l

And So It Goes
74
IJ

v Words end Music bY

For SA'13 a caPPella BILTY JOEL
.j - Arranged bY
Hymn-like, but with rubato (J = câ. 60) (t: = J)I BOB CHILCOTT

Soprano

In ev-'ry heart there is a room, sanc tu - ar - Y safe and

P
Alto a

a sanc tu-ar-Y safe and

In ev- heart there is roorn,
p
Tenor a

there is room, sanc tu-ar-y safe and

In ev-'ry heart
p
Bass

In ev-'ry heart there is a room, sanc tu - ar - Y safe and

_j_
ll

Ilyrnn-like, but with rubato d = câ. 60) d ': = J 'l'I

Piano
(For
rehearsal
onlY)

\ - J'

To heal the wounds from lov - ers past' un til new one - cornes a
strong.

a
a

wounds- from lov -ers past, un til a n* one comes a

strong. To heal the

To heal the wounds from lov - ers past, æ un til a n* one cornes a
strong.

the wounds frorn lov - ers past, un til a new one comes a
strong. To heal

O 1983 JOEL SONGS

This aïransenrent @ 1992 JOEL SONGS
Un EMI BLACKWOOD MUSIC INC'
 75

\'-z
long. I spoke to you
a

1n cau - tious tones; - you an-swered rne with no pre -

np

a
e.
long. I spoke to you ln cau - tious tones; - you an-swered me with no pre -

ry
e.
I spoke to you ln cau - trous tones; you an - swered rne with no pre -
long. -
ry ,-.

long. I spoke to you ln cau - trous tones; - you an - swered rne with no pre -

tr

\.-.''l \, a

tense. And still I feel I said too much. My si- lence is my

- self - de -

\,-Z J. e
tense. An d still I feel said too much, My si-lence G my self - de

tense, And still I feel I said too much. My si-lence ir my self - de

,-r

tensg. And still I feel I said too much. My si- lence ls my self - de
76

poco cresc.

fense. Oo
poco cresc.

fense. Oo
poco cresc.

fense. Oo
poco cresc.
'
And eu - 'ry- time I've held a rose it seerns I on ly felt the thorns. -
-
,^.J.
Solo

fense,

: poco rit.

:----z
poco rit.

poco rit.

poco rit,
And so it goes and so it goes, and so will you - soon I sup

. fr.---J.
-
 77

,t' t\ a tempo
E
P

\--l

- But if r ry si-lence made you leave, - then that would be- my worst mis-

- F oteml ?o
a

o' - \--l ' i.û

woo But if my si-lence made you leave, then that would be- my worst mis-
-

J
2 -.

_ But if my si-lence made you leave, then that would be- my worst mis-
pc rse.
I t..,.r:l n
-
ItuLtL/ E rtafôn^^
3r.rrtl.'rt
I

But if my then that would be- my worst mis-

'@ si-lence made you leave, -
I
I

:tYIt 7
rl 3' J. i - l-.
rl
patemPo
*ç' Ê*î 2
"Ê= -

\-/
take. So I will share this room \with you. And you can have this - heart to

\-../
take. é So I will share this room \ryith You" And you can have this hean to

tâke. So I will share this room \pith you. And you can trate this heart to
- - r-.-_-__

take. So I will share this room 'È/ith you. And you can have this heart to

,T.rtr-
78
.4.-?-3
poco crescP

break. Oo
-.-.r_
poco cresc.

Oo
poco cresc.

:I T
break. Oo
And this is why my eyes are closed, _ it's just as well - for all I've iÈ
Ê'l 3
seen.
H t'
\çIo | ànà. I

break. Oo
'DOCO CreSC.
[351

so it
:

I
And goes and so' it goes poco rit.
Solo (tutti)
-
:-a.--r--Z .J
tp
poco rit.

poco rit.

ah
And so iGoes and so it goes and you're the ly one who
poco ri_t.
---J.
- a

qINrltrPq qATR
 79

E]
Pp a tempo

So I \would choose
- to be with you. That's if the choice were mine to
gp a tempo

G' -
with you. That's if the choice were mine to

\\---/ a

So I would choose to be with you. That's if the choice were mine to

-
Ep a tempo
tutti

So I would choose to be with you. That's if the choice were mine to

-
@

make. But you can make de - ci - stons too. And you can have this heart to break. -
nf molto rit. f- P

\.--Él,
make. But you can make de - ci - stons too. And you can have this - heart to break. -/
*1 molto rit.
p ,< i

\--/
make. But you can rnake de - ci - sions too.
r- And you can have this heart to break. -
*f molto rit. ,, p

make. But you can make de - ci - sions too. And you can have this heart ro b{ea\k:
Slower

ANNIVERSARY JUBILEE _ SATB

f

80
f- o'I

-l-\/
doo doo
Doo doo doo doo doo doo doo doo doo doo - doo doo doo

pp iegato | _ b
al

-)'. tlt,t
Doo ;" ;" ooo doo doo doo doo doo doo doo doo - doo doo doo
L,+: gp legato
1

**.*.1

\-./
Doo doodoo doo doo doo doo doo- doo doo doo doo - doo doo doo
| -, Iry legato ^ a r !-E!!
a

)
Doo doo doo doo doo doo doo doo doo doo doo doo - doo doo doo

A tempo @| t
t

de J
r7
rl \.,/ a d. t
\-/5.7eJ yp_^
I a
? ?' çt t ^.
-
)

,rit. lslo*"r
l*^*-":'r'
I (long)
11-

\-, a a

doo And so it goes -{ppf

it goes,
rn-
and you're the on ly- one who knows.
gp !: pp /i--

\-/ I

doo And so it goes and so it BGS, _ and you're the on ly one who knows.
gp: - rlt.
--- gp 1>
doo And so it goes æ and so it B@s, and you're the on ly one who knows.
rit.
sp <m /1
:>-

\/ (ë.)
doo And so it goes and so it 8OeS, and you're the on ly one who knows.

Slower
ô

(ë.)
THE KING'S SINCERS ANNIVERSARY JUBILEE _ SATB