Betty trees (as well astool belts, big fluffy stuffed toy dogs, and six packs of tube sox) on foot at the in- tersection of Atlantic & Van- derbilt if you happen to be motorvating toward Bed- Stuy/Crown Heights in the near future. For anyone with beware, the deodorizers perched below Betty B's 39D's on these display cards are positively noxious! BB, who married hunkalicious bodybuilder Joe Weider in 1962, has been hoisting bar- bells with hubby ever since! Check out the latest Weider muscle ragson newsstands/ in health food stores nation- wide for current pixofBetty, who edits a body-conscious column for the ladies. She's still dazzling as ever... in the Cool & Wild Dept., Ed Wood-fanatic/dise jockey Scott Warmuth added a bi- zarre hunk of Wood ephem- era to his collection when he cameacrossacopy of Carlson Wade's paperback HOMO- SEXUAL GENERATION (Europa 517). The cover shows the title with a great blurb: "the real story behind the sick, sick homosexual generation" and shows the author as Ken Worthy. ‘The title page flaunts the same title, butas by Carlson Wade, but the text is for LET ME DIEIN DRAG byEd Wood! L.S. Publications, home of Europa Books, was notori- ous for cheezy repackages, butthis isa great addition to the still nowhere-near-to- being-totally-excavated world of Wood books. Solet's get on with the show. We'll cover some ground on hardcover bar- gain binsleaze, tell you about a conversation with West Coast (via Chicago) smut scribe Jim Harmon, flash some fotos of tuff vixen Jean Moorehead (platinum she- brute of VIOLENT YEARS fame) revel inthe King Kong komplex a bit, and pander a set sale that'll keep some of you no-goodnicks off the streets for afewhours. Hope you dig it all! ‘3RD HIT “*GIRLS OM THE MOOK” I,REVEALED AT LAST! : 43 HITLER’S = 5 STRANGE ‘eepdored wy on a LOVE rd a ceed LIFE ‘y; ves ITT) Ae Mle bier ae UE iT ee lhe Te a Foc year tha vorid ed beard esl /ehispees about pee Peeperelin og Be sisESiCGidl clghyasqsiogeacd eae Meatahe Here's another-- Novel Book first time, you can read the entire uncensored story i 3075. Rumorhas it BB never sf Hier parsna ie, is most intimate thous Bees i St told by HITLER'S PERSO! j in the buff at all-- she Every page of this gripping book reveals thoughts sez it was all tease, no tamales. and acts so abocking that you will be beld spell- AY [HT IRS Uso, whatkinda dee-lightfal Hound by its weirnees film fodder did she present in GUYS UNIQUE FILMS (see Peay ey ad)? Just robust bustercises as oh hoon? _demonstrated here? St. Louis Globe Democrat You will gasp with dishelief as you read of Hitler's pursuit of the 15-year-old Geli, of bis wayward fitter, the women who were reserved for officers. Sm Gum Sie Sond You will be fascinated by this true revelation of HOME MOVIES tortured madness. Here is Hitler's most intimate Create sersatonat physical aod mental life, stripped bare for you to ox noe, Fead and understand. This is a book only « doctor Time Sai been é could write, one who has literally lived with Hitler, ow tens Bia studied every part of his character, weaknesses and Coen chee vices. Written in non-medical, easy-to-read lan- Wester” Conety o Guage, this book may shock you as n0 other book ever has! FREE! send tortree“SiashPrice List’ For BILTMORE PUBLISHING CO., Dept. AH-36 full peoectoniengt, exciting. and dlignt fim: "SEVEN DREAMS IN 7 SCENES'—send only 45 East 17th St., New York 3, N.Y. tes paenme tae Gla ae nd 10 = be “I was Hitler's a 2aun trance bone, Hatin 2 Op arrival F will pay postman only $1.98 1 us . ‘book within SMUTPEDDLER#2 — Thanksthisishto Chris Eck- Pie reas ae iis retotit mot © 1993 M. Linna off, BhobStewart, Alan Betrock} $efentca. The Peddler is published and_Jim Harmon ated whenever the mood strikes, ee ee. All correspondence must be| vA Name. accompanied by an auto: graphed photo. Mail to: PO ae eedThe name of Jim Harmon is well known to fans of mid six- ties sleaze paperbacks. Like his good friend (and Smut Ped- dlertave scribe) Ron Haydock, Jim was originally from the mid- west-- he was born April 21, 1933 in Mount Carmel, llinois, near St, Louis. He grew up a voracious reader and movie goer, and began writing sci- ence fiction and adventure stories asa teenager. His ear- liest published short stories werein Science Fiction Quar- terly and Smashing Detec- tive, and then he moved on to It and Galaxy magazines. Al- though he had written science fiction novels, and wanted to write SF exclusively, he could not finda publisher for his work. In 1960, Jim wrote to science fiction kingpin Forry Acker MEET THE SLEAZE KINGS Pt. 2: Jim Harmon man for advice on how to get into the novel writing business, and Forty in turn suggested that Jim move outto California, a tip which Jim promptly fol- lowed through on. Forry sent Jim to Parliament Publications, Where he was to become a staff writer of not science fic~ tion, but, you guessed it~ sleaze. Jim took on the job to pay the rent while he worked on his science fiction material, and managed to slip in a good amount of SF into the sleaze plots. The wonderful Epic line of adult paperbacks was Par- liament’s big new baby, and Jim's first novels, Vixen AND| SUDDEN LUST! ae fou bn i sivas Hollow, The Man Who Made Maniacs, and Celluloid Scandal were all issued in 1961. Coincidentally, Ron Haydock had moved out to California sooh after Jim, and had been working with Forry ‘Ackermann on Famous Mon- ‘sters. Jim, who had moved to L.A.at Forry’s suggestion, had also beenwriting for FM. When: he and Ron met, they became immediate friends, both being Illinois transplants, both being movie and sci-fifanatics. When in early 1961 Ron had com- plained to Jim about having a hard time making ends meet, Jim persuaded Ron to get into sleaze writing. The novels that each wrote during their mutual careers at Epic, France, Nite- time, and PEC were filled with injokesandreferencestoeach other. Most of Jim's output is credited to his real name, how- ever, collaborations were not. Generally, the Judson Grey pseudonym meant a Harmon- Haydock collaboration, while Jim Harvey and J.H. Wilkins meanta Harmon zollaboration with Will Kuhn, Jim estimates that his total sleaze novel out-put numbered between thirty and thirty five titles, with the career lasting three years from 1961 to 1964. He did have one last novel published by Green- leaf Classics five years later, in 1969. By that time, Jim had written The Great Radio He- roes, an in-depth history of radio dramas, and continues gts STRIP to write about old time radio, movies, and science fiction. Cult film fans should note that Jim appears in Ray Dennis ‘Steckler's LemonGrove Kids Meet the Monsters-- he's the ‘Spanky- type kid in the gang. Inthe early 60's, Jimalsowrote several movie scripts for Jack H. Harris, producer of The Blob and Dinosaurus, but the Scripts never made it tofilm. In the early seventies he edited Monsters. of the Movies, which featured several great monster movie research ar- ticles by Ron Haydock. Check out Jim's humor-injected adult stuff. Its a gas! JIM HARMON Epic Vixen Hollow Harlot Master(Jamieson Har- vey) ‘The Man Who Made Maniacs The Celluloid Scandal Wanton Witch (Judson Grey) Twilight Girls (Judson Grey) France Silent Siren Silent Sex Twist Session Passion Strip PEC Sex Burns Like Fire Pillow Sin Unlimited (J.H. Wilkins) Boudoir Abortion Mill (Jim Harvey) Pagan "And Sudden Lust _ Greenleaf Sure Sale Love Dream Non-Fiction by Jim Harmon The Great Radio Heroes The Great Movie Serials (w/ Don Glut) Jim Harmon's Nostalgia Cata- log Radio Mysteries and Adven- turesHARDCOVER SOFT-CORE © The Exotic World of Ladies Lit ° t's an accepted notion that 99.99 per cent of high rollin’ sleazeballs are of the masculine persuasion. No doubt, hibrow scribes & scribblers have explored the world of femme-penned ¢rotica, touting hotpants Hil- debrands like Anais Nin and assorted diary dribblers, but the weary dabblings of the silver spoon educated sct have never held much fascination here at Peddler headquar- ters. What does interest us is 20th century pastime litera- ture produced forthe masses- the swarming masses, the great unwashed swarming masses, the toiling, swarm- ing, unwashed, unspectacu- Jar, unimportant, unsquash- able