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There are many different ideas, but what is theme in film and TV
screenwriting?
Your script theme needs to carry both the weight of the story and a connection
to the audience. That's a significant burden to bear. So how can you tell if your
theme is coming across, or if you even have one?
Think of the theme like the thesis statement of a paper. Again, we come back
to the central message. John August describes the theme as "what is true and
what is real."
So what's true at the center of your story? Maybe you're writing about
realizing your parents are flawed humans, or that love conquers all, or that
trust and respect are earned.
But maybe you don't know your theme yet. Stephen King thinks it comes after
you write the story and emerges in other drafts. Stephen King had this to say in
"On Writing:"
"Good fiction always begins with story and progresses to theme, it almost
never begins with theme and progresses to story. The only possible exception
to this rule that I can think of are allegories like George Orwell's "Animal
Farm". Once you have a basic story on paper, you need to think about what it
means and enrich your following drafts with your conclusions. To do less is to
rob your work (and eventually your readers) of the vision that makes each tale
you write uniquely your own."
Whatever the case may be, once you decide on your theme, you should be
writing to that theme. But how do you decide? Determining theme is not an
easy task.
That central message is behind every story decision in the movie. The movie
seeks to argue this point back and forth. At times, we see the deep friendship
of Harry and Sally, and we think, "Sure, maybe they can be friends." But then
we realize that that banter is so cute and all we want is for them to be
together and we understand that the sexual tension and romance is way more
important than being stupid friends.
Each character and their actions are written from this point of view. And the
theme gives people something to talk about as they walk away.
Well, I know you're not Nora Ephron, so you might be having a bit of trouble
finding the theme of your screenplay.
What I love
What I hate
What I fear
What I believe
What I value
What I want
What I know about
People who made a difference in my life
Discoveries that made a difference in my life
Decisions that made a difference in my life
theme definition this can help you find your theme in your writing.
After you do that, you'll be a lot closer to discovering the theme of your work.
The theme is closely tied to the internal struggle you want your audience to
understand while watching the movie. So you're not really finding and defining
as much as building the theme into the story.
Let's look at Theme Examples in Famous Films
What is an example of a theme? Themes just don't show up, you can imply
them, with an implied theme or you can just call them out generally.
Sometimes it's easier to just look at the themes present in some of our favorite
films. Think about a movie like Fargo. The entire story is built around money,
and whether or not you need money to be happy. Jerry wants it and is willing
to sacrifice his wife to get it. Marge knows it's love that really makes you
happy, not money.
The movie is written from both points of view. Marge's encounters are all
about love, and Jerry's are all about money. When they finally meet in the end,
Jerry learns his lesson and Marge cuddles up next to her husband. Each is able
to answer the theme.
Let's look at a few more examples to work theme out in our own scripts.
Jurassic Park does a great job providing us characters who explore this theme.
Dr. Grant and Ellie are archeologists, literally living and working in the past and
not interested in the technology of the future. Hammond and his team are
only interested in taking the past and making it part of the future because
they're able to do that.
Malcolm becomes the voice of reason, delivering our theme. "Just because we
can, doesn't mean we should."
Over the course of the movie's two hours, we see characters debate this
complex issue. Technology saves Dr. Grant's life a few times, but the sheer act
of bringing the dinosaurs back to life refutes that we should wantonly wield
technological advances.
Hammond and many members of his park fall victim to their hubris.
Pulp Fiction is a movie that's thematically about fate. Are we in control or are
there larger forces at work? You can read the Pulp Fiction screenplay here for
extra analysis.
Guardians of The Galaxy Vol. II has a great theme. "Can your friends become
your family?"
We see Quill, Rocket, Groot, and Yondu debate this fact over and over. The
central question of the story is "Who is your daddy?" Quill learns that your
biological heritage doesn't matter. What matters are the people who are
willing to die for you. Those people, no matter if they are human, alien, god, or
raccoon can become your family.
The choices, stakes, and set pieces in the movie all are written from the family
dynamic and make this sequel special.