massesofwhich any true sleaze fan is roisterously, rousingly, rambunctiously, roilingly glad to be part of, participles dangling gleefully. Although inexpensive exot- ica (a/k/a cheap smut) is considered a male-oriented diversion (indeed much of it isdirected at he-man hodads) there isa proverbial pantload of steamy perusables aimed at wimmenfolk, too. It'sbaf- fling cnough that women's magazines haven't gotten a fair shake in the hallowed realm of pulp/rag esteem- ables-- grcat monthlies like True Stories, Secrets, My Love Confessions-- arcram- packed with not only excit- ing hotdog recipes, home decoratingtips, feminine pro- tection plugs, but also with fantastic pantie-dampers: first person lady lore cut from the same smokey ham as guy's gunk, but, as should be ex- pected, with a decidedly dif- ferentbent. One ofthe prime ingredients ofpre-'65 femme fodder is guilt, an emotion’ thats gencrally painstakingly omitted in men's mag-land, along with other minor-key sandbaggers like fear, sad- ness, jealousy and regretful- ness, all primo ingredientsin stimulating femme lit. It needs not be said that love tops the previous list of soft emotions. None of these womanly feelings are called upon in any men's mags -- the classier T&A rags em- phasize confidence, coolcon- trol, brazen zestfulness, a lusty adventurous. spirit, while as we move down the ladder, brute emotions take over until we fly screaming into the black hole of the kindly-monickered " adven- ture magazines", those which featured brutalized dames, WW? atrocities, jungle hor- rors, big game tips, foto es- says on unsightly surgeries and frcaks alongside occa- sional low gradc negligec pic- torials anc eae (this is descriptive commen- tary only, as I dig this crap the most and most certainly attest to its bizarre excel- lence). Counterpart efforts like Playgirl magazine were tame, lame, and unconscia- blysilly-- timid cffortsto serve women up with the same lewditudes that men found so enervating. The feminine sector simply didn't fawn for the same stuff, and speaking for the complicated sex, what we did need was huge help- ings of personal crap, bal- anced out with a quick stain removing tip or an casy cen- terpiece that could be con- structed from a used bleach bottle and a bit of leftover yarn. Confessions magazinesare often mistaken for teen ing theactivities ofa particu- jealous, jilted psycho Mom babe rags, when in reality, lar supermodel whose swim- forcing Betty to downplay they aim for a much wider suit calendar he employed as her assets, filling her with lies female audience. Person- fluffernutter fodder. These aboutthe evilsex. Again, the ally speaking, my own gene- days, child rearing experts alternate world of real, truc sisasamag reader went from shun age-old sex-role appli- Lesbianlit (paperbacksin par- girly comics like Millie The cations, pompously denying, ticular) exists in a somewhat Model (total fave!) to ro- the Dick & Jane/Jack & Jill/ parallel, but definitely re- mance comics and rock & Caesar & Cleo stereotyped moved strata, and the regu- roll mags (like 16) and teen rolesofmale & female, claim- lar queryabout whether Les- fashion mags like Teen, In- ing it's damaging to a child biana was intended for guys genue & Seventeen tocon- to be molded into a "type". or dolls gocs on and anon-- fessions mags, with about a Fine, say I, and fine again, one nugget on that subject- two-three year period of but it's a glorious, cel- - guys may find the floral, comics/mags flap, the com- ebratable fact that the sexes soft-focus, adjective injected ics-to-love mags transition re soon weaned to separate Lesbian pap stimulating, but occuringhand-in-glove with word worlds. From girlhood, Lord knows there ain't a the emotion-packed years of romance comics, confessions babe in tarnation who finds puberty. Asatcenage reader, magazines, and girl's books any gay guy's gunk juicy in confessions magazines pro- like Nancy Drewand Cherry the least! That's a private vided insight into love and Ames chart our emotions. world best left to lavender marriageandthe many,many And where useless guys (and Jads! (I'm talking about the pitfalls that could maim a even more, useless dames) generally humorous gay young girl's reputation, and would love to read some smut, rampacked withstere- therefore, future happiness. grotty Lesbian attitudesinto otypes, which I'm sure brings But confessions mags were wimmen-oricnted wordage, a howl from those who live nottcen galmagazines--they let it be known that these the legend-- I shoor am not were designed for females of mags, and the aforemen- dismissing great hi-powered child bearing age, beginning tioned romance comics, and required reading like CITY * in the teen years, but con- the soon to be discussed OR NIGHT or LAST EXIT rockingchair years. Thistype frankly, at "normal" women way, thatallsaid assome type ofmagazincexisted,andcon- readers-- any insinuations of prenup appetizer, get a women-- few guys would wimmen is so off-base and and let's get while the get- want to be caught reading far-out as to be ridiculous.tin’ is good: HARDBACKS Maybe" or "MyMotherStole realm were flatly labeled as My Man" inanissueofLove perverse and unacceptible-- a chance of catching a guy pathetic view ofthethirdsex, rome omene sux Wi poring over a women's fash- but it was always tempered °F S46* se scaetw f would not be of such dubi- plained the aberration away ree ous direction, as the casual with tales of Mom dying ae, reader was checking out the uneducated son-hankering WEG latest pre-teen nubilesin the Daddy bringingherup with ors sir emo tinuing on through to the hardcovers, were aimed, TO BROOKLYN.) So any- tinuestoexist,exclusivelyfor that wimmen gunk is for gay beverage and a few Anacin "Mommy's Baby/Daddy's Any pastel themes in this Story. ‘There's a better sure, often there wasasym- Evetye WEST ronouty 5.09, ion magazinc, and that act with information that ex- observer would assume the when Susie was a baby & an panty hose ads or research- a bascball mitt or maybe a _wsacass, aurFOR SOFT MINDS. My own interest in low budget postwar publishing compa- nies came in stumblingacros a copy of hardcover ed of BACKSTAGE TEMPT- RESS by hizzoner Joe Weiss. Joc had by then become one ofmy personal JD paperback Top Ten via his stellar Bea- con effort GANG GIRL. I had spoken with JW on the, phone and he had been just as sleazy as you'd want him to be. (Does anybody out there have a videotape of Joe Weiss on the Joe Franklin Show? Somebody say YUP!!!) Also, he was a lifetime Brooklyn resident,and tome, the City Across the River is, andalways will be, the real & true Gaddadavida. So, any- way, Herr Weiss already had anumber of tuffpointsin his favor by the time I came across BACKSTAGE TTEMPTRESS. The discov- ery of _ that one lone hardcover opened up a new world that co-exists gor- geously with paperbacks of the same era. Bizarrely, most paperback mavensare oblivi- ous to hardcovers, and it's weird and kinda LOUSY ofsome so-called experts to refer to oh-so-many carly indie editions as PBO (Pa- perback Only) when there were c¢qually luscious hardcover editions issued by small hardcover houscs. Per- haps these scholars, in their constant search for more reasonstosnear, sniff& snub, have erroneously deemed many postwar non-majors as vanity houses-- and bye the bye, what the heck's so lo- class about vanity presses? They're the BEST! I think ALL writers should have to PAY the PUBLISHERS-- maybe even PAY THE READERS-- to get their gunk read! Maybe that would inject a little humility into crummyidiots who think the world owes THEM because they know how to type fast & use a dictionary! IfI meet one more nitwit going to college to become a great writer, I'm gonna wonk 'em on the skull with the cight- cen pound family Bible Mom just passed down to me, I suppose because she figgered I needed ig (and its super scarey dragon engravings)the most. Maybe a whack upside the head with the ultimate ghost-writers' nightmare would send 'em groveling back to Herschell Gordon Lewis's On The Art Of Writing Copy, the only manualofstyle anybody with an SRA education needs to own-- ever-- and that only because of the guaranteed double whammy flashbacks Teftz two regular Joes-- Weiss and Franklin discuss nostalgia value of GANG GIRL. from Blood Feast and Gore Gore Girls that'll slam up alongside the Five Great Motivators. So anyway, small press hardcovers have fallen between the cracks into limbo. Hardcover collectors don't want 'cm, and paper- back collectors pretty much pretend theydon'texist. Hey, it's everybody's loss. My guess is that just as with the paperback world (where it took big wig dealers forever to recognize the coolness of pb digests, JD books, and adult stuff), the realization thatindic hardcovers possess. excess finesse will eventually come to the presumptuous price guide popes, whose tastemaking talents leave more than a few gasping for oxygen & groping for bludg- cons. Now that we've suc- cessfully flogged any doubt- ers within reach of the trusty crop, let us safely return to a congenial fireside chat about early massmarket adult read- ing in hardcover. Hands-down king o! the heap in world of the hard bound hootenanny was Jack Woodford, "the American Rabelais", as he called him- self. Woodford was born in 1894 in Chicago, where he was educated in public schools, and where he grew into a writing career at Northwestern University in Evanston. His first workasa writer was as a newspaper reporterin Chicago, Detroit, New York and Richmond, Virginia, but Woodford made his name as a sooth sayer, not a truth teller-- every day fiction was hischosen craft. To call Jack Woodford prolific would be a gross understatement-- in his lifetime, the man wrote many hundreds of short sto- ries and many dozens of books-- and he not only wrote them, but also pub- lished them, marketedthem, and promoted the living daylights out ofhimself,too. Tracking Woodford through his works is dizzying, and thisinitial forayissimply that. I've barely scratched the surface and hope one day to get the shebang into sharper focus, for now, call this a basic primer to the naughty pen of Jack Woodford, perhapsthe original Chicago smut scribe. So then, we have JW working as a newspaper reporter during Prohibition insleazey, boozey, mob-run Chi-town. But our hero was a news hound with literary aspirations, a bohemian in- spiration, and a mad flapper mentality. The first quarter of the twentieth century spawned a new, wild breed of free thinker, of which Woodford was most defi- nitely part and parcel. Al- thoughhisultimate audience was to be the quintessentia- lest (sorry, language masters) of common man (more vo- yeur than docr) his immedi- ately post-market crash novel assaults, like the privately printed 1931 hunk of low- brow exotica, entitled, most excellently, WHITE MEAT, was sold inalimited printing of 1,000 to the erotica cus- tomersofPanurge Press (who also produced a volume about the history of circum- cision, flagellation, hermaph- roditism, and other sexual Jack Woodford. in 1946 off-themes). The title WHITE MEAT might have been acceptible to a private, crotica-stoked audience, but Woodford knew that those two little words, innocuous as they were apart, would together be seized upon by zealot censors when the book was issued, as it was, to the general public. Indeed, when Woodford progressed to establishing his own publish- ing company in the 1940's, the luscious WHITE MEAT became WHITE HEAT (Jack Woodford Press-- henceforth "JWP" 1946). In a nutshell, Woodford's nov- els have appeared in three _distinct formats /editions in at least three subsequent decades. Dig; in the 1930's, Woodford appeared in hardcover for private and public publishers like God- win. By the close of World War II, Woodford had relo- cated to New York City, where he established hisown. publishing empire, Jack Woodford Press, in 1946. The sublime coolness of theJWP cannot be overempha- full page advertisement for sized. Here was a writer, a JWP, listing selected hard- novelist, with such self-es- cover titles available from teem, such self confidence, Woodford Press at $2 cach. that rather than kowtowing Avon undoubtedly figured totheeditorialnonsenseand that the two-buck tag was weak sensibilities of estab- lished publishing houses, es- tablished his own company to reissue his earlier novels another example of Wood- and also to publish his new ford's relentless quest for books, as well as those by publicity, and although it is writers he genuinely sup- doubtful that two-bit book ported-- such luminaries a8 customers would dish out $2 Orrie Hitt, Joe Weiss, and to mail order for hardback the lovely Fan Nichols. yolumesof Woodford, it did Meanwhile, Woodford saw at least suggest to readers that is was absolutcly neccs- that the Woodford name sary for him tobe available in meant an expensive, mayhaps paperback as well. When eyen a hi-classproduct. Dur- Avon came knocking, ing the decade that JWP was Woodford wrangledadream jn operation, Woodfordstill deal out of the soon to be continued to expand into paperback giant. 1940's new territories. In 1950, he Avons possess the look and arranged to have Arco, an- feel of dime pulps and the other New York hardcover mentality of a public men's publisher (printed by Knick- too hefty for their dime store customers anyway, so what the heck. Still, this was just room. They were the obvi- ous choice to realize the first paperback issues of Wood- erbocker) issue his new ma- terial. From what I can dis- cern from the Arco hard co- ford's novels. At the time of yers in my collection, these his arrival at Avon, the pub- are all first editions. The line lisher's roster included such was short lived, closing up literary luminaries as H.P. Lovecraft, James M. Cain, and John Steinbeck. The deal that Woodford struck with Avon allowed them to reis- sue any Woodford Press titles, provided they print a Fan Nichols. Queen of the Woodford stable. ' ‘shop in 1952, at which time it appears that the rights to Arco material. then went to Universal, which reprinted the first Arco book as a Uni digest in 1953. A yearlater, the much-adored Beacon line of pocket sized paperbacks was born, and began reissu- ing Uni, thus Arco editions. When Arco exited from the picture as a hard cover com- pany, Woodfordimmediately established the fabulous Sig- nature Pressin Baltimore. An carly Signature edition re- veals that the company was formed with Woodford as a principal owner, and stated that the goal ofthe company was to publish and promote books written by Woodford and by "young writerswhom. he personally trained in the Woodford style". In business from 1952-1953, this busy small press issued first edi- tions by, of course, Wood- ford, writing with a slew of efficient scribes like Orric Hitt, Joe Weiss, and John B Thompson. AlthoughWoodford Pressremainedin wood post office box num- operation through 1956, ber for fan mail. He: had been with its offices in New York, hired by MGM as a screen- Woodford hadmovedoutto writer, a task he gladly took California a year or two car- on, despite the fact that he was still operating a veritable lier, happily listing his Holly- WOODFORD IN HARDCOVER *Woodford, Jack/James Matthews A CASE FOR PASSION (Signature) *Woodford-Campbell AGNES (Arco) “Woodford, Jack/Jeanne Renee BUNDLE OF CUR- VES (Signature, 1952) “Woodford, Jack CITY LIMITS (JWP, 1947) ‘*Woodford, Jack/John B. Thompson DESIRE IN NEW ORLEANS (Signature, 1952°) “Woodford, Jack as by "Anonymous" DOWN AND DOWN AND DOWN (Signature, 1952) Woodford, Jack EVANGELICAL COCKROACH (collection of JW short stories) JWP ‘Woodford, Jack FLAME (JWP, 1949) *Woodford, Jack FOUR EVES (JWP, 1947) orig: ASSISTANT WIFE + Woodford, Jack/Todd Marshall FRENZY (Signa- ture) “Woodford, Jack GENTLEMEN FROM PARNAS SUS (JWP, 1951) “Woodford, Jack HARDBOILED VIRGIN (see LA- DY KILLER) *Woodford, Jack HERE IS MY BODY (JWP, 1948 © 1931) *Woodford, Jack/John B. Thompson HONEY (Arco, 1951) +*Woodford, Jack HOOF HEARTED (JWP, 1951) *Woodford, Jack HOW TO...(non-fic) Arco, 1951 ‘Woodford, Jack ILLEGITIMATE (JWP, 1946 © 1933) *Woodford, Jack ILLICIT (JWP, 1947; orig. title INDECENT © 1934) * Woodford, Jack INDECENT (Wm. Godwin, 1934) *Woodford, Jack IRIS (JWP, 1946)orig. title: DEL- INQUENT © 1934 Woodford, Jack JOURNEY TO PASSION (JWP) * Woodford, Jack (as Howard Kennedy) LADY KILL- ER 1933 ‘*Woodford-Hitt LEASED (Signature, 1954) *Woodford, Jack/ John B. Thompson LOVE IN LOUISIANA (Arco, 1951) *Woodford, Jack MALE & FEMALE (JWP, 1946 ©1934) *Woodford-Thompson MALE VIRGIN (Arco,1950) Woodford, Jack MIRAGE OF MARRIAGE (JWP, 1948) ‘*Woodford, Jack/Conrad Carter NIKKI (Signature 1953) ‘*Woodford , Jack/Graham Roberts NYMPH'S CON- QUEST (Signature) *WoodfordThompson PASSION IN THE PINES (Arco, 1951) Woodford, Jack PLOTTING (Carlyle House 1939) ‘Woodford, Jack/James Matthews POETRY IN FLESH (Signature, 1952¢) network of publishing op- erations. The world of Woodford looked pretty sunny, but the boom was about to fall, and he was about to be done in by his talents. (To be continued in Part Two: Jack Woodford: Jailbird!) “Woodford, Jack POSSESSED (JWP, 1946 © 1936) Woodford, Jack RENTED WIFE (JWP, 1947 ©1933) ‘*Woodford, Jack SAVAGE HONEYMOON (JWP, 1949) Wooton, Jack SHE LIKED MEN (JWP,1948 © 1938) Woodford, Jack SIN AND SUCH (JWP,1948 © 1930) ‘*Woodford:‘Thompson SINCERELY YOURS (Arco, 1951) “Woodford, Jack/ Gordon Greene SMOULDER ING (Signature, 1953) “Woodford, Jack SOFT CLAY (JWP, 1949) ‘*Woodford, Jack/Conrad Carter STARVED (Signat- ure) Woodford, Jack STRANGERS IN LOVE (JWP 1946 © 1936) ‘*Woodford, Jack/Todd Marshall SURRENDER (Signature) *Woodford , Jack/ Gordon Greene TABOO (Signat ure, 1953) “Woodford, Jack/Conrad Carter TAINTED (Signa- ture) *Woodford, Jack/ Gordon Greene TAKE ME (Sig- nature) Woodford, Jack TEMPTRESS (JWP, 1946) “Woodford, Jack THE LOUD LITERARY LAMAS OF NEW YORK (non fiction) Arco *Woodford, Jack TORRENTS (JWP, 1951) *Woodford, Jack TRADED LIVES (JWP, 1948 © 1936) Woon, Jack TRIAL AND ERROR (non-fic) Arco, 1938 © 1933 Woodford, Jack/ Jeanne Renee TWO CAN PLAY (Signature) ‘*Woodford, Jack/Bruce McFarlane UNLEASHED (Signature) ‘*Woodford, Jack UNMORAL (JWP, 1947) ‘*Woodford, Jack UNWILLING SINNER (JWP, 1952) Woot, Jack/Gordon Greene UNCONVEN- TIONAL (Signature) ‘*Woodford , Jack/Gordon Greene UNTAMED (Signature) ‘Woodford, Jack/Bruce McFarlane VICE & VERSA (Signature, 1953) ‘*Woodford , Jack/Evis Joberg WEB OF DESIRE (Signature) Woodford, Jack WHITE HEAT (JWP, 1947; orig. title WHITE MEAT © 1931- ‘*Woodford, Jack WHITE MEAT (Panurge Press, 1931) ‘*Woodford-Thompson WITH THESE TWO WOODFORD IN PAPERBACK paperbacks & digests 1947 The Hardboiled Virgin Avon 138; reissued in digest format as Avon Bedside Novel #2 in 1951 1947 The Abortive Hussy Avon 146, reissued in digest format as Avon Book Divi- dend #1 in 1949 1948 Three Gorgeous Hus- sies Novel Library #1; re- issued in digest format as Avon Special NO#S in 1951 1948 Ecstasy Girl Novel Lib- rary #2; reissued in digest format as Avon Monthly Novel #20 in 1951 1948 Free Lovers Novel Lib- rary #3; reissued in digest formatas Avon Special NO#6 in 1951 1948 The Passionate Princess. Novel Library #45 reissued in digest format as Avon Bed- side Novel #6 in 1951 1948 Peeping Tom Novel Li- brary #6; reissued in digest formatas Avon Special NO#3 in 1951 1948 Grounds For Divorce Novel Library #7; reissued in digest format as Avon Book Dividend #4 in 1949 1949 Her First Sin Exotic Books #4 D 1949 Teach MeTo Love Avon Book Dividend #6 D 1950 Rites Of Love Avon Bed- side Novel #1 1950 Dangerous Love Broadway Novel Monthly #9 D; reprinted as Avon 280 same yr; reissued as Avon 402 in 1952 1950 Untamed Darling Broadway Novel Monthly #10 D; reprinted as Avon 297 in 1951; reissued as Avon 403 in 1952 1950 Male and Female Novel HANDS (Arco, 1951) *Woodford, Jack WRITERS CRAMP (non-fiction) Signature Library #36, reissued in dig- est format as Avon Bedside Novel 5 in 1951 1950 Teach MeToLoveNovel Library #44 1953 Savage Eve (w/John B. ‘Thompson) Uni Book 60; reissued as Beacon pb 127 in 1956 & B-381 in 1961 1953 Passion In The Pines Uni Book 63 D, reissued as Beacon pb in 1956 1954 Male Virgin (w/JohnB. Thompson)Stallion Books 202 D; reissued as Beacon pb 292 in 1960 1956 Honey (w/John B. Thompson) Beacon 124, reprinted as Beacon 371 in 1961 1956 Swamp Hoyden(w/John B. Thompson) Beacon 125 1957 Hitch-Hike Hussy (w/ John B. Thompson) Beacon 138;reprinted as Beacon 213 in 1959 1957 Sugar Doll (w/John B. Thompson) Beacon 140 1962 Home Away From Home Chicago Paperback House B-130 non-fiction 1963 Illegitimate Beacon 607F 1963 Possessed Beacon 617F 1963 Cravings Beacon 637F 1963 The College Crowd Bea- con 665X JOE WEISS IN HARDCOVER Joe Weiss wrote undera fleet of swank-sounding pscudo- nyms-- Claude Dauphine, Ken Mirbeau, Ray Anatole, Phillipe Eduard-- all of which possessed more continental flair than his given name. Jake Woodford appears to have given Joe his first break as a novelist. Joc, like Jack Woodford, wrote like fiend, However, Joecame onto the scene a good twenty years after Jack, and so by the time he had gotten up to speed, the sleaze novel genre hadin "my opinion) peaked and was ready to tumble into decline.Many of his novels include this dedication: "To the memory of EMILE ZOLA-- who was the great innovator of the original school of NATURALISM, in general, and the direct and burning inspiration whichled tothe modern school of JOE. WEISS-- of THREE DI- MENSIONAL NATURAL- ISM, in particular." THE LION'S DEN is dedicated to: "JOE WEISS-- for the burning inspiration and in- centive that his great novels have given me. This is with particular reference to his magnificent LADIES! MAN..." Inshort, Joc Weiss had a lot of self confidence. He was one guy who could get away with telling a dame he was an "author". I spoke with Joc Weiss once on the telephone and got nervous when he said he'd pick me up inhis car. By this time he was submitting stuff to SCREW magazine and I felt genu- incly suspicious about get- ting "picked up" by a bona fide smut scribe. Well, like the Richard Berry song gocs, "Ain't gonna be no next time". Sure enough, when I'd finally gotten a grip on myself and decided to re- contact Joc, he had vanished.Needless to say, I've kicked myself many times. So any- way, Joe must have had something going with Key- Elite-Toga, as it's apparent thathe wrote virtually every- SELECTED ADULT HARDCOVERS Key: ? - Joe Weiss pseudonym, in all probability + - Year not listed, this is probable year Listing Author, title (publisher, year) First HB editions, unless © listed Alexander, George STRANGE OBSESSION (Macau- lay, 1959) ‘Ath, Max THE WICKED & THE WARPED (JWP) ‘Ames, H.B. HELL BENT (JWP, 1952) Anatole, Ray ! DAUGHTER OF APHRODITE (To- g) Anatole, Ray! WILDCAT HUNT(Elite) ‘Anatole, Ray/Grandet, Irene! THE BIG DEAL (To- B2, 1961) Anatole-Grandet! DANCING IN THE DARK (Elite) Andrea, Guy ! TORMENTED VENUS (Key) ‘Andrea, Guy! PASSION PEN (Key) Baker, Alfred SNOW JOB (Arco, 1952) Bodenheim, Maxwell A VIRTUOUS GIRL (Fell) Bodenheim, Maxwell GEORGIE MAY(Fell, 1949 © 1928) Bodenheim, Maxwell NAKED ON ROLLERSKATES (Fell) Bodenheim, Maxwell REPLENISHING JESSICA (Felle) Boltin, Bill WITCH ON WHEELS (Arco, 1952) Boyer, Pamela! BLONDE FLAME (Key) Boyer, Pamela! SHE WOLF (Key) Brooks, William ' GIRL GANGS (Key) ‘Carter, Ralph FAST & LOOSE (Lexington, 1944) Carter, Ralph STRICTLY A WOLF (Lexington 1944) Clark, Dorene SCARLET ANGEL (JWP, 1954*) larke, Donald Henderson JOE AND JENNIE (Van- guard, 1949) ‘Clarke, Donald Henderson TAWNY (Sun Dial, 1941 © 1936) Dauphin, Claude! ROAMIN' CIRCUS (Elite 1959) Dauphin, Claude! DEVIL'S JOKER (Toga 1959) Dauphin, Claude! GLAMOUR INC. (Toga 1959) Dauphin, Claude? ROAMIN' CARNIVAL(Elite1960) Dauphine-Aumont! SMART COOKIE (Toga 1959) Dauphine-Aumont! FATAL CHARM (Elite 1960) Devlin, Barry ACAPULCO NOCTURNE (Vixen 1952) Devlin, Barry CARNAL CARGO (Vixen 1952) Devlin, Barry CHAINS OF SILK (Vixen,1954*) Devlin, Barry FIRE & ICE (Vixen) Devlin, Barry LOVERS & MADMEN (Vixen) Devlin, Barry MADAM BIG (Vixen, 1953) Devlin, Barry THIS PARIS (Modern 2, 1956 @ 1955) Donisthompe, G. Sheila LOVELIEST OF FRIENDS (Arco, 1952) Du Pres, Henry! LOVE IN THE FACE OF DEATH. (Key) thingtheschouses published. ; coolness of Beacon Books, He crossed pathsmany times with Orrie Hitt and Jack Woodford, and they all made sizeable contributions to the which reissued most of their carlysmall press hardcovers, apparently having had an ar- rangement Arco via Uni. Felton, Frank THE HOUSE OF MADAM LINDY (Ex-position) Forbes, Clifford RESORT TO SIN (Arco) Foster, Gerald LUST (Balzac Press) Harl, William ESPECIALLY WHEN THEY DRINK (Vantage, 1957) Hayes, Carol WIND WOMAN (JWP, 1952?) Hitt, Orrie I'LL CALL EVERY MONDAY (JWP) Hitt, Orric TEASER (JWP, 1956) Jordan, Gail LOVE ON THE RUN (Lexington Press) Jordan, Gail SINNER IN GINGHAM (Lex. Press) Jordan, Gail THE PUSHOVER (Lexington Press) Jordan, Gail WEEK END HUSBAND (Lex. Press) Lucas, Rick BOSS LADY (Vixen, 1954) Lucas, Rick ROGUES AND RICHES (Vixen) Lucas, Rick STRANGE JOURNEY (Vixen) Malloy, Fred DARK PASSIONS (JWP, 1951+) Malloy, Fred DEVIL'S HOLIDAY owe, 19546) Malloy, Fred END OF THE ROAD (JWP, 1952) Malloy, Fred WILD HUNGER (JWP, 1953) Manners, Dorine GALL GIRL (Balzac Press, 1949 © 1937) Marshe, Richard PANAMA APPASSIONATA (JWP, 19512) Marshe, Richard WICKED WOMAN (JWP, 1950+) Mirbeau, Ken! BOHEMIAN SET (Toga) Mirbeau, Ken! THE FRANTIC ONES (Blite, 1960) ‘Mirbeau-Francois! CURTAIN CALLS (Toga) Nichols, Fan ANDREA MOVES IN(1952¢) Nichols, Fan BE SURE IT'S LOVE (1951+) Nichols, Fan DEADLINE FOR LOVERS (1951*) Nichols, Fan HIGH TIDE (1951) Nichols, Fan LOVE SONG FOR TWO (1951+) Nichols, Fan ONE BY ONE (Arco, 1951) Nichols, Fan PAWN (JWP, 1950) Nichols, Fan POSSESS ME NOT Nichols, Fan PRIVATE SINS (1951+) Nichols, Fan SCANDAL (JWP, 1951) Nichols, Fan STAY OUT OF MY PARLOR Norday, Michael DESOLATE SANDS (Vixen, 1955) Norday, Michael! ON WITH THE DANCE! (Vixen, 1954) Norday, Michael" STAGE FOR FOOLS (Vixen 1955) Normadie, Roger! THE LION'S DEN (Key, 1957) ‘Normandie, Roger! RUN FOR COVER (Key) Philippe, Edouard! THE PLAYTHING (Key, 1956) Philippe, Edouard! THE RUNAWAYS (Key) Prezzi, W.M. DARK DESIRES (Key) Primitif, Georges! MR. WITCH DOCTOR (Toga) Rebow, Milton OH DEAR (Key, 1957) Roskolenko, Harry BLACK IS A MAN (Key) Ross, Colin ELEANOR (JWP, 1953) Ross, Colin SEASON OF LOVE (JWP, 1954) Ross, Colin TO TAKE A WIFE (JWP, 1951) Saden, Maurice! PAGAN HONEYMOON (Key) Saden, Maurice’ SHE WOLF (Key)Samuels, Charles THE FRANTIC YOUNG MAN WP, 1948) Sauriders, Mark BIRTH CLINIC (Balzac Press) Sav- age, Kim WEEKEND (Vixen) Scott, Les LADY OF THE EVENING (Arco, 1952) Scott, Les SHE MADE IT PAY (Arco) Scott, Les THREE CAN LOVE (Arco) Scott, Les. TWILIGHT WOMAN (Arco, 1952) * Scott, Les/Tracy, Robert TOUCHABLE (Arco, 1951) Smith, Frank PULSEBEAT (JWP, 1954) Sokolinski, Witold COUNTESS DE GREENPOINT BROOKLYN (Ignis, 1954) Stanton, L.J. NAVY LANDING (Macaulay, 1948 © 1935) Stone, Scott COUNTESS MARGO (Vixen, 1955) Stone, Scott DEVIL'S WEB (Vixen, 1955) Stone, Scott JOANNE (Vixen, 1955) Stone, Scott SHADOW IN SCARLET (Vixen, 1954 Sullivan, Vernon! DARK HUNTER (Key) ‘Thompson, John/Robert Tracy SINFUL DAUGHT- ER (Arco) ‘Thompson, John B. DANGEROUS HAREM (Arco) ‘Thompson, John B. THE GARDEN OF LOVE (Arco) "Thompson, John B. LOVE & THE WICKED CITY (Arco, 1951) Thompson, John B. OUT OF THESE FLAMES (WP) Thompson, John B. PASSIONATE ORPHAN (Arco) ‘Thompson, John B. PICKUP (Arco) ‘Thompson, John B. MASTERFUL (Signature, 1954) Tracy, Robert W. HOT STAR (Arco) Tracy, Robert W. CITY GIRL (Arco) ‘Tracy, Robert W. SWORD OF DESIRE (Arco) ‘Tryon, Mark SWEETER THAN LIFE (Vixen, 1955). ‘Tryon, Mark TAKE IT OFF (Vixen) ‘Tryon, Mark THE FIRE THAT BURNS (Vixen) ‘Tryon, Mark THE SINNING LENS(Vixen, 1953) Vicreck, George Sylvester ALL THINGS HUMAN WP, 1952) Viereck, George Sylvester MEN INTO BEASTS (WP, 1952+) Viereck, George Sylvester MY FLESH AND BLOOD OWP, 1952*) Viereck, George Sylvester/Paul Eldredge MY FIRST ‘TWO THOUSAND YEARS (JWP, 1952+) Viereck, George Sylvester/Paul Eldredge SALOME (WP, 1952+) Viereck, George Sylvester /Paul Eldredge THE IN- VINCIBLE ADAM (JWP, 19526) Viereck, George Sylvester/Paul Eldredge THE NUDE INTHE MIRROR (JWP, 1953) Watkins, Glenn TAVERN GIRL (Phocnix Press, 1948) Wayne, Arlo RAIN CHECK (JWP) Weatherall, Ernie THE BLONDE TRAP (JWP, 1954) ‘Weiss, Joe BACKSTAGE TEMPTRESS (Key) 12-FOOT BULL WHIP HARD HITTING! LOUD CRACKING! Weiss, Joe (Toga*) Weiss, Joc Weiss, Joc Weiss, Joc GIRLS OUT OF HELL HOW ROUGH CAN IT GET? (Toga) LADIES' MAN (Key) LOVELY FRAUD (JWP, 1956) Weiss, Joc PASSION BLUES (Elite*) Weiss, Joc THE DEVIL'S JOKER Toga (Elite) Weiss, Joc THE MERCHANT OF VENUS (Key*) Weiss, Joc THE WAY YOU MAKE YOUR BED (WP, 1954) eae TOO SMART FOR HIS OWN GOOD ye Weiss, Joc w/ Pam Boyer! ARTISTRY IN PASSION (Key, 1957) Weiss, Joc/ Ralph Dean ROCK & ROLL DOLLS (Blite, 1962) Weiss, Joc/Francoise THE VICIOUS CIRCLE (Elite) Weiss, Joc/Primitif THE SISTERHOOD OF EVIL (Toga) West, Token CONQUERED (JWP, 1950) West, Token FAST GIRL (JWP, 1952) Winslow, Thyra Samter CHORUS GIRL (Forum Books, 1946) Wood, Clement DESIRE (JWP) Wood, Clement FLESH (JWP) Wood, Clement FOUR SEEK LOVE (JWP) Wood, Clement STRANGE FIRES (JWP, 1951) Wood, Roger TROPIC GARDENS (JWP, 1952) %* WANTED * Novel Book 7N741 I WAS A INEGRO PLAYBOY BUNNY by Anna English (1965) “Our Gang Comedies’” Continuous DANCIN a & ENTERTAINMENT aaa) 82 W. 3rd St. ci EB Pet Remember Gilda from the cover of Smut Peddler #1? Here's a cool ad for a strip show in Newark, NJ.and his delicious SEX-A- REENOS. Ifyou dig rock & roll, you oweit to yourselfto find this scruptious tome. Ron's descriptions of being Pea oe Be eae ea. an Pa oi ROCK & ROLL PAPERBACKS Hot, screaming teenage girls have always been in the top of the pops in adult paper- backs. But when rock & roll hit, the scribes went wild workin' the angle. JD novelsare packed with rock & roll (the earlier books ie with jazz notions) as are drug novels. | Nothing for nothing, adult books have “gq * some of the coolest rockin’ stuff going. Number one pick from now til doomsday goes to Vin Saxon (a/k/a Ron Haydock) his antics are the wildest and these covers, all deliver the bestdescribed. Wellfounded goods. This is the teensicst rumorhasit thisbaby'sbein' sample of the stuff-- dig on reished in '94 as half or a other scnsationals like JAZZ two-sided r&r pb. Mcan- BUM and ROCK & ROLL while, check out some of DOLLS. Woooo0! Awooo! j Tas Blo O40) 4 tei J ie aSMUT PEDDLER #2 SETSALE sale. Please addthe follow- ing postage per order: USA: $5; CANADA: 1-3 items $5, EUROPE: 1st item $5 + $1 each add'l 2 items; AUS/ — ASIA: $6 1stitem+$2each . additional 2 items. | will re- fund immediately for un- available items. Now, git! . Conditions vary from VG+ to M, graded very conser- vatively. Crossfire (M) $10 a ‘Swamp Slut M$12 The following items are for ; $l each additional 2 items; © ‘A DUFERENT KIND OF LOVE i i Oray of the Dead by Ed Wood, A Diterent Kind of area Foto novel. Greenleaf. M $50 rkroom Dyke M $8 Lesbian Haven M $8 Olympic Foto-Novel M $20 pers pmeeny tar at ‘The Promoter (Beacon) VG+ $15.» a he ed tet Savage Lust (M) $10Beau 6 sina et oe S No Prudes Wanted by ROWS ‘The Hustler by L High Schot y Laura Pope Ma- His! 101 Sex Club (VG) $9 Masterson Magenta 111 Mint but genta 103 1965 M, but inpaan 5 |, Dut top saw $5 Gutter Girl (Beacon) M- $10 ee Passion (Private Edi: 9) « svageKick (GoldMedal) VG+ $10 PoWILL SUCCESS SPOIL ROCK HUNTER by Geo. Axelrod (Bantam ‘1653, '57) Jayne Mansfield MT! VG $10 THE SEVEN YEAR ITCH by Geo. Axelrod (Bantam 137, 1953) Mari- lyn Monroe MTI. VG $5 LOVE by Paul Renin (Harborough UK) M $30 OVERSENSUAL by Harris Manis (Novel Book 60109, 1963) VG $3 PASSION TEACHER by Philip Storey (Novel Book 6N259, 1964) M-$5 THE HUSTLER by Laura Pope (Magenta 103) 1965M(buttop saw) $5 MY WILD LOVE EXPERIENCES by Mamie Van Doren (Specialty 7N789, 1965) Mamie VD spills all. Lotsa pix. VG, cover corners bent. VG- $20 ROSE OF SHARON by Lee Bra- dley (Fabian 2-133, 1960) VG+ $5 SEX TAKES A HOLIDAY by Howard Bond (FirstNiter 112, 1964) VG+ $5 aD THE TRAGEDIES OF WHITE SLAVES by HM. Lyttie (Padoll Pub. Co. 1942) Digest M $45 FROM DANCE HALL TO WHITE SLAVERY by John Dillon (Padell Pub. Co, 1943) Digest M $45 THE BLACK NIGHT by Betty Short (Fabian 2112) 1956 G $3 TAINTED WIFE by Willi Peters (Fabian 2-118 1959) G $3 THREE KINDS OF LOVE by Jack Lynn (Novel Book 6N288, 1964) Featuring Tokey Wedge. VG+ $5 STUD SERVICE by Ron Beatie (Playtime 698-S, 1964) Some cover scuffing, otherwise M. $5 THE LAST RETREAT by Glenn Langdon (Fabian Code 2-159) 1962 V+ $5 eenmeemeue OTHER BOOKS YOU'LL ENJOY ERE ( HH-110, 75¢ JAYNE MANSFIELD’S WILD, WILD WORLDCUDDLY Jane MANSFIELD HOT WATER BOTTLE! LUFE-LKE Vy SOALE WODEL OF JAYHE'S 40-18-35 Stants 22°” High {A blushing pink, flesh ke vinyl Jayne to call your very own. Don't pity the man with an | Zehing back—blees bin wih this! Super’ on | rl or even just col nigh Saie- $4498. | fection guaranteed. Add 376 PP. GREENLAND STUDIOS Dept. 7.11 ssa FORIES ST. ITTseoKent MAGAZINES FABULOUS FEMALES #1 (1955) Irish McCallacvr. Unbelievably great illustrated guide to pin-up queens-- Jayne, Mamie, Kim, Sophia, Marilyn, Anita. M- $30 CABARET Aug 1956 Jayne Mansfield evr + clasic stories "Who The Hall Is ElvisPresley?" and "I Taught Jayne Mansfield About Sex" by KICKS fotog Rocco! Pencil "25¢" otherwise M $35 PHOTOGRAPHERS BALL #1(1957) Sophisti- cated, zany pinup/fotogmag, with Betty Page (her page is clipped, tho!), bigdrag queen pictorial. VG, but like I said, clipped! $5 DUDEJuly 60 Suavemen's mag, lotsa stories, fotos, car- toons, real stylish. VG+ $5 FAMOUS PARIS MOD- ELS Feb 1952 Tempest Storm cover M $10, VG $7 WOMEN IN WAR Nov. 1963, Usual Nazis vs go go girls type excellence. M $7 SIR Feb 1952 Hot blooded redheads, great spread on Tattoed babes "Is Tattooing, A Perversion?", non-virgin clubs! M- $7 MODERN MAN July 1956 Huge, great spread of Ekberg "How I Discovered Anita Ekberg". Betty Bros- mer on back cover ad, un- SIR Sept 1950 Wiid mag, fall color cover of Lili St Cyr in full length Indian feather head dress! Wow! Gorillas, JD's, cannibalism, cheese- cake, the usual stuffmen luv. VG $10 X/Jan 57 Yes, X-- the maga- zine! Stripper Sabrina dates (and fights) Steve Cochran + credited. Price stamped on sumo werstlers, rape trials, evr. VG+ $10 the death dance, body paint- SHOW Apr 56 Giant Di- ing, Betty Brosmer ads (one ane Weber evr story/spread in thismini, + lady grapplers, fire caters, Jayne, Liz + Delta Rhythm boysin Japan picto- rial (in a hot tub!). M $12 TEMPO 5-14-57 Betty Brosmer cover story + scwer workers, jazz drummers, with mask!). M- $10 Antonio Rocca! M- $12 SATAN Aug 1957 Great ish of this tuffto find Playboy type mag. Lotsa Ward & Wenzell 'toons + color pic- torials. VG $8 ADONIS June 1957 Cool physique mini mag, definitely a guys-on-guys production. Wink-laden tastefulness. M- $5 PICTURESCOPE Nov55 Zorita and her snakes, the drummer priest, slave girls, rattlesnake ranchers, smash- ing the smut film ring, Fire Island love dens, + the sordid past of Debra Paget!! M- (date in small ink on cvr) $6 MAN TO MAN Oct 50 Jungle adventures, beautiful legs contest + great 1st per- son story by anonymous NY shrink who spoke with 200 murderers, incl. Ruth Snyder. Great hotseat pix. VG+ $15 CAMERA CUTIES #1 Hip pocket Marno mini mag, no date, but 50'snudie cuties all the same. Nothing too af- fronting, unless you rate these babes above the neck, As- tounding horsctecth & boozebags wobble atop these. 38 specials. VG $10 WOMEN TaN OVER HOS MODERN SUNBATH- ING Jan 58 Diane Weber uncredited & topless in the swim. Hubba bubba! Cyr fold, otherwise M $10aesMAN'S DARING May 63 Classic SIR! 1970 calendar, wirebound. “Nympho JD's Hayloft of Terror” Twelve fold out full color topless ovr. Cvr VG-, contents M$15 chicks withheels, wigs, drug habits. SCREEN STORIES Apr 60 Liz M-$7 cover story, plus Bardot, Marilyn, , ‘Stockwell, Mineo, Joan Collins + Warren Beatty chow down, Dick Clark, Brando in The Fugitive Kind, Sophia + Quinn in Heller In Pink Tights. Gvr wear + folds, otherwise JEM Aug 58 Cool cheez n’ sleez. VG+ $5 SIR Fob. 1951 Gal wrestlers + sordid manly gunk! VG+ $7 GLANCE Mar 1950Show- girls, huge Lili St Cyr fea- ture, including Lil doing cat BETWEEN US Dec 1950. Voodoo dance barefoot, Jotsmo'.VG- on Broadway, wrestle babes, the 6) 4 usual burlesque razzola. VG $8 31G TIME (formerly TABOO) Mar 1951 Corinne Calvet, Liz, guns, THE MOMENT OF TRUTH song folio (1965) Music by Piero Piccioni. Matador maven music. M- $4 PICTURE SHOW Dec 1950 Gotta be the earliest cover of Betty Bros- mer! Wow! VG- $20 LAFF Jan 1951 Adele Jergens, female impersonators, lady boxers, national sweater queens, etc. Slight water damage to top edge. Other- wise M $8 LAFF Dec 1947 Showgirls galore, onstage, offstage. M- $10LAFF Aug 1952 Spike Jones, Pat Williams, artists ball, French mov- les, etc. VG $5 CAPER Sept 61 Eve Moyer by Russ Meyer pictorial. M- $7 LAFF July 1951 Cheescake ga- lorel Crumbled edges. G+ $4 LAFF Aug 1950 New Orleans strip clubs, Incl. Prima’s 500! Photogra- phers models spread, includes a young pre-movies cheezer of Ped- dler fave Barbara Nichols! VG- $7 GLANCE Aug 1950 Pin Up Girl (Mara Corday!l) vs Pin Down Girl (June Byers!!), tonsa burlesque, cheesecakerie. VG+ $8 SAVAGE GIRLS 4-color silk screened art on this glow- sleaze lobby. B&W foto mounted, shows fat brute attacking pimple- backed blondie. Yama Hama! M- $10 Scene ta Bron Poecarrere rid ‘snd BRUTALITY VUE Jan 58 Another great fifties digest, incl. great rock & Roli/delin- quency story + Mamie, strippers galore, + teen dope story + great spread of Bunny Yeager at work-- asa fotog and as a negligee model. Bad news is- cover title is cut off! So-- $4 ‘TABFeb 57 TempestStorm spread (with Betty Page combing her tresses!) + sin bait, Sophia, Meg Myles, artists balls, etc. No cvr. innards M $4 ZEST Nov 59 Great digest with big Vampira Dates Zacherle story! Also Candy Barr spread, Zsa Zsa & her new jackass. Slight cover stain, otherwise M $20 PHOTO LIFE Mar 60 Great digest! Diane Weber spread + Liz Taylor + Candy Barr teaches Joan Collins to strip! Packed with greatnewsy, foto- laden stories. Cover is crummy & wrinkled, innards are great. $5 BLACK SILK STOCKING V. 1 #4 1958 Wild heels + hose mag, great spreads. Title stripped off, other- wise M$5 MAN TO MAN Oct 1950 Strippers, Einstein, baseball, masked bathing beauties. Wild! VG $10 SIR Feb 1952 Hot blooded red- heads, great spread on Tattoed babes "Is Tattooing A Perversion?", non-virgin clubs! M- $7 MODERN MAN July 1956 Huge, great spread of Ekberg "How I Dis- Covered Anita Ekberg”. Betty Bros- mer on back cover ad, uncredited. Price stamped on ovr. VG+ $10 HIT June 1950 Buxon Belles Of Yesteryear, LilaLeeds, Frenchmen- ¢. lists! VG $5 THE PLEASURE LOVERS Weird crafted lobby card with mounted fotos. Sexploitation maximus. A Jos. Brenner production, dahling. VG+ $5 PRETTY BUT WICKED Great sleaze lobby with pot smoking swingers lounging on bed, black panties etc. A Victoria film release, of course. M- $10 THE BEAUTY JUNGLE Single B&W ad fiat for this truly Rank Pro- duction. M $5 CALL GIRLS Glossy no-credits- except-for-flick-title lobby card, features topless babe shaving los pits, other VD ridden harlots sioozin’ around ironing board. No meatballs, but, mama mia this look /talian! M_ $5 ‘CONTINENTAL FILM REVIEW May 1971 Foreign sex flicks re- viewed here in a cmo&t cosmopoli- tan way, lotsa pix + info. Adfults only, puh-leez! Cvr VG-, innards M MAN TO MAN Oct 50 Jungle ad- Ventures, beautiful legs contest + Great 1st person story by anony- mous NY shrink who spoke with 200 murderers, incl. Ruth Snyder. Great hotseat pix. VG+ $15 GLANCE Mar1950Showgirls, huge Cyr feature, including Lil doing ber dance barefoot, lots mo’. VG- 10 HIT Sept-Oct 1951 Fabulous Beverly Michaels spread, incl. burly shots, also early Greta Thyssen, female impersonators, etc. Excel- lent issue. M$15, VG+ $10 FILM CAREERS #1: ELIZABETH TAYLOR 196364 ppof pix+ texton La Liz, including then-compiete flimography, lotsa fan faves & can- dids. SP + LT 4-EVERI! Cvr fold, etc VG-contents M $72 Week ae PICTURE WEEK 5/2/57 Abbe Lane ovr, Tab & Natalie, a French girl looks at men's chests. VG- Venus In Tan Burmel digest, all dark skinned sleazy dolls. M- $8 ‘SIGHT & SOUND Spring 1968 Tor- ture Garden, Frankenheimer, re- view pg Reflections In A Golden Eye & Warhol's Chelsea Girls. Tear on front evr., back cover gone. But, ‘good news, contents M. $3 ea PHOTOPLAY PINUPS #5 Bootiful mag withremoveable frameable full color cheese on Hollywood babes flashin’ their wares bigtime! Mari- lyn, Kim, Mamie, Rhonda, Mii, Mara Corday, Joy Lansing, loads more, including avery saucy Grace Kelly trippin’ down like common street verminI@! M- $20 PHOTO ARTS Aug. 1952 Great Lily Christine leopard bikini ovr. Lotsa’ classy nudies, parts air- brushed out! M $15, VG- $7 Rock & Roll Dolls by Joe Weiss. Hardcover with dj. VG+ $40 CABARET Aug 1956 Jayne Mans- field ovr + clasic stories "Who The Halls Elvis Presley?" and"I Taught Jayne Mansfield About Sex" by KICKS fotog Rocco! Pencil "25¢" otherwise M $35 GERMAN tricolor heralds, original DAS TESTAMENT DES DR. MABUSE, DAS _INDISCHE TUCH, DER ZINKER*, TOKIO STORY’, DES TEUFEL'S GEN- ERAL, NUR TOTE ZEUGEN SCHWEIGEN’. $5 ea except *, 2 hole punch $3 ea SCREEN STARS Sept 59 Liz n’ Debbie cvr story. Rock, Troy, Annette, John Saxon, Edd Byrnes, Ricky Nelson. WOC so G+, innards M$5 SCREEN STORIES Fob 60 Liz ovr story (Suddenly Last Summen + Sal in Gene Krupa Story, Janet n° Tony, Cash McCall, Philadelphia Story. Cvr VG-, contents M $5 GLANCE Feb 1951 Fantastic is- sue, with unreal Sex Criminals spread + female impersonators, lady . boxers, the most. VG+ $10 Scholarship For Sex by Gai ‘Spencer (Raven) M $8 MODERN SUNBATHING Jan 58 Diane Weber uncredited & topless inthe swim, Hubba hubba! Cvr fold, otherwise M $10 SOVIET FILM Five issues 1968- 70. Nice glossy mag in English. Definitely for special tastes. All 5 for $5 WHO'S WHO IN HOLLYWOOD 1954 Great Dell mag with 1000 Life Stories, all with pix. Greatref. Water damage, crummy shape, but no clips. Great TV/movie star ref. G $3 FILMS & FILMING March 1965 Loads great reviews, film details on Robinson Crusoe on Mars, Pleas- ure Seekers, Ride the Wild Surf, Lively Set, Curse of the Living Corpse, Secret Invasion (Corman), the Haunted & the Hunted (Cor- man) + Vincent Price spread by the ‘man hisself! Cover VG, contents M $i0GO GO GO WORLD (a/k/a WEIRD WEIRD WORLD (pressbook) Mondo fick full of disgusting rituals, sex acts. M- $20 WOMEN OF TWILIGHT (press- book) Big deluxe PB, powerful story of unwed mothers! VG $20 PARTY GIRLS FOR THE CANDI- DATE (pressbook) Mamie Van Doren, June Wilkinson star in this ‘Oscar loser. Incl. ad mat. M- $20 FOI IOI III I I III IAI IAC JERRY, BLAINE M4) ies GIRLS For The PU svamnnc MAMIE VAN DOREN JUNE WILKINSON THE STRIPPER (pressbook) Joanne Woodward, Carol Lynley, Gypsy Rose Lee! M- $15 4 sheet) Full color, homely hot pants X-RATED MOVIE SMUT This stuff Is all American posters on American films. THE SIDEHACKERS 1969 (one. sheet) Interracial biker gang meets sleazy bikini babes, Stars Diane McBain, Ross Hagen. Full Color, Jon Hall prod. VG $15, THE YOUNG CYCLE GIRLS (1 dames with motorcycles. M$15 LET ME DIE A WOMAN (1 sheet) Doris Wishman's sex change mon- ster! Very graphic full color surgery artll VG $25 NAKED RIDER (1 sheet) Blonde with a whip. VG+ $15 HARD ROAD (1 shee!)Babe strip- ping down. "Uncut". VG+ $15 HOW'S YOUR LOVE LIFE (press- book) Hard stock, lotsafotos. Rated X. Stars John Agar Great shape, tape on back. $7 DIARY OF KNOCKERS McCALLA (pressbook) Barry Mahon prod. WILD! VG+ $15 ‘TEENAGE HITCHHIKERS (press- book) Joyride, anyone? M $10 BIRTH OF TRIPLETS/HIGH SCHOOL HOOKER (ad shee pressbook) M $15 Betty Page #3 and Betty Pages #4-- single copy of each. $5 each ¢ PIN-UP MANIA So new we don't have a cover to show you! But it's out as of Sept. 25, the latest mag softcover from Shake Books. This one's a list of 49 newsstand pinup mags from 1950-67 with lotsa covers shown. Color cover, b&w innards. 100 pages. $13.95 plus postage. DON'T FORGET aa aif TO ADD POSTAGE! | iitiiiunut Here They Are: JAYNE MANSFIELD | HOW TO ORDER Now if this ain't the greatest Ler Se eM oaan AY NY title for a book, nuttin’ is! New paperback from Ray Strait, Jaynie'sconfidantfor ten years. Tons of fotos, loadsa news. Giant pb edition. Only $5.50! 10003. Check/MO = be payable fo M. Linna only. Be Sure 1o.add proper posloge: USA, $4/Oversoas cirmeil $5 rst book/mag-+ $2 each add.We Peay ai‘ostwar Mexican sleaze P movie advertising is gloriously unique. In many ways, it overpowers scanty panty American gunk-- there'slotsabare bosoms, sin- ister graphics, loads of inuen- dos.anda generally glaringab- sence of frolicksome ribaldry. Its intense, creepy, shame- studded wampum. All of this stuffisearly enough to predate any hard core live action mule monger Tijuana Bible type nonsense, sorawbeefhodads, don't get worked into a lather. I've peppered in a few later things thatmay be of interestto special tastes (Jess Franco fans, take note), but on the most part, this gunkis all 1940- 50's vintage Mex sleaze. Mexi- canlobby cards are largerthan their US counterparts. They measure approximately 12 x 17, although sizes vary aninch here and there, andare printed on pulpy window card-type stock-- in fact, their size and substance are easiest de- soribed as horizontal window cards. Most are in full color, some are beautiful duo or colorjobs. Of course, all textis in Spanish. These are all origi- nals. Prices based on condi- tion & vintage. Ifyou absolutely don't care about condition and just want some to paper your ‘outhouse or lawnmower shed, let me know and Ill rustie up some unrateables for abuck or 2a pop. If you're hogwild for the Mex scene (monsters, wrestling, noir, etc) get my EL LOCO catalog for $3. Most of thecardslistedhereare shown on facing pages. MEXPLOITATION MEXICAN LOBBIES ADOLESCENTES PERVERSAS Teenage Perverts! Grave robbin’ topless teens! Early 60's. VG- $10 BELLEZAS DESNUDAS My fave 40's sexie, royal blue duotone, lounging nudeniks. M $15 CABALLEROS DE ACERO Mo- torcycie cops vs bikini babes in this. 60's Alberto VazqueziEmily Cranz ‘Ars Luna Filmadora Chapultepec presentation, dahling. G $5 ‘CARNE DE PLACER Super sleazy topless 40's card, brutally beaute- ous. VG+ $15 COMPANERAS DE LA NOCHE Very pretty + sexy French flick/Mex. issue M $8 EL INFIERNO DEL PLA-CER Woman as octopus, grabbin’ on guys from all walks of life. Bizarre! Penned numero "8", otherwise M- $10, another mint $15 EN CARNE PROPIA Great sew gore number-- 40's? M- $3° ESCLAVA DEL VICIO Ultra sleazy sex attack, 40's. A fave! M $15, another G+ $5 EXTRANO EN LA ESCALERA How much is that nudie in the win- dow? Goregous ad, guy with gun aimed at nubile. VG- $6 FIERECILLADOMADABuxieswith weapons. Beautiful 40's? Full color. M- $5 FLORES DEL FANGO Tasteful toplessness on the rampage. Bot- tom left comer torn. Nudity, etc. G $3, another M $12 JUVENTUD DESENFRENADA JD/rock & roll + buxom nude, sofa maul. Glorious. G $4 LA BASURA Mex issue of Italian hudie. Smooching, grabbing, gun, hair, brassierre-snapping excel- lence. Wild! VG+ $7 LACHICA MAS LISTA DE PARIS “Foxlest Girl In Paris". Very pretty 50's. VG+ $5 LA COMPLICE Lib LeBlanc, a la Jane Russell, peasant blouse pop- pin’ off inna hayloft, hikin’ skirts for rifleman. Ultra Sexo! M $10 LA MUJER DE 2 CARAS Great Part Uno: Poster Trash sexy crime card. VG+ $5 LA MUJER SIN PRECIO Libby LeBlanc again, clutching nekkid bazooms. Nice! M- $6 LA REBELLION DE LOS ADO- LESCENTES Astonishing JD sex flick 50's. G+ $5 LAS BESTIAS JOVENES 60's sex, violence, hangman's noose. VG- $2 LAS IMPURAS 50's French steet- walker crime sleazer/Mexissue. Co- stars Dora Dol M- $10 LAS PECADORAS Great sexy card, no star oredits! VG+ $7 LOS PERVERSOS A GO-GO The wildest sleazoD-biker card ever! Priest gets run down by biker, babe gets dress yankedoff + chains + g0 {go dancing. Welcome to Brooklyn. M. $20 MADRES CULPABLES 40's nudic + violence. Topless prostie with heater in tow. VG+ $8 MARIA DE LA NOCHE Early 60's W/ Libertad Leblanc, barebotiom nudie rudie. M- $8 MAYA Great 50's French street walker flick! M $15 MUJERES AMOR YDESEO Beau- tiful, stylish 50's stripper number M $15, another blurred $3 MUJERES QUE SE VENDEN Kai Fischer, Geraldine Locker- card wiscreaming woman, sexy poses, lesbo action. M $8 MUNDO, DEMONIO Y CARNE Mind boggling bedroom antics. Slight margin stains, VG+ $10 NINAS SACRIFICADAS Ultra primitivo, solo adultos. Shame, vio- lence! M $10 99 MUJERES Jess Franco 60's, women's prison flick, lesbo action, chains. M$15 NOCHE DE PLACER Orgasmic flesh floppin' female, mega sleaze, excellent! Top left corner missing, come pencil. G $3, M- $10 NOCHE DEL SABADO Lovers, nudies, drama galore. VG+ $5 ORGULLO DE MUJER Beautiul, stylish card for hard boiled crime fllok. Great eye + lips graphics akin to VOGUE mag ovr classic. M- $10PARAISO DE AMOR Wild nudist flick!Cool graphics. Duotone. M $8 PERDICION DE MUJERES Ultra sleazy, mars, stain.G $2 PERSEGUIDOS Y MANCILLA- DAS Astonishing sex card circa 50's) VG- Bottom left corner nip $5, another M- $10 RAPTO AL SOL Violence, boobs, ‘great graphics. G $4 ‘SECRETO DE MI MUJER Beauti- ful. M- $5 UNA MALA MUJER Go/luss card. M. $10 VIOLACION Delingents around lampost, terrified beauty. VG $5 YONO CREO ENLOS HOMBRES Vivid colors for this Latino sensa- tion. M- $5 MEX-ISSUE AMERICAN FLICKS Yop, these are Mex-made lobbles for US films released In Moxicao, often with offbeat new titles and always with bizarre, sensational art. DEVIL'S ANGELS (Angeles Dia- bolicos) Corman biker excellence, belted/buckledbooted bikini biker babe. El ilmo de AIP! M- $15 GORILLA AT LARGE (La Bestia Negra) Wild great color for Kong/ Wray nipper wiLee J. Cobb, Cameron Mitchell, Anne Bancroft. Great color! See Apeshit Shakeout! M.$10 HAPPY HOOKER GOES TO WASHINGTON (EI Juicio de La ‘Alegre Madame) Joey Heatherton! Topless action, sleaze galore. M$5, THE GIRL IN THE BLACK LACE, STOCKINGS (La Mujer de Las Medias Negras) Mamie Van Doren, Marie Windsor, Lex Barker, Ann Bancrott. Great art. VG- $10 ‘THE BIG OPERATOR (Sindicato del Terror) Mamie Van Doren in actions gun mollwithyummy Steve Cochran, rummy Jim Backus, gummy Mel Torme plus her then- hubbie Ray Anthony. Mickey Rooney as slapper. M- $10 GIRLS IN PRISON (Infiemo de Mujeres) Great 50's AIP gal prizz flick w/Adele Jergens, Lance Fuller. VG+ $10 GIRL-O-RAMA(Que Traes Entren- te?) Arch Hall fans only!Tommy Holden in this Marilyn Manning, Wm. Waters sexy comedy. Las mas hermosas chicas! M- $15 HOUSE OF WOMEN (Motin de Mujeres) Barbara Nichols bustsright outta per prison smock in this WB tuff gal catfight epic. VG- $8 MUJERES EN CADENAS Pam Grier, Laurie Burtonin galsinchains low budget excellence dir. by Eddie Romero! Git him, gurls! M $10 THE OTHER WOMAN (Perfidia) ‘Smut Peddler #1 film fan fave Cleo Moore with the adoirable Hugo Haas!!GreatHH flick, fantasticcard. ‘Say youlove Hugo, SAY IT!VG $10 ONE GIRL'S CONFESSION (EI ‘Alma De Una Pecadora) More Cleo! Hugo fabulousness!! Gorgeous card, duotone. M- $12 MEX-ISSUE FOREIGN GUNK JOVENES PECADORES Liv UI man in this Swedish back scrubbi ‘smoocher. Beautiful art. M- $8 DIARIO SECRETO DE UNA CAR- CEL DE MUJERES ltalian sex + violence from Rino ai Silverio. Like ‘amondo topless for sadists! OUCH! VG+ $8 EL DIABLO Y LOS 10 MANDA- MIENTOS50'sFrenchie-- cool devil art, be in undies etc. M- $8 Fy TTA ft a re Pr pecaeteennteresettery Errante uio HALF SHEETS AN ALLIGATOR NAMED DAISY Fantastic 50's English half sheet, stone print, Diana Dors big & huge, bustin’ out while alligator munches adalsy. Really purdy, already shrink wrapped on board. M$25 LADY FRANKENSTEIN The wild- ‘est HALF SHEET in captivity. Gory graphics galore. Stars Jos Cotten, Mickey (Mansfield) Hargitay. M$15 DRACULA 2000 Topless babes in capes & thongs, sleaze antics + vampires. Wow! Full colorhalf sheet. M $20, VG $10 CUANDO LAS MUJERES JUGA- BONDIN-DON (When Women Had Tails?) Topless cavewomen rollick- ing in trees, mud, river. VG+ $6 (small half sheet) LAS DOCTORAS DEL AMOR Uschi Buchfeliner-- topless nurses with saw go after guy in bed, cavor. in his Volkswagon. M- $5 SUMMER CAMP GIRLS (Campo De Mujeres) Sleazy lesbo, topless, etc. Guy tortured with chained parts in haylott. Ouch! M- $5 LA LIBERACION DE LAS MUJ- ERES Toplessness, big buit on motorcycle, shower action. M- $5 DESEO CARNAL Manuel Iglesias Vega prod. Topless dame smokes in bed while mom lectures. M$3 CRAZY HORSE de PARIS Legen- dary French nudie showgirl weird- ness, lotsa odd bare buns. M- $7 ‘SCRATCH HARRY (EI Extrano Y Perverso Harry) Wild color lesbo torture topless perverso, what else! Printed on hard stock board. M $5 der a a ee eeeBARE FACTS ABOUT Lay INTIMATE DIARY OF ARTISTS GUNS GIRLS AND GANGSTERS MODELS (pressbook) Irving Kiaw (ad mat) Mamie Van Doren. Wow! nudie starring Maria Stinger, filmed M$10 B Ye Also, ad sheets for STRIPPERS PARADE and TLC NATURES SWEETHEARTS star- ring Tempest Storm, Lili St ‘ower see Bove GIRLS INCORPORATED/ WHITE SLAVERY (herald) Duotone her- | THE 50 BEAUTY CUDIE SHOW oy, Poe 31a BUNNY YEAGER RUDE LAS), : e F FUN TOWN USA Jost fon hy BUNNY YEAGER'S NUDE CAM- T ROAD ERA (pressbook) Color cover on BUNNY YEAGER’S NUDE LAS. MIND! this beauty. Stars Miss Bunny w/ VEGAS (pressbook) Barry Mahon Lisa Winters + Top Pinups of the prod. Great nude-filled pb. WILD. USA.M- $45, VG+ $40ED WOOD'S GIRLS PART 2: JEAN MOOREHEAD Remember the spoiled, frosty blonde in The Violent Years The one who gets the gals all riled up, heads the smooch par- tics, and ends up pregnant and behind bars? That unbearable creature was Jean Moorehead,a gal better known inpin-up mags for smiling vivaciousness rather than nasty antics!Jean was a B- movie princess before herrole in THE VIOLENT YEARS. She was the ham hocked hot pants temptress in MOTORCYCLE GANGand the nervy beatuty in FRENCH LINE, too. By age 19, Jean had graced more than thirty magazine covers. Decor Smut Peddler headquarters in- cludes a Jean as a 1958 calendar cowgirl, decked out in western finery and posing with the cut- est pinto pony. Miss Moore- head, like Betty Page, was aij native of Tennessee. Wonder where she is today? Anybody; seen asixty year old fireball trash 4 ing any elementary schools lately?@p Joan is 5'5", 119 pounds ond has a 36-2434 Sager.BEAUTY King Kong may be the top of the heap when itcomes to big apes fall- ingin love with ity bitty blondes, but our well-endowed early adult nov- els provide gnarly, snarly peeks into the taboo antics of amorous apes mixing it up with mister & missus homo erectus in the hoary creosote etherworld of Monkey's Uncledom, where beastly antics certainly abound, but again, in the nicest way. This is Darwinism at its most rambunctious. Witness this from our lord and master Vin Saxon a/k/a Lonnie Lord a/k/a Ron Haydock, from his mind boggling hardbolled monster APE RAPE (in which the ape is named Kaanga-- see an- ‘otherpb by sametite!)a/waCAGED LUST (inwhich monkey-poo's moni- ker is Banga); "Kaanga grabbed her by the shoulders and she slumped half hysterical into his, mammouth hairy arms. Witha grunt of rage, Kanga ripped away her clothes, shredding them. He threw her mercilessly down on the floor and dropped onto hor. He roared out his brutality, his savagery, hi agony. Lila Gibson shuddered compulsively, dreadfully obscene murmurings pouring over her lips as she stared entranced at Kaanga and the whimpering prostitute, Al- etta. She trembled hysterically, eyes ‘widening with strange, lurid fasci- nation. Then something happened to her and she started hissing and panting and shrieking hysterically. She ranted and raved on the brink of insanity. Her hellish shrieks inter- mingled with the barbaric grunts bursting from Kaanga's great throat as he attacked the woman laying prone beneath him.” Okay, it may not be one of the tenderestlove scenes ever written, but jeepers, You Get The Picture without the slightest smidgen of anatomical descriptive. Certainly hysteria has her day in Haydock’s bizarre world! The closing chapter of the novel has the neroine going canine after the death of Kaanga, but there, | spoiled it now forall you plothungry orangutangs out there! ‘Check out this batch of luscious monkeyshines.THESE 4 BOOKS WERE CREATED TO SELL FOR A LOT OF MONEY. THEY ARE NOW BEING SOLD FOR $2 EACH. *“THE PUSHOVER” *“THE TORRID AFFAIR” “Ben and Ruth had ki A See “Helen wasn’t a bad girl at heart.” other jor just serenty-two hours!” *“PASSION FOREVER” *“FAST AND LOOSE” “Helene was fairly embarked on her “Jolissa had always lived sedately new career! * with two maiden aunts... Here is “‘different’ entertainment which will give you a big surprise. These are the kind of books we know you have been looking for. It is the kind of reading we know you want... cond we are in a position to ship. If you send cash or money order we will pay delivery charges . . . or you may order C.0.D. plus postage. (No C.O.D,'s out of the country.) -SEND COUPON TODAY. LION SALES CO., Inc., 1650 Broadway Dept. 112, New York 19, N. Y. Ger on: Please rush the following books: CO “THE PUSHOVER” 0 “THE TORRID AFFAIR” G “PASSION FOREVER” 0 “FAST AND LOOSE” 0 ALL 4 BOOKS $7. NAME. = ADDRESS. ZONE NO.____ STATE. ite amare